Praise | Lisa Harper at Propel Conference | July 16, 2019 | TBN

Praise | Lisa Harper at Propel Conference | July 16, 2019

Watch Praise | Lisa Harper at Propel Conference | July 16, 2019
July 16, 2019
57:29

Christine Caine hosts Lisa Harper at Propel Conference

Closed captions
  • CHRIS CAINE.
  • 00:00:00.000 --> 00:00:01.020
  • THANKS FOR JOINING US AT PROPEL
  • 00:00:01.020 --> 00:00:01.240
  • ACTIVATE.
  • 00:00:01.240 --> 00:00:02.220
  • WE'RE HERE IN LONG BEACH,
  • 00:00:02.220 --> 00:00:03.120
  • CALIFORNIA.
  • 00:00:03.120 --> 00:00:05.260
  • I'M HERE WITH MY DEAR FRIENDS,
  • 00:00:05.260 --> 00:00:06.280
  • I KNOW THAT GOD'S GONNA SPEAK TO
  • 00:00:09.210 --> 00:00:10.140
  • YOU TODAY.
  • 00:00:10.140 --> 00:00:12.060
  • [MUSIC]
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  • - MALE ANNOUNCER: TONIGHT ON
  • 00:00:17.100 --> 00:00:18.060
  • "PRAISE,"
  • 00:00:18.060 --> 00:00:19.190
  • FROM LONG BEACH, CALIFORNIA,
  • 00:00:19.190 --> 00:00:20.090
  • CHRISTINE CAINE,
  • 00:00:20.090 --> 00:00:22.230
  • LISA HARPER,
  • 00:00:22.230 --> 00:00:24.220
  • - CHRISTINE: IN THE LAST FEW
  • 00:00:33.080 --> 00:00:33.290
  • YEARS, I'VE SPENT SO MUCH TIME
  • 00:00:33.290 --> 00:00:35.190
  • WITH WOMEN THAT ARE INVOLVED IN
  • 00:00:35.190 --> 00:00:36.250
  • AND ESPECIALLY THROUGH THE
  • 00:00:40.060 --> 00:00:40.250
  • EXPLOSION OF THE A21 CAMPAIGN,
  • 00:00:40.250 --> 00:00:41.220
  • I'VE BEEN WITH GIRLS IN
  • 00:00:41.220 --> 00:00:44.010
  • GOVERNMENT AND IN LAW, AND JUST
  • 00:00:44.010 --> 00:00:45.050
  • ACROSS SO MANY DIFFERENT AREAS
  • 00:00:45.050 --> 00:00:46.060
  • IN SECULAR SOCIETY, AND I
  • 00:00:46.060 --> 00:00:47.160
  • REALIZE THAT THERE IS JUST SUCH
  • 00:00:47.160 --> 00:00:49.030
  • A GAP AND SUCH AN ABSENCE OF
  • 00:00:49.030 --> 00:00:50.210
  • THESE ARE WOMEN ON THE
  • 00:00:53.130 --> 00:00:54.000
  • FRONTLINES.
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  • THEY ARE FACE-TO-FACE ON THE
  • 00:00:55.250 --> 00:00:57.080
  • COLD FRONT WITH PEOPLE WHO NEED
  • 00:00:57.080 --> 00:00:58.200
  • TO KNOW JESUS, YET THEY NEED
  • 00:00:58.200 --> 00:00:59.200
  • ENCOURAGEMENT THEMSELVES.
  • 00:00:59.200 --> 00:01:00.110
  • HOW DO YOU COPE WITH THE
  • 00:01:00.110 --> 00:01:00.290
  • BOMBARDMENT OF JUST, KIND OF,
  • 00:01:00.290 --> 00:01:02.110
  • LIVING IN A REAL WORLD, AND HOW
  • 00:01:02.110 --> 00:01:04.080
  • DO YOU BRING A LIVING JESUS TO A
  • 00:01:04.080 --> 00:01:05.150
  • DYING WORLD?
  • 00:01:05.150 --> 00:01:07.110
  • HOW DO YOU NAVIGATE, IF YOU'RE
  • 00:01:07.110 --> 00:01:08.140
  • MARRIED, BEING A WIFE, BEING A
  • 00:01:08.140 --> 00:01:09.200
  • MOTHER, AND KIND OF BEING
  • 00:01:09.200 --> 00:01:11.030
  • FULL-TIME AT WORK, AND IF YOU'RE
  • 00:01:11.030 --> 00:01:12.230
  • SINGLE, HOW DO YOU NAVIGATE
  • 00:01:12.230 --> 00:01:13.250
  • BEING SINGLE IN THE CRAZY WORLD
  • 00:01:13.250 --> 00:01:14.210
  • THAT IS OUT THERE?
  • 00:01:14.210 --> 00:01:16.170
  • WELL, I THOUGHT, "YOU KNOW WHAT?
  • 00:01:16.170 --> 00:01:18.020
  • I SEE THAT GAP, AND I'VE GOT A
  • 00:01:18.020 --> 00:01:19.120
  • WHOLE BUNCH OF FRIENDS THAT ARE
  • 00:01:19.120 --> 00:01:21.050
  • INVOLVED THERE.
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  • PERHAPS WE CAN HELP EACH OTHER,
  • 00:01:22.140 --> 00:01:23.160
  • SISTER TO SISTER, AND WE CAN
  • 00:01:23.160 --> 00:01:24.230
  • PROVIDE RESOURCES AND
  • 00:01:24.230 --> 00:01:25.240
  • ENCOURAGEMENT AND STRENGTH TO
  • 00:01:25.240 --> 00:01:27.160
  • NOT ONLY HELP ACTIVATE THE
  • 00:01:27.160 --> 00:01:28.290
  • POTENTIAL IN PEOPLE, BUT ALSO TO
  • 00:01:28.290 --> 00:01:29.290
  • RESOURCE THOSE THAT ARE ON THE
  • 00:01:29.290 --> 00:01:31.140
  • FRONTLINES TO BE MORE EFFECTIVE
  • 00:01:31.140 --> 00:01:33.050
  • AMBASSADORS FOR CHRIST IN THE
  • 00:01:33.050 --> 00:01:34.180
  • WORLD."
  • 00:01:35.040 --> 00:01:38.040
  • - FEMALE: AT PROPEL, WE BELIEVE
  • 00:01:38.040 --> 00:01:39.090
  • IN THE PASSION, PURPOSE, AND
  • 00:01:39.090 --> 00:01:40.120
  • POTENTIAL OF EVERY WOMAN,
  • 00:01:40.120 --> 00:01:42.240
  • WHATEVER HER SPHERE OF LIFE IS,
  • 00:01:42.240 --> 00:01:43.200
  • WHETHER IT'S MEDICINE, SCIENCE,
  • 00:01:43.200 --> 00:01:45.060
  • TECHNOLOGY OR LAW,
  • 00:01:45.060 --> 00:01:47.070
  • ENTERTAINMENT, SPORTS, BUSINESS
  • 00:01:47.070 --> 00:01:47.290
  • OR MINISTRY.
  • 00:01:47.290 --> 00:01:49.150
  • WHEREVER SHE IS, SHE SEES IT AS
  • 00:01:49.150 --> 00:01:51.100
  • HER GOD-GIVEN OPPORTUNITY TO
  • 00:01:51.100 --> 00:01:53.010
  • BRING LEADERSHIP AND DIRECTION
  • 00:01:53.010 --> 00:01:54.120
  • TO THAT PLACE.
  • 00:01:54.120 --> 00:01:55.150
  • WE BELIEVE THAT PROPEL IS FOR
  • 00:01:55.150 --> 00:01:56.230
  • YOU, AND YOU ARE A PROPEL WOMAN,
  • 00:01:56.230 --> 00:01:58.120
  • READY AND WILLING TO THRIVE IN
  • 00:01:58.170 --> 00:02:01.190
  • EVERY AREA OF LIFE.
  • 00:02:01.190 --> 00:02:02.190
  • - JENN JOHNSON: SING, "GOD,
  • 00:02:41.120 --> 00:02:42.020
  • GOD, I LOOK TO YOU, AND I
  • 00:02:45.180 --> 00:02:47.210
  • WON'T BE OVERWHELMED
  • 00:02:48.220 --> 00:02:51.220
  • GIVE ME VISION
  • 00:02:52.120 --> 00:02:55.120
  • TO SEE THINGS LIKE YOU DO
  • 00:02:55.170 --> 00:02:58.170
  • GOD, I LOOK TO YOU,
  • 00:02:59.060 --> 00:03:02.080
  • AND YOU'RE WHERE
  • 00:03:02.080 --> 00:03:03.280
  • MY HELP COMES FROM
  • 00:03:03.280 --> 00:03:05.070
  • GIVE ME WISDOM 'CAUSE YOU KNW
  • 00:03:05.070 --> 00:03:08.000
  • JUST WHAT TO DO,
  • 00:03:09.060 --> 00:03:12.060
  • OH, OH-OH
  • 00:03:15.180 --> 00:03:18.180
  • YOU KNOW JUST WHAT TO DO
  • 00:03:19.020 --> 00:03:22.020
  • - JENN: SING IT AGAIN,
  • 00:03:22.020 --> 00:03:23.070
  • "GOD, I LOOK TO YOU"
  • 00:03:23.070 --> 00:03:26.060
  • GOD, I LOOK TO YOU,
  • 00:03:26.160 --> 00:03:29.160
  • AND I WON'T BE OVERWHELMED
  • 00:03:31.070 --> 00:03:34.070
  • GIVE ME VISION TO SEE THINGS
  • 00:03:34.070 --> 00:03:35.280
  • LIKE YOU DO
  • 00:03:38.170 --> 00:03:41.170
  • GOD, I LOOK TO YOU, AND YOU'E
  • 00:03:41.170 --> 00:03:43.190
  • WHERE MY HELP COMES FROM
  • 00:03:48.190 --> 00:03:51.190
  • GIVE ME WISDOM 'CAUSE YOU KNW
  • 00:03:51.190 --> 00:03:52.260
  • JUST WHAT TO DO,
  • 00:04:01.270 --> 00:04:04.270
  • - JENN: "I WILL LOVE."
  • 00:04:05.290 --> 00:04:08.290
  • AND I WILL LOVE YOU, LORD,
  • 00:04:09.130 --> 00:04:12.130
  • MY STRENGTH
  • 00:04:14.030 --> 00:04:17.030
  • I WILL LOVE YOU, LORD,
  • 00:04:17.030 --> 00:04:18.270
  • MY SHIELD
  • 00:04:19.090 --> 00:04:22.090
  • AND I WILL LOVE YOU, LORD,
  • 00:04:23.140 --> 00:04:26.140
  • MY ROCK, FOREVER
  • 00:04:26.260 --> 00:04:29.260
  • ALL MY DAYS I WILL LOVE YOU,
  • 00:04:31.090 --> 00:04:34.090
  • GOD
  • 00:04:34.090 --> 00:04:35.170
  • - JENN: SING IT AGAIN, "I WILL
  • 00:04:35.170 --> 00:04:37.010
  • LOVE."
  • 00:04:37.010 --> 00:04:38.230
  • OH, I WILL LOVE YOU, OH, LOR,
  • 00:04:38.230 --> 00:04:41.090
  • YOU ARE MY STRENGTH
  • 00:04:41.150 --> 00:04:44.150
  • AND I WILL LOVE YOU, LORD,
  • 00:04:44.150 --> 00:04:47.140
  • MY SHIELD
  • 00:04:48.070 --> 00:04:51.070
  • AND I WILL LOVE YOU, LORD,
  • 00:04:51.120 --> 00:04:54.120
  • MY ROCK, FOREVER
  • 00:04:55.200 --> 00:04:58.200
  • ALL MY DAYS I WILL LOVE YOU,
  • 00:04:58.200 --> 00:04:59.230
  • GOD,
  • 00:05:04.270 --> 00:05:07.270
  • ALL MY DAYS
  • 00:05:07.270 --> 00:05:09.110
  • YES, HALLELUJAH, OUR GOD
  • 00:05:09.110 --> 00:05:11.180
  • REIGNS
  • 00:05:11.180 --> 00:05:14.160
  • LIFT YOUR VOICES LOUD
  • 00:05:14.160 --> 00:05:15.170
  • HALLELUJAH, OUR GOD REIGNS
  • 00:05:19.260 --> 00:05:22.260
  • HALLELUJAH, OUR GOD REIGNS
  • 00:05:26.140 --> 00:05:29.140
  • FOREVER, ALL MY DAYS
  • 00:05:29.140 --> 00:05:31.270
  • - JENN: COME ON, LIFT YOUR
  • 00:05:31.270 --> 00:05:34.040
  • HANDS IN THIS PLACE AND SING IT
  • 00:05:34.040 --> 00:05:35.130
  • AGAIN, "HALLELUJAH."
  • 00:05:35.130 --> 00:05:36.280
  • OH, HALLELUJAH, OUR GOD REIGS
  • 00:05:40.020 --> 00:05:43.020
  • HALLELUJAH, OUR GOD REIGNS
  • 00:05:47.060 --> 00:05:50.060
  • HALLELUJAH, OUR GOD REIGNS
  • 00:05:54.110 --> 00:05:57.110
  • FOREVER, ALL MY DAYS,
  • 00:05:57.110 --> 00:05:59.100
  • HALLELUJAH
  • 00:05:59.180 --> 00:06:02.200
  • - JENN: HALLELUJAH.
  • 00:06:12.100 --> 00:06:15.100
  • FOREVER, OH, MY JOY
  • 00:06:25.060 --> 00:06:28.060
  • - JENN: HALLELUJAH.
  • 00:06:28.060 --> 00:06:30.290
  • OH, HALLELUJAH, OUR GOD REIGS
  • 00:06:32.230 --> 00:06:35.230
  • HALLELUJAH, OUR GOD REIGNS
  • 00:06:40.110 --> 00:06:43.110
  • HALLELUJAH, OUR GOD REIGNS
  • 00:06:47.120 --> 00:06:50.120
  • FOREVER, ALL MY DAYS
  • 00:06:51.020 --> 00:06:54.020
  • - JENN: COME ON, SING IT AGAIN.
  • 00:06:54.290 --> 00:06:57.290
  • AND HALLELUJAH, OUR GOD REIGS
  • 00:07:00.050 --> 00:07:03.050
  • - JENN: COME ON, SING IT OVER
  • 00:07:03.050 --> 00:07:03.270
  • YOUR CIRCUMSTANCE.
  • 00:07:03.270 --> 00:07:04.290
  • HALLELUJAH, OUR GOD REIGNS,
  • 00:07:07.160 --> 00:07:10.160
  • NO MATTER WHAT IT LOOKS LIKE
  • 00:07:10.160 --> 00:07:11.230
  • HALLELUJAH, OUR GOD REIGNS
  • 00:07:13.060 --> 00:07:16.060
  • FOREVER, ALL MY DAYS
  • 00:07:17.230 --> 00:07:20.230
  • - JENN: COME ON, THERE'S A
  • 00:07:20.230 --> 00:07:23.050
  • SPIRIT OF FAITH BEING STIRRED
  • 00:07:23.050 --> 00:07:23.260
  • HERE.
  • 00:07:23.260 --> 00:07:25.020
  • I DON'T KNOW IF YOU BELIEVE THAT
  • 00:07:25.020 --> 00:07:26.130
  • THIS MORNING, BUT I WANT YOU TO
  • 00:07:26.130 --> 00:07:27.160
  • SING IT OUT AGAIN LIKE YOU DO
  • 00:07:27.160 --> 00:07:28.270
  • 'CAUSE FAITH IS ARISING, AND WE
  • 00:07:28.270 --> 00:07:30.120
  • ARE PROPHESYING TO OUR
  • 00:07:30.120 --> 00:07:31.000
  • CIRCUMSTANCES.
  • 00:07:31.000 --> 00:07:32.150
  • IT DOESN'T MATTER WHAT YOU LOOK
  • 00:07:32.150 --> 00:07:33.120
  • LIKE.
  • 00:07:33.120 --> 00:07:33.280
  • IT DOESN'T MATTER WHAT THE FACTS
  • 00:07:33.280 --> 00:07:35.050
  • ARE.
  • 00:07:35.050 --> 00:07:35.230
  • MY GOD SAYS SOMETHING VERY
  • 00:07:35.230 --> 00:07:37.200
  • DIFFERENT,
  • 00:07:37.200 --> 00:07:38.170
  • SO SING THIS INTO THE
  • 00:07:38.170 --> 00:07:39.240
  • ATMOSPHERE.
  • 00:07:39.240 --> 00:07:40.090
  • SING THIS INTO YOUR
  • 00:07:40.090 --> 00:07:40.260
  • CIRCUMSTANCE.
  • 00:07:40.260 --> 00:07:41.120
  • FOREVER, ALL MY DAYS
  • 00:07:47.000 --> 00:07:49.150
  • - JENN: COME ON LIFT IT UP,
  • 00:07:49.150 --> 00:07:50.260
  • "HALLELUJAH."
  • 00:07:50.260 --> 00:07:51.140
  • LIFT YOUR HANDS AGAIN,
  • 00:07:51.140 --> 00:07:52.240
  • COME ON.
  • 00:07:52.240 --> 00:07:53.120
  • [MUSIC]
  • 00:07:53.120 --> 00:07:55.010
  • HALLELUJAH, OH, OUR GOD REIGS
  • 00:07:58.200 --> 00:08:01.220
  • HALLELUJAH, OUR GOD REIGNS
  • 00:08:04.130 --> 00:08:07.130
  • HALLELUJAH, OUR GOD REIGNS
  • 00:08:12.060 --> 00:08:15.060
  • FOREVER, ALL MY DAYS
  • 00:08:15.060 --> 00:08:17.180
  • OH, AND HALLELUJAH,
  • 00:08:23.020 --> 00:08:26.020
  • OUR GOD REIGNS
  • 00:08:27.170 --> 00:08:30.170
  • HALLELUJAH, OUR GOD REIGNS
  • 00:08:33.020 --> 00:08:36.020
  • HALLELUJAH, OUR GOD REIGNS
  • 00:08:40.150 --> 00:08:43.150
  • FOREVER, ALL MY DAYS,
  • 00:08:43.150 --> 00:08:45.070
  • HALLELUJAH
  • 00:08:45.290 --> 00:08:48.290
  • [APPLAUSE]
  • 00:08:55.060 --> 00:08:58.060
  • [MUSIC]
  • 00:08:58.060 --> 00:09:00.250
  • OH, OH-OH
  • 00:09:00.250 --> 00:09:02.080
  • OH, OH-OH
  • 00:09:02.080 --> 00:09:04.010
  • OH, OH-OH
  • 00:09:04.010 --> 00:09:06.160
  • - CHRISTINE: OKAY, SO I'M
  • 00:09:11.120 --> 00:09:12.010
  • SUPER-PUMPED TO HAVE YOU WITH
  • 00:09:12.010 --> 00:09:12.220
  • US.
  • 00:09:12.220 --> 00:09:13.040
  • YOU ARE TRULY MY SISTER FROM
  • 00:09:13.040 --> 00:09:14.120
  • ANOTHER MISTER.
  • 00:09:14.120 --> 00:09:15.180
  • [LAUGHTER]
  • 00:09:15.180 --> 00:09:16.000
  • - LISA HARPER: ABSOLUTELY,
  • 00:09:16.000 --> 00:09:16.200
  • ABSOLUTELY, BUT YOU GOT MOM'S
  • 00:09:16.200 --> 00:09:17.270
  • INTELLIGENCE.
  • 00:09:17.270 --> 00:09:18.180
  • AND I GOT DAD'S.
  • 00:09:18.180 --> 00:09:19.210
  • - CHRISTINE: YEAH, WELL, YES.
  • 00:09:19.210 --> 00:09:20.120
  • [LAUGHTER]
  • 00:09:20.120 --> 00:09:21.110
  • - LISA: KIND OF GROOVE WITH
  • 00:09:21.110 --> 00:09:22.180
  • YOU.
  • 00:09:22.180 --> 00:09:25.120
  • - CHRISTINE: NOW, TELL ME, WHY
  • 00:09:25.120 --> 00:09:26.190
  • DO YOU LOVE PROPEL?
  • 00:09:26.190 --> 00:09:27.240
  • - LISA: YOU KNOW, FIRST OF ALL,
  • 00:09:27.240 --> 00:09:29.030
  • I LOVED PROPEL BECAUSE I LOVE
  • 00:09:29.030 --> 00:09:29.250
  • YOU AND BECAUSE I KNEW YOUR
  • 00:09:29.250 --> 00:09:31.000
  • HEART AND I KNEW IT WOULDN'T BE
  • 00:09:31.000 --> 00:09:31.220
  • A SUPERFICIAL WOMEN'S CONFERENCE
  • 00:09:31.220 --> 00:09:33.030
  • WHERE WE TALKED ABOUT
  • 00:09:33.030 --> 00:09:33.230
  • SCRAPBOOKING, SO I THOUGHT,
  • 00:09:33.230 --> 00:09:35.000
  • I TRUST THAT IT'S REALLY GONNA
  • 00:09:37.190 --> 00:09:38.110
  • BE ABOUT OUR PURPOSE AND TO BE
  • 00:09:38.110 --> 00:09:39.100
  • ABOUT JESUS, FIRST AND FOREMOST.
  • 00:09:39.100 --> 00:09:40.020
  • THERE'S GONNA BE CONTENT.
  • 00:09:40.020 --> 00:09:41.220
  • IT'S GONNA BE AUTHENTIC."
  • 00:09:41.220 --> 00:09:42.210
  • AND SO, FIRST, IT WAS JUST YOU.
  • 00:09:42.210 --> 00:09:45.050
  • I WAS JUST SOLD ON, KIND OF,
  • 00:09:45.050 --> 00:09:46.000
  • THE-- WHATEVER VISION GOD HAD
  • 00:09:46.000 --> 00:09:47.080
  • GIVEN YOU.
  • 00:09:47.080 --> 00:09:47.260
  • CHRIS, I CAN STILL REMEMBER THE
  • 00:09:50.080 --> 00:09:51.120
  • FIRST ONE OF GOING,
  • 00:09:51.120 --> 00:09:52.030
  • "THIS FEELS DIFFERENT"
  • 00:09:52.030 --> 00:09:54.220
  • BECAUSE WE WERE ALL IN
  • 00:09:54.220 --> 00:09:55.200
  • FROM THE VERY BEGINNING.
  • 00:09:55.200 --> 00:09:56.130
  • FROM THE VERY BEGINNING, IT WAS
  • 00:09:56.130 --> 00:09:58.010
  • LIKE, "THIS IS GOD'S WORD.
  • 00:09:58.010 --> 00:09:58.250
  • THIS IS JESUS.
  • 00:09:58.250 --> 00:09:59.230
  • THIS IS NOT FLUFF, ALTHOUGH IT'S
  • 00:09:59.230 --> 00:10:01.160
  • AUTHENTIC."
