Praise | Michael Jr. | 9/27/18 | TBN

Praise | Michael Jr. | 9/27/18

Watch Praise | Michael Jr. | 9/27/18
September 27, 2018
56:42

Matt & Laurie Crouch host Michael Jr.

Closed captions
  • BEFORE WE ACTUALLY GET STARTED, I'M
  • 00:00:01.070 --> 00:00:04.110
  • UNCOMFORTABLE ABOUT ONE THING.
  • 00:00:04.130 --> 00:00:06.280
  • I KNOW YOU DO A LOT OF COMEDY STUFF BUT I JUST
  • 00:00:07.000 --> 00:00:09.140
  • WOULD PREFER YOU NOT BE FUNNIER THAN ME AT ALL.
  • 00:00:09.160 --> 00:00:11.280
  • - SOUND MAN: MATT!
  • 00:00:12.000 --> 00:00:13.180
  • MATT, WE'RE ALREADY ON THE AIR!
  • 00:00:13.200 --> 00:00:14.200
  • [MUSIC]
  • 00:00:14.220 --> 00:00:21.220
  • - TONIGHT ON PRAISE FROM LOS ANGELES, COMEDIAN,
  • 00:00:21.240 --> 00:00:25.160
  • AUTHOR, PERFORMER, AND FATHER MICHAEL JR.
  • 00:00:25.180 --> 00:00:34.140
  • AND NOW MATT AND LAURIE CROUCH!
  • 00:00:34.160 --> 00:00:37.000
  • [APPLAUSE]
  • 00:00:37.020 --> 00:00:39.150
  • - MATT CROUCH: PRAISE COMES TO YOU TODAY FROM
  • 00:00:39.170 --> 00:00:41.030
  • SOUTHERN CALIFORNIA, AND WE ARE EXCITED ABOUT
  • 00:00:41.050 --> 00:00:44.180
  • THIS BROADCAST.
  • 00:00:44.200 --> 00:00:46.030
  • MICHAEL JR. FOR THOSE THAT DON'T KNOW YOU, WHO
  • 00:00:46.050 --> 00:00:52.110
  • AND WHAT ARE YOU AND WHAT ARE YOU ABOUT?
  • 00:00:52.130 --> 00:00:54.290
  • - MICHAEL JR.: OKAY.
  • 00:00:55.010 --> 00:00:56.120
  • I'M ABOUT 6'1.
  • 00:00:56.140 --> 00:00:58.050
  • YEAH.
  • 00:00:58.070 --> 00:01:01.050
  • AND I GREW UP IN MICHIGAN, AND THEN YOU
  • 00:01:01.070 --> 00:01:03.070
  • CALLED ME AND SAID HEY, COME ON THE SHOW.
  • 00:01:03.090 --> 00:01:05.010
  • - THAT'S ABOUT IT.
  • 00:01:05.030 --> 00:01:06.200
  • - THAT'S ABOUT IT.
  • 00:01:06.220 --> 00:01:08.060
  • - WHAT PART OF MICHIGAN?
  • 00:01:08.080 --> 00:01:09.220
  • - SO I GREW UP IN GRAND RAPIDS, MICHIGAN.
  • 00:01:09.240 --> 00:01:11.070
  • IN FACT, THE FIRST TIME I EVER READ A BIBLE BECAUSE
  • 00:01:11.090 --> 00:01:14.040
  • I DIDN'T KNOW WHAT WAS GOING ON BECAUSE THIS
  • 00:01:14.060 --> 00:01:16.000
  • STUFF -BECAUSE I KNEW AND CHRISTIANS, RIGHT.
  • 00:01:16.020 --> 00:01:17.220
  • AND THEY WERE CREEPY -- [LAUGHTER] THERE'S SOME
  • 00:01:17.240 --> 00:01:20.180
  • -- LET'S BE REAL.
  • 00:01:20.200 --> 00:01:21.250
  • THERE'S SOME CREEPY CHRISTIANS OUT THERE.
  • 00:01:21.270 --> 00:01:23.010
  • IF YOU DON'T KNOW ANY CREEPY CHRISTIANS,
  • 00:01:23.030 --> 00:01:24.120
  • IT'S YOU.
  • 00:01:24.140 --> 00:01:25.210
  • I JUST WANT -[LAUGHTER] BUT THE FIRST TIME I EVER
  • 00:01:25.230 --> 00:01:29.100
  • READ A BIBLE I READ THE FIRSTS THING I READ WAS A
  • 00:01:29.120 --> 00:01:32.230
  • COPY RIGHT AND I'M LIKE 26 YEARS OLD, AND THE
  • 00:01:32.250 --> 00:01:35.130
  • BIBLE WAS MADE IN GRAND RAPIDS, MICHIGAN.
  • 00:01:35.150 --> 00:01:36.280
  • I'M LIKE YO, ME TOO.
  • 00:01:37.000 --> 00:01:37.280
  • THIS IS DOPE.
  • 00:01:38.000 --> 00:01:39.060
  • PRETTY COOL MAN.
  • 00:01:39.080 --> 00:01:40.250
  • [LAUGHTER] SO I DO STAND UP COMEDY.
  • 00:01:40.270 --> 00:01:42.060
  • I GET TO TRAVEL THE WORLD DOING STAND UP COMEDY AND
  • 00:01:42.080 --> 00:01:44.230
  • IT'S SO MUCH FUN BUT IT'S SO MUCH -- I'M LEARNING
  • 00:01:44.250 --> 00:01:48.030
  • THERE'S SO MUCH MORE THAN JUST ABOUT MAKING
  • 00:01:48.050 --> 00:01:50.050
  • PEOPLE LAUGH.
  • 00:01:50.070 --> 00:01:51.150
  • AND I THINK THAT'S WHAT WE'LL TALK ABOUT TODAY,
  • 00:01:51.170 --> 00:01:52.030
  • RIGHT?
  • 00:01:52.050 --> 00:01:53.030
  • - LAURIE CROUCH: RIGHT.
  • 00:01:53.050 --> 00:01:54.100
  • - WE'RE GOING TO GET INTO THAT SO WE HAVE ONE
  • 00:01:54.120 --> 00:01:56.110
  • THING IN COMMON, MAYBE MANY, BUT ONE THING, WE
  • 00:01:56.130 --> 00:01:59.180
  • BOTH CALL GATEWAY OUR HOME CHURCH.
  • 00:01:59.200 --> 00:02:03.070
  • - YES.
  • 00:02:03.090 --> 00:02:04.140
  • - AND PASTOR AND ROBERT AND DEBBIE MORRIS.
  • 00:02:04.160 --> 00:02:06.210
  • AND NOT LONG AGO YOU ACTUALLY CONDUCTED THE
  • 00:02:06.230 --> 00:02:09.270
  • ENTIRE WEEKEND KIND OF THING.
  • 00:02:09.290 --> 00:02:12.100
  • - I DID.
  • 00:02:12.130 --> 00:02:13.110
  • - YEAH.
  • 00:02:13.130 --> 00:02:14.190
  • AND SO YOU DO COMEDY BUT UNDERNEATH THE CRUST OF
  • 00:02:14.210 --> 00:02:19.160
  • THAT, THE GOOEY CENTER IS YOU'RE A PREACHER GUY.
  • 00:02:19.180 --> 00:02:23.150
  • - YOU CALLED MY COMEDY CRUSTY.
  • 00:02:23.170 --> 00:02:25.180
  • - YEAH.
  • 00:02:25.200 --> 00:02:26.150
  • - THANKS.
  • 00:02:26.170 --> 00:02:27.230
  • [LAUGHTER] THANKS FOR THAT, MATT.
  • 00:02:27.250 --> 00:02:28.180
  • APPRECIATE IT.
  • 00:02:28.200 --> 00:02:30.020
  • YEAH, SO I FELT LIKE I HAD A COOL SLOGAN WHEN I
  • 00:02:30.040 --> 00:02:34.070
  • FIRST STARTED DOING COMEDY WHICH WAS CATCH
  • 00:02:34.090 --> 00:02:35.190
  • THEM WITH THE COMEDY, KEEP THEM WITH THE TRUTH.
  • 00:02:35.210 --> 00:02:38.000
  • BUT NOW I UNDERSTAND IT'S REALLY AN ASSIGNMENT.
  • 00:02:38.020 --> 00:02:40.260
  • LIKE I'M SUPPOSED TO CATCH PEOPLE WITH THE
  • 00:02:40.280 --> 00:02:43.070
  • COMEDY, IT'S THE LURING THAT GET PEOPLE TO COME
  • 00:02:43.090 --> 00:02:44.190
  • IN AND THEN I GET TO SHARE SOME TRUTH
  • 00:02:44.210 --> 00:02:45.250
  • WITH THEM.
  • 00:02:45.270 --> 00:02:47.040
  • SO I PERFORM AT A LOT OF CHURCHES LIKE WILLOW
  • 00:02:47.060 --> 00:02:49.200
  • CREEKS AND GATEWAY WHICH IS MY HOME CHURCH AND
  • 00:02:49.220 --> 00:02:52.100
  • I'LL DO THE WHOLE WEEKEND SERVICE, AND PEOPLE WILL
  • 00:02:52.120 --> 00:02:55.150
  • INVITE ALL OF THEIR FRIENDS BECAUSE THEY KNOW
  • 00:02:55.170 --> 00:02:57.020
  • IT'S GOING TO BE FUNNY.
  • 00:02:57.040 --> 00:02:58.140
  • AND THEN I GET TO SHARE WHATEVER I FEEL LIKE
  • 00:02:58.160 --> 00:03:00.020
  • SHOULD BE SHARED IN THE MIDST OF THE JOKES.
  • 00:03:00.040 --> 00:03:01.290
  • - OKAY.
  • 00:03:02.010 --> 00:03:03.110
  • WHAT DID YOU SHARE LAST TIME AT GATEWAY?
  • 00:03:03.130 --> 00:03:04.280
  • WHAT WAS YOUR KIND OF THE GUTS OF YOUR SERMON?
  • 00:03:05.000 --> 00:03:09.070
  • - GUTS.
  • 00:03:09.090 --> 00:03:10.150
  • - YEAH.
  • 00:03:10.170 --> 00:03:11.270
  • - YOU'RE A LITTLE VIOLENT TODAY, AREN'T YOU? [LAUGHTER]
  • 00:03:11.290 --> 00:03:12.240
  • - IT WAS THE OPEN THING.
  • 00:03:12.260 --> 00:03:15.000
  • KIND OF MESSED ME UP.
  • 00:03:15.020 --> 00:03:16.070
  • - FOR THE VIEWERS OF MY NEIGHBORHOOD, THE
  • 00:03:16.090 --> 00:03:17.060
  • CHITLINS OF MY CONVERSATION WAS
  • 00:03:17.080 --> 00:03:18.280
  • [LAUGHTER] CHITLINS, SHOULD I SAY IT THAT WAY?
  • 00:03:19.000 --> 00:03:23.160
  • - CHITLINS IS GOOD.
  • 00:03:23.180 --> 00:03:26.000
  • - IT WAS REALLY ABOUT UNDERSTANDING THAT WE ALL
  • 00:03:26.020 --> 00:03:28.160
  • HAVE A PURPOSE.
  • 00:03:28.180 --> 00:03:31.040
  • THERE'S SOMETHING THAT WE'RE SUPPOSED TO DO
  • 00:03:31.060 --> 00:03:32.260
  • MEANING IT'S KIND OF HOW COMEDY WORKS.
  • 00:03:32.280 --> 00:03:35.090
  • THERE'S SOMETHING SPECIFIC WE'RE SUPPOSED
  • 00:03:35.110 --> 00:03:36.290
  • TO DO.
  • 00:03:37.010 --> 00:03:38.080
  • THERE'S A SETBACK AND A SET UP AND IT'S REALLY
  • 00:03:38.100 --> 00:03:39.180
  • ABOUT UNDERSTANDING THE IMPORTANCE OF WALKING
  • 00:03:39.200 --> 00:03:42.020
  • THAT OUT WHEREVER YOU ARE.
  • 00:03:42.040 --> 00:03:43.220
  • - OKAY.
  • 00:03:43.240 --> 00:03:44.250
  • - SO IT'S AVAILABLE ON LINE, TOO.
  • 00:03:44.270 --> 00:03:46.120
  • BUT SINCE YOU GO TO THE CHURCH I THOUGHT YOU
  • 00:03:46.140 --> 00:03:47.240
  • MIGHT HAVE BEEN THERE BUT APPARENTLY YOU WEREN'T.
  • 00:03:47.260 --> 00:03:50.040
  • - I WENT ON LINE.
  • 00:03:50.060 --> 00:03:51.100
  • [LAUGHTER]
  • 00:03:51.120 --> 00:03:52.130
  • - IT'S OKAY.
  • 00:03:52.150 --> 00:03:53.180
  • - I VISIT IN-PERSON OCCASIONALLY.
  • 00:03:53.200 --> 00:03:54.270
  • IF WE'RE INTRODUCING YOU TO MICHAEL JR, IF YOU
  • 00:03:54.290 --> 00:03:56.180
  • DON'T KNOW HIM, IF FOR SOME REASON YOU HAVE
  • 00:03:56.200 --> 00:03:58.250
  • MISSED HIS COMEDY, WE PREPARED A LITTLE BIT OF
  • 00:03:58.270 --> 00:04:01.120
  • A ROLL IN THAT WILL GIVE YOU A LITTLE BIT MORE
  • 00:04:01.140 --> 00:04:04.160
  • ABOUT MICHAEL JR. WATCH THIS.
  • 00:04:04.180 --> 00:04:05.280
  • - HAILED AS ONE OF TODAY'S MOST GIFTED
  • 00:04:06.000 --> 00:04:09.160
  • COMEDIANS --
  • 00:04:09.180 --> 00:04:11.000
  • - MY NAME IS MICHAEL JR. I'M GONNA DO
  • 00:04:11.020 --> 00:04:12.250
  • SOME JOKES.
  • 00:04:12.270 --> 00:04:14.070
  • - MICHAEL JR. GOT HIS START WHEN GEORGE WALLACE
  • 00:04:14.090 --> 00:04:16.220
  • TOOK HIM TO THE LEGENDARY COMEDY AND MAGIC CLUB IN
  • 00:04:16.240 --> 00:04:19.200
  • HERMOSA BEACH.
  • 00:04:19.220 --> 00:04:21.110
  • EVEN THOUGH THE CLUB IS THE HOME OF JAY LENO ON
  • 00:04:21.130 --> 00:04:23.100
  • THE TONIGHT SHOW'S STAFF, THE CLUB'S OWNER SLIPPED
  • 00:04:23.120 --> 00:04:26.090
  • THE UNKNOWN COMIC ON STAGE TO PERFORM.
  • 00:04:26.110 --> 00:04:28.280
  • A WEEK LATER MICHAEL JR. WAS PERFORMING AT THE
  • 00:04:29.000 --> 00:04:31.200
  • JUST FOR LAUGHS COMEDY FESTIVAL IN MONTREAL
  • 00:04:31.220 --> 00:04:34.180
  • WHERE HE BECAME THE FIRST COMEDIAN TO EVER APPEAR
  • 00:04:34.200 --> 00:04:37.210
  • LIVE VIA SATELLITE ON THE TONIGHT SHOW.