  • 00:10:01.160 --> 00:10:03.000
  • I WAS GONNA SHOW YOU THAT I HAVE
  • 00:10:03.000 --> 00:10:05.260
  • A PROPEL TATTOO, BUT IT'S IN
  • 00:10:05.260 --> 00:10:07.210
  • AN INAPPROPRIATE PLACE TO SHOW
  • 00:10:07.210 --> 00:10:08.190
  • TBN BUT--
  • 00:10:08.190 --> 00:10:09.120
  • I DON'T REALLY,
  • 00:10:09.120 --> 00:10:11.230
  • BUT I WOULD.
  • 00:10:11.230 --> 00:10:12.080
  • IF I WAS EVER GONNA TATTOO MY
  • 00:10:12.080 --> 00:10:13.040
  • REAR END, IT WOULD BE WITH A
  • 00:10:13.040 --> 00:10:13.240
  • PROPEL LOGO.
  • 00:10:13.240 --> 00:10:14.220
  • [LAUGHTER]
  • 00:10:14.220 --> 00:10:16.000
  • - CHRISTINE: YOU KNOW, I THINK
  • 00:10:16.000 --> 00:10:16.270
  • THAT'S THE BEST POSSIBLE SEGUE
  • 00:10:16.270 --> 00:10:17.290
  • INTO-- YOU'RE GONNA SPEAK
  • 00:10:17.290 --> 00:10:18.270
  • - LISA: DEEP AND BIBLICAL.
  • 00:10:20.110 --> 00:10:21.170
  • - CHRISTINE: -- WITHOUT
  • 00:10:21.170 --> 00:10:22.050
  • REVEALING ANY PART OF YOURSELF
  • 00:10:22.050 --> 00:10:23.040
  • SO-- TONIGHT, YOU KNOW, I MEAN,
  • 00:10:23.040 --> 00:10:24.060
  • WE'RE ABOUT TO KICK OFF OUR
  • 00:10:24.060 --> 00:10:25.010
  • FOURTH SEASON, AND WHAT'RE YOU
  • 00:10:25.010 --> 00:10:26.150
  • - LISA: YOU KNOW ME,
  • 00:10:30.100 --> 00:10:31.060
  • AND YOU KNOW I LOVE HUGGIN'
  • 00:10:31.060 --> 00:10:31.260
  • PEOPLE TO MY CHEST.
  • 00:10:31.260 --> 00:10:33.260
  • I'M SO COMMUNITY ORIENTED AND SO
  • 00:10:33.260 --> 00:10:35.170
  • RELATIONALLY, BUT THE LORD HAS
  • 00:10:35.170 --> 00:10:36.290
  • JUST HAD ME SITTIN' IN SOMETHIN'
  • 00:10:36.290 --> 00:10:38.260
  • FOR THE LAST COUPLE OF MONTHS,
  • 00:10:38.260 --> 00:10:40.020
  • AND IT IS REALLY THE NECESSARY
  • 00:10:40.020 --> 00:10:42.150
  • PECULIARITY: ALONENESS OF BEIN'
  • 00:10:43.250 --> 00:10:46.250
  • A DEVOTED CHRIST-FOLLOWER, THAT
  • 00:10:46.250 --> 00:10:47.290
  • WE ARE NOT SUPPOSED TO LOOK LIKE
  • 00:10:47.290 --> 00:10:48.290
  • THE WORLD.
  • 00:10:48.290 --> 00:10:49.210
  • WE'RE SUPPOSED TO LOVE THE
  • 00:10:49.210 --> 00:10:50.120
  • WORLD, BUT THERE IS A DIFFERENCE
  • 00:10:50.120 --> 00:10:52.220
  • IN US, YOU KNOW.
  • 00:10:52.220 --> 00:10:54.010
  • PETER CALLS IT "PECULIAR"
  • 00:10:54.010 --> 00:10:55.160
  • PEOPLE.
  • 00:10:55.160 --> 00:10:56.290
  • WE'VE BOTH TALKED ABOUT BEIN'
  • 00:10:56.290 --> 00:10:58.040
  • ALIENS AND STRANGERS, BUT I
  • 00:10:58.040 --> 00:10:58.240
  • WANNA TALK ABOUT WHERE, WHEN
  • 00:10:58.240 --> 00:11:00.290
  • YOUR AFFECTION FOR JESUS CROWDS
  • 00:11:00.290 --> 00:11:02.110
  • OUT THE LESSER AFFECTIONS OF
  • 00:11:02.110 --> 00:11:03.220
  • YOUR HEART AND YOU'RE NOT AS
  • 00:11:03.220 --> 00:11:04.250
  • DEFINED BY PUBLIC OPINION AS YOU
  • 00:11:04.250 --> 00:11:06.100
  • ARE BY JUST THE GOODNESS OF GOD,
  • 00:11:06.100 --> 00:11:08.030
  • THE FAVOR OF GOD, SO I'M
  • 00:11:08.030 --> 00:11:09.290
  • TEACHIN' ON LUKE 4, WHEN JESUS
  • 00:11:09.290 --> 00:11:12.020
  • WENT INTO HIS HOME SYNAGOGUE.
  • 00:11:12.020 --> 00:11:12.240
  • AND YOU REMEMBER THE STORY?
  • 00:11:12.240 --> 00:11:14.210
  • I MEAN, HE COULD'VE BEEN, KIND
  • 00:11:14.210 --> 00:11:17.080
  • OF, "LOCAL BOY DOES GOOD."
  • 00:11:17.080 --> 00:11:18.060
  • INSTEAD, HE STEPPED ON
  • 00:11:18.060 --> 00:11:19.130
  • EVERYBODY'S TOES 'CAUSE HE WAS
  • 00:11:19.130 --> 00:11:21.230
  • SO MUCH LESS CONCERNED ABOUT
  • 00:11:21.230 --> 00:11:22.280
  • THEIR APPROVAL THAN HE WAS ABOUT
  • 00:11:22.280 --> 00:11:23.280
  • "THIS IS WHAT GOD'S CALLED ME
  • 00:11:23.280 --> 00:11:25.060
  • TO," AND I THINK SOMETIMES WE'VE
  • 00:11:25.060 --> 00:11:26.240
  • FORGOTTEN WE'RE NOT SUPPOSED TO
  • 00:11:26.240 --> 00:11:28.070
  • FIT IN POPULAR CULTURE.
  • 00:11:28.090 --> 00:11:31.090
  • - CHRISTINE: AMEN.
  • 00:11:31.090 --> 00:11:31.260
  • I CANNOT WAIT TO
  • 00:11:31.260 --> 00:11:32.100
  • HEAR THIS.
  • 00:11:32.100 --> 00:11:33.140
  • I'M JUST, KIND OF, THINKING NOW,
  • 00:11:33.140 --> 00:11:35.000
  • A DAY OF SOCIAL MEDIA-- AND
  • 00:11:35.000 --> 00:11:35.220
  • THERE IS SO MUCH NOISE, AND
  • 00:11:35.220 --> 00:11:37.100
  • THERE IS SO MUCH OF A PRESSURE
  • 00:11:37.100 --> 00:11:39.060
  • TO FIT, SO THIS SOUNDS LIKE A
  • 00:11:39.060 --> 00:11:40.130
  • TIMELY WORD, AND WE'RE EXCITED
  • 00:11:40.130 --> 00:11:42.180
  • TO HEAR--
  • 00:11:42.180 --> 00:11:43.080
  • - LISA: RIGHT, AND I THINK WE
  • 00:11:43.080 --> 00:11:44.030
  • CONFUSE "FITTING IN" WITH
  • 00:11:44.030 --> 00:11:45.160
  • CULTURE, WITH "LOVING CULTURE,"
  • 00:11:45.160 --> 00:11:48.090
  • AND THEY'RE NOT-- THERE ARE SOME
  • 00:11:48.090 --> 00:11:49.010
  • PARTIES WE SHOULDN'T BE INVITED
  • 00:11:49.010 --> 00:11:49.230
  • TO.
  • 00:11:49.230 --> 00:11:51.000
  • YOU LOVE PEOPLE AS WELL AS YOU
  • 00:11:51.000 --> 00:11:51.260
  • POSSIBLY CAN FOR THE SAKE OF
  • 00:11:51.260 --> 00:11:52.270
  • CHRIST, BUT WE DON'T LOOK LIKE
  • 00:11:52.270 --> 00:11:53.180
  • THE WORLD.
  • 00:11:53.180 --> 00:11:54.160
  • - CHRISTINE: HELLO.
  • 00:11:54.160 --> 00:11:55.270
  • WELL, NOW, AND WE DEFINITELY
  • 00:11:55.270 --> 00:11:56.170
  • DON'T.
  • 00:11:56.170 --> 00:11:58.090
  • [LAUGHTER]
  • 00:11:58.090 --> 00:11:59.040
  • ANYWAY, I'M SO EXCITED.
  • 00:11:59.040 --> 00:11:59.220
  • I FEEL LIKE YOU ARE KIND OF
  • 00:11:59.220 --> 00:12:00.140
  • CARRYING THIS WITH ME, AND I'M
  • 00:12:00.140 --> 00:12:01.050
  • EXCITED.
  • 00:12:01.050 --> 00:12:01.160
  • WE CAN'T WAIT TO HEAR FROM YOU
  • 00:12:01.160 --> 00:12:02.220
  • TONIGHT SO--
  • 00:12:02.220 --> 00:12:03.040
  • - LISA: IT'S AN HONOR.
  • 00:12:03.040 --> 00:12:03.230
  • I'M THRILLED TO BE HERE.
  • 00:12:03.230 --> 00:12:04.110
  • THANK YOU.
  • 00:12:04.110 --> 00:12:04.230
  • - CHRISTINE: THANK YOU.
  • 00:12:04.230 --> 00:12:06.080
  • [MUSIC]
  • 00:12:06.080 --> 00:12:08.000
  • OH, OH-OH
  • 00:12:08.000 --> 00:12:09.130
  • OH, OH-OH
  • 00:12:09.130 --> 00:12:11.180
  • OH, OH-OH
  • 00:12:11.180 --> 00:12:13.260
  • - LISA: AS CHRIS SAID FROM THE
  • 00:12:19.280 --> 00:12:20.290
  • VERY BEGINNING, WE DON'T PLAY AT
  • 00:12:20.290 --> 00:12:21.270
  • PROPEL.
  • 00:12:21.270 --> 00:12:22.260
  • THIS IS NOT ABOUT A PROGRAM.
  • 00:12:22.260 --> 00:12:24.120
  • THIS IS NOT ABOUT A PERFORMANCE.
  • 00:12:24.120 --> 00:12:25.150
  • THIS IS ABOUT THE PRESENCE OF
  • 00:12:25.150 --> 00:12:26.250
  • GOD, AND SO WOULD YOU PRAY FOR
  • 00:12:26.250 --> 00:12:28.270
  • THOSE BEAUTIFUL, BRAVE WOMEN ON
  • 00:12:28.270 --> 00:12:31.000
  • YOUR RIGHT AND YOUR LEFT?
  • 00:12:31.000 --> 00:12:32.030
  • WE'VE GOT A FEW GUYS.
  • 00:12:32.030 --> 00:12:32.210
  • WE'RE INCLUDING YOU ALL.
  • 00:12:32.210 --> 00:12:33.090
  • WOULD YOU PRAY THAT, IN THIS
  • 00:12:33.090 --> 00:12:35.070
  • MOMENT, GOD'S SPIRIT WOULD
  • 00:12:35.070 --> 00:12:37.120
  • CONTINUE TO TAKE AWAY ANY
  • 00:12:37.120 --> 00:12:38.170
  • ANYTHING THAT HAS VEILED HER
  • 00:12:44.070 --> 00:12:44.270
  • EYES FROM SEEING JESUS CLEARLY,
  • 00:12:44.270 --> 00:12:46.020
  • HER EARS FROM HEARING THE
  • 00:12:46.020 --> 00:12:47.090
  • PURPOSE HE HAS FOR HER.
  • 00:12:47.190 --> 00:12:50.190
  • WOULD YOU, IN THIS MOMENT, JUST
  • 00:12:50.190 --> 00:12:51.240
  • PRAY, "DO IT, LORD, DO IT, LORD.
  • 00:12:51.240 --> 00:12:53.010
  • DO IT FOR ME.
  • 00:12:53.010 --> 00:12:54.230
  • DO IT FOR MY FRIENDS.
  • 00:12:54.230 --> 00:12:55.210
  • HELP US TO HEAR YOU."
  • 00:12:55.210 --> 00:12:57.020
  • IN THE PSALMS,
  • 00:12:57.020 --> 00:12:58.290
  • KING JESUS SAID, "WHEN I
  • 00:12:58.290 --> 00:13:00.120
  • SPENT TIME IN THE SANCTUARY, I
  • 00:13:00.120 --> 00:13:02.110
  • SAW GOD."
  • 00:13:02.110 --> 00:13:04.150
  • THE WORD HE USED THERE IN
  • 00:13:04.150 --> 00:13:05.090
  • HEBREW IS HE LITERALLY SAW GOD.
  • 00:13:05.090 --> 00:13:06.150
  • GOD OPENED HIS EYES TO A
  • 00:13:06.150 --> 00:13:08.180
  • MIRACLE.
  • 00:13:08.180 --> 00:13:10.190
  • LET'S PRAY THAT FOR EACH OTHER
  • 00:13:10.190 --> 00:13:11.250
  • FOR JUST A MINUTE.
  • 00:13:11.250 --> 00:13:12.260
  • COME, LORD JESUS, COME, LORD
  • 00:13:12.260 --> 00:13:13.260
  • JESUS.
  • 00:13:13.260 --> 00:13:14.220
  • CONTINUE TO HAVE YOUR WAY IN
  • 00:13:14.220 --> 00:13:16.200
  • THIS PLACE, LORD, FOR THE WOMEN
  • 00:13:16.200 --> 00:13:18.080
  • WHO ARE HERE RIGHT NOW, WHO
  • 00:13:18.080 --> 00:13:20.170
  • DON'T YET KNOW YOU AS SAVIOR.
  • 00:13:20.170 --> 00:13:21.190
  • LORD, INSTEAD OF THEM FEELING
  • 00:13:21.190 --> 00:13:22.260
  • WEIRD, I PRAY THEY'D FEEL SAFE.
  • 00:13:22.260 --> 00:13:25.090
  • I PRAY THEY WOULD FEEL UTTERLY
  • 00:13:25.090 --> 00:13:27.070
  • ENVELOPED BY YOUR PRESENCE, THAT
  • 00:13:27.160 --> 00:13:30.160
  • THEY WOULD GO, "I CAN'T WRAP
  • 00:13:30.160 --> 00:13:32.120
  • WORDS AROUND IT, BUT I HAVE
  • 00:13:32.120 --> 00:13:33.250
  • NEVER FELT THIS LOVED.
  • 00:13:33.250 --> 00:13:34.140
  • I'VE NEVER FELT THIS SAFE."
  • 00:13:34.140 --> 00:13:36.140
  • FATHER, THANK YOU, THANK YOU,
  • 00:13:36.140 --> 00:13:37.280
  • THANK YOU, THAT YOU ALLOW US TO
  • 00:13:38.020 --> 00:13:41.020
  • ACCESS YOU, THAT YOU CONDESCEND
  • 00:13:41.020 --> 00:13:43.070
  • TO COMMUNICATE TO US, THAT YOU
  • 00:13:43.070 --> 00:13:45.180
  • INCLINE YOUR EAR TO HEAR US,
  • 00:13:45.180 --> 00:13:47.080
  • THAT IT IS NOT ABOUT PROGRAM.
  • 00:13:47.080 --> 00:13:49.290
  • IT'S NOT ABOUT DOING SOMETHING
  • 00:13:49.290 --> 00:13:51.010
  • CORRECTLY.
  • 00:13:51.010 --> 00:13:52.180
  • IT'S NOT ABOUT GENUFLECTING.
  • 00:13:52.180 --> 00:13:54.200
  • IT IS ACTUALLY ABOUT, AS CHRIS
  • 00:13:54.200 --> 00:13:55.200
  • SAID, LEANING ON YOU,
  • 00:13:55.200 --> 00:13:56.240
  • RECOGNIZING WE'RE A MESS.
  • 00:13:56.240 --> 00:13:58.120
  • WE CAN'T MAKE IT OURSELVES.
  • 00:13:58.120 --> 00:14:00.290
  • WE NEED A MESSIAH.
  • 00:14:00.290 --> 00:14:01.140
  • SO, LORD, JESUS CHRIST, OUR
  • 00:14:01.140 --> 00:14:04.010
  • REDEEMER, THE KING OF ALL KINGS,
  • 00:14:04.010 --> 00:14:06.210
  • THE ALPHA AND THE OMEGA,
  • 00:14:06.210 --> 00:14:08.130
  • THE BRIGHT MORNING STAR,
  • 00:14:08.230 --> 00:14:11.230
  • JESUS,
  • 00:14:11.230 --> 00:14:13.050
  • THROUGH THE IN-WORKING AND THE
  • 00:14:13.050 --> 00:14:14.040
  • OUTWORKING OF YOUR HOLY SPIRIT,
  • 00:14:14.040 --> 00:14:15.130
  • MAKE YOURSELF SO TANGIBLY KNOWN
  • 00:14:15.130 --> 00:14:17.130
  • IN THIS PLACE TODAY, LORD, THAT
  • 00:14:17.130 --> 00:14:18.220
  • WE WOULD BE MARKED, THAT WE
  • 00:14:19.150 --> 00:14:22.150
  • WOULD BE MARKED BY THIS DAY IN
  • 00:14:22.150 --> 00:14:24.120
  • AUGUST 2018, AND WE WOULD GO,
  • 00:14:24.120 --> 00:14:25.210
  • "THERE IS A DENT IN MY HEART
  • 00:14:25.210 --> 00:14:26.220
  • WHERE HE STARTED SOMETHIN' NEW."
  • 00:14:26.220 --> 00:14:27.240
  • THANK YOU, THANK YOU, THANK YOU,
  • 00:14:27.240 --> 00:14:29.220
  • JESUS, FOR YOUR KINDNESS.
  • 00:14:29.220 --> 00:14:31.050
  • THANK YOU FOR YOUR PRESENCE.
  • 00:14:31.050 --> 00:14:34.010
  • WE PRAY THESE THINGS IN THE
  • 00:14:34.010 --> 00:14:35.200
  • AUTHORITY OF YOUR NAME, KING
  • 00:14:35.200 --> 00:14:38.060
  • JESUS, AND WE'RE PRAYIN' FOR
  • 00:14:38.130 --> 00:14:41.130
  • YOUR GLORY AND FOR YOUR
  • 00:14:41.130 --> 00:14:42.010
  • PURPOSES.
  • 00:14:42.010 --> 00:14:42.270
  • HUG SOMEBODY FAST, AND THEN TAKE
  • 00:14:42.270 --> 00:14:43.190
  • A SEAT WITH YOUR TINY TAIL.
  • 00:14:43.190 --> 00:14:44.130
  • TAKE A SEAT.
  • 00:14:44.130 --> 00:14:47.060
  • [APPLAUSE]
  • 00:14:47.060 --> 00:14:49.070
  • YEAH, HUG HER FAST, BUT HUG HER
  • 00:14:49.070 --> 00:14:51.280
  • HARD.
  • 00:14:51.280 --> 00:14:53.070
  • MY NAME IS LISA HARPER.
  • 00:14:54.110 --> 00:14:57.110
  • I'M THE--
  • 00:14:57.110 --> 00:14:58.180
  • [CHEERS AND APPLAUSE]
  • 00:14:58.180 --> 00:15:00.110
  • THANK YOU.
  • 00:15:00.110 --> 00:15:01.140
  • I'VE GOT COUSINS IN THIS PART OF
  • 00:15:01.140 --> 00:15:02.060
  • THE COUNTRY.
  • 00:15:02.060 --> 00:15:02.190
  • SOME OF Y'ALL MAY HAVE APPLAUDED
  • 00:15:02.190 --> 00:15:04.200
  • 'CAUSE YOU THOUGHT I WAS
  • 00:15:04.200 --> 00:15:05.170
  • LISA BEVERE.
  • 00:15:05.170 --> 00:15:07.090
  • THERE'S TWO LISA'S ON THE
  • 00:15:07.090 --> 00:15:08.230
  • PLATFORM TODAY, AND I WANNA MAKE
  • 00:15:08.230 --> 00:15:09.230
  • IT REALLY CLEAR THAT LISA AND I
  • 00:15:09.230 --> 00:15:12.230
  • ARE OF LIKE MIND, VERY, VERY
  • 00:15:12.230 --> 00:15:13.130
  • SIMILAR HEARTS.
  • 00:15:14.140 --> 00:15:17.140
  • WE HAVE VERY DIFFERENT
  • 00:15:17.140 --> 00:15:18.010
  • JARS OF CLAY.
  • 00:15:18.010 --> 00:15:19.240
  • LISA BEVERE IS KNOWN TO WEAR
  • 00:15:19.240 --> 00:15:22.220
  • SLEEVELESS SHIRTS BECAUSE SHE
  • 00:15:22.220 --> 00:15:23.250
  • DOESN'T HAVE HANGING-DOWN PARTS
  • 00:15:23.250 --> 00:15:25.140
  • EVEN THOUGH SHE'S A GRANDMOTHER
  • 00:15:25.140 --> 00:15:27.060
  • AND--
  • 00:15:27.060 --> 00:15:28.280
  • [LAUGHTER]
  • 00:15:28.280 --> 00:15:29.280
  • -- AND SHE OFTEN PREACHES IN
  • 00:15:29.280 --> 00:15:30.270
  • LEATHER PANTS.
  • 00:15:30.270 --> 00:15:32.210
  • Y'ALL NEED TO KNOW, IF I PREACH
  • 00:15:32.210 --> 00:15:34.100
  • IN LEATHER PANTS, IT SOUNDS LIKE
  • 00:15:34.100 --> 00:15:36.240
  • DUCKS ARE BEING MURDERED.
  • 00:15:36.240 --> 00:15:37.130
  • SO THAT IS WHERE WE'RE
  • 00:15:37.130 --> 00:15:38.130
  • DIFFERENT, BUT OTHER THAN THAT,
  • 00:15:38.130 --> 00:15:40.070
  • SAME HEART, SAME MIND, AND I
  • 00:15:40.160 --> 00:15:43.160
  • HAVE TO TELL YOU, I FEEL A BIT
  • 00:15:43.160 --> 00:15:45.000
  • LIKE A DONKEY AT THE KENTUCKY
  • 00:15:45.000 --> 00:15:47.170
  • DERBY TO GET TO BE HERE THIS
  • 00:15:47.170 --> 00:15:49.220
  • MORNING BECAUSE I'M AMONG SOME
  • 00:15:49.220 --> 00:15:51.270
  • OF MY MOST FAVORITE HEROINES OF
  • 00:15:51.270 --> 00:15:54.160
  • THE FAITH.
  • 00:15:54.160 --> 00:15:56.220
  • I ADORE CHRIS CAINE.
  • 00:15:56.220 --> 00:15:59.040
  • I WOULD GIVE HER BOTH OF MY
  • 00:15:59.040 --> 00:16:00.130
  • KIDNEYS.
  • 00:16:00.130 --> 00:16:01.210
  • I ADORE AND HONOR LISA BEVERE.
  • 00:16:02.160 --> 00:16:05.160
  • I ADORE LAURIE CROUCH.