  • 00:04:37.230 --> 00:04:40.250
  • THAT PERFORMANCE CATAPULTED MICHAEL'S CAREER.
  • 00:04:40.270 --> 00:04:44.020
  • NOW HE TOURS THE COUNTRY PERFORMING AT COMEDY
  • 00:04:44.040 --> 00:04:46.110
  • CLUBS AND ON TELEVISION.
  • 00:04:46.130 --> 00:04:48.100
  • MICHAEL RECENTLY APPEARED IN SONY PICTURES FEATURE
  • 00:04:48.120 --> 00:04:51.050
  • FILM WAR ROOM.
  • 00:04:51.070 --> 00:04:52.250
  • - OKAY.
  • 00:04:52.270 --> 00:04:53.270
  • I'M GOING TO WALK OFF DRAMATICALLY.
  • 00:04:53.290 --> 00:04:55.050
  • - KING OF COMEDY WITH A HEART FOR GOD.
  • 00:04:55.070 --> 00:04:57.100
  • MICHAEL JR. [APPLAUSE]
  • 00:04:57.120 --> 00:05:01.120
  • - WE ARE IN SOUTHERN CALIFORNIA.
  • 00:05:01.140 --> 00:05:03.100
  • MICHAEL JR. IS WITH US ALL HOUR.
  • 00:05:03.120 --> 00:05:05.270
  • I WANT TO DO SOMETHING RIGHT UP FRONT AND MAKE
  • 00:05:05.290 --> 00:05:08.200
  • SURE THAT YOU ARE AWARE OF SOMETHING.
  • 00:05:08.220 --> 00:05:12.170
  • FIRST OF ALL, MICHAEL JR. HAS DONE A
  • 00:05:12.190 --> 00:05:16.110
  • FATHOM EVENT.
  • 00:05:16.130 --> 00:05:17.180
  • - YES.
  • 00:05:17.200 --> 00:05:18.270
  • - AND IT'S COMING OUT, SO LET ME JUST SAY THAT
  • 00:05:18.290 --> 00:05:20.070
  • TODAY IS THE 27TH OF SEPTEMBER, AND ON OCTOBER
  • 00:05:20.090 --> 00:05:25.160
  • 18TH IN THEATERS RIGHT NOW IT'S ABOUT 600 OR 700
  • 00:05:25.180 --> 00:05:33.030
  • THEATERS ACROSS THE COUNTRY WHICH MEANS, AND
  • 00:05:33.050 --> 00:05:35.210
  • I KNOW ENOUGH ABOUT KIND OF THE THEATER BUSINESS
  • 00:05:35.230 --> 00:05:38.200
  • TO KNOW THAT PUTS A THEATER PRETTY CLOSE TO
  • 00:05:38.220 --> 00:05:41.010
  • WHEREVER YOU'RE WATCHING TODAY.
  • 00:05:41.030 --> 00:05:43.220
  • IT MAY NOT BE AT THE ONE RIGHT AROUND THE CORNER
  • 00:05:43.240 --> 00:05:46.120
  • FROM YOU, BUT 700 SCREENS IS A FAIRLY GOOD SIZED
  • 00:05:46.140 --> 00:05:51.080
  • NATIONAL RELEASE.
  • 00:05:51.100 --> 00:05:53.000
  • FATHOM EVENT.
  • 00:05:53.020 --> 00:05:54.070
  • ONE NIGHT ONLY.
  • 00:05:54.090 --> 00:05:55.190
  • AND IT IS SIMPLY TITLED MORE THAN FUNNY.
  • 00:05:55.210 --> 00:05:59.150
  • SO I WANTED TO MAKE SURE EVERYONE KNOWS THE GIFT
  • 00:05:59.170 --> 00:06:03.250
  • OF LAUGHTER IS AVAILABLE FOR YOU ON OCTOBER 18
  • 00:06:03.270 --> 00:06:08.050
  • IN THEATERS.
  • 00:06:08.070 --> 00:06:09.140
  • AND THIS IS A TRAILER THAT WILL GIVE YOU A
  • 00:06:09.160 --> 00:06:11.150
  • LITTLE BIT MORE INFORMATION ABOUT WHAT
  • 00:06:11.170 --> 00:06:12.190
  • WE'RE TALKING ABOUT.
  • 00:06:12.210 --> 00:06:13.220
  • WE'LL BE RIGHT BACK WITH MORE MICHAEL JR.
  • 00:06:13.240 --> 00:06:14.160
  • WATCH THIS.
  • 00:06:14.180 --> 00:06:16.250
  • - WHEN I WAS IN SCHOOL, I USE TODAY STRUGGLE WITH
  • 00:06:16.270 --> 00:06:17.250
  • MY READING, RIGHT.
  • 00:06:17.270 --> 00:06:19.020
  • MY TEACHERS TRIED TO TELL ME I HAD ADHD.
  • 00:06:19.040 --> 00:06:20.040
  • I AIN'T PAYING THEM NO ATTENTION.
  • 00:06:20.060 --> 00:06:21.100
  • WHATEVER.
  • 00:06:21.120 --> 00:06:23.200
  • [LAUGHTER]
  • 00:06:23.220 --> 00:06:27.120
  • [APPLAUSE]
  • 00:06:27.140 --> 00:06:28.190
  • - SO HERE WE ARE.
  • 00:06:28.210 --> 00:06:29.200
  • I'M FILMING A COMEDY SPECIAL.
  • 00:06:29.220 --> 00:06:30.190
  • MY DAUGHTER HAD A HAMSTER.
  • 00:06:30.210 --> 00:06:31.250
  • I SAY HAD A HAMSTER BECAUSE WE'RE IN THE
  • 00:06:31.270 --> 00:06:33.080
  • BACKGROUND PLAYING AND A HAWK OR SOMETHING
  • 00:06:33.100 --> 00:06:36.030
  • [ SWOOSHING]
  • 00:06:36.050 --> 00:06:39.240
  • SHE'S LIKE, DADDY, WHERE'S MR. JACOBS GOING?
  • 00:06:39.260 --> 00:06:41.110
  • HE GOING HANG GLIDING.
  • 00:06:41.130 --> 00:06:42.210
  • YEAH.
  • 00:06:42.230 --> 00:06:44.000
  • [LAUGHTER]
  • 00:06:44.020 --> 00:06:45.100
  • WE'RE GONNA PICK HIM UP LATER AT THE PET STORE.
  • 00:06:45.120 --> 00:06:47.120
  • BUT I WAS STRUGGLING WITH MY READING, AND MY UNCLE
  • 00:06:47.140 --> 00:06:50.250
  • WOULD TRY TO MAKE ME FEEL BETTER ABOUT IT.
  • 00:06:50.270 --> 00:06:52.060
  • HE SAID LISTEN, NEPHEW.
  • 00:06:52.080 --> 00:06:53.070
  • DON'T WORRY ABOUT THAT.
  • 00:06:53.090 --> 00:06:54.040
  • WE MATH PEOPLE.
  • 00:06:54.060 --> 00:06:55.110
  • HE SAID YOU PROBABLY GONNA BE A MATH GENIUS
  • 00:06:55.130 --> 00:06:56.110
  • LIKE I WAS.
  • 00:06:56.130 --> 00:06:57.170
  • YOU GOT AT LEAST A 40/40 CHANCE.
  • 00:06:57.190 --> 00:06:59.060
  • [LAUGHTER]
  • 00:06:59.080 --> 00:07:03.000
  • I DON'T WANT JUST WANT THEM TO LAUGH.
  • 00:07:03.020 --> 00:07:04.170
  • I WANT THEM TO BE INSPIRED.
  • 00:07:04.190 --> 00:07:06.080
  • YOU GO TO THE PEOPLE WHO CAN'T BE IN AN
  • 00:07:06.100 --> 00:07:08.090
  • ACTUAL SHELTER.
  • 00:07:08.110 --> 00:07:09.220
  • STILL LIVE IN THE WOODS.
  • 00:07:09.240 --> 00:07:10.190
  • - RIGHT.
  • 00:07:10.210 --> 00:07:13.050
  • - HE'S SPECIAL NEEDS AND HE RECENTLY PASSED AWAY.
  • 00:07:13.070 --> 00:07:14.120
  • - AND TO BE ABLE TO GIVE SOMEONE THAT HOPE, I
  • 00:07:14.140 --> 00:07:15.160
  • CAN'T PUT IT INTO WORDS.
  • 00:07:15.180 --> 00:07:16.290
  • - YEAH, I WANT IT TO BE FUNNY BUT I WANT THIS TO
  • 00:07:17.010 --> 00:07:19.100
  • BE MORE THAN FUNNY.
  • 00:07:19.120 --> 00:07:22.240
  • I'M WATCHING TV AND THIS COMMERCIAL CAME ON.
  • 00:07:24.000 --> 00:07:25.030
  • YOU SEEN IT BEFORE.
  • 00:07:25.050 --> 00:07:26.130
  • IT'S A COMMERCIAL WHERE THE OLD LADY SHE'S LIKE
  • 00:07:26.150 --> 00:07:27.270
  • HELP, I'VE FALLEN AND I CAN'T GET UP.
  • 00:07:27.290 --> 00:07:29.290
  • FIRST THING I'M THINKING, WHY DON'T THE CAMERA MAN
  • 00:07:30.010 --> 00:07:31.230
  • HELP HER?
  • 00:07:31.250 --> 00:07:32.200
  • HE RIGHT THERE.
  • 00:07:32.220 --> 00:07:33.230
  • [LAUGHTER]
  • 00:07:33.250 --> 00:07:37.290
  • - TRUE.
  • 00:07:38.010 --> 00:07:43.270
  • - YOU HAVE NO IDEA HOW THAT JOKE CONNECTS TO ME
  • 00:07:43.290 --> 00:07:45.260
  • WITH ALL THESE CAMERA MAN OUT HERE, AND I HAVE ANY
  • 00:07:45.280 --> 00:07:48.110
  • NEED AND I CAN'T GET IT DONE.
  • 00:07:48.130 --> 00:07:50.070
  • [LAUGHTER]
  • 00:07:50.090 --> 00:07:53.000
  • ALL RIGHT.
  • 00:07:53.020 --> 00:07:53.270
  • - AWESOME.
  • 00:07:53.290 --> 00:07:55.000
  • HOLD ON.
  • 00:07:55.020 --> 00:07:56.090
  • I GOT TO SAY THIS REAL QUICK.
  • 00:07:56.110 --> 00:07:57.250
  • I BEEN TO THIS STUDIO A LONG TIME AGO.
  • 00:07:57.270 --> 00:07:59.050
  • - CAREFUL.
  • 00:07:59.070 --> 00:08:02.260
  • - AND WOW, THIS LOOKS REALLY DIFFERENT.
  • 00:08:02.280 --> 00:08:04.180
  • - YEAH?
  • 00:08:04.200 --> 00:08:05.290
  • - LIKE IT LOOKS REALLY REALLY --LIKE I HAD A GOOD
  • 00:08:06.010 --> 00:08:07.160
  • TIME BEFORE BUT THERE'S NO NAKED BABY STATUES.
  • 00:08:07.180 --> 00:08:11.030
  • - YEAH.
  • 00:08:11.050 --> 00:08:12.120
  • - THEY USED TO HOLD UP THE TABLE.
  • 00:08:12.140 --> 00:08:14.030
  • I'M NOT SAYING ANYTHING, I'M JUST SAYING WHERE ARE
  • 00:08:14.050 --> 00:08:15.180
  • THE NAKED BABY STATUES AT?
  • 00:08:15.200 --> 00:08:16.190
  • - WE SOLD THEM.
  • 00:08:16.210 --> 00:08:19.290
  • - SOLD THE NAKED BABY STATUES?
  • 00:08:20.010 --> 00:08:21.110
  • - THERE'S A MARKET FOR NAKED BABY ANGEL STATUES.
  • 00:08:21.130 --> 00:08:24.160
  • - WOW.
  • 00:08:24.180 --> 00:08:25.170
  • NOT ANYMORE.
  • 00:08:25.190 --> 00:08:27.170
  • YOU HAD THEM ALL.
  • 00:08:27.190 --> 00:08:30.150
  • - WE HAD THE MARKET BUT WE FLOODED THE MARKET.
  • 00:08:30.170 --> 00:08:31.200
  • - THIS PLACE LOOKS GREAT.
  • 00:08:31.220 --> 00:08:33.020
  • I HAD FUN BEFORE A LONG TIME AGO WHEN I WAS ON HERE.
  • 00:08:33.040 --> 00:08:35.290
  • IT WAS STILL A FUN TIME, BUT NOW I'M JUST
  • 00:08:36.010 --> 00:08:38.040
  • THOROUGHLY -I'M GONNA TELL MY FRIENDS, YO, TBN
  • 00:08:38.060 --> 00:08:40.090
  • IS DOPE.
  • 00:08:40.110 --> 00:08:41.280
  • - COME ON NOW.
  • 00:08:42.000 --> 00:08:43.210
  • - WHEN I SAY DOPE [ APPLAUSE ] LIKE FOR REAL,
  • 00:08:43.230 --> 00:08:48.040
  • LIKE I REALLY WASN'T EXPECTING THIS.
  • 00:08:48.060 --> 00:08:50.170
  • LIKE LOOK, THIS THING IS JUST HOLDING UP BY
  • 00:08:50.190 --> 00:08:52.000
  • ITSELF.
  • 00:08:52.020 --> 00:08:53.140
  • NORMALLY IT'S A LITTLE NAKED BABY LIKE
  • 00:08:53.160 --> 00:08:55.070
  • [LAUGHTER] THIS IS COOL.
  • 00:08:55.090 --> 00:08:57.170
  • I LOVE IT, MAN.
  • 00:08:57.190 --> 00:08:58.260
  • - REMEMBER THE CHAIRS WE USED TO HAVE WERE KIND OF
  • 00:08:58.280 --> 00:09:01.130
  • LIKE SADDAM HUSSEIN PALACE CHAIRS.
  • 00:09:01.150 --> 00:09:03.170
  • THRONING.
  • 00:09:03.190 --> 00:09:06.160
  • - YEAH.
  • 00:09:06.180 --> 00:09:08.280
  • IN THE BATHROOM, TOO I NOTICED.
  • 00:09:09.000 --> 00:09:11.100
  • [LAUGHTER]
  • 00:09:11.120 --> 00:09:14.290
  • - SO GO TO THE WIDE SHOT.
  • 00:09:15.010 --> 00:09:16.110
  • CAMERA THREE, ZOOM OUT JUST A LITTLE BIT AND LET
  • 00:09:16.130 --> 00:09:17.240
  • ME SEE THE WHOLE THING, THE WHOLE CHAIR OF MICHAEL JR.
  • 00:09:17.260 --> 00:09:19.070
  • - YEAH.
  • 00:09:19.090 --> 00:09:21.190
  • - RIGHT ABOUT THERE.
  • 00:09:21.210 --> 00:09:23.090
  • NOW STOP.
  • 00:09:23.110 --> 00:09:24.210
  • AND THEN, YOU KNOW, MAYBE OUR EDITING STAFF COULD
  • 00:09:24.230 --> 00:09:29.010
  • JUST IF YOU HOLD REAL STILL OR MAYBE JUST KIND
  • 00:09:29.030 --> 00:09:32.180
  • OF -YEAH.
  • 00:09:32.200 --> 00:09:33.250
  • AND THEN LIKE WATCH THIS.
  • 00:09:33.270 --> 00:09:36.060
  • [SNAPS]
  • 00:09:36.080 --> 00:09:38.120
  • YOU GOT NAKED BABIES HOLDING UP YOUR CHAIR
  • 00:09:39.200 --> 00:09:40.260
  • RIGHT NOW.
  • 00:09:40.280 --> 00:09:42.090
  • YEAH.
  • 00:09:42.110 --> 00:09:43.110
  • [LAUGHTER]
  • 00:09:43.130 --> 00:09:51.180
  • - HOW DID THEY GET BACK?
  • 00:09:51.200 --> 00:09:52.180
  • THEY'RE BACK.
  • 00:09:52.200 --> 00:09:53.240
  • - YOU CAN HAVE FUN WITH THAT.
  • 00:09:53.260 --> 00:09:54.190
  • - COOL.
  • 00:09:54.210 --> 00:09:57.080
  • - SO MICHAEL JR, WHERE DOES YOUR COMEDY COME
  • 00:09:57.100 --> 00:10:04.150
  • FROM?
  • 00:10:04.170 --> 00:10:06.070
  • LOOK, OKAY, GOD AND IT'S A GIFT AND ALL THAT, BUT --
  • 00:10:06.090 --> 00:10:09.140
  • - WERE YOU FUNNY AS A BABY?
  • 00:10:09.160 --> 00:10:10.250
  • - I WAS.
  • 00:10:10.270 --> 00:10:13.050
  • I WAS A NAKED BABY STATUE.
  • 00:10:13.070 --> 00:10:15.120
  • I WAS HYSTERICAL.
  • 00:10:15.140 --> 00:10:16.110
  • I WAS SO FUNNY.
  • 00:10:16.130 --> 00:10:17.200
  • [LAUGHTER] I LOOK BACK ON IT NOW AND IT REALLY
  • 00:10:17.220 --> 00:10:19.000
  • STARTED -WELL, GROWING UP MY DAD HAS A GREAT GREAT
  • 00:10:19.020 --> 00:10:24.150
  • SENSE OF HUMOR, BUT I GREW UP IN A HOUSEHOLD
  • 00:10:24.170 --> 00:10:27.090
  • WHERE WHEN GROWN PEOPLE WERE TALKING, YOU DON'T
  • 00:10:27.110 --> 00:10:29.030
  • TALK.
  • 00:10:29.050 --> 00:10:30.100
  • SO I'D HAVE TO WATCH AND JUST LISTEN TO MY DAD BE
  • 00:10:30.120 --> 00:10:34.010
  • FUNNY, HIS FRIENDS, AND I COULDN'T SAY ANYTHING
  • 00:10:34.030 --> 00:10:35.230
  • WHICH ACTUALLY HAS GIVEN ME A DISCIPLINE NOW.
  • 00:10:35.250 --> 00:10:37.280
  • IF YOU EVER GO TO A PARTY AND I'M THERE, FIRST OF
  • 00:10:38.000 --> 00:10:40.290
  • ALL THAT'S NOT ME, IT'S SOMETHING THAT LOOKS LIKE
  • 00:10:41.010 --> 00:10:42.170
  • ME BECAUSE I DON'T EVEN LIKE PARTIES.
  • 00:10:42.190 --> 00:10:44.180
  • BUT IF I'M THERE I'M THE QUIETEST DUDE IN THE
  • 00:10:44.200 --> 00:10:46.160
  • ROOM, LIKE I'M NOT SAYING ANYTHING.
  • 00:10:46.180 --> 00:10:48.170
  • BUT IN SCHOOL I USED TO STRUGGLE WITH MY READING.
  • 00:10:48.190 --> 00:10:51.040
  • LIKE I USED TO STRUGGLE.
  • 00:10:51.060 --> 00:10:52.110
  • I READ FINE NOW, LIKE THE SIGNS OVER THE DOORS SAY
  • 00:10:52.130 --> 00:10:54.190
  • EXITE, I COULD READ THAT STUFF.
  • 00:10:54.210 --> 00:10:56.100
  • [LAUGHTER] BUT WHEN I WAS A KID I WOULD STRUGGLE
  • 00:10:56.120 --> 00:10:59.160
  • WITH MY READING AND I COULDN'T SOUND WORDS OUT
  • 00:10:59.180 --> 00:11:01.000
  • PHONETICALLY.
  • 00:11:01.020 --> 00:11:02.050
  • I JUST COULDN'T.
  • 00:11:02.070 --> 00:11:03.080
  • I'D HAVE TO LOOK AT THEM DIFFERENTLY.
  • 00:11:03.100 --> 00:11:04.270
  • I'D LOOK AT THE FONT SIZE, THE COLOR,
  • 00:11:04.290 --> 00:11:06.050
  • POSITION, WHAT'S IN FRONT AND BEHIND IT, AND I CAME
  • 00:11:06.070 --> 00:11:07.190
  • UP WITH LIKE 7 WAYS TO LOOK AT A WORD TO
  • 00:11:07.210 --> 00:11:09.290
  • DETERMINE WHAT THAT WORD WAS, AND I GOT REALLY
  • 00:11:10.010 --> 00:11:11.240
  • GOOD AT IT.
  • 00:11:11.260 --> 00:11:12.210
  • - WOW.
  • 00:11:12.230 --> 00:11:14.000
  • - TO THE POINT IN HIGH SCHOOL PEOPLE DIDN'T KNOW
  • 00:11:14.020 --> 00:11:14.220
  • I REALLY WASN'T READING.
  • 00:11:14.240 --> 00:11:16.010
  • I WAS JUST WORKING IT OUT REALLY FAST, BUT NOW AS
  • 00:11:16.030 --> 00:11:18.190
  • AN ADULT I READ JUST FINE BUT I STILL HAVE THIS
  • 00:11:18.210 --> 00:11:20.060
  • ABILITY TO LOOK AT WORDS AND PEOPLE AND SITUATIONS
  • 00:11:20.080 --> 00:11:23.180
  • 7 DIFFERENT WAYS ALMOST IMMEDIATELY.
  • 00:11:23.200 --> 00:11:25.270
  • IN FACT, IT'S THE PRIMARY PLACE THAT I PULL MY
  • 00:11:25.290 --> 00:11:27.240
  • COMEDY FROM.
  • 00:11:27.260 --> 00:11:29.010
  • SO IT'S LIKE THE THING FROM MY PAST THAT LOOKED
  • 00:11:29.030 --> 00:11:30.230
  • LIKE IT WAS A HANDICAP, GOD DIDN'T CAUSE IT BUT
  • 00:11:30.250 --> 00:11:33.060
  • HE'S USED IT IN PREPARATION FOR WHAT HE
  • 00:11:33.080 --> 00:11:34.140
  • HAS FOR ME TO DO.
  • 00:11:34.160 --> 00:11:35.270
  • SO NOW IN THIS COMEDY SPECIAL IT'S FUNNY BUT
  • 00:11:35.290 --> 00:11:39.210
  • IT'S MORE THAN FUNNY, LIKE IT'S CAUSED ME TO
  • 00:11:39.230 --> 00:11:42.110
  • LOOK AT LIFE DIFFERENTLY.
  • 00:11:42.130 --> 00:11:43.240
  • IN FACT, I WAS OUTSIDE OF A CLUB IN LOS ANGELES
  • 00:11:43.260 --> 00:11:45.170
  • THAT YOU HIGHLIGHTED AND RIGHT BEFORE I GOT ON
  • 00:11:45.190 --> 00:11:48.030
  • STAGE ONE NIGHT I HAD A CHANGE IN MIND SET ABOUT
  • 00:11:48.050 --> 00:11:51.030
  • COMEDY.
  • 00:11:51.050 --> 00:11:52.100
  • NORMALLY WHEN A COMEDIAN GETS ON STAGE HE WANTS TO
  • 00:11:52.120 --> 00:11:53.190
  • GET LAUGHS FROM PEOPLE.
  • 00:11:53.210 --> 00:11:55.100
  • BUT I FELT LIKE GOD TOLD ME I WANT YOU TO GO UP
  • 00:11:55.120 --> 00:11:57.280
  • THERE AND GIVE THEM AN OPPORTUNITY TO LAUGH.
  • 00:11:58.000 --> 00:11:59.240
  • THIS CHANGED EVERYTHING BECAUSE NOW I'M NOT
  • 00:11:59.260 --> 00:12:02.130
  • LOOKING TO TAKE.
  • 00:12:02.150 --> 00:12:03.220
  • I'M SIMPLY LOOKING FOR AN OPPORTUNITY TO GIVE, SO
  • 00:12:03.240 --> 00:12:05.170
  • EVEN THAT NIGHT WHEN I GOT ON STAGE IT WAS SO
  • 00:12:05.190 --> 00:12:08.160
  • MUCH EASIER.
  • 00:12:08.180 --> 00:12:09.240
  • - WOW.
  • 00:12:09.260 --> 00:12:11.010
  • - IT WAS ALMOST LIKE PEOPLE CAN SENSE WHEN
  • 00:12:11.030 --> 00:12:12.100
  • YOU'RE TRYING TO TAKE SOMETHING FROM THEM
  • 00:12:12.120 --> 00:12:13.210
  • VERSUS JUST GIVE THEM SOMETHING.
  • 00:12:13.230 --> 00:12:15.130
  • SO I LEAVE THE CLUB THAT NIGHT AND OUTSIDE THERE'S
  • 00:12:15.150 --> 00:12:17.100
  • PEOPLE THAT WANT AUTOGRAPHS, PICTURES,
  • 00:12:17.120 --> 00:12:19.240
  • IT'S THE SAME THING WHEN I LEAVE THIS CLUB EVERY
  • 00:12:19.260 --> 00:12:21.120
  • NIGHT.
  • 00:12:21.140 --> 00:12:22.190
  • BUT THIS PARTICULAR NIGHT I LOOK ACROSS THE STREET
  • 00:12:22.210 --> 00:12:24.160
  • AND I SAW A HOMELESS GUY.
  • 00:12:24.180 --> 00:12:26.080
  • AND I WAS LIKE, WHAT ABOUT HIM?
  • 00:12:26.100 --> 00:12:27.290
  • HOW CAN I GIVE HIM AN OPPORTUNITY TO LAUGH?
  • 00:12:28.010 --> 00:12:29.080
  • I COULDN'T EVEN FIGURE IT OUT, LIKE HOW DO YOU DO
  • 00:12:29.100 --> 00:12:30.280
  • COMEDY FOR A HOMELESS GUY?
  • 00:12:31.000 --> 00:12:32.060
  • I WAS LIKE I DON'T KNOW.
  • 00:12:32.080 --> 00:12:33.160
  • 2 DAYS LATER SOME RANDOM LADY AT ONE OF MY SHOWS
  • 00:12:33.180 --> 00:12:35.180
  • IN AN AUTOGRAPH LINE SAID HEY, HAVE YOU EVER
  • 00:12:35.200 --> 00:12:38.080
  • CONSIDERED DOING COMEDY AT A HOMELESS SHELTER?
  • 00:12:38.100 --> 00:12:40.090
  • I WAS LIKE, OH, NO.
  • 00:12:40.110 --> 00:12:42.090
  • NOT AT ALL ACTUALLY.
  • 00:12:42.110 --> 00:12:43.090
  • NO.
  • 00:12:43.110 --> 00:12:44.060
  • THAT STUFF IS SCARY.
  • 00:12:44.080 --> 00:12:44.280
  • I AIN'T DOING THAT.
  • 00:12:45.000 --> 00:12:45.280
  • IT WAS JUST A THOUGHT I HAD.
  • 00:12:46.000 --> 00:12:46.220
  • WHO ARE YOU?
  • 00:12:46.240 --> 00:12:47.140
  • WHERE DID YOU COME FROM?
  • 00:12:47.160 --> 00:12:48.230
  • SO THEN I PRAYED ABOUT IT AND THE NEXT DAY I WAS
  • 00:12:48.250 --> 00:12:51.050
  • LIKE, YEAH, I STILL DON'T WANT TO DO THAT.
  • 00:12:51.070 --> 00:12:53.030
  • THAT STUFF IS SCARY.
  • 00:12:53.050 --> 00:12:54.230
  • I'M NOT GONNA DO IT, AND THEN BOOM, LIKE A WEEK
  • 00:12:54.250 --> 00:12:57.020
  • LATER I'M AT A HOMELESS SHELTER FOR THE FIRST
  • 00:12:57.040 --> 00:12:59.020
  • TIME DOING COMEDY.
  • 00:12:59.040 --> 00:13:00.290
  • NOW WE GO TO PRISONS AND ALL THESE AMAZING PLACES
  • 00:13:01.010 --> 00:13:03.060
  • WHERE THESE PEOPLE HAVE THESE AMAZING STORIES.
  • 00:13:03.080 --> 00:13:05.210
  • SO NOW I'M IN PRISONS, HOMELESS SHELTERS, ABUSED
  • 00:13:05.230 --> 00:13:08.020
  • CHILDREN, SO WHENEVER WE DO A BIG COMEDY EVENT
  • 00:13:08.040 --> 00:13:11.000
  • WE'LL STOP AT A PRISON OR HOMELESS SHELTER AND DO
  • 00:13:11.020 --> 00:13:13.130
  • COMEDY FOR THEM.
  • 00:13:13.150 --> 00:13:14.210
  • WHAT WAS HAPPENING IS I WOULD HEAR SOME OF THESE
  • 00:13:14.230 --> 00:13:17.150
  • AMAZING STORIES, AND THEN THAT NIGHT I WOULD BE
  • 00:13:17.170 --> 00:13:19.270
  • PROMPTED TO SHARE IT WITH MY VENUE, THE SOLD OUT
  • 00:13:19.290 --> 00:13:23.080
  • AUDIENCE OR WHATEVER.
  • 00:13:23.100 --> 00:13:24.180
  • AND I WOULD SHARE THOSE STORIES, AND I REALIZED
  • 00:13:24.200 --> 00:13:26.170
  • PEOPLE REALLY WANTED TO HEAR THOSE STORIES.
  • 00:13:26.190 --> 00:13:28.150
  • THEY WANTED TO LAUGH, BUT THEY ALSO WANT MORE,
  • 00:13:28.170 --> 00:13:32.230
  • SO WHAT WE'VE DONE IS WE'VE TAKEN THE TOP THREE
  • 00:13:32.250 --> 00:13:34.240
  • STORIES AND WE PUT THEM IN THE MIDDLE OF THIS
  • 00:13:34.260 --> 00:13:37.010
  • COMEDY SPECIAL, AND THAT'S WHY IT'S CALLED
  • 00:13:37.030 --> 00:13:39.040
  • MORE THAN FUNNY.