  • 00:16:05.200 --> 00:16:08.200
  • I LISTEN TO BOTH JENN AND
  • 00:16:08.200 --> 00:16:10.020
  • BROOKE LIGERTWOOD, EVERY SINGLE
  • 00:16:10.020 --> 00:16:12.030
  • DAY.
  • 00:16:12.030 --> 00:16:12.280
  • MY BABY HAS LEARNED ENGLISH,
  • 00:16:12.280 --> 00:16:15.000
  • LISTENING TO THEIR WORSHIP
  • 00:16:15.000 --> 00:16:15.200
  • SONGS.
  • 00:16:15.200 --> 00:16:16.060
  • I LOVE THE WOMEN THAT WE ALL GET
  • 00:16:17.050 --> 00:16:20.050
  • TO HEAR FROM AND LEARN FROM
  • 00:16:20.050 --> 00:16:22.210
  • TODAY, AND I'VE HAD THE
  • 00:16:22.210 --> 00:16:25.090
  • PRIVILEGE OF BEIN' IN THIS PART
  • 00:16:25.090 --> 00:16:26.220
  • OF THE COUNTRY.
  • 00:16:26.220 --> 00:16:27.220
  • AS YOU CAN TELL, I'M NOT FROM
  • 00:16:27.220 --> 00:16:28.130
  • HERE.
  • 00:16:28.130 --> 00:16:30.060
  • I'M FROM NASHVILLE, TENNESSEE,
  • 00:16:30.060 --> 00:16:30.280
  • BUT EVERY TIME--
  • 00:16:30.280 --> 00:16:32.070
  • [CHEERS AND APPLAUSE]
  • 00:16:32.070 --> 00:16:33.140
  • -- I COME TO CALIFORNIA,
  • 00:16:33.140 --> 00:16:35.050
  • I THINK, "MAN, IF THIS WAS A
  • 00:16:35.050 --> 00:16:36.050
  • LITTLE CLOSER TO WHERE PEOPLE
  • 00:16:36.050 --> 00:16:37.150
  • TALK CORRECTLY AND THEY SERVE
  • 00:16:37.150 --> 00:16:38.110
  • GRITS, I WOULD LIVE IN THIS
  • 00:16:38.110 --> 00:16:39.130
  • PLACE.
  • 00:16:41.040 --> 00:16:44.040
  • [LAUGHTER]
  • 00:16:44.040 --> 00:16:44.190
  • SO I AM THRILLED TO BE HERE.
  • 00:16:44.190 --> 00:16:45.090
  • I'VE GOT JUST A COUPLE OF
  • 00:16:45.090 --> 00:16:45.280
  • QUALIFICATIONS TO MAKE BEFORE WE
  • 00:16:45.280 --> 00:16:48.140
  • DIVE INTO THE TEXT, AND I ALSO
  • 00:16:48.140 --> 00:16:49.130
  • WANT YOU TO KNOW CHRIS AND I HAD
  • 00:16:49.130 --> 00:16:51.240
  • NO IDEA WHAT WE WERE TEACHING ON
  • 00:16:51.240 --> 00:16:53.120
  • UNTIL LAST NIGHT.
  • 00:16:53.120 --> 00:16:55.130
  • IT'S JUST INTERESTING HOW GOD
  • 00:16:55.130 --> 00:16:56.280
  • HAS KNIT OUR HEARTS AND OUR TEXT
  • 00:16:56.280 --> 00:16:58.140
  • TOGETHER, BUT I WANNA TELL YOU
  • 00:16:58.140 --> 00:17:01.030
  • THE TWO MOST SIGNIFICANT THINGS
  • 00:17:01.030 --> 00:17:02.200
  • ABOUT MYSELF OTHER THAN MY
  • 00:17:02.200 --> 00:17:04.090
  • SALVATION, AND THE FIRST IS I AM
  • 00:17:04.090 --> 00:17:06.070
  • A PATHOLOGICALLY PROUD, ADOPTIVE
  • 00:17:06.210 --> 00:17:09.210
  • MAMA, AND SO--
  • 00:17:09.210 --> 00:17:10.260
  • [CHEERS AND APPLAUSE]
  • 00:17:11.180 --> 00:17:14.180
  • -- I BROUGHT-- I'M SINGLE.
  • 00:17:14.180 --> 00:17:15.260
  • THERE'S NO BABY-DADDY IN THE
  • 00:17:15.260 --> 00:17:16.230
  • PICTURE, SO IF YOU KNOW
  • 00:17:16.230 --> 00:17:17.240
  • SOMEBODY--
  • 00:17:17.240 --> 00:17:18.080
  • [LAUGHTER]
  • 00:17:18.080 --> 00:17:20.140
  • -- BETWEEN, LIKE, 50 AND DEATH,
  • 00:17:20.140 --> 00:17:21.250
  • WHO'S GAINFULLY EMPLOYED, THAT
  • 00:17:21.250 --> 00:17:23.240
  • WOULD BE COOL, BUT IT'S JUST
  • 00:17:23.240 --> 00:17:25.180
  • MISSY AND I.
  • 00:17:25.180 --> 00:17:26.270
  • I BROUGHT HER HOME WHEN I WAS
  • 00:17:26.270 --> 00:17:28.270
  • 51.
  • 00:17:28.270 --> 00:17:30.150
  • SHE HAS BEEN HOME WITH ME FROM
  • 00:17:30.150 --> 00:17:31.120
  • HAITI FOR FOUR AND A HALF YEARS.
  • 00:17:31.120 --> 00:17:32.180
  • I THINK WE HAVE A PICTURE OF
  • 00:17:32.180 --> 00:17:33.200
  • HER, OR UP HERE--
  • 00:17:33.200 --> 00:17:35.090
  • YEP, THAT'S MY GIRL.
  • 00:17:35.090 --> 00:17:38.060
  • THAT'S MY GIRL.
  • 00:17:38.060 --> 00:17:39.000
  • [CHEERS AND APPLAUSE]
  • 00:17:39.000 --> 00:17:40.130
  • AND THEN THERE'S ANOTHER ONE OF,
  • 00:17:40.130 --> 00:17:41.050
  • I THINK, JUST HER.
  • 00:17:41.050 --> 00:17:43.010
  • WE JUST GOT NEW BRAIDS, FRESH
  • 00:17:43.010 --> 00:17:44.080
  • BRAIDS.
  • 00:17:44.080 --> 00:17:46.200
  • SO I KNOW IT'S HARD TO TELL
  • 00:17:46.200 --> 00:17:47.100
  • SHE'S ADOPTED, ISN'T IT?
  • 00:17:47.100 --> 00:17:48.220
  • I MEAN, SHE'S JUST INCREDIBLE,
  • 00:17:48.270 --> 00:17:51.270
  • AND CHRIS IS HER ADOPTED AUNT,
  • 00:17:51.270 --> 00:17:54.270
  • AND SHE HAS CHANGED SO
  • 00:17:54.270 --> 00:17:57.080
  • DRAMATICALLY SINCE I BROUGHT HER
  • 00:17:57.080 --> 00:17:58.000
  • HOME FOUR AND A HALF YEARS AGO.
  • 00:17:58.000 --> 00:17:59.090
  • THEY TOLD ME MISSY WOULDN'T MAKE
  • 00:17:59.090 --> 00:18:00.250
  • IT MORE THAN TWO MONTHS 'CAUSE
  • 00:18:00.250 --> 00:18:01.210
  • SHE WAS SO SICK.
  • 00:18:01.210 --> 00:18:03.110
  • HER HIV IS NOW COMPLETELY
  • 00:18:03.110 --> 00:18:04.090
  • UNDETECTABLE.
  • 00:18:04.090 --> 00:18:05.240
  • HER LUNGS ARE HEALTHY.
  • 00:18:05.240 --> 00:18:08.160
  • IT'S JUST AMAZING, AND I JUST
  • 00:18:08.160 --> 00:18:09.070
  • WANNA BRAG 'CAUSE SHE HAS SO
  • 00:18:09.150 --> 00:18:12.150
  • MUCH MORE RHYTHM THAN YOUR PALE
  • 00:18:12.150 --> 00:18:13.240
  • KIDS.
  • 00:18:13.240 --> 00:18:15.120
  • WATCH THIS.
  • 00:18:15.120 --> 00:18:16.020
  • THERE'S A LITTLE CLIP OF HER.
  • 00:18:16.020 --> 00:18:18.010
  • WE WERE IN BRISBANE TWO WEEKS
  • 00:18:18.010 --> 00:18:19.120
  • AGO, YEAH.
  • 00:18:19.120 --> 00:18:19.280
  • [SPEAKING IN VIDEO]
  • 00:18:19.280 --> 00:18:20.240
  • - LISA: LET ME SEE THAT
  • 00:18:20.240 --> 00:18:21.120
  • MISSY HARPER.
  • 00:18:21.120 --> 00:18:21.250
  • MY GOODNESS GRACIOUS.
  • 00:18:21.250 --> 00:18:22.120
  • [CHEERS]
  • 00:18:22.120 --> 00:18:23.200
  • - LISA: THAT'S MY BABY.
  • 00:18:23.200 --> 00:18:24.100
  • [SPEAKING IN VIDEO]
  • 00:18:24.100 --> 00:18:25.040
  • - LISA: THAT IS SOMETHING TO
  • 00:18:25.040 --> 00:18:25.250
  • SHOW OFF RIGHT THERE.
  • 00:18:25.250 --> 00:18:26.220
  • - LISA: YEAH, ISN'T SHE THE
  • 00:18:26.220 --> 00:18:27.150
  • CUTEST THING?
  • 00:18:27.150 --> 00:18:30.110
  • THAT'S HER FIRST TIME ON A
  • 00:18:30.110 --> 00:18:31.060
  • SEGWAY.
  • 00:18:31.060 --> 00:18:32.160
  • [SPEAKING IN VIDEO]
  • 00:18:32.160 --> 00:18:33.180
  • - LISA: HEY, BOO, YOU HAVIN'
  • 00:18:33.180 --> 00:18:34.190
  • FUN?
  • 00:18:34.190 --> 00:18:35.030
  • - LISA: YEAH.
  • 00:18:35.030 --> 00:18:36.020
  • [SPEAKING IN VIDEO]
  • 00:18:36.020 --> 00:18:37.250
  • - LISA: HI, I LOVE YOU.
  • 00:18:37.250 --> 00:18:39.180
  • - MISSY HARPER: I LOVE YOU TOO.
  • 00:18:39.180 --> 00:18:41.030
  • - LISA: I'M UNDONE BY THIS KID,
  • 00:18:42.080 --> 00:18:45.080
  • SO UNDONE AT WHAT GOD HAS
  • 00:18:45.080 --> 00:18:47.230
  • REDEEMED IN MY LIFE BECAUSE I
  • 00:18:49.290 --> 00:18:52.290
  • WAS THICK AS A BRICK IN MY 20s
  • 00:18:52.290 --> 00:18:53.240
  • AND 30s, AND NOT IN A COMMODORES
  • 00:18:53.240 --> 00:18:55.010
  • KIND OF WAY EITHER.
  • 00:18:55.010 --> 00:18:55.170
  • I WAS JUST FOOLISH, AND THE FACT
  • 00:18:55.170 --> 00:18:56.160
  • THAT GOD REDEEMED MY STORY AND
  • 00:18:57.220 --> 00:19:00.240
  • ALLOWED ME TO BECOME HER MAMA IS
  • 00:19:00.240 --> 00:19:02.020
  • JUST UNBELIEVABLE TO ME.
  • 00:19:02.020 --> 00:19:04.090
  • NOW, I DID BECOME A MAMA LATER
  • 00:19:04.090 --> 00:19:05.000
  • IN LIFE.
  • 00:19:05.000 --> 00:19:06.190
  • MY SECOND DETAIL I WANNA TELL
  • 00:19:06.190 --> 00:19:08.060
  • YOU IS ACTUALLY MORE OF A
  • 00:19:08.060 --> 00:19:09.000
  • WARNING.
  • 00:19:09.000 --> 00:19:11.270
  • I TURNED 55 YESTERDAY, WHICH
  • 00:19:11.270 --> 00:19:12.170
  • MEANS--
  • 00:19:12.170 --> 00:19:15.080
  • [CHEERS AND APPLAUSE]
  • 00:19:15.080 --> 00:19:16.090
  • -- WHICH MEANS I'M AT THE TAIL
  • 00:19:16.090 --> 00:19:19.020
  • END OF A SPECIAL SEASON, AND
  • 00:19:19.050 --> 00:19:22.050
  • THIS SPECIAL SEASON HAS
  • 00:19:22.050 --> 00:19:24.250
  • DEPOSITED IN ME A SPECIAL GIFT
  • 00:19:24.250 --> 00:19:27.000
  • WHICH WE'RE GONNA CALL
  • 00:19:27.000 --> 00:19:29.040
  • "PROJECTILE PERSPIRATION" THIS
  • 00:19:29.040 --> 00:19:30.120
  • MORNING.
  • 00:19:30.120 --> 00:19:32.010
  • [LAUGHTER]
  • 00:19:32.010 --> 00:19:32.180
  • THE BOTTOM LINE IS, Y'ALL, I
  • 00:19:32.180 --> 00:19:33.080
  • SWEAT LIKE A SUMO WRESTLER IN A
  • 00:19:33.080 --> 00:19:34.210
  • SAUNA, AND I'M A SPITTER--
  • 00:19:34.210 --> 00:19:35.200
  • [LAUGHTER]
  • 00:19:35.200 --> 00:19:38.190
  • -- AND SO THE REASON I TELL
  • 00:19:38.190 --> 00:19:39.290
  • Y'ALL THAT IS Y'ALL ARE GONNA
  • 00:19:39.290 --> 00:19:42.040
  • GET WET, RIGHT UP IN HERE.
  • 00:19:42.040 --> 00:19:44.240
  • Y'ALL ARE GETTING IT WET OVER
  • 00:19:44.240 --> 00:19:45.240
  • THE NEXT 30 MINUTES.
  • 00:19:45.240 --> 00:19:48.120
  • BECAUSE WE'RE PROPEL, I'M GONNA
  • 00:19:48.120 --> 00:19:49.040
  • CALL IT A "BAPTISM."
  • 00:19:49.040 --> 00:19:50.180
  • THERE'S GONNA BE A BAPTISM--
  • 00:19:50.180 --> 00:19:51.140
  • [LAUGHTER]
  • 00:19:51.140 --> 00:19:52.160
  • -- BUT I JUST WANT Y'ALL TO KNOW
  • 00:19:52.160 --> 00:19:53.140
  • IT'S VERY LIKELY THAT YOU WILL
  • 00:19:53.140 --> 00:19:55.020
  • GET WET.
  • 00:19:55.020 --> 00:19:56.170
  • NOW, SPEAKIN' OF "WET," I WANNA
  • 00:19:56.170 --> 00:19:58.020
  • START,
  • 00:19:58.020 --> 00:19:58.190
  • WITH A TRUE STORY.
  • 00:20:01.190 --> 00:20:02.040
  • IT HAPPENED RECENTLY.
  • 00:20:02.040 --> 00:20:02.280
  • I WAS GOING TO TAOS, NEW MEXICO,
  • 00:20:02.280 --> 00:20:04.130
  • FOR AN EVENT, AND A FRIEND OF
  • 00:20:04.130 --> 00:20:06.090
  • MINE IN NASHVILLE SAID, "OH,
  • 00:20:06.090 --> 00:20:07.150
  • LISA, WHEN YOU GO TO TAOS,
  • 00:20:07.150 --> 00:20:09.160
  • AND AT THAT SPA THEY HAVE THESE
  • 00:20:13.140 --> 00:20:14.060
  • NATURAL HOT SPRINGS THAT ARE
  • 00:20:14.060 --> 00:20:15.150
  • UNBELIEVABLE.
  • 00:20:15.150 --> 00:20:18.050
  • SHE SAID THEY ACTUALLY ARE
  • 00:20:18.050 --> 00:20:20.160
  • REPUTED TO HAVE RESTORATIVE
  • 00:20:20.160 --> 00:20:22.170
  • POWERS THAT INCREASE YOUR
  • 00:20:22.170 --> 00:20:24.260
  • METABOLISM, AND I WAS LIKE,
  • 00:20:24.260 --> 00:20:25.170
  • "I'M THERE."
  • 00:20:25.170 --> 00:20:26.060
  • [LAUGHTER]
  • 00:20:26.060 --> 00:20:28.210
  • AND SO I HAD AN AFTERNOON
  • 00:20:28.210 --> 00:20:29.100
  • OFF IN TAOS.
  • 00:20:29.100 --> 00:20:30.120
  • I GO TO THIS RITZY SPA, AND AS
  • 00:20:30.120 --> 00:20:32.030
  • SOON AS I GET TO THE SPA, I
  • 00:20:32.030 --> 00:20:34.120
  • REALIZE, "OH, SHOOT, I LEFT MY
  • 00:20:34.120 --> 00:20:35.170
  • BATHING SUIT BACK AT THE HOTEL,"
  • 00:20:35.170 --> 00:20:37.000
  • WHICH, WAY ON THE OTHER
  • 00:20:37.000 --> 00:20:38.010
  • SIDE OF TOWN.
  • 00:20:38.010 --> 00:20:39.010
  • SO I EXPLAINED THIS PREDICAMENT
  • 00:20:39.010 --> 00:20:40.170
  • TO THIS CUTE LITTLE GIRL,
  • 00:20:40.170 --> 00:20:41.250
  • OBVIOUSLY, GLUTEN-FREE,
  • 00:20:41.250 --> 00:20:43.000
  • 'CAUSE SHE WAS TINY, AT THE
  • 00:20:43.000 --> 00:20:43.280
  • RECEPTIONIST'S DESK--
  • 00:20:43.280 --> 00:20:45.050
  • [LAUGHTER]
  • 00:20:45.050 --> 00:20:46.110
  • -- AND I SAID, "I DON'T HAVE A
  • 00:20:46.110 --> 00:20:47.020
  • BATHING SUIT."
  • 00:20:47.020 --> 00:20:48.190
  • AND SHE WAS UNDETERRED.
  • 00:20:48.190 --> 00:20:50.010
  • SHE JUST REAL PERKILY RESPONDED
  • 00:20:50.010 --> 00:20:52.210
  • AND SAID, "OH, NO WORRIES
  • 00:20:52.210 --> 00:20:54.180
  • BECAUSE YOU'RE FREE TO GO NUDE
  • 00:20:54.180 --> 00:20:55.130
  • HERE."
  • 00:20:55.130 --> 00:20:56.080
  • [LAUGHTER]
  • 00:20:56.080 --> 00:20:58.170
  • AND I SAID, "WELL, IF I EXERCISE
  • 00:20:58.170 --> 00:21:01.090
  • THAT FREEDOM, SOME OF YOUR OTHER
  • 00:21:01.240 --> 00:21:04.240
  • PATRONS COULD BE SCARRED,
  • 00:21:04.240 --> 00:21:06.260
  • SO THAT'S PROBABLY NOT A GOOD
  • 00:21:06.260 --> 00:21:07.170
  • IDEA."
  • 00:21:07.170 --> 00:21:08.090
  • [LAUGHTER]
  • 00:21:08.090 --> 00:21:09.000
  • AND SHE WAS COMPLETELY
  • 00:21:09.000 --> 00:21:10.290
  • UNDETERRED, Y'ALL.
  • 00:21:10.290 --> 00:21:11.170
  • SHE WAS JUST SO PERKY, AND SHE
  • 00:21:11.170 --> 00:21:12.120
  • SAID, "OH, STILL, NO WORRIES."
  • 00:21:12.120 --> 00:21:14.220
  • SHE SAID, "WE HAVE
  • 00:21:14.220 --> 00:21:17.060
  • LOANER SUITS."
  • 00:21:17.060 --> 00:21:18.200
  • AND SHE PULLED THIS BIN OUT
  • 00:21:18.200 --> 00:21:20.070
  • FROM BEHIND THE DESK, AND IT
  • 00:21:20.070 --> 00:21:20.270
  • WAS FILLED WITH LOANER BATHING
  • 00:21:20.270 --> 00:21:22.190
  • SUITS-- I'VE NEVER HEARD OF
  • 00:21:22.190 --> 00:21:25.070
  • ANYTHING IN MY LIFE--
  • 00:21:25.070 --> 00:21:26.040
  • AND I DIDN'T KNOW HOW
  • 00:21:26.040 --> 00:21:27.160
  • TO RESPOND AT FIRST.
  • 00:21:27.160 --> 00:21:28.200
  • I THOUGHT, "THIS MAKES ME WANNA
  • 00:21:28.200 --> 00:21:30.050
  • THROW UP A LITTLE BIT IN MY
  • 00:21:30.050 --> 00:21:30.290
  • MOUTH."
  • 00:21:30.290 --> 00:21:31.120
  • [LAUGHTER]
  • 00:21:31.120 --> 00:21:32.140
  • AND THEN I THOUGHT, "YOU KNOW,
  • 00:21:32.140 --> 00:21:34.150
  • THIS IS KIND OF ONE OF THOSE
  • 00:21:34.150 --> 00:21:35.290
  • ONCE-IN-A-LIFETIME EXPERIENCES.
  • 00:21:35.290 --> 00:21:37.040
  • I MEAN, I BET I'LL NEVER GET
  • 00:21:37.040 --> 00:21:37.240
  • BACK TO THIS PART OF THE COUNTRY
  • 00:21:37.240 --> 00:21:38.260
  • TO THIS PARTICULAR SPA.
  • 00:21:38.260 --> 00:21:40.030
  • SO WHY SHOULD I LET SOME
  • 00:21:40.030 --> 00:21:43.020
  • STRANGER'S GERMS GET IN THE WAY,
  • 00:21:43.030 --> 00:21:46.030
  • YOU KNOW, OF A MIRACLE?"
  • 00:21:46.030 --> 00:21:47.060
  • [LAUGHTER]
  • 00:21:47.060 --> 00:21:47.210
  • AND SO I KIND OF GINGERLY
  • 00:21:47.260 --> 00:21:50.260
  • REACHED OVER, AND I PICKED OUT,
  • 00:21:50.260 --> 00:21:51.290
  • YOU KNOW, THE LEAST DAMP OPTION,
  • 00:21:51.290 --> 00:21:53.240
  • AND IT WAS THIS VERY, VERY
  • 00:21:53.240 --> 00:21:54.210
  • LARGE, BLACK ONE-PIECE WITH REAL
  • 00:21:54.210 --> 00:21:57.090
  • STRONG UPPER, LIKE, JUST, ALMOST
  • 00:21:58.200 --> 00:22:01.220
  • LIKE BODY ARMOR UP HERE--
  • 00:22:02.110 --> 00:22:05.110
  • [LAUGHTER]
  • 00:22:05.110 --> 00:22:07.140
  • -- AND A LOT OF ROOM, AND SO I
  • 00:22:07.140 --> 00:22:09.280
  • THOUGHT, "THIS IS COOL.