  • 00:13:39.060 --> 00:13:40.080
  • - YEAH.
  • 00:13:40.100 --> 00:13:41.020
  • OKAY.
  • 00:13:41.040 --> 00:13:41.250
  • WATCH THIS.
  • 00:13:41.270 --> 00:13:43.020
  • THIS IS KIND OF, THIS WILL HELP YOU UNDERSTAND
  • 00:13:43.040 --> 00:13:44.210
  • WHAT YOU ARE BEAUTIFULLY DESCRIBING, BUT THIS WILL
  • 00:13:44.230 --> 00:13:47.160
  • HELP SOLIDIFY IT.
  • 00:13:47.180 --> 00:13:49.060
  • A PICTURE IS WORTH A THOUSAND WORDS.
  • 00:13:49.080 --> 00:13:50.090
  • - OH, YOU DIDN'T TRUST WHAT I SAID.
  • 00:13:50.110 --> 00:13:51.190
  • [LAUGHTER]
  • 00:13:51.210 --> 00:13:53.040
  • [MUSIC]
  • 00:13:53.060 --> 00:13:55.050
  • - PEOPLE ASK ME ALL THE TIME, MICHAEL, WHAT WAS
  • 00:13:55.070 --> 00:13:56.160
  • YOUR BIG BREAK?
  • 00:13:56.180 --> 00:13:58.010
  • - OUR NEXT GUEST HAS PERFORMED ON COMEDY
  • 00:13:58.030 --> 00:13:59.290
  • CENTRAL'S PREMIUM BLEND.
  • 00:14:00.030 --> 00:14:01.080
  • - HE MADE THE FIRST APPEARANCE ON THE TONIGHT
  • 00:14:01.100 --> 00:14:02.200
  • SHOW FROM MONTREAL COMEDY FESTIVAL.
  • 00:14:02.220 --> 00:14:04.200
  • - YOU'VE SEEN HIM ON THE TONIGHT SHOW WITH
  • 00:14:04.220 --> 00:14:06.130
  • JAY LENO.
  • 00:14:06.150 --> 00:14:07.180
  • - THAT WASN'T THE BIG BREAK.
  • 00:14:07.200 --> 00:14:09.200
  • THE BIG BREAK WAS AT A CLUB, AND RIGHT BEFORE I
  • 00:14:09.220 --> 00:14:13.090
  • GOT ON STAGE I HAD A CHANGE IN MINDSET
  • 00:14:13.110 --> 00:14:15.290
  • ABOUT COMEDY.
  • 00:14:16.010 --> 00:14:17.130
  • NORMALLY WHEN A COMEDIAN GETS ON STAGE HE WANTS TO
  • 00:14:17.150 --> 00:14:20.260
  • GET LAUGHS FROM PEOPLE.
  • 00:14:20.280 --> 00:14:23.020
  • I FELT A LITTLE SHIFT TAKE PLACE WHERE I FELT
  • 00:14:23.040 --> 00:14:25.100
  • LIKE I WAS TO GO UP THERE AND GIVE THEM AN
  • 00:14:25.120 --> 00:14:27.080
  • OPPORTUNITY TO LAUGH.
  • 00:14:27.100 --> 00:14:29.040
  • NOW I'M NOT LOOKING TO TAKE.
  • 00:14:29.060 --> 00:14:32.090
  • I'M LOOKING FOR AN OPPORTUNITY TO GIVE.
  • 00:14:32.110 --> 00:14:34.110
  • THIS CHANGED EVERYTHING.
  • 00:14:34.130 --> 00:14:37.030
  • MY NAME IS MICHAEL MICHAEL JR. I'M GONNA DO
  • 00:14:37.050 --> 00:14:38.260
  • SOME JOKES.
  • 00:14:38.280 --> 00:14:41.150
  • ULTRASOUNDS COME IN COLOR NOW WHICH IS
  • 00:14:41.170 --> 00:14:42.250
  • RIDICULOUS.
  • 00:14:42.270 --> 00:14:44.080
  • I KNOW IT'S A BLACK BABY.
  • 00:14:44.100 --> 00:14:45.230
  • [LAUGHTER]
  • 00:14:45.250 --> 00:14:51.090
  • IT BETTER BE A BLACK BABY.
  • 00:14:51.110 --> 00:14:52.140
  • [LAUGHTER]
  • 00:14:52.160 --> 00:14:57.040
  • I LEAVE THE CLUB THAT NIGHT, AND THERE'S ALL
  • 00:14:57.060 --> 00:14:58.270
  • THESE PEOPLE GIVING ME HUGS AND HIGH FIVES,
  • 00:14:58.290 --> 00:15:01.280
  • TELLING ME THEIR FAVORITE JOKES.
  • 00:15:02.000 --> 00:15:05.160
  • THEN I LOOK ACROSS THE STREET AND I SAW A
  • 00:15:05.180 --> 00:15:06.210
  • HOMELESS GUY.
  • 00:15:06.230 --> 00:15:10.010
  • AND I THOUGHT TO MYSELF, WHAT ABOUT HIM?
  • 00:15:10.030 --> 00:15:12.270
  • [APPLAUSE]
  • 00:15:12.290 --> 00:15:16.040
  • - SO WHAT YOU'RE TALKING ABOUT, THE IDEA THAT
  • 00:15:16.060 --> 00:15:20.220
  • COMEDY CAN BE FOR PEOPLE IN REALLY TOUGH
  • 00:15:20.240 --> 00:15:25.190
  • SITUATIONS, THAT'S REALLY A PROFOUND THING.
  • 00:15:25.210 --> 00:15:28.230
  • FOR REAL.
  • 00:15:28.250 --> 00:15:30.070
  • - THE THING THAT CAUSED ME TO HAVE THE SHIFT IS
  • 00:15:30.090 --> 00:15:32.040
  • AS SOON AS I SHIFTED FROM TRYING TO GET LAUGHS TO
  • 00:15:32.060 --> 00:15:34.230
  • GIVE LAUGHS, IT OPENED UP THIS WHOLE NEW WORLD OF
  • 00:15:34.250 --> 00:15:37.180
  • PEOPLE WHO NEED TO LAUGH.
  • 00:15:37.200 --> 00:15:39.280
  • - WOW.
  • 00:15:40.000 --> 00:15:41.060
  • - BUT I THINK THIS IS THE CASE WITH EVERYBODY,
  • 00:15:41.080 --> 00:15:43.020
  • LIKE IF YOU CAN DECIDE TO ASK THE QUESTION WHAT CAN
  • 00:15:43.040 --> 00:15:46.140
  • I GIVE AS OPPOSED TO WHAT CAN I GET, IT WILL CHANGE
  • 00:15:46.160 --> 00:15:48.230
  • EVERYTHING.
  • 00:15:48.250 --> 00:15:49.290
  • AND YOU HAVE TO ACTUALLY ARTICULATE THE QUESTION.
  • 00:15:50.010 --> 00:15:53.010
  • OTHERWISE BY DEFAULT SINCE THE FRUIT, WE'RE
  • 00:15:53.030 --> 00:15:55.240
  • ASKING WHAT CAN I GET.
  • 00:15:55.260 --> 00:15:57.230
  • SO I WAS TALKING TO THIS MECHANIC AT ONE OF MY
  • 00:15:57.250 --> 00:15:59.110
  • EVENTS.
  • 00:15:59.130 --> 00:16:00.150
  • AND I WAS LIKE, WHAT DO YOU DO?
  • 00:16:00.170 --> 00:16:01.080
  • HE SAID WELL, I FIX CARS.
  • 00:16:01.100 --> 00:16:02.160
  • I WAS LIKE, WHAT DOES THAT MEAN.
  • 00:16:02.180 --> 00:16:03.210
  • WELL, I GET PAID TO FIX PEOPLE'S CARS.
  • 00:16:03.230 --> 00:16:05.160
  • SO WE STARTED TALKING FOR A LITTLE WHILE.
  • 00:16:05.180 --> 00:16:06.270
  • AT THE END OF IT, HE HAD THIS STATEMENT.
  • 00:16:06.290 --> 00:16:09.210
  • HE SAID, I HOPE INSURE THAT PEOPLE REACH THEIR
  • 00:16:09.230 --> 00:16:12.130
  • DESIRED DESTINATION.
  • 00:16:12.150 --> 00:16:13.210
  • - THERE YOU GO.
  • 00:16:13.230 --> 00:16:15.050
  • - THAT'S A GAME CHANGER FOR HIM BECAUSE THAT WILL
  • 00:16:15.070 --> 00:16:17.180
  • PUT YOUR ALARM CLOCK OUT OF BUSINESS.
  • 00:16:17.200 --> 00:16:19.200
  • ANYTHING ELSE WILL JUST CAUSE YOU TO HIT THE
  • 00:16:19.220 --> 00:16:21.130
  • SNOOZE BECAUSE MONEY CAN ONLY, LIKE MONEY IS LIKE
  • 00:16:21.150 --> 00:16:23.070
  • -IT'S COOL BUT THERE HAS TO BE MORE.
  • 00:16:23.090 --> 00:16:24.240
  • - BUT YOU KNOW WHAT?
  • 00:16:24.260 --> 00:16:26.100
  • IT'S GREAT TO HEAR YOU SAY THAT WHAT IF YOU
  • 00:16:26.120 --> 00:16:29.100
  • WOULDN'T HAVE HEARD THAT AND TAKEN IT MAYBE YOU
  • 00:16:29.120 --> 00:16:34.040
  • WOULDN'T HAVE SEEN THAT HOMELESS GUY THAT NIGHT.
  • 00:16:34.060 --> 00:16:36.030
  • - I KNOW I WOULDN'T HAVE.
  • 00:16:36.050 --> 00:16:37.120
  • - SO I THINK JUST BEING OBEDIENT AND LISTENING
  • 00:16:37.140 --> 00:16:41.060
  • AND BEING KEEN TO THE HOLY SPIRIT IN TIMES LIKE
  • 00:16:41.080 --> 00:16:43.240
  • THAT, I MEAN, YOU THINK FOR ALL THE PEOPLE OUT
  • 00:16:43.260 --> 00:16:46.080
  • THERE THAT THINK THAT WELL, IN MY LINE OF WORK
  • 00:16:46.100 --> 00:16:49.020
  • IT'S REALLY NOT ANYTHING TO DO ANYTHING WITH
  • 00:16:49.040 --> 00:16:51.060
  • MINISTRY.
  • 00:16:51.080 --> 00:16:52.180
  • I THINK IT HAS EVERYTHING TO DO WITH MINISTRY, YOU KNOW.
  • 00:16:52.200 --> 00:16:54.200
  • - ABSOLUTELY.
  • 00:16:54.220 --> 00:16:55.270
  • - AND IF YOU JUST LISTEN TO THE VOICE OF THE LORD
  • 00:16:55.290 --> 00:16:58.230
  • AND HAD YOU NOT HEARD THAT, YOU MIGHT NOT BE
  • 00:16:58.250 --> 00:17:02.110
  • WHERE YOU ARE TODAY DOING WHAT YOU'RE DOING AND
  • 00:17:02.130 --> 00:17:04.020
  • MINISTERING TO THE PEOPLE YOU'RE MINISTERING TO.
  • 00:17:04.040 --> 00:17:06.050
  • - ABSOLUTELY.
  • 00:17:06.070 --> 00:17:07.140
  • AS SOON AS I ARTICULATED THAT, IT OPENED UP MY
  • 00:17:07.160 --> 00:17:09.020
  • EYES TO SO MUCH MORE.
  • 00:17:09.040 --> 00:17:10.100
  • HERE'S AN EXAMPLE.
  • 00:17:10.120 --> 00:17:11.140
  • I'M GOING TO SAY THE COLOR GREEN.
  • 00:17:11.160 --> 00:17:14.250
  • AND EVERYBODY WHOSE WATCHING RIGHT NOW I WANT
  • 00:17:14.270 --> 00:17:16.200
  • YOU TO NOTICE IN YOUR HOUSE WHEREVER YOU'RE
  • 00:17:16.220 --> 00:17:18.170
  • WATCHING HOW MUCH GREEN YOU SUDDENLY NOTICE IN
  • 00:17:18.190 --> 00:17:21.090
  • THE ROOM WHERE YOU ARE.
  • 00:17:21.110 --> 00:17:22.250
  • IT'S BECAUSE I BROUGHT IT TO YOUR ATTENTION AND NOW
  • 00:17:22.270 --> 00:17:24.240
  • SUDDENLY YOU'RE NOTICING IT.
  • 00:17:24.260 --> 00:17:27.090
  • SAME THING WHEN YOU ASK THE QUESTION, WHAT CAN I
  • 00:17:27.110 --> 00:17:28.200
  • GIVE?
  • 00:17:28.220 --> 00:17:29.270
  • THAT'S WHY I'M SO PUMPED ABOUT THIS MOVIE, BECAUSE
  • 00:17:29.290 --> 00:17:31.180
  • LAUGHTER OPENS UP HEARTS BUT I DON'T WANT TO JUST
  • 00:17:31.200 --> 00:17:34.260
  • OPEN IT UP AND I'M NOT GOING TO MAKE A DEPOSIT.
  • 00:17:34.280 --> 00:17:36.110
  • I'M EXCITED.
  • 00:17:36.130 --> 00:17:39.290
  • I'M EXCITED.
  • 00:17:40.010 --> 00:17:41.000
  • [APPLAUSE]
  • 00:17:41.020 --> 00:17:42.180
  • - THE DIFFERENCE -- OKAY, I HAVE NEVER HEARD YOU
  • 00:17:42.200 --> 00:17:51.140
  • SAY WHAT YOU JUST SAID AND I'VE NEVER HEARD
  • 00:17:51.160 --> 00:17:54.160
  • ANYONE SAY ANYTHING ABOUT COMEDY.
  • 00:17:54.180 --> 00:17:57.160
  • YOU HAVE REVOLUTIONIZED THE THOUGHT OF COMEDY,
  • 00:17:57.180 --> 00:18:00.180
  • AND THAT HAD TO BE GOD KIND OF --
  • 00:18:00.200 --> 00:18:05.160
  • - OH, MY GOODNESS.
  • 00:18:05.180 --> 00:18:06.260
  • - MAKING YOU A ONE OF ONE TYPE PERSON BECAUSE
  • 00:18:06.280 --> 00:18:10.140
  • THINK OF THE DIFFERENCE OF THAT.
  • 00:18:10.160 --> 00:18:13.180
  • I MEAN, FOR REAL THINK ABOUT IT.
  • 00:18:13.200 --> 00:18:15.100
  • YOU'RE TAKING FROM AN AUDIENCE INSTEAD OF
  • 00:18:15.120 --> 00:18:17.100
  • GIVING TO AN AUDIENCE.
  • 00:18:17.120 --> 00:18:18.200
  • NOW YOU'RE A GIVER RATHER THAN A TAKER.
  • 00:18:18.220 --> 00:18:21.050
  • THAT MEANS PEOPLE -- IT'S REVOLUTIONARY.