  • 00:22:09.280 --> 00:22:10.280
  • I'VE ALWAYS WANTED, KIND OF, AN
  • 00:22:10.280 --> 00:22:12.270
  • AMISH-DESIGN BATHING SUIT--
  • 00:22:12.270 --> 00:22:13.180
  • [LAUGHTER]
  • 00:22:13.180 --> 00:22:16.100
  • -- AND SO A FEW MINUTES LATER,
  • 00:22:16.100 --> 00:22:17.010
  • I'VE CHANGED.
  • 00:22:17.010 --> 00:22:17.140
  • I'M SITTING IN THIS HOT SPRINGS
  • 00:22:17.140 --> 00:22:19.010
  • THAT THIS FRIEND IN NASHVILLE
  • 00:22:19.010 --> 00:22:20.090
  • TOLD ME ABOUT.
  • 00:22:20.090 --> 00:22:20.230
  • Y'ALL, IT WAS UNBELIEVABLE.
  • 00:22:20.230 --> 00:22:23.090
  • IT'S HONED OUT OF STONE.
  • 00:22:23.090 --> 00:22:26.020
  • IT'S MAYBE-- I DON'T KNOW--
  • 00:22:26.020 --> 00:22:27.120
  • MAYBE TEN FEET IN DIAMETER, AND
  • 00:22:27.120 --> 00:22:29.050
  • THE WATER IS COMIN' UP FROM AN
  • 00:22:29.050 --> 00:22:30.250
  • UNDERGROUND SPRING.
  • 00:22:30.250 --> 00:22:33.010
  • IT'S FULL OF MINERALS.
  • 00:22:33.010 --> 00:22:34.040
  • I MEAN, IT'S PURE.
  • 00:22:34.040 --> 00:22:34.200
  • IT'S REALLY AMAZING.
  • 00:22:35.020 --> 00:22:38.020
  • THEN THIS HOT SPRING, THIS
  • 00:22:38.020 --> 00:22:38.260
  • NATURAL HOT SPRING--
  • 00:22:38.260 --> 00:22:39.260
  • I'M THERE BY MYSELF.
  • 00:22:39.260 --> 00:22:40.190
  • I'M ALL ALONE WITH MYSELF.
  • 00:22:40.190 --> 00:22:42.220
  • THERE'S A TEAK PRIVACY FENCE
  • 00:22:42.220 --> 00:22:45.170
  • THAT'S JUST GLORIOUS.
  • 00:22:46.060 --> 00:22:49.060
  • THEN RIGHT ON THE OTHER SIDE OF
  • 00:22:49.060 --> 00:22:50.120
  • THAT PRIVACY FENCE, YOU CAN SEE
  • 00:22:50.120 --> 00:22:52.170
  • THE SANGRE DE CRISTO MOUNTAINS,
  • 00:22:52.170 --> 00:22:54.090
  • AND THE SUN WAS JUST STARTING TO
  • 00:22:54.090 --> 00:22:55.220
  • SET-- AND SO IT'S FALL-- AND
  • 00:22:55.220 --> 00:22:57.000
  • IT'S CASTING KIND OF THIS
  • 00:22:57.000 --> 00:22:58.150
  • PURPLY-PEACHY HUE OVER THE
  • 00:22:58.150 --> 00:23:00.200
  • VALLEY I'M IN, AND THEY'RE
  • 00:23:00.200 --> 00:23:01.190
  • TOPPED WITH SNOW.
  • 00:23:01.190 --> 00:23:02.220
  • AND I THOUGHT, "OKAY, THIS WAS
  • 00:23:02.220 --> 00:23:04.170
  • SO WORTH PUTTIN' ON SOMEBODY
  • 00:23:04.240 --> 00:23:07.240
  • ELSE'S BATHIN' SUIT 'CAUSE THIS
  • 00:23:07.240 --> 00:23:08.230
  • IS UNBELIEVABLE."
  • 00:23:08.230 --> 00:23:09.130
  • [LAUGHTER]
  • 00:23:09.130 --> 00:23:11.150
  • I THOUGHT, "THIS IS
  • 00:23:11.150 --> 00:23:12.090
  • UN-STINKIN'-BELIEVABLE."
  • 00:23:12.090 --> 00:23:13.220
  • I HAVE NEVER IN MY WHOLE LIFE
  • 00:23:13.220 --> 00:23:15.230
  • BEEN THAT PERFECTLY RELAXED,
  • 00:23:16.250 --> 00:23:19.250
  • AND I WAS IN THAT PLACE
  • 00:23:19.250 --> 00:23:20.170
  • FOR PROBABLY ABOUT FOUR
  • 00:23:20.170 --> 00:23:23.050
  • AND A HALF MINUTES--
  • 00:23:23.050 --> 00:23:25.190
  • [LAUGHTER]
  • 00:23:25.190 --> 00:23:27.150
  • -- WHEN I HEARD HIGH-PITCHED
  • 00:23:27.150 --> 00:23:30.080
  • GIGGLING AND PORTUGUESE COMING
  • 00:23:30.080 --> 00:23:31.270
  • FROM THE ADJACENT LOCKER ROOM,
  • 00:23:31.270 --> 00:23:34.120
  • AND MOMENTS LATER, THESE FOUR
  • 00:23:34.120 --> 00:23:36.080
  • BRAZILIAN BEAUTIES WHO HADN'T
  • 00:23:36.080 --> 00:23:37.200
  • USED THE LOANER BATHING SUITS
  • 00:23:37.200 --> 00:23:39.120
  • CAME BOUNDING INTO THE SPA AREA,
  • 00:23:40.230 --> 00:23:43.230
  • AND, YOU KNOW, WHAT HAD SEEMED
  • 00:23:44.110 --> 00:23:47.110
  • LIKE A PLENTY-BIG ENOUGH POOL
  • 00:23:47.110 --> 00:23:48.180
  • FOR JUST ME, ALL OF A SUDDEN,
  • 00:23:48.180 --> 00:23:50.230
  • WAS FILLED WITH JUST LOTS OF
  • 00:23:50.230 --> 00:23:51.270
  • BUTTS AND BREASTS--
  • 00:23:52.160 --> 00:23:55.160
  • [LAUGHTER]
  • 00:23:55.160 --> 00:23:56.050
  • -- AND NOBODY WAS WEARING
  • 00:23:56.050 --> 00:23:57.230
  • ANYTHING, AND, I MEAN,
  • 00:23:57.230 --> 00:23:59.180
  • AND SO I PRESSED MYSELF INTO THE
  • 00:24:03.030 --> 00:24:04.160
  • CORNER, JUST AS FAR INTO THE
  • 00:24:04.160 --> 00:24:06.090
  • CORNER OF THE TUB AS I COULD
  • 00:24:06.090 --> 00:24:08.110
  • BECAUSE I WAS AFRAID I WAS GONNA
  • 00:24:08.110 --> 00:24:10.100
  • AND I WAS LIKE--
  • 00:24:13.270 --> 00:24:14.110
  • [LAUGHTER]
  • 00:24:14.110 --> 00:24:14.290
  • -- YOU'RE JUST PRESSED, AND THEY
  • 00:24:14.290 --> 00:24:15.210
  • COULDN'T SPEAK ENGLISH.
  • 00:24:15.210 --> 00:24:16.260
  • THEY'RE JUST CAVORTING IN
  • 00:24:16.260 --> 00:24:17.260
  • PORTUGUESE, AND THEN THEY TURNED
  • 00:24:17.260 --> 00:24:19.080
  • TOWARD ME, AND THEY BEGAN TO
  • 00:24:19.260 --> 00:24:22.260
  • POINT AND LAUGH, AND THEY WERE
  • 00:24:22.260 --> 00:24:25.220
  • LITERALLY POINTING AT ME,
  • 00:24:25.220 --> 00:24:28.080
  • HOWLING, AND I THOUGHT, "NOW,
  • 00:24:28.080 --> 00:24:29.230
  • THAT'S JUST HATEFUL."
  • 00:24:29.230 --> 00:24:31.290
  • [LAUGHTER]
  • 00:24:31.290 --> 00:24:32.160
  • I MEAN, "THAT'S JUST HATEFUL.
  • 00:24:32.160 --> 00:24:33.070
  • I DON'T CARE WHERE YOU'RE FROM.
  • 00:24:33.070 --> 00:24:34.210
  • WE DON'T DO THAT IN AMERICA."
  • 00:24:34.210 --> 00:24:37.080
  • AND I WAS KIND OF, YOU KNOW,
  • 00:24:37.080 --> 00:24:38.190
  • STARTIN' TO FEEL LIKE A LITTLE
  • 00:24:38.190 --> 00:24:40.190
  • BIT OF, LIKE, ANGER RISIN' UP IN
  • 00:24:40.190 --> 00:24:42.100
  • ME LIKE, "I MIGHT JUST PUNCH 'EM
  • 00:24:42.100 --> 00:24:44.140
  • IN THE THROAT IF I CAN FIND IT
  • 00:24:44.140 --> 00:24:45.110
  • AROUND THEIR WOBBLY BITS," AND
  • 00:24:45.110 --> 00:24:47.270
  • RIGHT ABOUT THAT TIME, THIS ONE
  • 00:24:47.270 --> 00:24:49.220
  • OF THE QUARTET, SHE KIND OF
  • 00:24:50.080 --> 00:24:53.080
  • WAVED HER HAND IN FRONT OF MY
  • 00:24:53.080 --> 00:24:54.100
  • FACE 'CAUSE I THINK SHE COULD
  • 00:24:54.100 --> 00:24:55.040
  • SEE THE ANGER.
  • 00:24:55.040 --> 00:24:56.050
  • SHE KIND OF WAVED HER HANDS,
  • 00:24:56.050 --> 00:24:58.110
  • LIKE, TRYING TO GET MY ATTENTION
  • 00:24:58.110 --> 00:24:59.080
  • IN A FRIENDLY WAY, AND SHE WENT,
  • 00:24:59.080 --> 00:25:00.040
  • "NO, NO, NO, NO," AND THEN, IN
  • 00:25:00.040 --> 00:25:01.200
  • BROKEN ENGLISH, SHE GESTURED TO
  • 00:25:01.230 --> 00:25:04.230
  • MY CHEST, AND SHE SAID, "YOU
  • 00:25:04.230 --> 00:25:06.110
  • POKE SO GOOD."
  • 00:25:08.230 --> 00:25:11.230
  • AND I LOOK DOWN, AND
  • 00:25:11.230 --> 00:25:14.070
  • EVIDENTLY THERE WAS SOME
  • 00:25:14.070 --> 00:25:15.220
  • TYPE OF A COMPOSITE PLASTIC IN
  • 00:25:17.010 --> 00:25:20.010
  • THOSE CUPS, AND IT HAD REACTED
  • 00:25:20.010 --> 00:25:22.000
  • WITH THE STEAM, AND IT HAD
  • 00:25:22.020 --> 00:25:25.020
  • HARDENED INTO POINTS--
  • 00:25:25.020 --> 00:25:27.250
  • [LAUGHTER]
  • 00:25:27.250 --> 00:25:28.230
  • -- AND I HAD-- I MEAN, Y'ALL, I
  • 00:25:28.230 --> 00:25:29.150
  • WAS LIKE UNICORN HORNS ON
  • 00:25:29.150 --> 00:25:30.220
  • STEROIDS.
  • 00:25:30.220 --> 00:25:33.110
  • IT WAS LIKE--
  • 00:25:33.110 --> 00:25:34.100
  • [EXCITABLE HOLLER]
  • 00:25:34.100 --> 00:25:35.010
  • [LAUGHTER]
  • 00:25:35.010 --> 00:25:35.220
  • I MEAN, IT IS A WONDER I DIDN'T
  • 00:25:35.220 --> 00:25:36.240
  • POKE ONE OF THEIR EYES OUT.
  • 00:25:36.280 --> 00:25:39.280
  • I MEAN, IT WAS--
  • 00:25:39.280 --> 00:25:40.230
  • [EXCITABLE HOLLER]
  • 00:25:40.230 --> 00:25:43.030
  • AND I THOUGHT OF THAT THE
  • 00:25:43.030 --> 00:25:43.270
  • OTHER NIGHT.
  • 00:25:43.270 --> 00:25:44.140
  • I WAS SITTIN' AT MY DESK IN
  • 00:25:44.140 --> 00:25:46.020
  • NASHVILLE, AND I WAS STUDYING A
  • 00:25:46.020 --> 00:25:47.290
  • PASSAGE IN SCRIPTURE THAT TALKED
  • 00:25:48.270 --> 00:25:51.270
  • ABOUT--
  • 00:25:51.270 --> 00:25:52.150
  • [LAUGHTER]
  • 00:25:52.150 --> 00:25:53.030
  • I KNOW, I KNOW, JUST HANG WITH
  • 00:25:53.030 --> 00:25:53.240
  • ME FOR A MINUTE.
  • 00:25:53.240 --> 00:25:54.080
  • IT'LL MAYBE GET BIBLICAL.
  • 00:25:54.080 --> 00:25:54.270
  • BUT THERE'S A PASSAGE THAT I WAS
  • 00:25:54.270 --> 00:25:56.020
  • STUDYING, AND IT'S REAL SIMILAR
  • 00:25:56.020 --> 00:25:57.160
  • TO WHAT CHRIS JUST TAUGHT ON.
  • 00:25:57.160 --> 00:25:59.050
  • IT IS ABOUT THE NECESSARY--
  • 00:25:59.050 --> 00:26:02.040
  • HEAR ME--
  • 00:26:02.040 --> 00:26:03.120
  • THE NECESSARY PECULIARITY
  • 00:26:05.200 --> 00:26:08.200
  • OF ONE WHO'S DEVOTED TO CHRIST,
  • 00:26:08.200 --> 00:26:10.220
  • THAT WE ARE SUPPOSED TO POKE OUT
  • 00:26:10.220 --> 00:26:11.150
  • MUCH.
  • 00:26:12.000 --> 00:26:15.000
  • [LAUGHTER]
  • 00:26:15.000 --> 00:26:15.270
  • WE'RE NOT SUPPOSED TO FIT IN
  • 00:26:17.150 --> 00:26:20.150
  • THIS CULTURE WHERE WE'VE BEEN
  • 00:26:20.150 --> 00:26:22.030
  • PLOPPED.
  • 00:26:22.030 --> 00:26:23.240
  • [LAUGHTER]
  • 00:26:23.240 --> 00:26:25.140
  • I'VE LOST ALL OF YOU,
  • 00:26:25.140 --> 00:26:26.270
  • HAVEN'T I?
  • 00:26:26.270 --> 00:26:27.130
  • [CHEERS AND APPLAUSE]
  • 00:26:27.130 --> 00:26:29.110
  • EVERY SINGLE ONE OF YOU IS
  • 00:26:29.110 --> 00:26:30.050
  • LIKE-- WE ARE NOT SUPPOSED TO
  • 00:26:30.050 --> 00:26:32.080
  • FIT, Y'ALL.
  • 00:26:33.060 --> 00:26:36.060
  • WE ARE ALIENS AND STRANGERS AND
  • 00:26:36.060 --> 00:26:37.270
  • SOJOURNERS AS CHRIS JUST SAID.
  • 00:26:37.270 --> 00:26:40.150
  • ONE OF THE OLDER TRANSLATIONS
  • 00:26:40.150 --> 00:26:42.110
  • SAID THE PASSAGE AS, QUICK,
  • 00:26:43.060 --> 00:26:46.060
  • CHRIS QUOTED, SAYS, "WE ARE A
  • 00:26:46.060 --> 00:26:47.270
  • PECULIAR PEOPLE."
  • 00:26:48.280 --> 00:26:51.280
  • WE ARE NOT SUPPOSED TO
  • 00:26:51.280 --> 00:26:52.220
  • LOOK LIKE EVERYBODY ELSE,
  • 00:26:52.220 --> 00:26:53.110
  • NUDE OR CLOTHED.
  • 00:26:53.110 --> 00:26:54.150
  • [LAUGHTER]
  • 00:26:54.150 --> 00:26:55.030
  • WE ARE SUPPOSED TO JUT OUT OF
  • 00:26:55.030 --> 00:26:57.210
  • THE CULTURE THAT WE HAVE BEEN
  • 00:26:58.020 --> 00:27:01.040
  • PLOPPED INTO.
  • 00:27:01.040 --> 00:27:03.100
  • A BOOK THAT I'VE BEEN READING
  • 00:27:03.100 --> 00:27:05.030
  • LATELY TALKS ABOUT THIS.
  • 00:27:05.030 --> 00:27:05.210
  • IT'S CALLED "A LONG OBEDIENCE
  • 00:27:05.210 --> 00:27:08.130
  • IN THE SAME DIRECTION."
  • 00:27:08.130 --> 00:27:09.270
  • WOULD YOU JUST LISTEN
  • 00:27:09.270 --> 00:27:11.130
  • TO THAT TITLE
  • 00:27:11.130 --> 00:27:12.070
  • FOR A MINUTE?
  • 00:27:12.070 --> 00:27:12.230
  • WE COULD JUST PREACH THAT TITLE:
  • 00:27:12.230 --> 00:27:15.100
  • "A LONG OBEDIENCE IN THE SAME
  • 00:27:15.100 --> 00:27:16.280
  • DIRECTION."
  • 00:27:16.280 --> 00:27:19.020
  • JUST THAT TITLE DOESN'T FIT
  • 00:27:19.020 --> 00:27:20.230
  • WITH OUR IMMEDIATE GRATIFICATION
  • 00:27:21.000 --> 00:27:24.000
  • KIND OF CULTURE.
  • 00:27:24.000 --> 00:27:26.140
  • EUGENE PETERSON IN "A LONG
  • 00:27:26.140 --> 00:27:27.120
  • OBEDIENCE IN THE SAME
  • 00:27:27.120 --> 00:27:28.260
  • DIRECTION," HE SAYS THIS:
  • 00:27:28.260 --> 00:27:29.170
  • "THE WORLD IS NO
  • 00:27:29.170 --> 00:27:30.150
  • FRIEND TO GRACE.
  • 00:27:30.150 --> 00:27:31.230
  • A PERSON WHO MAKES A COMMITMENT
  • 00:27:31.230 --> 00:27:33.110
  • TO JESUS CHRIST AS LORD AND
  • 00:27:33.110 --> 00:27:34.250
  • SAVIOR DOES NOT FIND A CROWD
  • 00:27:34.250 --> 00:27:36.110
  • IMMEDIATELY FORMING TO APPLAUD
  • 00:27:36.110 --> 00:27:38.000
  • THE DECISION NOR OLD FRIENDS
  • 00:27:38.000 --> 00:27:39.170
  • SPONTANEOUSLY GATHERING AROUND
  • 00:27:39.170 --> 00:27:41.090
  • TO OFFER CONGRATULATIONS AND
  • 00:27:41.090 --> 00:27:43.040
  • COUNSEL."
  • 00:27:43.040 --> 00:27:46.010
  • PETERSON GOES ON TO WRITE,
  • 00:27:46.010 --> 00:27:47.000
  • "THERE'S A SENSE, A FEELING,
  • 00:27:47.000 --> 00:27:48.070
  • THAT THINGS AREN'T RIGHT,
  • 00:27:48.070 --> 00:27:50.110
  • THAT THE ENVIRONMENT IS
  • 00:27:50.110 --> 00:27:51.110
  • NOT WHOLE, BUT JUST WHAT THAT
  • 00:27:51.110 --> 00:27:53.020
  • IS ELUDES ANALYSIS.
  • 00:27:53.020 --> 00:27:54.090
  • WE KNOW THAT THE SPIRITUAL
  • 00:27:54.090 --> 00:27:55.140
  • ATMOSPHERE IN WHICH WE LIVE
  • 00:27:55.140 --> 00:27:57.000
  • ERODES FAITH, DISSIPATES HOPE
  • 00:27:57.000 --> 00:27:59.040
  • AND CORRUPTS LOVE, BUT IT IS
  • 00:27:59.040 --> 00:28:01.000
  • HARD TO PUT OUR FINGER ON JUST
  • 00:28:01.000 --> 00:28:03.060
  • WHAT IS WRONG."
  • 00:28:03.060 --> 00:28:05.090
  • ANOTHER ONE OF MY
  • 00:28:05.090 --> 00:28:07.230
  • FAVORITE WRITERS-- HE'S
  • 00:28:07.230 --> 00:28:08.220
  • ACTUALLY DEAD.
  • 00:28:08.220 --> 00:28:10.090
  • I HAVE PLATONIC CRUSHES ON ALL
  • 00:28:10.090 --> 00:28:11.000
  • THE DEAD THEOLOGIANS.
  • 00:28:11.000 --> 00:28:11.170
  • [LAUGHTER]
  • 00:28:11.170 --> 00:28:13.260
  • HIS NAME IS G.K. CHESTERTON,
  • 00:28:13.260 --> 00:28:15.090
  • AND IN A PROFOUND CLASSIC--
  • 00:28:15.090 --> 00:28:17.290
  • IT'S NOT A BEACH READ.
  • 00:28:17.290 --> 00:28:19.150
  • IT'S HARD TO READ, BUT I WOULD
  • 00:28:19.150 --> 00:28:20.180
  • ENCOURAGE ALL OF YOU TO READ HIS
  • 00:28:20.180 --> 00:28:22.190
  • BOOK "ORTHODOXY."
  • 00:28:22.190 --> 00:28:24.080
  • AND IN "ORTHODOXY,"
  • 00:28:24.080 --> 00:28:25.240
  • HE SAYS THIS:
  • 00:28:25.240 --> 00:28:27.020
  • "WE HAVE COME TO THE WRONG STAR.
  • 00:28:27.020 --> 00:28:28.150
  • THAT IS WHAT MAKES LIFE AT ONCE
  • 00:28:28.150 --> 00:28:30.130
  • SO SPLENDID AND SO STRANGE.
  • 00:28:31.100 --> 00:28:34.100
  • THE TRUE HAPPINESS IS THAT WE
  • 00:28:34.100 --> 00:28:35.270
  • DON'T FIT.
  • 00:28:36.030 --> 00:28:39.030
  • WE HAVE COME FROM SOMEWHERE
  • 00:28:39.030 --> 00:28:41.010
  • ELSE.
  • 00:28:41.010 --> 00:28:42.220
  • WE HAVE LOST OUR WAY."
  • 00:28:42.230 --> 00:28:45.230
  • Y'ALL, THERE'S SO MUCH
  • 00:28:45.230 --> 00:28:46.100
  • EMPHASIS IN OUR WORLD TODAY,
  • 00:28:46.100 --> 00:28:48.110
  • IN POSTMODERNITY,
  • 00:28:48.110 --> 00:28:50.030
  • ON BELONGING,
  • 00:28:50.030 --> 00:28:50.280
  • ON FITTING ON COMMUNITY,
  • 00:28:50.280 --> 00:28:52.220
  • AND I THINK SOMETIMES,
  • 00:28:52.220 --> 00:28:53.280
  • AS CHRISTIANS, WE HAVE LOST
  • 00:28:53.280 --> 00:28:56.200
  • THE TRUTH THAT WE ARE NOT
  • 00:28:56.200 --> 00:28:58.190
  • SUPPOSED TO FIT, THAT WE ARE
  • 00:28:58.190 --> 00:29:01.000
  • CALLED TO A DIFFERENT WAY OF
  • 00:29:01.000 --> 00:29:03.130
  • LIFE, THAT WE ARE TO LOVE THE
  • 00:29:04.050 --> 00:29:07.050
  • WORLD, BUT WE'RE NOT SUPPOSED TO
  • 00:29:07.050 --> 00:29:09.280
  • LOOK LIKE THE WORLD.
  • 00:29:09.280 --> 00:29:12.050
  • WE SEE THAT ALL THROUGHOUT
  • 00:29:12.050 --> 00:29:14.210
  • BIBLICAL HISTORY AND
  • 00:29:14.210 --> 00:29:15.190
  • HUMAN HISTORY.
  • 00:29:15.190 --> 00:29:17.230
  • WE'VE FORGOTTEN IT IN THIS
  • 00:29:17.230 --> 00:29:19.030
  • CRAZY, POSTMODERN CULTURE,
  • 00:29:19.270 --> 00:29:22.270
  • BUT IF WE WERE CHRISTIANS
  • 00:29:22.270 --> 00:29:23.160
  • THREE-, FOUR HUNDRED
  • 00:29:23.160 --> 00:29:24.020
  • YEARS AGO,
  • 00:29:24.020 --> 00:29:24.190
  • WE WOULD NOT THINK IT ALL
  • 00:29:24.190 --> 00:29:26.160
  • THAT ODD THAT SAINT FRANCIS
  • 00:29:26.160 --> 00:29:28.010
  • OF ASSISI DID WHAT HE DID.
  • 00:29:28.010 --> 00:29:29.210
  • NOW, MOST OF YOU HAVE HEARD HIS
  • 00:29:29.210 --> 00:29:30.160
  • NAME.
  • 00:29:30.160 --> 00:29:31.120
  • EVEN IF YOU ARE NOT A PRACTICING
  • 00:29:31.120 --> 00:29:33.160
  • CATHOLIC, YOU KNOW HE IS THE
  • 00:29:33.160 --> 00:29:34.100
  • PATRON SAINT OF ANIMALS AND THE
  • 00:29:34.100 --> 00:29:36.020
  • ENVIRONMENT, SO HE WAS PROBABLY
  • 00:29:36.020 --> 00:29:37.210
  • CHEERING WHEN I WAS AT THAT
  • 00:29:37.210 --> 00:29:39.060
  • NATURAL HOT SPRING, NOT LOOKING
  • 00:29:39.060 --> 00:29:41.010
  • AT THE JUTTING, BUT STILL
  • 00:29:41.010 --> 00:29:42.260
  • CHEERING NONETHELESS THAT I WAS
  • 00:29:42.260 --> 00:29:44.210
  • COMMUNING WITH NATURE.
  • 00:29:44.210 --> 00:29:46.130
  • [LAUGHTER]
  • 00:29:46.130 --> 00:29:47.220
  • ANYWAY, SAINT FRANCIS OF ASSISI
  • 00:29:47.220 --> 00:29:48.140
  • DID NOT GROW UP THAT WAY.
  • 00:29:48.140 --> 00:29:50.130
  • HE ACTUALLY GREW UP JUST
  • 00:29:50.130 --> 00:29:52.100
  • SMACK-DAB IN THE MIDDLE OF
  • 00:29:52.100 --> 00:29:53.060
  • ITALIAN LUXURY, AND HE WAS QUITE
  • 00:29:53.060 --> 00:29:54.200
  • THE ITALIAN STALLION BEFORE HE
  • 00:29:54.200 --> 00:29:56.010
  • HAD THESE TRANSFORMATIONAL
  • 00:29:56.010 --> 00:29:58.010
  • ENCOUNTERS WITH JESUS CHRIST,
  • 00:29:58.010 --> 00:30:00.030
  • AND HIS BIOGRAPHER TELLS US THAT
  • 00:30:00.030 --> 00:30:01.270
  • AFTER THESE TRANSFORMATIONAL
  • 00:30:01.270 --> 00:30:03.290
  • ENCOUNTERS WITH JESUS CHRIST, HE
  • 00:30:03.290 --> 00:30:04.260
  • HEARD THE VOICE OF GOD.
  • 00:30:04.260 --> 00:30:07.100
  • ASSISI SAYS HE HEARD AN AUDIBLE
  • 00:30:07.100 --> 00:30:08.260
  • VOICE, AND WHAT GOD SAID TO HIM
  • 00:30:08.260 --> 00:30:10.180
  • IS "I WANT YOU TO REPAIR MY
  • 00:30:10.180 --> 00:30:12.040
  • CHURCH BECAUSE IT'S IN RUINS."
  • 00:30:14.260 --> 00:30:17.260
  • SO THE FIRST THING HE DID WAS HE
  • 00:30:17.260 --> 00:30:19.110
  • RAN BACK TO HIS FATHER'S SHOP--
  • 00:30:19.110 --> 00:30:21.100
  • HIS FATHER WAS A VERY, VERY
  • 00:30:21.100 --> 00:30:22.200
  • WEALTHY MERCHANT-- AND HE TOOK
  • 00:30:22.200 --> 00:30:24.230
  • SEVERAL BOLTS OF HIS FATHER'S
  • 00:30:24.230 --> 00:30:26.150
  • MOST EXPENSIVE CLOTH, AND HE
  • 00:30:26.150 --> 00:30:29.070
  • RODE TO THE LARGEST NEARBY
  • 00:30:29.070 --> 00:30:31.100
  • VILLAGE, AND HE SOLD BOTH THE
  • 00:30:31.100 --> 00:30:33.230
  • CLOTH AND HIS HORSE.
  • 00:30:33.230 --> 00:30:36.190
  • AND THEN HE TOOK THE PROCEEDS,
  • 00:30:36.190 --> 00:30:38.210
  • AND HE WENT TO THE PRIEST IN
  • 00:30:38.210 --> 00:30:39.270
  • THAT VILLAGE AND BEGGED HIM TO
  • 00:30:39.270 --> 00:30:41.200
  • TAKE THIS MONEY TO REPAIR THE
  • 00:30:41.200 --> 00:30:43.040
  • CHURCH.
  • 00:30:43.080 --> 00:30:46.080
  • AND THE PRIEST WAS LIKE, "THIS
  • 00:30:46.080 --> 00:30:47.160
  • SEEMS A LITTLE WEIRD," AND THE
  • 00:30:47.160 --> 00:30:49.270
  • PRIEST WAS RELUCTANT, AND SO
  • 00:30:49.270 --> 00:30:51.060
  • ASSISI GOT SO MAD, AND HE TOOK
  • 00:30:51.060 --> 00:30:52.280
  • ALL THAT MONEY, AND HE PITCHED
  • 00:30:52.280 --> 00:30:54.200
  • IT OUT THE WINDOW.
  • 00:30:54.200 --> 00:30:56.150
  • NOW, WHEN HIS FATHER FOUND OUT,
  • 00:30:56.150 --> 00:30:58.090
  • HIS FATHER DRAGGED YOUNG ASSISI
  • 00:30:58.090 --> 00:31:01.050
  • BEFORE THEIR BISHOP TO BASICALLY
  • 00:31:01.050 --> 00:31:03.080
  • EXPLAIN HIMSELF, WHY HE HAD
  • 00:31:03.080 --> 00:31:05.080
  • COMMITTED THIS RECKLESS
  • 00:31:05.080 --> 00:31:07.180
  • EMBEZZLEMENT, AND IT SAYS THAT
  • 00:31:07.180 --> 00:31:09.160
  • THE BISHOP WAS JUST ABOUT TO
  • 00:31:10.050 --> 00:31:13.050
  • SPEAK-- AND YOU MAY HAVE HEARD
  • 00:31:13.050 --> 00:31:13.270
  • THIS PART OF THE STORY.
  • 00:31:13.270 --> 00:31:14.150
  • IT'S NOT LEGEND.
  • 00:31:14.150 --> 00:31:15.030
  • IT'S TRUE.
  • 00:31:15.030 --> 00:31:16.240
  • JUST BEFORE THE BISHOP BEGINS TO
  • 00:31:16.240 --> 00:31:18.070
  • BASICALLY LECTURE YOUNG FRANCIS
  • 00:31:18.070 --> 00:31:20.290
  • OF ASSISI,
  • 00:31:20.290 --> 00:31:23.000
  • FRANCIS OF ASSISI JUST
  • 00:31:23.000 --> 00:31:24.200
  • STARTS STRIPPIN' OFF HIS
  • 00:31:24.200 --> 00:31:25.170
  • CLOTHES, AND WHEN HE IS STARK
  • 00:31:25.170 --> 00:31:27.040
  • NAKED, HE TAKES HIS VERY
  • 00:31:28.080 --> 00:31:31.080
  • EXPENSIVE OUTFIT, AND HE PUTS IT
  • 00:31:31.080 --> 00:31:33.060
  • IN HIS FATHER'S LAP, AND HE
  • 00:31:33.060 --> 00:31:35.070
  • SAYS, "UNTIL THIS POINT, I HAVE
  • 00:31:35.070 --> 00:31:36.230
  • CALLED YOU MY FATHER, BUT NOW HE
  • 00:31:36.230 --> 00:31:37.260
  • IS MY HEAVENLY FATHER."
  • 00:31:37.260 --> 00:31:39.100
  • HE TURNED ON HIS HEEL,
  • 00:31:39.100 --> 00:31:40.260
  • MARCHED OUT OF TOWN,
  • 00:31:40.260 --> 00:31:43.030
  • AND HE SPENT THE REST OF
  • 00:31:43.030 --> 00:31:43.210
  • HIS LIFE LIVING IN THE
  • 00:31:43.210 --> 00:31:44.240
  • MOUNTAINS ABOVE HIS HOMETOWN,
  • 00:31:44.240 --> 00:31:45.200
  • DEVOTING HIMSELF TO THIS
  • 00:31:45.200 --> 00:31:48.010
  • SOLITARY PURSUIT OF
  • 00:31:48.010 --> 00:31:49.010
  • JESUS CHRIST.
  • 00:31:49.010 --> 00:31:51.090
  • HE UNDERSTOOD, "I'M NOT SUPPOSED
  • 00:31:51.090 --> 00:31:52.200
  • TO FIT, AND THIS CULTURE DOESN'T
  • 00:31:52.200 --> 00:31:54.230
  • FIT ME ANYMORE.
  • 00:31:54.230 --> 00:31:57.130
  • THIS COAT DOESN'T FIT ANYMORE.
  • 00:31:57.130 --> 00:31:59.260
  • IT JUST DOESN'T WORK FOR ME
  • 00:31:59.260 --> 00:32:01.030
  • ANYMORE.
  • 00:32:01.030 --> 00:32:02.190
  • I LOVE COMMUNITY, I LOVE PEOPLE,
  • 00:32:02.190 --> 00:32:03.260
  • BUT I LOVE JESUS MORE."
  • 00:32:04.020 --> 00:32:07.020
  • LESSER KNOWN, MUCH LESSER KNOWN
  • 00:32:07.020 --> 00:32:09.070
  • THAN SAINT FRANCIS
  • 00:32:09.260 --> 00:32:12.260
  • WERE A SECT THAT BEGAN IN
  • 00:32:12.260 --> 00:32:14.030
  • THE 400s, CALLED THE
  • 00:32:14.030 --> 00:32:15.110
  • PILLAR SAINTS, OR THE STYLITES,
  • 00:32:15.110 --> 00:32:17.150
  • AND "STYLITE" COMES FROM THE
  • 00:32:17.150 --> 00:32:19.130
  • GREEK WORD "STULOS,"
  • 00:32:19.130 --> 00:32:20.290
  • WHICH CHRIS CAN TELL YOU
  • 00:32:20.290 --> 00:32:21.240
  • MEANS "PILLAR."
  • 00:32:21.240 --> 00:32:23.070
  • NOW, THESE GUYS, IT BEGAN IN
  • 00:32:23.070 --> 00:32:24.180
  • 1423 BY A GUY NAMED SIMEON.
  • 00:32:24.180 --> 00:32:26.150
  • THEY WOULD LITERALLY HAVE THEIR
  • 00:32:26.150 --> 00:32:28.160
  • FRIENDS AND THEMSELF-- THEY
  • 00:32:28.160 --> 00:32:30.100
  • WOULD DRAG MARBLE PILLARS OUT
  • 00:32:30.100 --> 00:32:32.190
  • INTO THE WILDERNESS-- I MEAN,
  • 00:32:32.190 --> 00:32:35.020
  • MARBLE PILLARS LIKE YOU SEE AT
  • 00:32:35.020 --> 00:32:35.230
  • THE PARTHENON, I MEAN,
  • 00:32:35.230 --> 00:32:37.190
  • GREAT BIG PILLARS.
  • 00:32:37.190 --> 00:32:38.290
  • THEY'D DRAG 'EM OUT
  • 00:32:38.290 --> 00:32:39.200
  • IN THE WILDERNESS.
  • 00:32:39.200 --> 00:32:41.070
  • THEY WOULD HOIST THEMSELVES UP
  • 00:32:41.070 --> 00:32:42.240
  • OR BE CARRIED TO THE TOP OF
  • 00:32:42.240 --> 00:32:43.210
  • THOSE PILLARS, AND THEY WOULD
  • 00:32:43.210 --> 00:32:45.090
  • LIVE THERE.
  • 00:32:45.090 --> 00:32:47.220
  • THEY WOULD MAKE THEIR HOME ON
  • 00:32:47.220 --> 00:32:49.130
  • TOP OF A PILLAR IN THE
  • 00:32:49.130 --> 00:32:51.010
  • WILDERNESS BECAUSE THAT WAS
  • 00:32:51.010 --> 00:32:53.020
  • THEIR WAY OF SAYING, "ANYTHING
  • 00:32:53.020 --> 00:32:54.240
  • OR ANYONE WHO DISTRACTS ME FROM
  • 00:32:56.050 --> 00:32:59.050
  • MY DEVOTION TO JESUS CHRIST, I'M
  • 00:32:59.050 --> 00:33:01.280
  • GOING TO ACTIVELY IGNORE THEM."
  • 00:33:01.280 --> 00:33:04.080
  • SO THEY WENT TO EXTREMES TO
  • 00:33:04.080 --> 00:33:07.070
  • PRACTICE THIS AESTHETICISM.
  • 00:33:07.070 --> 00:33:08.290
  • HE SPENT 53-- Y'ALL, 53 YEARS ON
  • 00:33:14.230 --> 00:33:16.100
  • TOP OF A MARBLE PILLAR IN THE
  • 00:33:17.030 --> 00:33:20.030
  • WILDERNESS.
  • 00:33:20.030 --> 00:33:21.280
  • IT WAS LESS THAN FOUR FEET IN
  • 00:33:21.280 --> 00:33:22.190
  • DIAMETER.
  • 00:33:22.190 --> 00:33:24.050
  • AFTER 53 YEARS OF STANDING ON
  • 00:33:24.050 --> 00:33:25.230
  • "I JUST WANNA BLOCK OUT ANYTHING
  • 00:33:28.120 --> 00:33:29.040
  • THAT OBSCURES MY VIEW OF GOD,"
  • 00:33:29.040 --> 00:33:31.080
  • "I JUST WANNA DEVOTE MYSELF
  • 00:33:31.080 --> 00:33:32.260
  • COMPLETELY TO JESUS,"
  • 00:33:33.050 --> 00:33:36.050
  • "I DON'T WANT ANY NOISE,
  • 00:33:36.050 --> 00:33:36.230
  • ANY DISTRACTIONS,
  • 00:33:36.230 --> 00:33:37.290
  • ANYTHING ELSE"--
  • 00:33:37.290 --> 00:33:39.010
  • AFTER 53 YEARS, HIS ANKLES
  • 00:33:39.010 --> 00:33:40.040
  • COLLAPSED, SO SOME OF HIS
  • 00:33:40.080 --> 00:33:43.080
  • FRIENDS ASSUMED THAT HE'D COME
  • 00:33:43.080 --> 00:33:45.200
  • DOWN FROM THE PILLAR.
  • 00:33:45.200 --> 00:33:47.070
  • MAYBE HE'D GO TO A PODIATRIST--
  • 00:33:47.070 --> 00:33:49.090
  • [LAUGHTER]
  • 00:33:49.090 --> 00:33:49.280
  • -- BUT HE DIDN'T.
  • 00:33:49.280 --> 00:33:52.030
  • ALYPIUS, INSTEAD, TURNED HIMSELF
  • 00:33:52.030 --> 00:33:53.250
  • SIDEWAYS, LAY DOWN ON THE
  • 00:33:53.250 --> 00:33:55.280
  • PILLAR, AND HE LIVED ANOTHER 14
  • 00:33:55.280 --> 00:33:58.100
  • YEARS, PRONE, BUT STILL SOLITARY
  • 00:33:59.060 --> 00:34:02.080
  • ATOP THAT PILLAR BECAUSE HIS
  • 00:34:02.080 --> 00:34:04.050
  • HEART-- I BELIEVE HIS MANNERISM
  • 00:34:04.270 --> 00:34:07.270
  • WAS A LITTLE WACKO, BUT HIS
  • 00:34:07.270 --> 00:34:08.220
  • HEART WAS "I JUST WANNA BE AS
  • 00:34:08.220 --> 00:34:10.200
  • CLOSE TO GOD AS I POSSIBLY CAN
  • 00:34:10.200 --> 00:34:12.020
  • WITHOUT ANY DISTRACTIONS."
  • 00:34:12.030 --> 00:34:15.030
  • Y'ALL, I DON'T AGREE WITH THEIR
  • 00:34:15.030 --> 00:34:16.290
  • METHODOLOGY.
  • 00:34:16.290 --> 00:34:19.090
  • I MEAN, I THINK LIVIN' ON TOP OF
  • 00:34:19.090 --> 00:34:20.020
  • A PILLAR IS, AS CHRIS SAID,
  • 00:34:20.020 --> 00:34:21.240
  • ABSOLUTELY CRAY-CRAY, AND IF I
  • 00:34:22.150 --> 00:34:25.150
  • TRIED TO PROTEST CULTURE BY
  • 00:34:25.150 --> 00:34:27.000
  • STOMPIN' OFF INTO THE WOODS,
  • 00:34:27.000 --> 00:34:28.150
  • NAKED, PEOPLE IN NASHVILLE WOULD
  • 00:34:28.150 --> 00:34:29.230
  • PROBABLY CALL THAT
  • 00:34:29.230 --> 00:34:30.290
  • CAUSE FOR ARREST.
  • 00:34:30.290 --> 00:34:32.180
  • [LAUGHTER]
  • 00:34:32.180 --> 00:34:35.060
  • AND SO I'M NOT SAYING WE NEED TO
  • 00:34:35.060 --> 00:34:37.070
  • DO WHAT THEY DID, BUT I'M
  • 00:34:37.070 --> 00:34:37.260
  • THINKING MAYBE WE NEED TO THINK
  • 00:34:37.260 --> 00:34:38.210
  • MORE THE WAY THEY THOUGHT, TO
  • 00:34:38.210 --> 00:34:40.260
  • GO, "WHAT IS IT IN MY LIFE THAT
  • 00:34:40.260 --> 00:34:42.160
  • IS DISTRACTING ME FROM BEING
  • 00:34:42.160 --> 00:34:43.240
  • COMPLETELY DEVOTED TO JESUS?"
  • 00:34:43.240 --> 00:34:46.080
  • AND I THINK, AS A TOTAL
  • 00:34:46.290 --> 00:34:49.290
  • EXTROVERT-- I'M A THREE ON THE
  • 00:34:49.290 --> 00:34:50.200
  • ENNEAGRAM.
  • 00:34:50.200 --> 00:34:52.030
  • I LOVE PEOPLE.
  • 00:34:53.050 --> 00:34:56.050
  • I LOVE HUGGIN' TOTAL STRANGERS
  • 00:34:56.050 --> 00:34:57.050
  • TO MY CHEST, AND, BELIEVE ME,
  • 00:34:57.050 --> 00:34:57.260
  • THERE'S ENOUGH ROOM UNDER HERE
  • 00:34:57.260 --> 00:34:58.170
  • FOR A VILLAGE.
  • 00:34:59.030 --> 00:35:02.050
  • I MEAN, I AM A PEOPLE PERSON,
  • 00:35:02.050 --> 00:35:02.260
  • BUT WHAT GOD HAS BEEN WHISPERING
  • 00:35:05.030 --> 00:35:08.030
  • TO ME OVER AND OVER AND OVER
  • 00:35:08.030 --> 00:35:09.000
  • AGAIN AS "LISA, I HAVE TO MATTER
  • 00:35:09.000 --> 00:35:09.270
  • MORE.
  • 00:35:09.270 --> 00:35:10.170
  • I HAVE TO MATTER MORE.
  • 00:35:10.170 --> 00:35:11.070
  • WHAT ARE YOU WILLING TO GIVE UP
  • 00:35:11.070 --> 00:35:12.230
  • IN ORDER TO FOCUS MORE ON ME?
  • 00:35:12.230 --> 00:35:13.250
  • WHAT ARE YOU WILLING TO GIVE
  • 00:35:13.250 --> 00:35:15.070
  • UP?"
  • 00:35:15.070 --> 00:35:16.250
  • WHEN I BROUGHT MISSY HOME, I
  • 00:35:16.250 --> 00:35:18.100
  • REALIZED, "YOU KNOW WHAT?
  • 00:35:18.100 --> 00:35:19.080
  • I SPEND ALL DAY, EVERY DAY,
  • 00:35:19.080 --> 00:35:20.180
  • TALKIN' TO PEOPLE."
  • 00:35:20.180 --> 00:35:21.250
  • I SPEND EVERY SPARE
  • 00:35:21.250 --> 00:35:23.130
  • MINUTE I HAVE AT STARBUCKS
  • 00:35:23.130 --> 00:35:25.060
  • WITH SOMEBODY ELSE.
  • 00:35:25.060 --> 00:35:27.110
  • I'M JUST CONSTANTLY WITH PEOPLE,
  • 00:35:27.110 --> 00:35:29.040
  • AND I THOUGHT, "THIS IS NOT THE
  • 00:35:29.040 --> 00:35:30.190
  • WAY I'M SUPPOSED TO ORDER MY
  • 00:35:30.190 --> 00:35:31.190
  • STEPS AS A FOLLOWER OF CHRIST OR
  • 00:35:31.190 --> 00:35:34.030
  • A MOM."
  • 00:35:34.030 --> 00:35:35.250
  • AND SO WE MOVED WAY OUT
  • 00:35:35.250 --> 00:35:37.060
  • TO THE BOONIES.
  • 00:35:37.060 --> 00:35:39.170
  • WE BOUGHT A LITTLE FARMETTE,
  • 00:35:39.170 --> 00:35:40.280
  • LITTLE FARMETTE ABOUT TEN MILES
  • 00:35:40.280 --> 00:35:43.050
  • OUTSIDE OF TOWN.
  • 00:35:43.050 --> 00:35:44.020
  • CHRIS HAS BEEN THERE.
  • 00:35:44.020 --> 00:35:45.150
  • IT'S IN THE MIDDLE OF NOWHERE,
  • 00:35:45.150 --> 00:35:46.060
  • ISN'T IT?