  • 00:18:21.070 --> 00:18:28.110
  • - IT SO IS BECAUSE NOW WHAT'S CRAZY IS THE
  • 00:18:28.130 --> 00:18:31.030
  • AUDIENCE DOESN'T REALLY HAVE AS MUCH CONTROL AS
  • 00:18:31.050 --> 00:18:34.260
  • THEY DID BEFORE BECAUSE I WAS TRYING TO GET
  • 00:18:34.280 --> 00:18:37.070
  • SOMETHING FROM THEM AND THEY WERE IN CONTROL.
  • 00:18:37.090 --> 00:18:39.030
  • AND IT WAS LIKE WE WERE HAVING A CONVERSATION
  • 00:18:39.050 --> 00:18:40.180
  • WITHOUT EVEN KNOWING IT.
  • 00:18:40.200 --> 00:18:43.010
  • BUT AS SOON AS I SHOW UP WILLING TO GIVE, THEY
  • 00:18:43.030 --> 00:18:45.100
  • OPEN UP IN SUCH A WAY.
  • 00:18:45.120 --> 00:18:46.230
  • WHEN YOU SEE THIS MOVIE, LIKE WHEN PEOPLE SEE THIS
  • 00:18:46.250 --> 00:18:48.150
  • MOVIE, HEARTS ARE GOING TO BE OPENED IN SUCH A WAY.
  • 00:18:48.170 --> 00:18:51.230
  • BECAUSE WE'VE PRACTICED THIS THING ACROSS
  • 00:18:51.250 --> 00:18:53.070
  • THE COUNTRY.
  • 00:18:53.090 --> 00:18:54.170
  • AND WE SEE WHAT HAPPENS AND HOW PEOPLE RESPOND.
  • 00:18:54.190 --> 00:18:56.220
  • SOME OF OUR SHOWS AT THE END OF THE EVENT PEOPLE
  • 00:18:56.240 --> 00:18:59.010
  • ACTUALLY GO TO OUR MERCHANDISE TABLE AND
  • 00:18:59.030 --> 00:19:01.190
  • THEY BUY MERCHANDISE AND THEY LEAVE IT THERE FOR
  • 00:19:01.210 --> 00:19:04.010
  • PEOPLE WHO CAN'T AFFORD IT.
  • 00:19:04.030 --> 00:19:05.030
  • - WOW. - THAT'S BEAUTIFUL.
  • 00:19:05.050 --> 00:19:06.150
  • - LIKE IT BLOWS ME BACK WHAT HAPPENS.
  • 00:19:06.170 --> 00:19:09.130
  • IT REALLY DOES.
  • 00:19:09.150 --> 00:19:10.220
  • - SO I THINK OF AND WHAT YOU WERE GRAPPLING WITH
  • 00:19:10.240 --> 00:19:15.150
  • FOR A WEEK OR SO, THERE'S NO WAY I CAN GO TO A
  • 00:19:15.170 --> 00:19:18.090
  • HOMELESS SHELTER AND DO COMEDY.
  • 00:19:18.110 --> 00:19:21.180
  • - OR ANYWHERE ELSE, MATT. I'M SORRY, MAN.
  • 00:19:21.200 --> 00:19:25.160
  • [LAUGHTER]
  • 00:19:25.180 --> 00:19:27.030
  • - I'M NOT GOING TO ATTEMPT THAT BUT I'D GO
  • 00:19:27.050 --> 00:19:29.150
  • WITH YOU AND STAND BEHIND YOU, BUT THE IDEA THAT
  • 00:19:29.170 --> 00:19:33.240
  • PRISON, I MEAN, IT WOULD ALMOST BE LUNACY TO GO TO
  • 00:19:33.260 --> 00:19:38.190
  • A PRISON AND TELL THEM JOKES IF IT ISN'T SOLVING
  • 00:19:38.210 --> 00:19:43.140
  • SOMETHING, BUT YOU'RE THERE TO GIVE THEM
  • 00:19:43.160 --> 00:19:45.060
  • SOMETHING.
  • 00:19:45.080 --> 00:19:46.220
  • - SO DID IT CHANGE THE WAY YOU TOLD YOUR JOKES?
  • 00:19:46.240 --> 00:19:48.180
  • - YOU KNOW, THAT REVELATION CAUSED ME TO
  • 00:19:48.200 --> 00:19:51.010
  • JUST RELAX A LOT MORE ON STAGE.
  • 00:19:51.030 --> 00:19:52.110
  • BUT WHEN I GO INTO PRISONS FIRST OF ALL IT'S
  • 00:19:52.130 --> 00:19:54.060
  • A CAPTIVE AUDIENCE.
  • 00:19:54.080 --> 00:19:55.080
  • I JUST WANT TO SAY THAT.
  • 00:19:55.100 --> 00:19:56.110
  • IT'S AWESOME.
  • 00:19:56.130 --> 00:19:57.220
  • [LAUGHTER] BUT I REMEMBER WALKING INTO THIS ONE
  • 00:19:57.240 --> 00:19:59.160
  • PRISON AND THESE 2 GUYS SAID TO ME, IF YOU'RE NOT
  • 00:19:59.180 --> 00:20:01.160
  • FUNNY, WE GONNA SHANK YOU.
  • 00:20:01.180 --> 00:20:03.030
  • [LAUGHTER] - YOU BETTER BE FUNNY.
  • 00:20:03.050 --> 00:20:05.220
  • - FOR REAL.
  • 00:20:05.240 --> 00:20:06.230
  • I WAS LIKE, YOU KNOW WHAT?
  • 00:20:06.250 --> 00:20:07.180
  • I COULD LEAVE RIGHT NOW.
  • 00:20:07.200 --> 00:20:08.260
  • HOW ABOUT THAT?
  • 00:20:08.280 --> 00:20:09.260
  • YOU CAN'T FOLLOW ME.
  • 00:20:09.280 --> 00:20:10.220
  • YOU CAN'T FOLLOW ME.
  • 00:20:10.240 --> 00:20:12.060
  • BUT AS SOON AS I SAID I'M THERE TO GIVE SOMETHING
  • 00:20:12.080 --> 00:20:14.060
  • -HERE'S THE THING.
  • 00:20:14.080 --> 00:20:15.140
  • WHEN YOU HAVE A GIFT, YOUR JOB IS SIMPLY TO
  • 00:20:15.160 --> 00:20:16.080
  • PRESENT THE GIFT.
  • 00:20:16.100 --> 00:20:17.120
  • IT DOESN'T EVEN MATTER HOW THEY RESPOND.
  • 00:20:17.140 --> 00:20:19.170
  • - WOW.
  • 00:20:19.190 --> 00:20:21.000
  • - LIKE LITERALLY A LOT OF TIMES WHEN WE GIVE
  • 00:20:21.020 --> 00:20:22.230
  • SOMEONE A GIFT WE GIVE IT TO THEM AND WE SIT THERE
  • 00:20:22.250 --> 00:20:24.060
  • AND LOOK WHICH IS REALLY THE GIFT BACK, BUT IT'S
  • 00:20:24.080 --> 00:20:27.010
  • NOT ABOUT WHAT YOU GET IN RETURN.
  • 00:20:27.030 --> 00:20:28.180
  • IT'S ABOUT PRESENTING THE GIFT SO MY MINDSET WAS IF
  • 00:20:28.200 --> 00:20:30.010
  • I'M TRULY GOING TO GIVE LAUGHTER, IT CAN'T BE
  • 00:20:30.030 --> 00:20:32.250
  • ABOUT HOW THEY RESPOND.
  • 00:20:32.270 --> 00:20:34.210
  • IT CAN'T.
  • 00:20:34.230 --> 00:20:35.230
  • I JUST HAVE TO SHOW UP.
  • 00:20:35.250 --> 00:20:37.030
  • AND IT JUST SO HAPPENS THEY RESPOND REALLY BIG
  • 00:20:37.050 --> 00:20:39.220
  • EVERY SINGLE TIME.
  • 00:20:39.240 --> 00:20:41.000
  • I HAD ONE GUY -- LIKE WE'VE DONE ALTAR CALLS AT
  • 00:20:41.020 --> 00:20:44.080
  • PRISONS BEFORE WHICH WAS PHENOMENAL.
  • 00:20:44.100 --> 00:20:46.020
  • BUT I HAD ONE GUY, I'VE NEVER TALKED ABOUT THIS
  • 00:20:46.040 --> 00:20:49.260
  • BEFORE PUBLICLY, SO WE WERE DOING AN EVENT IN
  • 00:20:49.280 --> 00:20:51.080
  • NORTHERN CALIFORNIA.
  • 00:20:51.100 --> 00:20:52.150
  • THIS WAS NOT A PRISON BUT WE'RE DOING AN EVENT AND
  • 00:20:52.170 --> 00:20:54.170
  • WE'RE LAUGHING AND I'M SHARING MORE LIKE IN
  • 00:20:54.190 --> 00:20:56.080
  • THE MOVIE.
  • 00:20:56.100 --> 00:20:57.160
  • IT'S NOT JUST FUNNY BUT THERE'S MORE AND I'M
  • 00:20:57.180 --> 00:20:59.030
  • DOING THIS EVENT.
  • 00:20:59.050 --> 00:21:00.100
  • THERE'S LIKE 2200 PEOPLE THERE.
  • 00:21:00.120 --> 00:21:02.000
  • THE SHOW IS OVER AND SECURITY COMES BACK TO
  • 00:21:02.020 --> 00:21:04.240
  • TALK TO ME.
  • 00:21:04.260 --> 00:21:06.140
  • THEY'RE LIKE HEY, THERE'S SOME GUY OUT HERE THAT
  • 00:21:06.160 --> 00:21:09.210
  • WANTS TO TALK TO YOU.
  • 00:21:09.230 --> 00:21:11.010
  • I'M LIKE, OKAY.
  • 00:21:11.030 --> 00:21:12.190
  • [LAUGHTER] THERE'S A BUNCH OF PEOPLE WHO
  • 00:21:12.210 --> 00:21:13.180
  • PROBABLY WANT TO TALK.
  • 00:21:13.200 --> 00:21:14.200
  • LIKE THERE'S AN AUTOGRAPH LINE.
  • 00:21:14.220 --> 00:21:15.220
  • WHY ARE THEY BRINGING THIS DUDE?
  • 00:21:15.240 --> 00:21:16.160
  • THEY SAID I DON'T KNOW.
  • 00:21:16.180 --> 00:21:17.180
  • HE REALLY WANTS TO TALK TO YOU.
  • 00:21:17.200 --> 00:21:18.070
  • SO I GO THERE.
  • 00:21:18.090 --> 00:21:19.160
  • IT'S A WHITE GUY, HE GOT ON A WIFE BEATER AND HE
  • 00:21:19.180 --> 00:21:22.110
  • HAD EARRINGS.
  • 00:21:22.130 --> 00:21:24.060
  • HE DIDN'T HAVE NO MUSCLES SO IT WAS REALLY A
  • 00:21:24.080 --> 00:21:25.230
  • WIFE THREATENER.
  • 00:21:25.250 --> 00:21:27.060
  • [LAUGHTER] SO -- TAKE YOUR TIME.
  • 00:21:27.080 --> 00:21:31.270
  • IT'S OKAY.
  • 00:21:31.290 --> 00:21:32.210
  • TRYING TO FIGURE IT OUT.
  • 00:21:32.230 --> 00:21:34.140
  • SO THIS BLOWS ME BACK.
  • 00:21:34.160 --> 00:21:39.240
  • I'VE NEVER SHARED THIS BEFORE.
  • 00:21:39.260 --> 00:21:41.080
  • AND HE SAYS HEY, LISTEN.
  • 00:21:41.100 --> 00:21:42.150
  • I WAS SO MOVED BY THIS EVENT I JUST I FEEL LIKE
  • 00:21:42.170 --> 00:21:44.070
  • I NEED TO TELL YOU SOMETHING AND THEN I WANT
  • 00:21:44.090 --> 00:21:46.110
  • TO DO WHAT I'M GOING TO TELL YOU.
  • 00:21:46.130 --> 00:21:47.260
  • I WAS LIKE, WHAT'S UP?
  • 00:21:47.280 --> 00:21:49.100
  • HE SAID, SO I'M IN CALIFORNIA BECAUSE I'M
  • 00:21:49.120 --> 00:21:50.220
  • ORIGINALLY FROM ARKANSAS AND I'M A FUGITIVE FROM
  • 00:21:50.240 --> 00:21:53.250
  • THE LAW RIGHT NOW.
  • 00:21:53.270 --> 00:21:55.070
  • - WOW.
  • 00:21:55.090 --> 00:21:56.170
  • - AND AFTER HEARING YOU RIGHT NOW I FEEL LIKE I
  • 00:21:56.190 --> 00:21:58.200
  • NEED TO TURN MYSELF IN AND GET MY LIFE RIGHT.
  • 00:21:58.220 --> 00:22:00.190
  • - OH, MY GOODNESS.
  • 00:22:00.210 --> 00:22:02.100
  • - I WAS BLOWN BACK.
  • 00:22:02.120 --> 00:22:04.170
  • SO THEN SECURITY THEY TAKE HIM IN THE BACK OF
  • 00:22:04.190 --> 00:22:07.060
  • THE POLICE CAR AND LIKE -- THAT HAPPENED AT A
  • 00:22:07.080 --> 00:22:08.250
  • COMEDY SHOW.
  • 00:22:08.270 --> 00:22:10.020
  • - WOW.
  • 00:22:10.040 --> 00:22:11.120
  • - NOW, THAT'S JUST BLEW ME BACK THAT COMEDY HAS
  • 00:22:11.140 --> 00:22:14.030
  • THAT MUCH POWER.
  • 00:22:14.050 --> 00:22:15.090
  • BUT IT WASN'T JUST THE COMEDY.
  • 00:22:15.110 --> 00:22:16.180
  • IT'S THE FACT THAT IT'S MORE THAN FUNNY, LIKE
  • 00:22:16.200 --> 00:22:17.280
  • IT'S MORE.
  • 00:22:18.000 --> 00:22:19.060
  • YOU COULD LOOK AT IT LIKE MAN, THAT WAS A BAD SHOW.
  • 00:22:19.080 --> 00:22:21.020
  • THAT DUDE WAS LIKE IT'S BETTER IN PRISON.
  • 00:22:21.040 --> 00:22:23.000
  • [LAUGHTER] BUT IT'S SO MUCH MORE.
  • 00:22:23.020 --> 00:22:26.060
  • - SO YOU KNOW, THIS REVELATION THAT YOU GOT
  • 00:22:26.080 --> 00:22:35.040
  • THAT YOU'RE GIVING TO AN AUDIENCE, NOT TAKING FROM
  • 00:22:35.060 --> 00:22:38.140
  • AN AUDIENCE, YOU KNOW, LET'S NOT GO TOO DEEP
  • 00:22:38.160 --> 00:22:42.230
  • INTO THIS.
  • 00:22:42.250 --> 00:22:44.040
  • BUT YOU REALIZE WHAT THAT WOULD DO TO REVOLUTIONIZE
  • 00:22:44.060 --> 00:22:46.040
  • MOST PREACHERS?
  • 00:22:46.060 --> 00:22:49.050
  • IF THEY WERE THERE TO GIVE THEIR REVELATION AND
  • 00:22:49.070 --> 00:22:53.120
  • NOT --SO MANY TIMES YOU FEEL LIKE OUR RESPONSE IS
  • 00:22:53.140 --> 00:22:56.160
  • NECESSARY INSIDE OF A CERTAIN CHURCH SERVICE
  • 00:22:56.180 --> 00:23:00.160
  • RATHER THAN JUST THE CONFIDENCE TO GIVE WHAT
  • 00:23:00.180 --> 00:23:02.170
  • GOD GAVE THEM TO DO.
  • 00:23:02.190 --> 00:23:04.000
  • YOU'VE CHANGED COMEDY FOR ME SERIOUSLY.
  • 00:23:04.020 --> 00:23:07.220
  • - I'M TELLING YOU, IF YOU TAKE THIS REVELATION
  • 00:23:07.240 --> 00:23:11.010
  • HOME, IT WILL CHANGE EVERYTHING WHETHER YOU'RE
  • 00:23:11.030 --> 00:23:14.240
  • A -- SOME PEOPLE WELL, I TEACH KIDS.
  • 00:23:14.260 --> 00:23:16.190
  • REALLY?
  • 00:23:16.210 --> 00:23:18.170
  • OR ARE YOU HELPING SECURE THEIR FUTURE IN A WAY?
  • 00:23:18.190 --> 00:23:20.130
  • LIKE JUST THAT LITTLE SHIFT IT CHANGES
  • 00:23:20.150 --> 00:23:22.240
  • EVERYTHING, MAN.
  • 00:23:22.260 --> 00:23:22.280
  • - ARE YOU A MECHANIC OR INSURING SAFE PASSAGE TO
  • 00:23:24.050 --> 00:23:26.190
  • SOMEBODY'S DESTINY?
  • 00:23:26.210 --> 00:23:28.070
  • - THAT RIGHT THERE WILL WAKE YOU UP IN THE
  • 00:23:28.090 --> 00:23:29.150
  • MORNING, LIKE YO, LET'S DO THIS.
  • 00:23:29.170 --> 00:23:30.230
  • SOMEBODY NEEDS ME.
  • 00:23:30.250 --> 00:23:32.010
  • AND AS A MECHANIC YOU'RE NOT THINKING ABOUT THE
  • 00:23:32.030 --> 00:23:33.100
  • MONEY NECESSARILY.
  • 00:23:33.120 --> 00:23:34.220
  • AND THE MONEY SHOWS UP, LIKE GOD TAKES CARE OF
  • 00:23:34.240 --> 00:23:38.040
  • THAT BECAUSE HE KNOWS WHERE YOUR HEART IS AND
  • 00:23:38.060 --> 00:23:40.130
  • YOUR HEART IS TO GIVE AS OPPOSED TO JUST TRYING
  • 00:23:40.150 --> 00:23:41.260
  • TO GET.
  • 00:23:41.280 --> 00:23:42.230
  • - BEAUTIFUL.
  • 00:23:42.250 --> 00:23:43.180
  • - AND YOU KNOW WHAT?
  • 00:23:43.200 --> 00:23:44.170
  • THAT'S WHAT LIFE IS ABOUT.
  • 00:23:44.190 --> 00:23:45.170
  • IT'S ALWAYS ABOUT SOMEBODY ELSE.
  • 00:23:45.190 --> 00:23:48.080
  • IT'S NOT ABOUT US.
  • 00:23:48.100 --> 00:23:49.180
  • IT'S ALWAYS ABOUT HELPING SOMEBODY GET TO THEIR
  • 00:23:49.200 --> 00:23:51.090
  • DESTINATION BECAUSE AS LONG AS THEY'RE DOING IT,
  • 00:23:51.110 --> 00:23:53.080
  • THEN YOU KNOW YOU'RE DOING IT.
  • 00:23:53.100 --> 00:23:54.160
  • - YEAH.
  • 00:23:54.180 --> 00:23:56.020
  • SO I GOT THIS CLIP I'M GOING TO SHOW YOU AS
  • 00:23:56.040 --> 00:23:57.180
  • AN EXAMPLE.
  • 00:23:57.200 --> 00:23:58.250
  • SO I'M PERFORMING AT THIS HOMELESS SHELTER, RIGHT.
  • 00:23:58.270 --> 00:24:00.190
  • AND I THINK IT'S IN DALLAS.
  • 00:24:00.210 --> 00:24:04.000
  • WE'RE AT THIS SHELTER AND I'M DOING COMEDY FOR THE
  • 00:24:04.020 --> 00:24:05.270
  • GUYS, AND THEN THIS GUY WALKS IN WHOSE NOT A
  • 00:24:05.290 --> 00:24:07.150
  • HOMELESS GUY BUT I'M KIND OF DRAWN TO HIM.
  • 00:24:07.170 --> 00:24:09.160
  • SO I FIND OUT THIS GUY -AND THIS IS A CLIP FROM
  • 00:24:09.180 --> 00:24:11.200
  • THE ACTUAL MOVIE.
  • 00:24:11.220 --> 00:24:13.190
  • SO THE STORY WAS SO AWESOME I HAD TO PUT IT
  • 00:24:13.210 --> 00:24:15.020
  • IN THE MOVIE.
  • 00:24:15.040 --> 00:24:16.060
  • SO THIS GUY'S NAME WAS JOHN RAMSEY.
  • 00:24:16.080 --> 00:24:18.040
  • AND I MEET HIM AND WHAT HE DOES IS HE GOES INTO
  • 00:24:18.060 --> 00:24:22.030
  • THE WOODED AREAS AND HE FINDS HOMELESS PEOPLE WHO
  • 00:24:22.050 --> 00:24:25.150
  • ARE LIVING THERE, AND HE TAKES THEM WATER, FOOD,
  • 00:24:25.170 --> 00:24:28.140
  • AND EVENTUALLY HE INTRODUCES THEM TO
  • 00:24:28.160 --> 00:24:30.030
  • CHRIST, SOME REALLY COOL STUFF THAT HE DOES.
  • 00:24:30.050 --> 00:24:31.290
  • BUT HE LITERALLY GOES INTO THE WOODS.
  • 00:24:32.010 --> 00:24:34.040
  • I WAS LIKE YO, CAN I GO WITH YOU?
  • 00:24:34.060 --> 00:24:36.020
  • SO I JUMP ON THE BACK OF HIS ATV.
  • 00:24:36.040 --> 00:24:38.010
  • IN THIS SCENE WE'RE HEADING TO THE WOODS.
  • 00:24:38.030 --> 00:24:40.010
  • WHAT I DON'T KNOW IS THERE'S A FAMILY WHO JUST
  • 00:24:40.030 --> 00:24:42.000
  • GOT KICKED OUT OF THE WOODS.
  • 00:24:42.020 --> 00:24:43.200
  • AND IT'S A FAMILY FROM THE CITY ENFORCEMENT CREW
  • 00:24:43.220 --> 00:24:48.130
  • IS KICKING THEM OUT.
  • 00:24:48.150 --> 00:24:49.200
  • SO WE'RE PULLING UP AND THEY THINK WE'RE
  • 00:24:49.220 --> 00:24:51.140
  • CITY ENFORCEMENT.
  • 00:24:51.160 --> 00:24:52.270
  • THAT'S WHAT THEY THINK WE ARE.
  • 00:24:52.290 --> 00:24:54.100
  • BUT WATCH WHAT HAPPENS WHEN THEY RECOGNIZE IT'S
  • 00:24:54.120 --> 00:24:56.270
  • ACTUALLY JOHN RAMSEY.
  • 00:24:56.290 --> 00:24:58.000
  • WATCH THIS.
  • 00:24:58.020 --> 00:24:59.030
  • - WOW.
  • 00:24:59.050 --> 00:24:59.230
  • - WATCH THIS.
  • 00:24:59.250 --> 00:25:00.180
  • [MUSIC]
  • 00:25:00.200 --> 00:25:11.010
  • - WE'RE OUT OF HERE.
  • 00:25:11.030 --> 00:25:12.260
  • - WE'RE NOT-- NO, WE'RE COMING TO -I'M JOHN WITH
  • 00:25:12.280 --> 00:25:16.070
  • HANDS OF HOPE.
  • 00:25:16.090 --> 00:25:17.030
  • - OH MY GOD!
  • 00:25:17.050 --> 00:25:18.160
  • [SOBS]
  • 00:25:18.180 --> 00:25:29.190
  • [APPLAUSE]
  • 00:25:29.210 --> 00:25:32.010
  • - YEAH.
  • 00:25:32.030 --> 00:25:32.280
  • - WOW.
  • 00:25:33.000 --> 00:25:34.120
  • SO THAT'S MORE THAN FUNNY.
  • 00:25:34.140 --> 00:25:36.000
  • - SO THAT'S MORE THAN FUNNY.
  • 00:25:36.020 --> 00:25:37.080
  • SO IN THE MIDDLE OF THE JOKES OF THIS COMEDY
  • 00:25:37.100 --> 00:25:38.210
  • SPECIAL YOU LAUGH, AND THEN SUDDENLY, BOOM.
  • 00:25:38.230 --> 00:25:41.150
  • YOU HEAR THESE STORIES, AND I'M TELLING YOU
  • 00:25:41.170 --> 00:25:44.010
  • SOMETHING HAPPENS WHERE IT OPENS UP HEARTS.
  • 00:25:44.030 --> 00:25:46.010
  • SO I WANT PEOPLE JUST TO GO TO THE MOVIE BUT I
  • 00:25:46.030 --> 00:25:48.170
  • WANT THEM TO BRING PEOPLE BECAUSE AT THE END OF THE
  • 00:25:48.190 --> 00:25:50.020
  • MOVIE, I DON'T KNOW IF I SHARED THIS WITH YOU,
  • 00:25:50.040 --> 00:25:51.220
  • THERE'S A CALL TO ACTION THAT WE HAVE THAT'S
  • 00:25:51.240 --> 00:25:54.220
  • REALLY PRETTY POWERFUL.
  • 00:25:54.240 --> 00:25:56.040
  • SO THE INSIGHT ABOUT GIVING AS OPPOSED TO
  • 00:25:56.060 --> 00:25:58.200
  • GETTING, GOD GAVE ME SOME INSIGHT HOW COMEDY WORKS,
  • 00:25:58.220 --> 00:26:01.030
  • HOW FIRST IN COMEDY THERE'S A SET UP.
  • 00:26:01.050 --> 00:26:04.140
  • THE SET UP IS WHEN A COMEDIAN MAKES YOU THINK
  • 00:26:04.160 --> 00:26:06.010
  • IN ONE DIRECTION, THEN THE PUNCH LINE IS WHEN HE
  • 00:26:06.030 --> 00:26:07.260
  • CHANGES THAT DIRECTION IN A WAY YOU'RE
  • 00:26:07.280 --> 00:26:09.030
  • NOT EXPECTING.
  • 00:26:09.050 --> 00:26:10.200
  • GOD SHOWED ME THAT LIFE IS THE SAME WAY.
  • 00:26:10.220 --> 00:26:12.070
  • THERE'S A SET UP AND THERE'S A PUNCH LINE.
  • 00:26:12.090 --> 00:26:14.290
  • YOUR SET UP IS THE FACT THAT YOU'RE MARRIED, YOU
  • 00:26:15.010 --> 00:26:16.170
  • GOT A HOUSE, YOU GOT A CAR.
  • 00:26:16.190 --> 00:26:17.240
  • YOU'RE SET UP IS ABOUT WHAT YOU'VE RECEIVED BUT
  • 00:26:17.260 --> 00:26:20.140
  • YOU'RE PUNCH LINE IS ABOUT WHAT YOU'RE CALLED
  • 00:26:20.160 --> 00:26:22.010
  • TO DELIVER.
  • 00:26:22.030 --> 00:26:23.080
  • AND A LOT OF PEOPLE KNOW THEIR SET UP.
  • 00:26:23.100 --> 00:26:25.290
  • THEY CAN CLEARLY --EVERYBODY KNOWS THEIR
  • 00:26:26.010 --> 00:26:27.270
  • SET UP BUT VERY FEW PEOPLE KNOW THEIR PUNCH
  • 00:26:27.290 --> 00:26:29.110
  • LINE AND WHAT YOU DON'T KNOW YOUR PUNCH LINE AND
  • 00:26:29.130 --> 00:26:33.080
  • WHAT YOU'RE CALLED TO DELIVER, YOU'LL THINK
  • 00:26:33.100 --> 00:26:34.200
  • WHAT YOU NEED IN LIFE IS MORE SET UP.
  • 00:26:34.220 --> 00:26:36.150
  • IF I COULD JUST GET MARRIED.
  • 00:26:36.170 --> 00:26:37.180
  • IF I COULD JUST GET A HOUSE.
  • 00:26:37.200 --> 00:26:38.270
  • IF I COULD JUST -AND JUST LIKE ME STRUGGLING WITH
  • 00:26:38.290 --> 00:26:40.230
  • MY READING AS A CHILD, EVEN YOUR SETBACKS ARE
  • 00:26:40.250 --> 00:26:43.040
  • PART OF YOUR SET UP SO YOU CAN DELIVER A PUNCH
  • 00:26:43.060 --> 00:26:45.130
  • LINE YOU'RE CALLED TO DELIVER.
  • 00:26:45.150 --> 00:26:47.090
  • BUT THE KEY TO UNDERSTANDING WHAT YOUR
  • 00:26:47.110 --> 00:26:48.170
  • PUNCH LINE IS IS TO SHIFT FROM ASKING WHAT CAN I
  • 00:26:48.190 --> 00:26:51.110
  • GET TO WHAT CAN I GIVE, AND WE REFER TO THOSE
  • 00:26:51.130 --> 00:26:54.270
  • PEOPLE AS PUNCH LINERS.
  • 00:26:54.290 --> 00:26:56.240
  • SO AT THE END OF THIS MOVIE THERE'S A BIG CALL
  • 00:26:56.260 --> 00:26:59.190
  • TO ACTION FOR PEOPLE TO SIGN UP ON OUR PLATFORM
  • 00:26:59.210 --> 00:27:02.120
  • CALLED PUNCH LINERS.
  • 00:27:02.140 --> 00:27:03.250
  • A PUNCH LINER IS A PERSON WHOSE LOOKING TO GIVE BUT
  • 00:27:03.270 --> 00:27:05.090
  • YOU CAN'T GIVE MONEY.
  • 00:27:05.110 --> 00:27:08.160
  • MONEY IS ONLY A RESULT OF SOMEONE USING THEIR SET UP.
  • 00:27:08.180 --> 00:27:12.110
  • IT'S NOT A PUNCH LINE.
  • 00:27:12.130 --> 00:27:13.210
  • SO AT THE END OF THIS MOVIE, WE'RE ACTUALLY
  • 00:27:13.230 --> 00:27:17.030
  • GOING TO BE RELEASING ACCESS TO THE PUNCH LINER
  • 00:27:17.050 --> 00:27:19.030
  • PLATFORM TO PEOPLE CAN SIGN UP AND LOOK FOR
  • 00:27:19.050 --> 00:27:21.030
  • OPPORTUNITIES RIGHT WHERE THEY ARE TO GIVE.