  • 00:35:46.060 --> 00:35:48.160
  • AND I GOT UP BECAUSE I THOUGHT
  • 00:35:48.160 --> 00:35:49.230
  • I'M ON A HILL IN THE MIDDLE OF
  • 00:35:49.230 --> 00:35:51.140
  • NOWHERE, AND FOR THOSE FEW RARE
  • 00:35:51.140 --> 00:35:53.020
  • DAYS I'M HOME AND NOT ON THE
  • 00:35:53.020 --> 00:35:54.280
  • ROAD OR NOT ABOUT THE FATHER'S
  • 00:35:54.280 --> 00:35:56.280
  • BUSINESS, I NEED TO BE ALONE
  • 00:35:56.280 --> 00:35:58.050
  • WITH THE FATHER.
  • 00:35:58.050 --> 00:36:01.020
  • NOW, THE HOUSE IS KIND OF JANKY.
  • 00:36:01.020 --> 00:36:02.260
  • THE VIEW IS FABULOUS, AND IT
  • 00:36:02.260 --> 00:36:04.280
  • CAME WITH A REALLY PRETTY POOL,
  • 00:36:04.280 --> 00:36:06.030
  • AND I GREW UP AS A LIFEGUARD IN
  • 00:36:06.060 --> 00:36:09.060
  • FLORIDA.
  • 00:36:09.060 --> 00:36:11.190
  • COLLEGE AND HIGH SCHOOL SUMMERS,
  • 00:36:11.190 --> 00:36:13.100
  • I SPENT AS A LIFEGUARD SKI
  • 00:36:13.100 --> 00:36:14.090
  • INSTRUCTOR, AND SO SOON AS I SAW
  • 00:36:14.090 --> 00:36:15.120
  • THAT POOL, EVEN THOUGH IT WAS
  • 00:36:15.120 --> 00:36:16.120
  • WINTERTIME, I THOUGHT, "I'VE
  • 00:36:16.120 --> 00:36:17.230
  • GOTTA GET MISSY TO WHERE SHE CAN
  • 00:36:17.230 --> 00:36:18.210
  • SWIM" BECAUSE, EVEN THOUGH I'D
  • 00:36:18.210 --> 00:36:20.150
  • PUT HER IN SWIMMIN' LESSONS WHEN
  • 00:36:20.150 --> 00:36:22.010
  • I FIRST BROUGHT HER HOME FROM
  • 00:36:22.010 --> 00:36:23.190
  • HAITI, SHE JUST HADN'T REALLY
  • 00:36:23.190 --> 00:36:24.200
  • MASTERED THAT ABILITY, AND SO I
  • 00:36:24.220 --> 00:36:27.220
  • THOUGHT, "I NEED TO GET HER TO
  • 00:36:27.220 --> 00:36:28.200
  • WHERE SHE'S A LITTLE MORE
  • 00:36:28.200 --> 00:36:29.160
  • COMFORTABLE IN THE POOL," AND SO
  • 00:36:29.160 --> 00:36:30.080
  • SOON AS IT WAS ABOVE FREEZING, I
  • 00:36:30.080 --> 00:36:31.150
  • HAD US IN THE POOL EVERY
  • 00:36:31.150 --> 00:36:32.180
  • AFTERNOON.
  • 00:36:32.180 --> 00:36:33.140
  • [LAUGHTER]
  • 00:36:33.140 --> 00:36:35.040
  • I JUST WANTED TO GET HER TO MAKE
  • 00:36:35.040 --> 00:36:35.260
  • SURE, IF SHE FELL IN, SHE COULD
  • 00:36:35.260 --> 00:36:37.100
  • GET TO THE SIDE IF SOMEBODY
  • 00:36:37.100 --> 00:36:38.270
  • DIDN'T SEE HER, AND Y'ALL KNOW,
  • 00:36:38.270 --> 00:36:40.070
  • ESPECIALLY IN CALIFORNIA, AND
  • 00:36:40.070 --> 00:36:41.120
  • SOME OF WHAT'S HAPPENED
  • 00:36:41.120 --> 00:36:42.240
  • RECENTLY, HOW CRITICAL THAT IS
  • 00:36:42.240 --> 00:36:43.150
  • FOR US TO BE CAREFUL WITH KIDS
  • 00:36:43.150 --> 00:36:45.090
  • AROUND POOLS, BODIES OF WATER.
  • 00:36:45.090 --> 00:36:46.130
  • WELL, ONE AFTERNOON, SHE WAS ON
  • 00:36:46.130 --> 00:36:48.030
  • OUR SHAMU SHELF.
  • 00:36:48.030 --> 00:36:50.210
  • I REALLY OFFENDED THIS WOMAN
  • 00:36:50.210 --> 00:36:51.270
  • RECENTLY WHEN I SAID, "YOU CAN
  • 00:36:51.270 --> 00:36:52.230
  • SIT ON THE SHAMU SHELF," AND I
  • 00:36:52.230 --> 00:36:53.220
  • SAID, "IT'S NOT ABOUT YOU."
  • 00:36:53.220 --> 00:36:54.230
  • IT'S THE LITTLE--
  • 00:36:54.230 --> 00:36:55.200
  • DO Y'ALL CALL 'EM THAT?
  • 00:36:55.200 --> 00:36:56.080
  • OH, WELL, IN TENNESSEE, IF YOU
  • 00:36:56.080 --> 00:36:57.270
  • GOT ONE OF THOSE SHELFS IN YOUR
  • 00:36:57.270 --> 00:37:00.030
  • POOL THAT THE WATER IS REAL
  • 00:37:00.030 --> 00:37:02.010
  • SHALLOW, AND KIDS CAN PLAY IN
  • 00:37:02.010 --> 00:37:02.280
  • IT, WE CALL IT A "SHAMU SHELF"
  • 00:37:02.280 --> 00:37:03.220
  • 'CAUSE THAT'S WHAT--
  • 00:37:03.220 --> 00:37:05.130
  • [LAUGHTER]
  • 00:37:05.130 --> 00:37:06.020
  • -- YOU KNOW, SHAMU WOULD FLOAT
  • 00:37:06.020 --> 00:37:07.100
  • UP ON THAT AT SEA WORLD.
  • 00:37:07.100 --> 00:37:09.160
  • ANYWAY, GLAD Y'ALL DIDN'T COME
  • 00:37:09.160 --> 00:37:10.190
  • TO MY HOUSE.
  • 00:37:10.190 --> 00:37:11.040
  • I WOULD'VE OFFENDED YOU TOO.
  • 00:37:11.040 --> 00:37:11.270
  • ANYWAY, THIS WOMAN WAS
  • 00:37:11.270 --> 00:37:13.060
  • HORRIFIED.
  • 00:37:13.060 --> 00:37:13.220
  • I SAID, "OH, I'LL BE THERE IN A
  • 00:37:13.220 --> 00:37:14.210
  • MINUTE.
  • 00:37:14.210 --> 00:37:15.050
  • JUST SIT ON THE SHAMU SHELF."
  • 00:37:15.050 --> 00:37:16.160
  • AND SHE HASN'T BEEN OVER SINCE,
  • 00:37:16.160 --> 00:37:17.200
  • BUT, ANYWAY--
  • 00:37:17.200 --> 00:37:18.150
  • [LAUGHTER]
  • 00:37:18.150 --> 00:37:19.140
  • -- MISSY WAS STANDING ON THE
  • 00:37:19.140 --> 00:37:20.240
  • SHAMU SHELF, AND I REMEMBERED,
  • 00:37:20.240 --> 00:37:22.090
  • "OH, SHOOT, I FORGOT THE
  • 00:37:22.090 --> 00:37:23.110
  • SUNSCREEN,"
  • 00:37:23.110 --> 00:37:25.250
  • 'CAUSE EVEN BEAUTIFUL
  • 00:37:25.250 --> 00:37:27.110
  • BROWN PEOPLE NEED SUNSCREEN.
  • 00:37:27.110 --> 00:37:28.170
  • SO I THOUGHT I'VE GOTTA RUN BACK
  • 00:37:28.170 --> 00:37:30.110
  • UP AND GET THE SUNSCREEN, WHICH
  • 00:37:30.110 --> 00:37:31.110
  • IS UP ON THIS BASKET ON THE
  • 00:37:31.110 --> 00:37:32.100
  • PORCH.
  • 00:37:32.100 --> 00:37:32.250
  • I'VE GOT A FLIGHT OF STEPS,
  • 00:37:32.250 --> 00:37:35.240
  • STONE STEPS THAT GO DOWN TO THE
  • 00:37:35.240 --> 00:37:36.260
  • POOL DECK, SO I THOUGHT IT'LL
  • 00:37:36.260 --> 00:37:38.000
  • JUST TAKE ME A SECOND.
  • 00:37:38.000 --> 00:37:38.170
  • I MEAN, I JUST TURNED AROUND.
  • 00:37:38.170 --> 00:37:40.040
  • I'M RUNNIN' UP THOSE STEPS, AND
  • 00:37:40.040 --> 00:37:41.080
  • AS I'M RUNNIN' UP THOSE STEPS TO
  • 00:37:41.080 --> 00:37:43.060
  • GRAB SOME SUNSCREEN, Y'ALL, I
  • 00:37:43.060 --> 00:37:44.260
  • CAN'T EVEN EXPLAIN HOW SMALL
  • 00:37:44.260 --> 00:37:46.160
  • THIS NOISE WAS.
  • 00:37:47.270 --> 00:37:50.270
  • IT WAS LIKE SOMEBODY STUCK THEIR
  • 00:37:50.270 --> 00:37:53.180
  • FINGER IN A CUP OF WATER, TEN
  • 00:37:55.120 --> 00:37:58.120
  • FEET AWAY.
  • 00:37:58.120 --> 00:38:01.090
  • I MEAN, IT WAS THE TINIEST,
  • 00:38:01.090 --> 00:38:02.070
  • TINIEST OF BLIPS.
  • 00:38:03.130 --> 00:38:06.130
  • IT WAS LIKE "HORTON HEARS A
  • 00:38:06.130 --> 00:38:07.030
  • WHO!"
  • 00:38:07.030 --> 00:38:07.270
  • [LAUGHTER]
  • 00:38:07.270 --> 00:38:09.270
  • THERE WAS NO SCREAM; THERE WAS
  • 00:38:09.270 --> 00:38:10.230
  • NO GASP.
  • 00:38:10.230 --> 00:38:11.240
  • IT WAS JUST THIS TINY SHIFT IN
  • 00:38:12.100 --> 00:38:15.100
  • THE ATMOSPHERE THAT SOUNDED
  • 00:38:15.100 --> 00:38:16.210
  • WATERY, AND I TURNED, AND I
  • 00:38:17.010 --> 00:38:20.010
  • TURNED TO SEE MY BABY'S HEAD
  • 00:38:20.260 --> 00:38:23.260
  • GOIN' UNDER BECAUSE WE HAVE ONE
  • 00:38:23.260 --> 00:38:26.070
  • OF THOSE POOLS WITH AN INFINITY
  • 00:38:26.070 --> 00:38:27.090
  • EDGE, SO THERE'S A STRONG
  • 00:38:27.090 --> 00:38:28.110
  • CURRENT, ALMOST LIKE A RIVER,
  • 00:38:28.110 --> 00:38:30.070
  • AND MISSY HAD REACHED OUT FOR
  • 00:38:30.070 --> 00:38:32.270
  • SOMETHIN' THAT FLOATED AWAY FROM
  • 00:38:32.270 --> 00:38:34.070
  • THE EDGE, AND WHEN SHE DID, THE
  • 00:38:34.070 --> 00:38:34.290
  • CURRENT JUST TOOK HER.
  • 00:38:34.290 --> 00:38:37.000
  • AND I WATCHED FROM 15 FEET UP
  • 00:38:37.000 --> 00:38:38.020
  • AND A FLIGHT OF STEPS REMOVED, I
  • 00:38:38.020 --> 00:38:39.210
  • WATCHED HER HEAD GO UNDERWATER,
  • 00:38:39.210 --> 00:38:41.010
  • AND IT IS SUCH A GOOD THING I
  • 00:38:41.010 --> 00:38:43.210
  • WAS WEARIN' MY OLD-LADY SKIRTY
  • 00:38:43.210 --> 00:38:45.240
  • BATHING SUIT BECAUSE I FLEW.
  • 00:38:45.240 --> 00:38:46.250
  • I MEAN, I JUST--
  • 00:38:46.250 --> 00:38:49.130
  • [WHOOSH SOUND]
  • 00:38:49.130 --> 00:38:50.130
  • [LAUGHTER]
  • 00:38:50.130 --> 00:38:51.070
  • I MEAN, I JUST-- I FLEW OVER THE
  • 00:38:51.070 --> 00:38:52.030
  • RAIL, OVER THE STEPS, ACROSS THE
  • 00:38:52.030 --> 00:38:54.040
  • WATER, AND BEFORE SHE HAD GONE
  • 00:38:54.040 --> 00:38:55.210
  • DOWN AGAIN, I HAD SNATCHED HER
  • 00:38:55.210 --> 00:38:57.080
  • BACK UP.
  • 00:38:57.080 --> 00:38:59.080
  • NOW, THE REASON I HEARD THAT
  • 00:39:01.260 --> 00:39:04.260
  • TINY BLIP IS BECAUSE I HAVE
  • 00:39:04.260 --> 00:39:05.290
  • SPENT SO MUCH TIME ALONE WITH MY
  • 00:39:09.110 --> 00:39:12.110
  • KID THAT THE FAINTEST CRY FROM
  • 00:39:13.040 --> 00:39:16.040
  • MISSY MIGHT AS WELL BE A CAR
  • 00:39:16.040 --> 00:39:17.130
  • HORN IN MY HEART.
  • 00:39:17.130 --> 00:39:19.070
  • I KNEW THAT HAD TO DO WITH MY
  • 00:39:19.070 --> 00:39:20.170
  • KID.
  • 00:39:20.170 --> 00:39:21.180
  • Y'ALL, THAT'S ABOUT HOW IT'S
  • 00:39:21.180 --> 00:39:22.140
  • SUPPOSED TO BE WITH US AND
  • 00:39:22.140 --> 00:39:23.070
  • JESUS.
  • 00:39:23.070 --> 00:39:24.110
  • WE ARE SUPPOSED TO SPEND SO MUCH
  • 00:39:24.110 --> 00:39:25.040
  • TIME AWAY FROM THE CACOPHONY OF
  • 00:39:25.040 --> 00:39:25.260
  • CULTURE.
  • 00:39:26.140 --> 00:39:29.140
  • THAT DOESN'T MEAN YOU HAVE TO
  • 00:39:29.140 --> 00:39:31.240
  • MOVE OUT OF YOUR NEIGHBORHOOD.
  • 00:39:31.240 --> 00:39:32.270
  • DOESN'T MEAN YOU HAVE TO LIVE ON
  • 00:39:32.270 --> 00:39:33.200
  • A PILLAR.
  • 00:39:33.200 --> 00:39:34.070
  • SURE DOESN'T MEAN YOU HAVE TO BE
  • 00:39:34.070 --> 00:39:35.040
  • NUDE IN A HOT TUB.
  • 00:39:35.040 --> 00:39:36.000
  • [LAUGHTER]
  • 00:39:36.000 --> 00:39:37.010
  • WHAT IT MEANS IS YOU HAVE TO
  • 00:39:37.010 --> 00:39:38.260
  • PREFER HIM ABOVE EVERYBODY ELSE.
  • 00:39:38.270 --> 00:39:41.270
  • YOU HAVE TO GO, "TODAY IT'S JUST
  • 00:39:41.270 --> 00:39:43.040
  • ME AND YOU.
  • 00:39:43.040 --> 00:39:45.070
  • I'M NOT RUNNIN' FOR OFFICE.
  • 00:39:45.070 --> 00:39:47.010
  • I'M RUNNIN' TOWARD YOU.
  • 00:39:47.010 --> 00:39:49.170
  • I DON'T CARE HOW MANY FOLLOWERS
  • 00:39:49.170 --> 00:39:50.190
  • I HAVE.
  • 00:39:50.190 --> 00:39:51.190
  • I'M FOLLOWING YOU.
  • 00:39:51.190 --> 00:39:52.220
  • IT'S ABOUT YOU."
  • 00:39:52.220 --> 00:39:54.120
  • AND, Y'ALL,
  • 00:39:54.120 --> 00:39:54.280
  • WE'VE GOTTA REMEMBER THAT OUR
  • 00:39:54.280 --> 00:39:56.010
  • JESUS WAS NOT EXACTLY A SOCIAL
  • 00:39:56.010 --> 00:39:57.020
  • BUTTERFLY.
  • 00:39:57.020 --> 00:39:57.260
  • IF YOU STUDIED THE LIFE OF
  • 00:39:57.260 --> 00:40:00.140
  • CHRIST, ESPECIALLY THE THREE
  • 00:40:00.140 --> 00:40:02.080
  • YEARS OF HIS EARTHLY MINISTRY,
  • 00:40:02.080 --> 00:40:04.070
  • HE SPENT MUCH MORE TIME AS AN
  • 00:40:04.070 --> 00:40:07.010
  • OUTSIDER THAN HE DOES
  • 00:40:07.010 --> 00:40:08.250
  • AS AN INSIDER.
  • 00:40:08.250 --> 00:40:10.130
  • HE LOVED PEOPLE OBVIOUSLY.
  • 00:40:10.130 --> 00:40:11.180
  • HE LOVED PEOPLE PERFECTLY, BUT
  • 00:40:11.220 --> 00:40:14.220
  • HE DID NOT COURT PUBLIC FAVOR.
  • 00:40:14.230 --> 00:40:17.230
  • TURN TO LUKE CHAPTER 4--
  • 00:40:17.230 --> 00:40:20.090
  • INCREDIBLE PASSAGE.
  • 00:40:20.090 --> 00:40:22.130
  • ONE OF MY FAVORITE STORIES IN
  • 00:40:22.130 --> 00:40:23.260
  • LUKE'S GOSPEL, AND LUKE'S GOSPEL
  • 00:40:23.260 --> 00:40:25.080
  • ITSELF IS A UNIQUE KIND OF AN
  • 00:40:25.110 --> 00:40:28.110
  • OUTSIDER-JUTTING-OUT KIND OF
  • 00:40:28.110 --> 00:40:31.010
  • BOOK BECAUSE LUKE IS THE ONLY
  • 00:40:31.010 --> 00:40:32.230
  • AUTHOR OF HOLY WRIT WHO
  • 00:40:33.070 --> 00:40:36.070
  • WAS GENTILE.
  • 00:40:36.070 --> 00:40:37.240
  • HE WAS OTHER.
  • 00:40:37.240 --> 00:40:38.160
  • HE WASN'T JEWISH.
  • 00:40:38.160 --> 00:40:39.170
  • WE'VE GOT A COUPLE OF BOOKS WHO
  • 00:40:39.170 --> 00:40:40.110
  • ARE FORMALLY CLASSIFIED AS
  • 00:40:40.110 --> 00:40:41.200
  • ANONYMOUS, BUT THE ONLY KNOWN
  • 00:40:41.200 --> 00:40:44.020
  • GENTILE AUTHOR OF SCRIPTURE IS
  • 00:40:44.020 --> 00:40:46.120
  • DR. LUKE.
  • 00:40:46.160 --> 00:40:49.160
  • SO HE GIVES YOU THIS KIND OF
  • 00:40:49.160 --> 00:40:50.240
  • JUTTING-OUT PERSPECTIVE.
  • 00:40:50.240 --> 00:40:52.250
  • I LOVE HIS GOSPEL,
  • 00:40:52.250 --> 00:40:53.200
  • HIS "EUANGELION,"
  • 00:40:53.200 --> 00:40:55.050
  • HIS "GOOD NEWS."
  • 00:40:55.050 --> 00:40:56.050
  • "AND HE--" DR. LUKE'S TALKIN'
  • 00:40:58.220 --> 00:40:59.130
  • ABOUT JESUS HERE.
  • 00:40:59.130 --> 00:41:00.190
  • "AND HE CAME TO NAZARETH, WHERE
  • 00:41:00.190 --> 00:41:01.110
  • HE HAD BEEN BROUGHT UP.
  • 00:41:01.110 --> 00:41:02.190
  • AS WAS HIS CUSTOM, HE WENT TO
  • 00:41:02.190 --> 00:41:04.000
  • SYNAGOGUE ON SABBATH DAY,"
  • 00:41:04.000 --> 00:41:05.080
  • OR SHABBAT, IF Y'ALL COME FROM A
  • 00:41:05.080 --> 00:41:06.060
  • JEWISH BACKGROUND,
  • 00:41:06.060 --> 00:41:06.230
  • AND THE SCROLL OF THE PROPHET
  • 00:41:09.260 --> 00:41:10.170
  • ISAIAH WAS GIVEN TO HIM.
  • 00:41:10.170 --> 00:41:11.050
  • HE UNROLLED THE SCROLL AND FOUND
  • 00:41:11.050 --> 00:41:13.020
  • THE PLACE WHERE IT IS WRITTEN,
  • 00:41:13.020 --> 00:41:13.260
  • 'THE SPIRIT OF THE LORD IS UPON
  • 00:41:13.260 --> 00:41:15.120
  • ME, BECAUSE HE HAS ANOINTED ME
  • 00:41:15.120 --> 00:41:16.250
  • TO PROCLAIM GOOD NEWS TO THE
  • 00:41:16.250 --> 00:41:17.260
  • POOR.
  • 00:41:17.260 --> 00:41:20.180
  • HE HAS SENT ME TO PROCLAIM
  • 00:41:20.180 --> 00:41:21.070
  • LIBERTY TO THE CAPTIVES AND
  • 00:41:21.070 --> 00:41:23.010
  • RECOVERY OF SIGHT TO THE BLIND
  • 00:41:23.010 --> 00:41:25.040
  • AND SET AT LIBERTY THOSE WHO ARE
  • 00:41:25.040 --> 00:41:27.190
  • OPPRESSED, AND PROCLAIM THE YEAR
  • 00:41:27.190 --> 00:41:28.210
  • OF THE LORD'S FAVOR.'
  • 00:41:31.110 --> 00:41:34.110
  • AND HE ROLLED UP THE SCROLL
  • 00:41:34.110 --> 00:41:35.080
  • AND GAVE IT BACK TO THE
  • 00:41:35.080 --> 00:41:36.070
  • ATTENDANT AND SAT DOWN.
  • 00:41:36.070 --> 00:41:37.060
  • AND THE EYES OF ALL IN THE
  • 00:41:37.060 --> 00:41:38.190
  • SYNAGOGUE WERE FIXED ON HIM.
  • 00:41:38.190 --> 00:41:39.290
  • AND HE BEGAN TO SAY TO THEM,
  • 00:41:39.290 --> 00:41:41.050
  • 'TODAY, TODAY THIS SCRIPTURE HAS
  • 00:41:41.050 --> 00:41:43.220
  • BEEN FULFILLED IN YOUR HEARING.'
  • 00:41:43.220 --> 00:41:46.160
  • AND ALL SPOKE WELL OF HIM, AND
  • 00:41:46.160 --> 00:41:48.050
  • MARVELED AT THE GRACIOUS WORDS
  • 00:41:48.050 --> 00:41:49.100
  • THAT WERE COMING FROM HIS MOUTH.
  • 00:41:49.100 --> 00:41:50.160
  • AND THEY SAID, 'IS THIS NOT
  • 00:41:50.160 --> 00:41:51.080
  • JOE'S SON?
  • 00:41:51.220 --> 00:41:54.220
  • IS THIS NOT MARY AND JOE'S BOY?
  • 00:41:54.220 --> 00:41:57.030
  • I MEAN, MY KID PLAYED T-BALL
  • 00:41:57.030 --> 00:41:58.280
  • WITH HIM.'"
  • 00:41:58.280 --> 00:42:01.140
  • [LAUGHTER]
  • 00:42:01.140 --> 00:42:03.140
  • "I MEAN, I REMEMBER JESUS.
  • 00:42:03.140 --> 00:42:05.180
  • HE WAS IN THE SCHOOL PLAY.
  • 00:42:05.180 --> 00:42:07.240
  • HE WAS A GOOD KID.
  • 00:42:07.240 --> 00:42:10.240
  • YOU KNOW, MY DAUGHTER-IN-LAW
  • 00:42:10.240 --> 00:42:12.220
  • TOLD ME THAT HE'S BEEN ON SOME
  • 00:42:12.220 --> 00:42:13.150
  • KIND OF A MISSION TRIP, AND SHE
  • 00:42:13.150 --> 00:42:14.120
  • SAID HE DID A MIRACLE OR TWO,
  • 00:42:14.120 --> 00:42:16.270
  • AND I'M NOT SURE ABOUT IT, BUT,
  • 00:42:16.270 --> 00:42:17.260
  • OBVIOUSLY, WHILE HE'S BEEN ON
  • 00:42:17.260 --> 00:42:19.080
  • THE ROAD, HE HAS BEEN, LIKE,
  • 00:42:19.080 --> 00:42:20.110
  • SOME ZIG ZIGLAR COURSE ON
  • 00:42:20.110 --> 00:42:21.210
  • TEACHING--"
  • 00:42:21.210 --> 00:42:22.230
  • [LAUGHTER]
  • 00:42:22.230 --> 00:42:23.110
  • -- "BECAUSE HE IS SUCH AN
  • 00:42:23.110 --> 00:42:25.250
  • INTERESTING COMMUNICATOR.
  • 00:42:25.250 --> 00:42:26.280
  • I MEAN, USUALLY WHEN RABBI GETS
  • 00:42:26.280 --> 00:42:29.040
  • TO TALKIN', I JUST START PLAYIN'
  • 00:42:29.040 --> 00:42:30.260
  • "ANGRY BIRDS," BUT THIS JESUS--"
  • 00:42:30.260 --> 00:42:31.230
  • [LAUGHTER]
  • 00:42:31.230 --> 00:42:34.140
  • -- "HE IS JUST REALLY TURNED
  • 00:42:34.140 --> 00:42:37.000
  • INTO QUITE THE COMMUNICATOR."
  • 00:42:37.000 --> 00:42:38.090
  • I MEAN, THEY'RE JUST--
  • 00:42:38.090 --> 00:42:38.270
  • THEY'RE ALL LIKE,
  • 00:42:38.270 --> 00:42:40.090
  • "WE'RE SO PROUD.
  • 00:42:40.090 --> 00:42:41.030
  • LOCAL BOY DOES GOOD.
  • 00:42:41.030 --> 00:42:42.130
  • HE'S COME HOME."
  • 00:42:42.130 --> 00:42:43.260
  • Y'ALL KNOW THAT IT WAS A
  • 00:42:43.260 --> 00:42:44.150
  • HUGE DEAL HE READ FROM THE
  • 00:42:44.150 --> 00:42:45.220
  • PROPHET ISAIAH TOO, RIGHT?
  • 00:42:45.220 --> 00:42:46.230
  • YOU KNOW THAT IN JEWISH CULTURE,
  • 00:42:46.230 --> 00:42:48.260
  • FIRST CENTURY, THEY HAD WHAT WAS
  • 00:42:48.260 --> 00:42:50.260
  • CALLED A "TORAH CLOSET" AT THE
  • 00:42:50.260 --> 00:42:51.240
  • BACK OF THE CHURCH, AND WHAT
  • 00:42:51.240 --> 00:42:53.260
  • WOULD HAPPEN IS SOMEBODY, NOT
  • 00:42:54.020 --> 00:42:57.020
  • JESUS-- IT WAS ONE OF THE
  • 00:42:58.070 --> 00:43:01.090
  • JUNIORS-- WOULD GO BACK TO THE
  • 00:43:01.090 --> 00:43:02.100
  • CLOSET, GRAB A SCROLL, AND BRING
  • 00:43:02.100 --> 00:43:03.030
  • IT FORWARD, AND THEN SYNAGOGUES
  • 00:43:03.030 --> 00:43:04.080
  • LIKE JESUS' SYNAGOGUE-- BECAUSE
  • 00:43:04.080 --> 00:43:05.140
  • NAZARETH IS A TWO-BIT, DINKY,
  • 00:43:05.140 --> 00:43:07.170
  • LITTLE TOWN, ABOUT 300 PEOPLE,
  • 00:43:07.170 --> 00:43:09.010
  • SO THIS ISN'T A BIG CHURCH.
  • 00:43:09.010 --> 00:43:10.200
  • THEY DON'T HAVE A PAID RABBI.
  • 00:43:10.200 --> 00:43:12.050
  • GUYS WOULD TAKE TURNS EVERY WEEK
  • 00:43:12.050 --> 00:43:14.180
  • READING FROM WHATEVER WAS PULLED
  • 00:43:14.180 --> 00:43:16.070
  • OUT OF THE TORAH CLOSET, AND
  • 00:43:16.070 --> 00:43:17.190
  • THEN THEY WOULD SHARE, AND SOME
  • 00:43:17.190 --> 00:43:19.190
  • OF 'EM, AS YOU CAN IMAGINE, WERE
  • 00:43:19.190 --> 00:43:20.120
  • BORING AS WATCHING PAINT DRY,
  • 00:43:20.120 --> 00:43:21.220
  • AND SOME OF 'EM WERE A LITTLE
  • 00:43:21.220 --> 00:43:23.060
  • BETTER, BUT THEY DIDN'T HAVE
  • 00:43:23.060 --> 00:43:24.170
  • PROFESSIONAL RABBIS.
  • 00:43:24.170 --> 00:43:25.160
  • THEY JUST HAVE MEN IN THE
  • 00:43:25.160 --> 00:43:26.180
  • COMMUNITY WHO WOULD READ FROM
  • 00:43:26.180 --> 00:43:28.220
  • ONE OF THE SCROLLS BROUGHT FROM
  • 00:43:28.220 --> 00:43:30.050
  • THE TORAH CLOSET, AND THEN THEY
  • 00:43:30.050 --> 00:43:32.020
  • WOULD SHARE THEIR THOUGHTS, KIND
  • 00:43:32.020 --> 00:43:33.160
  • OF A DEVOTIONAL, IF YOU WILL.
  • 00:43:33.160 --> 00:43:36.050
  • SO IT'S AN HONOR WHEN JESUS
  • 00:43:36.050 --> 00:43:37.110
  • COMES BACK IN TOWN, THIS LOCAL
  • 00:43:37.110 --> 00:43:38.160
  • KID WHO'D LEFT.
  • 00:43:38.160 --> 00:43:40.160
  • HE SITS UP FRONT IN WHAT WAS
  • 00:43:40.160 --> 00:43:42.010
  • CALLED MOSES' SEAT.
  • 00:43:42.010 --> 00:43:43.090
  • THAT'S A SEAT OF HONOR WHERE
  • 00:43:43.090 --> 00:43:44.220
  • YOU'D SIT WHEN YOU'RE READING
  • 00:43:44.220 --> 00:43:45.130
  • FROM TORAH.
  • 00:43:45.130 --> 00:43:45.260
  • AND SOME JUNIOR, KID, ALMOST
  • 00:43:45.260 --> 00:43:48.180
  • LIKE AN ACOLYTE IN CATHOLIC
  • 00:43:48.180 --> 00:43:50.140
  • CHURCH, GOES, GRABS A SCROLL,
  • 00:43:50.140 --> 00:43:51.090
  • BRINGS IT TO JESUS.
  • 00:43:51.090 --> 00:43:52.130
  • JUST SO HAPPENS TO BE THE SCROLL
  • 00:43:52.130 --> 00:43:54.100
  • OF ISAIAH.
  • 00:43:54.100 --> 00:43:55.140
  • JUST SO HAPPENS.
  • 00:43:55.140 --> 00:43:58.100
  • PEOPLE TELL ME, "THE BIBLE IS
  • 00:43:58.100 --> 00:43:59.070
  • BORING."
  • 00:43:59.070 --> 00:44:00.050
  • I'M LIKE, "NO, YOU'RE BORING,
  • 00:44:00.050 --> 00:44:01.010
  • YOU STUPID PERSON."
  • 00:44:01.010 --> 00:44:01.290
  • [LAUGHTER]
  • 00:44:01.290 --> 00:44:03.030
  • THIS IS THE MOST INCREDIBLE
  • 00:44:03.030 --> 00:44:03.230
  • BOOK.
  • 00:44:04.190 --> 00:44:07.190
  • I MEAN, IT'S A LOVE STORY.
  • 00:44:07.190 --> 00:44:09.140
  • IT'S AMAZING.
  • 00:44:09.140 --> 00:44:10.220
  • IT'S FILLED WITH-- IT'S
  • 00:44:10.220 --> 00:44:12.070
  • UNBELIEVABLE, Y'ALL.
  • 00:44:12.070 --> 00:44:14.050
  • JESUS IS IN HIS HOMETOWN
  • 00:44:14.050 --> 00:44:16.070
  • SYNAGOGUE, AND THE SCROLL THEY
  • 00:44:16.070 --> 00:44:18.260
  • BRING HIM BY CHANCE ON THAT DAY,
  • 00:44:19.110 --> 00:44:22.110
  • WHEN HE JUST SO HAPPENED TO BE
  • 00:44:22.110 --> 00:44:23.230
  • HOME, IS THE SERVANT SONGS FROM
  • 00:44:23.230 --> 00:44:25.230
  • ISAIAH, SAYIN',
  • 00:44:25.230 --> 00:44:27.170
  • "THE SAVIOR HAS COME,
  • 00:44:27.170 --> 00:44:29.150
  • AND WHEN THE SAVIOR COMES,
  • 00:44:29.150 --> 00:44:31.290
  • BLIND PEOPLE WILL SEE, AND
  • 00:44:31.290 --> 00:44:33.140
  • PARALYZED PEOPLE WILL DO
  • 00:44:33.140 --> 00:44:35.090
  • CARTWHEELS."
  • 00:44:35.090 --> 00:44:36.050
  • HE READS THAT, AND THIS
  • 00:44:36.050 --> 00:44:38.080
  • YAYHOO LITTLE LOCAL
  • 00:44:38.080 --> 00:44:40.020
  • AUDIENCE GOES,
  • 00:44:40.020 --> 00:44:41.020
  • "ISN'T HE A NICE BOY?
  • 00:44:41.020 --> 00:44:42.250
  • [LAUGHTER]
  • 00:44:42.250 --> 00:44:44.040
  • NOW, Y'ALL, HE COULD'VE SAT
  • 00:44:44.040 --> 00:44:44.280
  • THERE-- AND LET ME TELL YOU--
  • 00:44:44.280 --> 00:44:46.030
  • DID I TELL YOU I'M A THREE ON
  • 00:44:46.030 --> 00:44:47.050
  • THE ENNEAGRAM?
  • 00:44:47.050 --> 00:44:48.010
  • [LAUGHTER]
  • 00:44:48.010 --> 00:44:48.170
  • OOH, I LOVE WHEN PEOPLE LIKE ME.
  • 00:44:48.170 --> 00:44:50.000
  • WHEN I GET HATEFUL THINGS ON
  • 00:44:50.000 --> 00:44:52.010
  • IT HURTS MY FEELINGS, YOU KNOW?
  • 00:44:54.120 --> 00:44:55.210
  • "YOUR DAUGHTER'S HAIR
  • 00:44:55.210 --> 00:44:56.200
  • IS TRASHY."
  • 00:44:56.200 --> 00:44:57.250
  • I'M LIKE, "WELL, YOUR
  • 00:44:57.250 --> 00:44:58.130
  • DAUGHTER'S FAT."
  • 00:44:58.130 --> 00:44:59.240
  • I MEAN, IT JUST--
  • 00:44:59.240 --> 00:45:00.130
  • [LAUGHTER]
  • 00:45:00.130 --> 00:45:01.200
  • -- AND I DON'T SAY IT.
  • 00:45:01.200 --> 00:45:02.090
  • I DON'T SAY IT, I PROMISE YOU,
  • 00:45:02.090 --> 00:45:03.070
  • BUT, IT KIND OF HURTS
  • 00:45:03.070 --> 00:45:04.230
  • AND SO, IF I'M IN MY HOMETOWN
  • 00:45:08.260 --> 00:45:09.220
  • SYNAGOGUE, AND EVERYBODY WENT,
  • 00:45:09.220 --> 00:45:11.070
  • "HASN'T LISA BECOME SUCH A
  • 00:45:11.070 --> 00:45:12.210
  • GOOD TEACHER?"
  • 00:45:12.210 --> 00:45:13.260
  • I'LL BE LIKE, "AMEN."
  • 00:45:13.260 --> 00:45:15.070
  • LIKE, I'D BE LIKE,
  • 00:45:15.070 --> 00:45:16.200
  • "LET'S ALL HUG," AND
  • 00:45:16.200 --> 00:45:17.290
  • LEAVE 'CAUSE I'M GOIN' OUT ON
  • 00:45:17.290 --> 00:45:19.060
  • TOP HERE, YOU KNOW?
  • 00:45:19.060 --> 00:45:20.060
  • EVERYBODY'S LEANIN' IN.
  • 00:45:20.060 --> 00:45:22.020
  • EVERYBODY'S LIKIN' ME.
  • 00:45:22.020 --> 00:45:22.280
  • NOT JESUS.
  • 00:45:22.280 --> 00:45:25.110
  • BECAUSE JESUS CAME TO DO HIS
  • 00:45:26.030 --> 00:45:29.030
  • FATHER'S WILL, NOT TO COURT
  • 00:45:29.030 --> 00:45:31.020
  • PUBLIC FAVOR.
  • 00:45:31.020 --> 00:45:32.110
  • EVEN AT HOME, EVEN AT HOME,
  • 00:45:32.110 --> 00:45:35.060
  • Y'ALL, IT'S ONE THING TO BE
  • 00:45:35.060 --> 00:45:36.010
  • WILLING TO STAND OUT WHEN YOU'RE
  • 00:45:36.010 --> 00:45:37.140
  • WITH PEOPLE YOU DON'T KNOW, BUT
  • 00:45:37.140 --> 00:45:38.160
  • TO BE AT HOME, WHEN YOU'RE AT
  • 00:45:38.160 --> 00:45:40.070
  • BETHEL, AND YOU'RE LEADIN', AND
  • 00:45:40.070 --> 00:45:41.160
  • SOME PEOPLE KEEP THEIR ARMS
  • 00:45:41.160 --> 00:45:43.160
  • CROSSED DURING THE SONG KILLS
  • 00:45:43.160 --> 00:45:46.060
  • YOU A LITTLE BIT, DOESN'T IT?
  • 00:45:46.060 --> 00:45:46.270
  • [LAUGHTER]
  • 00:45:46.270 --> 00:45:48.230
  • I MEAN, 'CAUSE THOSE ARE YOUR
  • 00:45:48.230 --> 00:45:49.140
  • PEOPLE.
  • 00:45:49.140 --> 00:45:50.030
  • THOSE ARE YOUR PEOPLE.
  • 00:45:50.030 --> 00:45:52.100
  • SO IT MADE PERFECT SENSE IF
  • 00:45:52.100 --> 00:45:54.070
  • JESUS STOPS RIGHT THERE BECAUSE
  • 00:45:54.070 --> 00:45:56.130
  • IT SAYS, "AND ALL THE PEOPLE
  • 00:45:56.130 --> 00:45:57.050
  • THOUGHT WELL OF HIM."
  • 00:45:57.050 --> 00:45:58.170
  • BUT NOT JESUS BECAUSE
  • 00:45:58.170 --> 00:46:00.280
  • EVERYTHING HE WAS DOIN'
  • 00:46:00.280 --> 00:46:02.270
  • WAS TO PLEASE THE FATHER,
  • 00:46:02.270 --> 00:46:04.140
  • NOT TO PLEASE US.
  • 00:46:04.140 --> 00:46:07.010
  • SO EVEN THEN, HE'S RIGHT AT THE
  • 00:46:07.010 --> 00:46:09.030
  • POINT OF BEING ENDEARED FOREVER
  • 00:46:09.030 --> 00:46:11.150
  • TO THIS HOME CROWD, HE DOES THE
  • 00:46:11.150 --> 00:46:14.040
  • FATHER'S BUSINESS.
  • 00:46:14.080 --> 00:46:17.080
  • HE POKES OUT.
  • 00:46:17.080 --> 00:46:17.270
  • [LAUGHTER]
  • 00:46:17.270 --> 00:46:19.030
  • HE SAYS-- I KNOW, THAT'S LIKE
  • 00:46:19.030 --> 00:46:21.270
  • THE LEAST HOLY IMAGE EVER.
  • 00:46:21.270 --> 00:46:23.190
  • I NEED Y'ALL TO GET PAST--
  • 00:46:23.190 --> 00:46:24.230
  • [LAUGHTER]
  • 00:46:24.230 --> 00:46:26.240
  • -- GET PAST THE CONES.
  • 00:46:26.240 --> 00:46:28.000
  • HE IS SET APART.
  • 00:46:28.000 --> 00:46:30.160
  • "HE SAYS, 'DOUBTLESS YOU WILL
  • 00:46:30.170 --> 00:46:33.170
  • QUOTE TO ME THIS PROVERB,
  • 00:46:33.170 --> 00:46:34.240
  • "PHYSICIAN, HEAL YOURSELF."
  • 00:46:34.240 --> 00:46:36.160
  • "WE HAVE HEARD YOU DID
  • 00:46:36.160 --> 00:46:38.030
  • AT CAPERNAUM.
  • 00:46:38.030 --> 00:46:39.000
  • DO HERE IN YOUR HOMETOWN AS
  • 00:46:39.000 --> 00:46:39.200
  • WELL."'
  • 00:46:39.200 --> 00:46:40.160
  • AND HE SAID, 'TRULY, I
  • 00:46:40.160 --> 00:46:41.030
  • SAY TO YOU, NO PROPHET IS
  • 00:46:41.030 --> 00:46:42.090
  • ACCEPTABLE IN HIS HOMETOWN.
  • 00:46:42.090 --> 00:46:44.010
  • BUT IN TRUTH, I TELL YOU, THERE
  • 00:46:44.010 --> 00:46:45.000
  • WERE MANY WIDOWS IN ISRAEL IN
  • 00:46:45.000 --> 00:46:46.230
  • THE DAYS OF ELIJAH, WHEN THE
  • 00:46:46.230 --> 00:46:48.010
  • HEAVENS WERE SHUT UP THREE YEARS
  • 00:46:48.010 --> 00:46:49.140
  • AND SIX MONTHS, AND A GREAT
  • 00:46:49.140 --> 00:46:51.030
  • FAMINE CAME OVER ALL THE LAND,
  • 00:46:51.030 --> 00:46:52.090
  • AND ELIJAH WAS SENT TO NONE OF
  • 00:46:52.090 --> 00:46:54.100
  • THEM BUT ONLY TO ZAREPHATH, IN
  • 00:46:54.100 --> 00:46:55.270
  • THE LAND OF SIDON, TO A WOMAN
  • 00:46:55.270 --> 00:46:57.230
  • WHO WAS A WIDOW.
  • 00:46:57.230 --> 00:46:59.100
  • AND THERE WERE MANY LEPERS IN
  • 00:46:59.100 --> 00:47:00.220
  • ISRAEL IN THE TIME OF THE
  • 00:47:00.220 --> 00:47:02.280
  • PROPHET ELISHA, AND NONE OF THEM
  • 00:47:02.280 --> 00:47:04.130
  • WAS CLEANSED, BUT ONLY NAAMAN
  • 00:47:04.130 --> 00:47:06.010
  • THE SYRIAN.'"
  • 00:47:06.010 --> 00:47:08.080
  • DO YOU KNOW WHAT HE'S
  • 00:47:08.080 --> 00:47:09.010
  • SAYIN' TO THEM?
  • 00:47:09.010 --> 00:47:10.280
  • "Y'ALL HAVE MISSED THE BOAT.
  • 00:47:10.280 --> 00:47:12.000
  • YOU HAVE MISSED THE BOAT.
  • 00:47:12.010 --> 00:47:15.010
  • YOU'RE ALL--"
  • 00:47:15.010 --> 00:47:16.020
  • [MUSIC]
  • 00:47:16.020 --> 00:47:17.000
  • " KIKI, DO YOU LOVE ME? "
  • 00:47:17.000 --> 00:47:17.240
  • - LISA: "AND YOU'VE MISSED THE
  • 00:47:17.240 --> 00:47:18.180
  • WHOLE POINT."
  • 00:47:18.180 --> 00:47:21.040
  • [LAUGHTER]
  • 00:47:21.040 --> 00:47:21.200
  • "KIKI DOESN'T CARE ABOUT YOU.
  • 00:47:21.260 --> 00:47:24.260
  • YOU HAVE MISSED THE WHOLE POINT.
  • 00:47:25.210 --> 00:47:28.210
  • THE WHOLE POINT IS GOD THE
  • 00:47:28.210 --> 00:47:30.150
  • FATHER IN GLORY HAS SENT ME TO
  • 00:47:30.150 --> 00:47:32.200
  • RECONCILE YOU TO HIM, AND YOU
  • 00:47:33.020 --> 00:47:36.020
  • THINK I'M A GOOD BOY?
  • 00:47:36.020 --> 00:47:38.100
  • I'M NOT TALKIN' ABOUT THE LORD
  • 00:47:38.100 --> 00:47:39.010
  • HERE.
  • 00:47:39.010 --> 00:47:39.280
  • I AM THE LORD.
  • 00:47:39.280 --> 00:47:42.010
  • [CHEERS AND APPLAUSE]
  • 00:47:42.010 --> 00:47:43.080
  • I AM HE.
  • 00:47:43.080 --> 00:47:44.040
  • I AM HE."
  • 00:47:44.040 --> 00:47:45.250
  • AND YOU KNOW WHAT THE
  • 00:47:45.250 --> 00:47:46.190
  • CROWD DOES?
  • 00:47:46.190 --> 00:47:48.080
  • YOU KNOW WHAT THE CROWD DOES
  • 00:47:48.080 --> 00:47:48.280
  • WHEN THE LOCAL BOY SAYS,
  • 00:47:48.280 --> 00:47:50.040
  • "I'M IT"?