  • 00:27:21.050 --> 00:27:24.030
  • IT DOESN'T MEAN YOU'RE GOING INTO THE WOODS.
  • 00:27:24.050 --> 00:27:25.240
  • YOU CAN DO SOMETHING AS SIMPLE AS SEND THIS
  • 00:27:25.260 --> 00:27:28.080
  • CERTAIN TEXT TO 4 PEOPLE AND WATCH HOW THEY
  • 00:27:28.100 --> 00:27:31.020
  • RESPOND BECAUSE YOU'RE SET UP IS THE FACT YOU
  • 00:27:31.040 --> 00:27:32.210
  • HAVE A PHONE.
  • 00:27:32.230 --> 00:27:34.070
  • YOU KNOW HOW TO SPELL, SOME OF US.
  • 00:27:34.090 --> 00:27:36.090
  • [LAUGHTER] AND THEN YOU SEND IT.
  • 00:27:36.110 --> 00:27:38.030
  • YOU JUST USE A PART OF YOUR SET UP TO DELIVER A
  • 00:27:38.050 --> 00:27:40.200
  • PUNCH LINE TO SOMEBODY ELSE.
  • 00:27:40.220 --> 00:27:41.210
  • - OKAY.
  • 00:27:41.230 --> 00:27:43.000
  • WE'RE TALKING ABOUT MORE THAN FUNNY, MICHAEL JR.
  • 00:27:43.020 --> 00:27:45.020
  • IF YOU TUNED IN RECENTLY, WE GO TO THE SAME CHURCH.
  • 00:27:45.040 --> 00:27:50.260
  • - WE DO.
  • 00:27:50.280 --> 00:27:52.010
  • I'VE NEVER SEEN YOU THERE, THOUGH.
  • 00:27:52.030 --> 00:27:53.190
  • [LAUGHTER]
  • 00:27:53.210 --> 00:27:54.240
  • - IT'S A BIG CHURCH.
  • 00:27:54.260 --> 00:27:57.130
  • YOU'RE ALWAYS UP ON THE PLATFORM.
  • 00:27:57.150 --> 00:27:58.220
  • - YOU WERE THERE ON EASTER AND CHRISTMAS.
  • 00:27:58.240 --> 00:27:59.220
  • I REMEMBER.
  • 00:27:59.240 --> 00:28:01.010
  • [LAUGHTER]
  • 00:28:01.030 --> 00:28:06.220
  • - BUSTED.
  • 00:28:06.240 --> 00:28:07.230
  • - I THINK IT WAS A HOLOGRAM.
  • 00:28:07.250 --> 00:28:10.020
  • - WE ARE NOW-- YOU'RE VIEWING THIS,
  • 00:28:10.040 --> 00:28:13.070
  • UNLESS YOU'RE WATCHING SOME KIND OF REPLAY LATER,
  • 00:28:13.090 --> 00:28:15.040
  • IT'S SEPTEMBER 27TH AND JUST IN A FEW WEEKS,
  • 00:28:15.060 --> 00:28:20.030
  • THE 18TH OF OCTOBER, A FATHOM EVENT IN THEATERS.
  • 00:28:20.050 --> 00:28:25.280
  • IS IT ACROSS ALL THE THEATER CHAINS OR JUST ONE?
  • 00:28:26.000 --> 00:28:30.100
  • - IT'S ALL THE CHAINS. PRETTY MUCH ALL THE CHAINS.
  • 00:28:30.120 --> 00:28:32.140
  • IF THEY GO TO THE WEBSITE, EITHER MICHAELJR.COM
  • 00:28:32.160 --> 00:28:35.080
  • OR MORETHANFUNNYMOVIE.COM.
  • 00:28:35.100 --> 00:28:37.050
  • THEY CAN CLICK THERE, PUT IN THEIR ZIP CODE,
  • 00:28:37.070 --> 00:28:39.010
  • AND A THEATER WILL POP UP AS TO WHERE THEY CAN
  • 00:28:39.030 --> 00:28:41.080
  • GO SEE THE MOVIE AT.
  • 00:28:41.100 --> 00:28:42.200
  • - AND THAT'S ONE NIGHT ONLY, 10/18, OCTOBER 18, 2018.
  • 00:28:42.220 --> 00:28:49.070
  • SO 10/18 THIS YEAR, A COUPLE OF WEEKS FROM NOW.
  • 00:28:49.090 --> 00:28:52.210
  • IF YOU'RE WATCHING THE FIRST TIME THIS AIRS,
  • 00:28:52.230 --> 00:28:55.100
  • IT'S 9/27 OR SEPTEMBER 27.
  • 00:28:55.120 --> 00:28:58.010
  • - CAN YOU BUY OUT A THEATER?
  • 00:28:58.030 --> 00:28:59.130
  • - YOU CAN BUY OUT A THEATER, ABSOLUTELY.
  • 00:28:59.150 --> 00:29:00.240
  • - THE CHURCHES CAN BUY OUT THEATERS.
  • 00:29:00.260 --> 00:29:02.090
  • COME ON EVERYBODY, GO.
  • 00:29:02.110 --> 00:29:04.170
  • [APPLAUSE]
  • 00:29:04.190 --> 00:29:08.160
  • - IF A THEATER IS NOT AVAILABLE, YOU CAN SEND A
  • 00:29:08.180 --> 00:29:11.100
  • CHECK RIGHT TO ME AND JUST IMAGINE.
  • 00:29:11.120 --> 00:29:14.120
  • JUST IMAGINE WHAT THE MOVIE MUST HAVE BEEN LIKE.
  • 00:29:14.140 --> 00:29:16.080
  • [LAUGHTER]
  • 00:29:16.100 --> 00:29:17.220
  • SO I AM PUMPED UP.
  • 00:29:17.240 --> 00:29:19.010
  • I WANT PEOPLE TO GO TO THIS MOVIE NOT JUST
  • 00:29:19.030 --> 00:29:20.240
  • BECAUSE-- I'M ALL ABOUT ACTION, I'M ALL ABOUT
  • 00:29:20.260 --> 00:29:22.280
  • SOMETHING, LET'S DO SOMETHING AFTERWARDS.
  • 00:29:23.000 --> 00:29:25.010
  • SO AFTER THIS MOVIE, WE'RE GONNA BE ACTIVATED
  • 00:29:25.030 --> 00:29:27.160
  • TO DO SOMETHING AT WHATEVER LEVEL,
  • 00:29:27.180 --> 00:29:29.230
  • AND WE TESTED THIS ALREADY IN DALLAS.
  • 00:29:29.250 --> 00:29:31.210
  • WE HAD 1500 PEOPLE SHOW UP TO FIX UP 50 HOUSES.
  • 00:29:31.230 --> 00:29:35.120
  • LIKE, IT'S CRAZY. I DO JOKES.
  • 00:29:35.140 --> 00:29:38.180
  • GOD WILL USE A DONKEY. REALLY.
  • 00:29:38.200 --> 00:29:42.120
  • I'M AMAZED HOW PEOPLE RESPONDED TO THIS.
  • 00:29:42.140 --> 00:29:44.110
  • - I LIKE THIS. THIS IS AWESOME.
  • 00:29:44.130 --> 00:29:46.080
  • - IS YOUR PHONE GOING OFF?
  • 00:29:46.100 --> 00:29:47.220
  • - IT WAS GOING OFF AT THE END
  • 00:29:47.240 --> 00:29:49.050
  • BECAUSE I HAVE FIVE KIDS.
  • 00:29:49.070 --> 00:29:50.180
  • [LAUGHTER]
  • 00:29:50.200 --> 00:29:52.220
  • - SO WATCH THIS CLIP AND WHEN WE GET BACK,
  • 00:29:52.240 --> 00:29:57.110
  • CAN YOU JUST KIND OF TAKE A FEW MINUTES AND
  • 00:29:57.130 --> 00:30:00.180
  • DO SOMETHING FUNNY? IS THAT POSSIBLE?
  • 00:30:00.200 --> 00:30:04.060
  • CAN YOU JUST GIVE TO THIS AUDIENCE HERE SOMETHING?
  • 00:30:04.080 --> 00:30:08.140
  • YOU GOT NOTHING TO GIVE? WATCH THIS.
  • 00:30:08.160 --> 00:30:10.150
  • WE'LL BE RIGHT BACK WITH MICHAEL JR.
  • 00:30:10.170 --> 00:30:12.230
  • - MY TEACHER TRIED TO TELL ME I HAD ADHD.
  • 00:30:15.060 --> 00:30:18.270
  • I AIN'T PAY 'EM NO ATTENTION. WHATEVER.
  • 00:30:18.290 --> 00:30:20.180
  • [CHEERING]
  • 00:30:20.200 --> 00:30:24.240
  • SO HERE WE ARE.
  • 00:30:24.260 --> 00:30:26.050
  • I'M FILMING A COMEDY SPECIAL.
  • 00:30:26.070 --> 00:30:28.090
  • MY DAUGHTER HAD A HAMSTER.
  • 00:30:28.110 --> 00:30:29.170
  • I SAY HAD A HAMSTER BECAUSE WE WERE IN THE
  • 00:30:29.190 --> 00:30:31.160
  • BACKYARD PLAYING AND A HAWK WERE SOMETHING!
  • 00:30:31.180 --> 00:30:35.000
  • SHE'S LIKE "DADDY, WHERE IS MR. JACOBS GOING?"
  • 00:30:35.020 --> 00:30:39.070
  • HE GOING HANG GLIDING.
  • 00:30:39.090 --> 00:30:41.010
  • YEAH. [LAUGHTER]
  • 00:30:41.030 --> 00:30:43.140
  • WE GONNA PICK HIM UP LATER AT THE PET STORE.
  • 00:30:43.160 --> 00:30:45.080
  • [LAUGHTER]
  • 00:30:45.100 --> 00:30:47.070
  • I STRUGGLED WITH MY READING AND MY UNCLE
  • 00:30:47.090 --> 00:30:48.200
  • WOULD TRY TO MAKE ME FEEL BETTER ABOUT IT.
  • 00:30:48.220 --> 00:30:50.140
  • HE SAID LISTEN NEPHEW, DON'T WORRY ABOUT THAT,
  • 00:30:50.160 --> 00:30:52.000
  • WE MATH PEOPLE.
  • 00:30:52.020 --> 00:30:53.070
  • HE SAID YOU PROBABLY GONNA BE A MATH GENIUS
  • 00:30:53.090 --> 00:30:54.140
  • LIKE I WAS.
  • 00:30:54.160 --> 00:30:55.200
  • YOU GOT AT LEAST A 40/40 CHANCE.
  • 00:30:55.220 --> 00:30:57.120
  • [LAUGHTER]
  • 00:30:57.140 --> 00:31:00.210
  • I DON'T JUST WANT THEM TO LAUGH.
  • 00:31:00.230 --> 00:31:02.200
  • I WANT THEM TO BE INSPIRED.
  • 00:31:02.220 --> 00:31:04.100
  • YOU GO TO THE PEOPLE WHO CAN'T BE IN AN ACTUAL
  • 00:31:04.120 --> 00:31:06.250
  • SHELTER SO THEY'RE LIVING IN THE WOODS.
  • 00:31:06.270 --> 00:31:08.220
  • HE'S SPECIAL NEEDS AND RECENTLY PASSED AWAY.
  • 00:31:08.240 --> 00:31:11.110
  • - TO BE ABLE TO GIVE SOMEONE THAT HOPE,
  • 00:31:11.130 --> 00:31:12.260
  • I CAN'T PUT IT INTO WORDS.
  • 00:31:12.280 --> 00:31:15.060
  • - I WANT IT TO BE FUNNY.
  • 00:31:15.080 --> 00:31:17.070
  • BUT I WANT IT TO BE MORE THAN FUNNY.
  • 00:31:17.090 --> 00:31:21.080
  • I'M WATCHING TV AND THIS COMMERCIAL CAME ON.
  • 00:31:22.030 --> 00:31:23.130
  • YOU'VE SEEN IT BEFORE WHERE THE OLD LADY WAS
  • 00:31:23.150 --> 00:31:26.020
  • LIKE "HELP, I'VE FALLEN AND I CAN'T GET UP."
  • 00:31:26.040 --> 00:31:28.140
  • FIRST THING I'M THINKING WHY DON'T THE CAMERA MAN
  • 00:31:28.160 --> 00:31:29.290
  • HELP HER? HE RIGHT THERE.
  • 00:31:30.010 --> 00:31:31.140
  • [LAUGHTER]
  • 00:31:31.160 --> 00:31:36.250
  • [APPLAUSE]
  • 00:31:36.270 --> 00:31:40.240
  • - THAT'S GONNA GET ME EVERY TIME.
  • 00:31:40.260 --> 00:31:42.100
  • I LOVE THAT.
  • 00:31:42.120 --> 00:31:43.190
  • I'M GONNA START USING THAT.
  • 00:31:43.210 --> 00:31:45.210
  • OKAY, GIVE US SOME INSIGHT ON HOW YOU DO
  • 00:31:45.230 --> 00:31:50.000
  • YOUR COMEDY, HOW YOU DEVELOP STUFF.
  • 00:31:50.020 --> 00:31:53.030
  • - YEAH, SO WHAT HAPPENS IS THERE'S A PROCESS,
  • 00:31:53.050 --> 00:31:55.180
  • LIKE I'LL JUST BE OUT SOMEWHERE AND A THOUGHT
  • 00:31:55.200 --> 00:31:57.270
  • WILL POP TO ME AND I'LL SHARE SOME OF THESE.
  • 00:31:57.290 --> 00:32:00.050
  • THESE ARE FRESH, BRAND-NEW, HAVEN'T BEEN SEEN ANYWHERE.
  • 00:32:00.070 --> 00:32:03.100
  • THESE JOKES, I DON'T EVEN KNOW FOR SURE, I'M JUST
  • 00:32:03.120 --> 00:32:06.010
  • THROWING THEM OUT THERE.
  • 00:32:06.030 --> 00:32:07.140
  • - JUST GIVING IT TO US.
  • 00:32:07.160 --> 00:32:08.210
  • - JUST GIVING IT TO YOU IN THE RAW FORM.
  • 00:32:08.230 --> 00:32:10.050
  • SO NOT RAW, I PRAY FIRST.
  • 00:32:10.070 --> 00:32:13.080
  • - YOUR OPPORTUNITY.
  • 00:32:13.100 --> 00:32:15.200
  • - THESE ARE JUST THOUGHTS THAT I HAVE AND
  • 00:32:15.220 --> 00:32:17.260
  • THEN I'LL DEVELOP THEM OUT, AND THEN YOU'LL SEE
  • 00:32:17.280 --> 00:32:19.160
  • THEM SOMEWHERE ELSE ON SOME TELEVISION SHOW,
  • 00:32:19.180 --> 00:32:21.250
  • OR YOU'LL SEE ME LIVE DOING EVENTS.
  • 00:32:21.270 --> 00:32:23.230
  • BUT THE PROCESS IS I WRITE DOWN EVERYTHING.