  • 00:47:50.040 --> 00:47:53.030
  • "I'M THE ONE WE'VE BEEN PRAYIN'
  • 00:47:53.030 --> 00:47:54.150
  • FOR, FOR CENTURIES."
  • 00:47:54.150 --> 00:47:55.250
  • CAN YOU IMAGINE HOW
  • 00:47:55.250 --> 00:47:56.110
  • THAT WENT OVER?
  • 00:47:56.110 --> 00:47:57.190
  • THAT WAS LIKE BEIN' A HOT DOG
  • 00:47:57.190 --> 00:47:58.260
  • VENDOR AT A VEGAN FESTIVAL.
  • 00:47:58.260 --> 00:48:00.030
  • [LAUGHTER]
  • 00:48:00.030 --> 00:48:02.180
  • I MEAN, IT WAS ROUGH.
  • 00:48:02.180 --> 00:48:03.190
  • AFTER HE MAKES THAT
  • 00:48:03.190 --> 00:48:05.180
  • PROCLAMATION, HERE'S WHAT
  • 00:48:05.180 --> 00:48:08.060
  • HAPPENED: "WHEN THEY HEARD THESE
  • 00:48:08.060 --> 00:48:09.190
  • THINGS, ALL IN THE SYNAGOGUE
  • 00:48:09.190 --> 00:48:11.020
  • WERE FILLED WITH WRATH.
  • 00:48:12.140 --> 00:48:15.140
  • AND THEY ROSE UP, AND THEY DROVE
  • 00:48:15.140 --> 00:48:17.220
  • HIM OUT OF THE TOWN AND BROUGHT
  • 00:48:17.220 --> 00:48:19.070
  • HIM TO THE BROW OF THE HILL ON
  • 00:48:19.070 --> 00:48:20.240
  • WHICH THEIR TOWN WAS BUILT, SO
  • 00:48:20.240 --> 00:48:21.190
  • THAT THEY COULD THROW HIM DOWN
  • 00:48:21.190 --> 00:48:22.280
  • THE CLIFF.
  • 00:48:22.280 --> 00:48:25.020
  • BUT PASSING THROUGH THEIR
  • 00:48:25.020 --> 00:48:26.180
  • MIDST," BECAUSE IT WASN'T HIS
  • 00:48:26.180 --> 00:48:27.290
  • TIME YET, "JESUS ESCAPED."
  • 00:48:30.230 --> 00:48:33.230
  • YOU KNOW, IT'S ONE
  • 00:48:33.230 --> 00:48:35.160
  • THING WHEN STRANGERS ON
  • 00:48:35.160 --> 00:48:36.250
  • INSTAGRAM CONSPIRE TO SAY
  • 00:48:36.250 --> 00:48:39.220
  • CRUEL OR LESS THAN KIND
  • 00:48:39.220 --> 00:48:41.070
  • THINGS ABOUT YOU.
  • 00:48:41.070 --> 00:48:42.040
  • IT'S A WHOLE NOTHER THING WHEN
  • 00:48:43.110 --> 00:48:46.110
  • YOUR FRIENDS ARE DOING THE
  • 00:48:46.110 --> 00:48:48.060
  • CUTTING.
  • 00:48:48.060 --> 00:48:49.290
  • IT'S A WHOLE NOTHER THING WHEN
  • 00:48:50.200 --> 00:48:53.200
  • JESUS' FIRST COUSINS CONSPIRED
  • 00:48:55.200 --> 00:48:58.200
  • TO KILL HIM BECAUSE WHAT HE SAID
  • 00:49:00.020 --> 00:49:03.020
  • DIDN'T FIT, AND WHAT HE DID WAS
  • 00:49:03.020 --> 00:49:04.140
  • UNPOPULAR.
  • 00:49:04.140 --> 00:49:06.060
  • IT MADE THEM FEEL AWKWARD.
  • 00:49:06.060 --> 00:49:08.200
  • Y'ALL, WE ARE SUPPOSED
  • 00:49:08.200 --> 00:49:09.240
  • EMULATE JESUS.
  • 00:49:09.240 --> 00:49:12.120
  • WE'RE SUPPOSED TO LOVE THE
  • 00:49:12.120 --> 00:49:13.220
  • PEOPLE AROUND US WELL, AND
  • 00:49:13.220 --> 00:49:14.120
  • PLEASE HEAR ME.
  • 00:49:14.150 --> 00:49:17.150
  • I'M NOT FOR A MOMENT SAYING THAT
  • 00:49:17.150 --> 00:49:18.180
  • RELATIONSHIPS AREN'T A GIFT
  • 00:49:18.180 --> 00:49:20.020
  • FROM GOD.
  • 00:49:20.020 --> 00:49:20.250
  • I'M NOT FOR A MOMENT SAYING
  • 00:49:20.250 --> 00:49:23.230
  • COMMUNITY ISN'T SACRED.
  • 00:49:23.230 --> 00:49:24.290
  • ONE OF MY FAVORITE QUOTES COMES
  • 00:49:24.290 --> 00:49:26.170
  • FROM A GUY NAME
  • 00:49:26.170 --> 00:49:27.120
  • LESSLIE NEWBIGIN, AND HE SAYS,
  • 00:49:27.120 --> 00:49:29.120
  • "COMMUNITY IS THE MOST EFFECTIVE
  • 00:49:29.120 --> 00:49:30.200
  • HERMENEUTIC OF THE GOSPEL."
  • 00:49:30.200 --> 00:49:32.070
  • IN OTHER WORDS,
  • 00:49:32.070 --> 00:49:32.220
  • IT'S THROUGH EACH OTHER
  • 00:49:32.220 --> 00:49:34.050
  • WE SEE JESUS CLEARLY.
  • 00:49:34.050 --> 00:49:35.100
  • I LOVE RELATIONSHIP.
  • 00:49:35.170 --> 00:49:38.170
  • I LOVE COMMUNITY.
  • 00:49:38.170 --> 00:49:39.210
  • I LOVE PEOPLE.
  • 00:49:39.210 --> 00:49:41.130
  • Y'ALL PEOPLE HAVE GOT TO YIELD
  • 00:49:42.070 --> 00:49:45.070
  • TO OUR RELATIONSHIP TO GOD.
  • 00:49:45.070 --> 00:49:46.270
  • JESUS HAS TO COME FIRST.
  • 00:49:46.270 --> 00:49:49.120
  • WE'RE GONNA SPEND THE REST OF
  • 00:49:49.120 --> 00:49:51.020
  • THIS DAY TALKING ABOUT WHAT IT
  • 00:49:51.020 --> 00:49:53.010
  • LOOKS LIKE TO BE WOMEN WHO ARE
  • 00:49:53.010 --> 00:49:56.010
  • SO IN LOVE WITH JESUS THAT WE
  • 00:49:56.010 --> 00:49:57.110
  • ACTUALLY TRANSFORM CULTURE.
  • 00:49:57.110 --> 00:49:59.150
  • MARTIN LUTHER KING SAID CHURCH
  • 00:50:00.070 --> 00:50:03.070
  • USED TO BE A THERMOSTAT.
  • 00:50:03.070 --> 00:50:05.200
  • GATHERINGS OF CHRIST-FOLLOWERS
  • 00:50:05.230 --> 00:50:08.230
  • USED TO BE A THERMOSTAT.
  • 00:50:08.230 --> 00:50:09.260
  • WE USED TO LITERALLY CHANGE THE
  • 00:50:09.260 --> 00:50:11.010
  • TEMPERATURE OF CULTURE.
  • 00:50:11.010 --> 00:50:13.270
  • JENN WOULD USE THE WORD
  • 00:50:13.270 --> 00:50:15.020
  • ATMOSPHERE.
  • 00:50:15.020 --> 00:50:15.220
  • ATMOSPHERES CHANGE WHEN
  • 00:50:15.220 --> 00:50:17.210
  • CHRIST-FOLLOWERS WALK INTO THAT
  • 00:50:17.210 --> 00:50:19.040
  • ROOM, TO THAT AREA, BUT DR. KING
  • 00:50:19.040 --> 00:50:21.170
  • SAID, "NOW CHURCH HAS BECOME A
  • 00:50:22.070 --> 00:50:25.070
  • THERMOMETER."
  • 00:50:25.070 --> 00:50:26.150
  • WE SIMPLY TAKE THE TEMPERATURE
  • 00:50:26.150 --> 00:50:29.040
  • OF CULTURE AND THEN USUALLY
  • 00:50:29.040 --> 00:50:31.010
  • ALIGN OUR LIVES ACCORDING
  • 00:50:31.010 --> 00:50:32.090
  • TO THAT.
  • 00:50:32.090 --> 00:50:33.030
  • Y'ALL, THAT'S NOT HOW IT'S
  • 00:50:33.030 --> 00:50:33.280
  • SUPPOSED TO BE.
  • 00:50:33.280 --> 00:50:35.110
  • WE ARE ALIENS, WE ARE STRANGERS,
  • 00:50:35.110 --> 00:50:36.060
  • WE ARE PECULIAR PEOPLE.
  • 00:50:36.060 --> 00:50:38.220
  • WE'RE SUPPOSED TO POKE OUT MUCH.
  • 00:50:38.220 --> 00:50:40.280
  • WE'RE SUPPOSED TO BE DIFFERENT.
  • 00:50:40.280 --> 00:50:41.200
  • THERE ARE PARTIES I WANT PEOPLE
  • 00:50:41.200 --> 00:50:43.050
  • TO NOT INVITE ME TO.
  • 00:50:43.290 --> 00:50:46.290
  • THERE ARE PEOPLE THAT I WANT TO
  • 00:50:46.290 --> 00:50:47.260
  • QUIT USIN' THE LANGUAGE THEY'RE
  • 00:50:47.260 --> 00:50:50.080
  • USING WHEN I COME WALKIN' UP,
  • 00:50:50.080 --> 00:50:51.120
  • AND I'M FINE WITH IT BEIN'
  • 00:50:51.120 --> 00:50:52.040
  • UNCOMFORTABLE.
  • 00:50:52.040 --> 00:50:53.110
  • I COULD CARE LESS IF IT'S A
  • 00:50:55.070 --> 00:50:55.270
  • LITTLE AWKWARD.
  • 00:50:55.270 --> 00:50:58.270
  • I LOVE THE STATEMENT, "I'M TOO
  • 00:50:58.270 --> 00:51:00.210
  • YOUNG TO QUIT, AND I'M TOO OLD
  • 00:51:00.210 --> 00:51:01.120
  • TO BE BULLIED."
  • 00:51:01.120 --> 00:51:03.190
  • [LAUGHTER]
  • 00:51:03.190 --> 00:51:04.160
  • IT'S LIKE, "YOU KNOW WHAT?
  • 00:51:04.160 --> 00:51:06.010
  • I'M JUST GONNA DO JESUS," AND IF
  • 00:51:06.010 --> 00:51:07.000
  • THAT'S FINE, AS LONG AS I'VE
  • 00:51:09.210 --> 00:51:11.010
  • HUGGED 'EM TO MY BOSOM, AND BEEN
  • 00:51:11.010 --> 00:51:12.150
  • AUTHENTIC,
  • 00:51:12.150 --> 00:51:13.110
  • THAT'S FINE IF IT STEPS ON A FEW
  • 00:51:13.110 --> 00:51:14.030
  • TOES.
  • 00:51:14.030 --> 00:51:14.190
  • WE'LL SPEND THE REST OF OUR TIME
  • 00:51:14.190 --> 00:51:16.040
  • TOGETHER REALLY TALKING ABOUT
  • 00:51:16.040 --> 00:51:17.230
  • WHAT IT LOOKS LIKE TO BE WOMEN
  • 00:51:17.230 --> 00:51:19.090
  • WHO EFFECT CULTURE AND WOMEN WHO
  • 00:51:19.090 --> 00:51:20.010
  • LEAD WELL BECAUSE OF
  • 00:51:20.010 --> 00:51:21.290
  • OUR LOVE OF CHRIST.
  • 00:51:21.290 --> 00:51:23.200
  • I WANNA MAKE A PACT WITH Y'ALL.
  • 00:51:23.200 --> 00:51:25.210
  • THERE'S THREE THINGS I WANT US
  • 00:51:25.210 --> 00:51:28.010
  • TO FOCUS ON, IF I CAN BE
  • 00:51:28.010 --> 00:51:28.220
  • SO BOSSY.
  • 00:51:28.220 --> 00:51:30.210
  • THE FIRST IS LET'S COMMIT TO
  • 00:51:30.210 --> 00:51:31.150
  • LOVE WELL, BUT NEVER ASSUME THAT
  • 00:51:31.150 --> 00:51:33.240
  • COMMUNITY WITH OTHERS IS
  • 00:51:33.240 --> 00:51:36.040
  • EQUIVALENT TO COMMUNION
  • 00:51:36.040 --> 00:51:37.210
  • WITH CHRIST.
  • 00:51:37.210 --> 00:51:40.000
  • LET'S COMMIT TO HUG HARD, BUT
  • 00:51:40.120 --> 00:51:43.120
  • NEVER CONFUSE HUMAN CONTACT WITH
  • 00:51:44.030 --> 00:51:47.030
  • HOLY INTIMACY.
  • 00:51:47.030 --> 00:51:48.170
  • NOT THE SAME THING.
  • 00:51:48.170 --> 00:51:50.200
  • LET'S COMMIT TO SHARE OUR HEARTS
  • 00:51:50.250 --> 00:51:53.250
  • AS FREELY AND AS AUTHENTICALLY
  • 00:51:53.250 --> 00:51:56.210
  • AS WE CAN WITH THE PEOPLE GOD
  • 00:51:56.210 --> 00:51:58.220
  • HAS SOVEREIGNLY ALIGNED US TO
  • 00:51:58.220 --> 00:52:00.090
  • WALK THROUGH LIFE WITH.
  • 00:52:00.090 --> 00:52:01.280
  • LET'S LOVE PEOPLE REALLY WELL.
  • 00:52:01.280 --> 00:52:03.250
  • LET'S DO IT GENUINELY.
  • 00:52:03.250 --> 00:52:05.000
  • Y'ALL, LET'S NEVER FORGET THERE
  • 00:52:05.000 --> 00:52:07.110
  • IS A DIVINE HOLE IN OUR SOUL
  • 00:52:07.110 --> 00:52:10.090
  • CREATED BY GOD HIMSELF.
  • 00:52:10.110 --> 00:52:13.110
  • WE ARE "IMAGO DEI," AND THE ONLY
  • 00:52:13.110 --> 00:52:16.040
  • THING THAT FILLS THAT RELATIONAL
  • 00:52:16.040 --> 00:52:17.100
  • HOLE FOR US IS JESUS.
  • 00:52:17.100 --> 00:52:18.160
  • IT'S ONLY JESUS.
  • 00:52:18.160 --> 00:52:20.160
  • I WANNA LEAVE YOU WITH JUST ONE
  • 00:52:20.160 --> 00:52:22.010
  • QUESTION, BUT IT'S A QUESTION
  • 00:52:22.030 --> 00:52:25.030
  • I'VE BEEN SITTING IN FOR THE
  • 00:52:25.030 --> 00:52:26.020
  • LAST COUPLE OF MONTHS, AND SO I
  • 00:52:26.020 --> 00:52:27.050
  • FELT LED TO SHARE IT WITH Y'ALL.
  • 00:52:27.050 --> 00:52:28.290
  • DON'T WANT YOU TO ANSWER IT
  • 00:52:28.290 --> 00:52:31.030
  • RIGHT NOW.
  • 00:52:31.030 --> 00:52:31.200
  • JUST WANT YOU TO SIT IN THIS FOR
  • 00:52:31.200 --> 00:52:33.040
  • A MINUTE.
  • 00:52:33.040 --> 00:52:34.210
  • WHAT OR WHO IS GOD CALLING YOU
  • 00:52:36.100 --> 00:52:39.100
  • TO LEAVE IN ORDER TO LEAD?
  • 00:52:40.040 --> 00:52:43.040
  • WHAT OR WHO IS GOD CALLING YOU
  • 00:52:46.240 --> 00:52:49.240
  • TO LEAVE-- MAYBE JUST LOOSEN
  • 00:52:49.240 --> 00:52:52.200
  • YOUR GRIP ON-- IN ORDER TO LEAD
  • 00:52:52.200 --> 00:52:55.150
  • [MUSIC]
  • 00:53:00.180 --> 00:53:02.170
  • OH, OH-OH
  • 00:53:02.170 --> 00:53:03.200
  • OH, OH-OH
  • 00:53:03.200 --> 00:53:05.250
  • OH, OH-OH
  • 00:53:05.250 --> 00:53:06.180
  • OH, OH-OHH
  • 00:53:06.220 --> 00:53:09.220
  • BEFORE I SPOKE A WORD,
  • 00:53:33.090 --> 00:53:35.060
  • YOU HAVE BEEN SO,
  • 00:53:43.060 --> 00:53:44.100
  • BEFORE I TOOK A BREATH,
  • 00:53:51.210 --> 00:53:54.170
  • YOU BREATHED YOUR LIFE IN ME
  • 00:53:56.260 --> 00:53:59.260
  • YOU HAVE BEEN SO, SO KIND TO
  • 00:53:59.260 --> 00:54:01.090
  • ME
  • 00:54:03.140 --> 00:54:06.140
  • AND, OH, THE OVERWHELMING,
  • 00:54:06.140 --> 00:54:09.090
  • NEVER-ENDING, RECKLESS LOVE F
  • 00:54:09.090 --> 00:54:11.100
  • GOD
  • 00:54:12.050 --> 00:54:15.050
  • OH, IT CHASES ME DOWN,
  • 00:54:15.050 --> 00:54:17.100
  • FIGHTS TILL I'M FOUND,
  • 00:54:17.100 --> 00:54:19.160
  • LEAVES THE 99
  • 00:54:20.030 --> 00:54:23.030
  • I COULDN'T EARN IT,
  • 00:54:23.030 --> 00:54:25.120
  • AND I DON'T DESERVE IT,
  • 00:54:25.120 --> 00:54:27.210
  • STILL, YOU GIVE YOURSELF AWAY
  • 00:54:28.200 --> 00:54:31.200
  • OH, THE OVERWHELMING,
  • 00:54:31.200 --> 00:54:34.160
  • NEVER-ENDING, RECKLESS LOVE F
  • 00:54:34.160 --> 00:54:37.020
  • GOD,
  • 00:54:37.020 --> 00:54:39.200
  • WHEN I WAS YOUR FOE,
  • 00:55:00.140 --> 00:55:02.070
  • STILL YOUR LOVE FOUGHT FOR ME
  • 00:55:05.130 --> 00:55:08.130
  • YOU HAVE BEEN SO,
  • 00:55:08.130 --> 00:55:11.050
  • SO GOOD TO ME
  • 00:55:11.050 --> 00:55:14.030
  • YES, YOU HAVE
  • 00:55:14.030 --> 00:55:15.110
  • WHEN I FELT NO WORTH,
  • 00:55:15.260 --> 00:55:18.260
  • YOU PAID IT ALL FOR ME
  • 00:55:20.110 --> 00:55:23.110
  • OH, YOU HAVE
  • 00:55:23.110 --> 00:55:24.110
  • YOU HAVE BEEN SO,
  • 00:55:25.180 --> 00:55:28.180
  • SO KIND TO ME
  • 00:55:28.180 --> 00:55:31.120
  • AND, OH, THE OVERWHELMING,
  • 00:55:34.280 --> 00:55:35.220
  • NEVER-ENDING,
  • 00:55:35.220 --> 00:55:38.220
  • OH, IT CHASES ME DOWN,
  • 00:55:42.070 --> 00:55:44.050
  • FIGHTS TILL I'M FOUND,
  • 00:55:44.050 --> 00:55:46.090
  • LEAVES THE 99
  • 00:55:46.160 --> 00:55:49.160
  • I COULDN'T EARN IT
  • 00:55:49.160 --> 00:55:51.270
  • I DON'T DESERVE IT, STILL,
  • 00:55:51.290 --> 00:55:54.290
  • YOU GIVE YOURSELF AWAY
  • 00:55:54.290 --> 00:55:57.280
  • AND, OH, THE OVERWHELMING,
  • 00:55:57.280 --> 00:56:00.230
  • NEVER-ENDING,
  • 00:56:00.230 --> 00:56:03.200
  • - MALE: COME, ON, NO SHADOW.
  • 00:56:25.140 --> 00:56:26.290
  • THERE'S NO SHADOW YOU WON'T
  • 00:56:26.290 --> 00:56:27.270
  • LIGHT UP,
  • 00:56:27.270 --> 00:56:28.280
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:56:28.280 --> 00:56:30.210
  • COMIN' AFTER ME
  • 00:56:31.270 --> 00:56:34.270
  • THERE'S NO WALL YOU WON'T KIK
  • 00:56:34.270 --> 00:56:35.260
  • DOWN,
  • 00:56:35.260 --> 00:56:37.020
  • LIE YOU WON'T TEAR DOWN,
  • 00:56:37.020 --> 00:56:40.020
  • COMING AFTER ME
  • 00:56:40.020 --> 00:56:42.120
  • COME ON, SING IT AGAIN.
  • 00:56:42.120 --> 00:56:44.000
  • THERE'S NO SHADOW YOU WON'T
  • 00:56:44.000 --> 00:56:45.130
  • LIGHT UP,
  • 00:56:45.130 --> 00:56:46.130
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:56:46.130 --> 00:56:48.010
  • COMING AFTER ME
  • 00:56:48.010 --> 00:56:50.230
  • OH, THERE'S NO WALL
  • 00:56:50.230 --> 00:56:52.120
  • THERE'S NO WALL YOU WON'T KIK
  • 00:56:52.120 --> 00:56:53.150
  • DOWN,
  • 00:56:53.150 --> 00:56:56.000
  • LIE YOU WON'T TEAR DOWN,
  • 00:56:56.000 --> 00:56:57.190
  • COMING AFTER ME
  • 00:56:57.190 --> 00:56:59.070
  • OH, NO SHADOW
  • 00:56:59.070 --> 00:57:01.260
  • THERE'S NO SHADOW YOU WON'T
  • 00:57:01.260 --> 00:57:02.180
  • LIGHT UP,
  • 00:57:02.180 --> 00:57:04.190
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:57:04.190 --> 00:57:06.110
  • COMIN' AFTER ME
  • 00:57:06.270 --> 00:57:09.270
  • THERE'S NO WALL YOU WON'T KIK
  • 00:57:09.270 --> 00:57:11.100
  • DOWN,
  • 00:57:11.100 --> 00:57:13.090
  • LIE YOU WON'T TEAR DOWN,
  • 00:57:13.090 --> 00:57:14.220
  • COMIN' AFTER ME
  • 00:57:16.020 --> 00:57:19.020
  • THERE'S NO SHADOW YOU WON'T
  • 00:57:19.020 --> 00:57:19.240
  • LIGHT UP,
  • 00:57:19.240 --> 00:57:21.050
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:57:21.050 --> 00:57:23.100
  • COMIN' AFTER ME
  • 00:57:23.100 --> 00:57:25.110
  • NO, NO
  • 00:57:25.110 --> 00:57:27.030
  • THERE'S NO WALL YOU WON'T KIK
  • 00:57:27.030 --> 00:57:27.280
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