  • 00:32:23.250 --> 00:32:26.260
  • LIKE I WRITE DOWN EVERY SINGLE THING, EVERY
  • 00:32:26.280 --> 00:32:28.210
  • SINGLE TIME, AND THEN I'LL GO THROUGH AND HAVE
  • 00:32:28.230 --> 00:32:31.220
  • A CONVERSATION WITH MYSELF IN LIKE A HOTEL
  • 00:32:31.240 --> 00:32:35.290
  • ROOM, IF YOU CAN VISUALIZE THAT.
  • 00:32:36.010 --> 00:32:38.040
  • I WALK AROUND A HOTEL ROOM THINKING ABOUT THE JOKE.
  • 00:32:38.060 --> 00:32:40.260
  • THEN SO FOR EXAMPLE I WAS AT THE GROCERY STORE.
  • 00:32:40.280 --> 00:32:44.010
  • THIS REALLY HAPPENED.
  • 00:32:44.030 --> 00:32:45.210
  • YOU'VE SEEN THIS BEFORE, BUT I HAPPEN TO NOTICE
  • 00:32:45.230 --> 00:32:48.020
  • A LITTLE DIFFERENTLY.
  • 00:32:48.040 --> 00:32:49.110
  • I'M BUYING SOME FOOD, AND THE LADY AT THE REGISTER
  • 00:32:49.130 --> 00:32:52.120
  • SAID HEY, WOULD YOU LIKE TO GIVE TO HELP THE
  • 00:32:52.140 --> 00:32:56.260
  • HUNGRY? I WAS LIKE, THAT'S WHAT I JUST DID.
  • 00:32:56.280 --> 00:32:59.240
  • I JUST GAVE SOME MONEY BECAUSE I WAS HUNGRY.
  • 00:32:59.260 --> 00:33:03.100
  • I'M TAKING MY FOOD.
  • 00:33:03.120 --> 00:33:04.190
  • [LAUGHTER]
  • 00:33:04.210 --> 00:33:06.200
  • SO THEN WHAT I'LL DO WITH THAT JOKE IS
  • 00:33:06.220 --> 00:33:08.030
  • I'LL DEVELOP IT OUT.
  • 00:33:08.050 --> 00:33:09.110
  • LIKE WHAT ELSE HAPPENED IN THE GROCERY STORE, OR
  • 00:33:09.130 --> 00:33:10.180
  • WHAT ELSE WAS GOING ON.
  • 00:33:10.200 --> 00:33:12.050
  • THEN I THOUGHT ABOUT THIS ONE 'CAUSE I WAS AT A--
  • 00:33:12.070 --> 00:33:15.130
  • I WAS DRIVING BY ONE OF THOSE BIG BLUE BUILDINGS
  • 00:33:15.150 --> 00:33:17.270
  • WITH THE FURNITURE IN IT THAT DOESN'T LAST THAT LONG.
  • 00:33:17.290 --> 00:33:20.210
  • - YEAH. WITH THE YELLOW SIGN ON IT.
  • 00:33:20.230 --> 00:33:23.200
  • - NO.
  • 00:33:23.220 --> 00:33:24.230
  • - YEAH.
  • 00:33:24.250 --> 00:33:26.010
  • - SO IT'S NOT GONNA WORK NOW BECAUSE THAT WAS KIND
  • 00:33:26.030 --> 00:33:28.240
  • OF THE PUNCH LINE, BUT I'LL DO IT ANYWAY.
  • 00:33:28.260 --> 00:33:31.000
  • I KIND OF WISH I COULD BE A PREMARITAL COUNSELOR
  • 00:33:31.020 --> 00:33:33.000
  • BECAUSE I GOT ONE MOVE I WOULD DO.
  • 00:33:33.020 --> 00:33:35.260
  • I WOULD JUST BRING THEM TO MY OFFICE AND HAVE
  • 00:33:35.280 --> 00:33:37.080
  • THEM PUT TOGETHER SOME IKEA FURNITURE.
  • 00:33:37.100 --> 00:33:39.020
  • [LAUGHTER]
  • 00:33:39.040 --> 00:33:42.070
  • YOU CAN'T GET IT TOGETHER, YOU'RE NOT
  • 00:33:42.090 --> 00:33:43.070
  • GONNA GET IT TOGETHER.
  • 00:33:43.090 --> 00:33:44.190
  • I'M JUST GONNA PUT IT OUT THERE.
  • 00:33:44.210 --> 00:33:45.260
  • I'M GONNA DO ONE MORE.
  • 00:33:45.280 --> 00:33:47.230
  • SOMETIMES BECAUSE OF THE WAY I LOOK, PEOPLE WILL
  • 00:33:47.250 --> 00:33:50.190
  • ASSUME THAT I KNOW SLANG BECAUSE I'M A BROTHER.
  • 00:33:50.210 --> 00:33:54.160
  • SO PEOPLE LIKE, SOME PEOPLE WILL JUST, THEY'LL
  • 00:33:54.180 --> 00:33:59.230
  • APPROACH ME AND SAY STUFF, SO WHAT I DO IS
  • 00:33:59.250 --> 00:34:02.160
  • I GO JUST THE OPPOSITE.
  • 00:34:02.180 --> 00:34:04.040
  • I ACT LIKE I HAVE NO IDEA WHAT THEY'RE TALKING ABOUT.
  • 00:34:04.060 --> 00:34:06.020
  • SO THIS GUY SAID TO ME "MAN, YOU'RE LIKE A
  • 00:34:06.040 --> 00:34:07.250
  • BROTHER FROM ANOTHER MOTHER."
  • 00:34:07.270 --> 00:34:09.150
  • I'M LIKE REALLY? ARE YOU INSINUATING
  • 00:34:09.170 --> 00:34:10.240
  • MY DAD WAS UNFAITHFUL TO MY MOM?
  • 00:34:10.260 --> 00:34:12.150
  • [LAUGHTER]
  • 00:34:12.170 --> 00:34:16.000
  • AND I WAS AT CVS, RIGHT, AND THIS GUY, IT'S A
  • 00:34:16.020 --> 00:34:22.120
  • WHITE GUY, HAD HIS DAUGHTER WITH HIM.
  • 00:34:22.140 --> 00:34:24.040
  • SHE'S PROBABLY SEVEN YEARS OLD.
  • 00:34:24.060 --> 00:34:25.280
  • AND WE'RE IN LINE, AND I GRAB SOME POPCORN,
  • 00:34:26.000 --> 00:34:28.240
  • JUST THE LITTLE CHEESY POPCORN. IT'S DELICIOUS.
  • 00:34:28.260 --> 00:34:31.130
  • AND THIS DUDE SAYS TO ME "MAN, THAT STUFF IS LIKE
  • 00:34:31.150 --> 00:34:33.200
  • CRACK, ISN'T IT?"
  • 00:34:33.220 --> 00:34:35.110
  • I WAS LIKE AH, I'VE NEVER HAD CRACK BEFORE, MAN.
  • 00:34:35.130 --> 00:34:38.160
  • [LAUGHTER]
  • 00:34:38.180 --> 00:34:40.250
  • HAVE YOU HAD CRACK BEFORE SIR?
  • 00:34:40.270 --> 00:34:43.160
  • LITTLE GIRL, ARE YOU OKAY?
  • 00:34:43.180 --> 00:34:45.060
  • [LAUGHTER]
  • 00:34:45.080 --> 00:34:48.020
  • SO NOW WHAT I'LL DO IS TAKE ALL OF THAT AND
  • 00:34:48.040 --> 00:34:50.150
  • DEVELOP IT, AND I ACTUALLY DO IT IN AN
  • 00:34:50.170 --> 00:34:52.170
  • EXCEL SPREADSHEET, SO I TAKE ALL OF THOSE JOKES,
  • 00:34:52.190 --> 00:34:54.220
  • BUT THE THIRD TO THE LAST LINE IS ACTUALLY PRAYER.
  • 00:34:54.240 --> 00:34:59.020
  • SO ONCE THE JOKE IS PRETTY MUCH DEVELOPED,
  • 00:34:59.040 --> 00:35:01.280
  • I'LL PRAY OVER IT BEFORE I ACTUALLY LET IT BE IN
  • 00:35:02.000 --> 00:35:05.000
  • THE LINEUP AND I'LL ASK GOD IS THIS COOL.
  • 00:35:05.020 --> 00:35:07.120
  • NOW HERE'S THE THING, SOMETIMES LIKE THERE'S
  • 00:35:07.140 --> 00:35:09.090
  • ONE JOKE IN PARTICULAR THAT IS BANANAS FUNNY, SO
  • 00:35:09.110 --> 00:35:13.290
  • FUNNY. I RUN THE JOKE PAST OUR PASTOR, PASTOR ROBERT,
  • 00:35:14.010 --> 00:35:17.050
  • YOU HAVEN'T SEEN HIM IN A WHILE, I KNOW.
  • 00:35:17.070 --> 00:35:18.150
  • [LAUGHTER]
  • 00:35:18.170 --> 00:35:20.280
  • AND HE WAS LIKE THAT'S HYSTERICAL.
  • 00:35:21.000 --> 00:35:22.150
  • AND GOD'S LIKE, I DON'T WANT YOU DOING THAT JOKE.
  • 00:35:22.170 --> 00:35:24.190
  • BUT THERE'S NOTHING WRONG WITH THE JOKE. NOTHING.
  • 00:35:24.210 --> 00:35:28.010
  • GOD SAID NOPE, NOT THAT ONE.
  • 00:35:28.030 --> 00:35:29.240
  • AND I HAVE ZERO IDEA WHY, BUT I JUST WON'T DO IT.
  • 00:35:29.260 --> 00:35:33.130
  • TWO DAYS LATER, A JOKE SO DOG GONE AMAZING SHOWS
  • 00:35:33.150 --> 00:35:36.230
  • UP, AND I'M LIKE WOW, YOU WANT ANY OF
  • 00:35:36.250 --> 00:35:39.000
  • THESE OTHER ONES LORD?
  • 00:35:39.020 --> 00:35:41.000
  • SO I TRY TO BE OBEDIENT WITH THIS GIFT BECAUSE
  • 00:35:41.020 --> 00:35:44.110
  • I KNOW IT'S HIM. IT'S SO NOT ME.
  • 00:35:44.130 --> 00:35:46.270
  • - REVOLUTIONARY.
  • 00:35:46.290 --> 00:35:48.240
  • WHAT ARE SOME OF THE-- [APPLAUSE]
  • 00:35:48.260 --> 00:35:52.240
  • IF YOU HAD TO KIND OF GO BACK OVER THE FIRST TIME
  • 00:35:52.260 --> 00:35:59.070
  • YOU WERE ON THE TONIGHT SHOW AND ALL THESE KIND
  • 00:35:59.090 --> 00:36:01.090
  • OF THINGS, DO YOU REMEMBER SOME OF THOSE
  • 00:36:01.110 --> 00:36:03.040
  • OLD CLASSIC PIECES.
  • 00:36:03.060 --> 00:36:05.120
  • - I USED TO BE A SINGLE DAD.
  • 00:36:05.140 --> 00:36:07.090
  • THAT'S A WHOLE OTHER SHOW.
  • 00:36:07.110 --> 00:36:08.120
  • I WAS A SINGLE DAD OF THREE.
  • 00:36:08.140 --> 00:36:09.230
  • I CAN EXPLAIN TO YOU HOW I GOT MY KIDS, RIGHT.
  • 00:36:09.250 --> 00:36:11.240
  • WELL. YOU KNOW HOW I GOT THEM.
  • 00:36:11.260 --> 00:36:14.160
  • I'M NOT GONNA EXPLAIN THAT PART.
  • 00:36:14.180 --> 00:36:15.220
  • [LAUGHTER]
  • 00:36:15.240 --> 00:36:17.060
  • SO I REMEMBER MY DAUGHTER COMING HOME, SHE'S IN THE
  • 00:36:17.080 --> 00:36:19.190
  • SIXTH GRADE, CAME HOME WITH SOME MATH HOMEWORK.
  • 00:36:19.210 --> 00:36:22.010
  • AND I'M THINKING ALL RIGHT, APPLES WE
  • 00:36:22.030 --> 00:36:23.280
  • COUNTING, JOHNNY HAD SOME APPLES. LET'S DO IT.
  • 00:36:24.000 --> 00:36:26.060
  • YEAH, SHE HAD SOME, SHE SAID TO ME DAD,
  • 00:36:26.080 --> 00:36:29.170
  • I GOT CALCULUS.
  • 00:36:29.190 --> 00:36:32.220
  • CALCULUS? THAT SOUNDS LIKE A DISEASE.
  • 00:36:32.240 --> 00:36:35.280
  • I WAS LIKE NO, YOU DON'T, WE GONNA PRAY!
  • 00:36:36.000 --> 00:36:38.210
  • [LAUGHTER]
  • 00:36:38.240 --> 00:36:40.230
  • YOU MUST HAVE GOT THIS FROM YOUR MOTHER'S
  • 00:36:40.250 --> 00:36:42.000
  • SIDE OF THE FAMILY.
  • 00:36:42.020 --> 00:36:43.210
  • NOBODY IN MY FAMILY GOT CALCULUS.
  • 00:36:43.230 --> 00:36:46.160
  • SO IT WAS KIND OF COOL TO TAKE EVEN SOME OF THOSE
  • 00:36:46.180 --> 00:36:50.020
  • STRUGGLES AND TURN THEM INTO COMEDY AND PRESENT
  • 00:36:50.040 --> 00:36:52.110
  • THEM TO PEOPLE IN A WAY WHERE IT CAN-- BECAUSE A
  • 00:36:52.130 --> 00:36:55.080
  • LOT OF MY FRIENDS, A LOT OF COMEDIANS WILL SAY
  • 00:36:55.100 --> 00:36:58.110
  • "I MAKE PEOPLE LAUGH SO THEY CAN FORGET ABOUT THEIR
  • 00:36:58.130 --> 00:37:00.030
  • PROBLEMS", BUT WHAT I'M LOOKING TO DO IN THIS
  • 00:37:00.050 --> 00:37:02.200
  • MOVIE AND IN GENERAL IN LIFE, I DON'T WANT PEOPLE
  • 00:37:02.220 --> 00:37:04.250
  • TO JUST FORGET ABOUT THEIR PROBLEMS.
  • 00:37:04.270 --> 00:37:06.110
  • I WANT TO GIVE THEM SOME SORT OF TOOL TO HELP THEM
  • 00:37:06.130 --> 00:37:08.250
  • DEAL WITH THEM IN A WAY AND USE THEM AS A SETBACK
  • 00:37:08.270 --> 00:37:11.000
  • AND PART OF A SETUP SO THEY CAN DELIVER A PUNCHLINE.
  • 00:37:11.020 --> 00:37:14.100
  • - WOW. WOW. THAT'S BEAUTIFUL.
  • 00:37:14.120 --> 00:37:16.000
  • [APPLAUSE]
  • 00:37:16.020 --> 00:37:18.130
  • I LOVE THAT.
  • 00:37:18.150 --> 00:37:21.140
  • WE HAVE A ROLL-IN NUMBER FIVE CALLED THE MALL.
  • 00:37:21.160 --> 00:37:26.020
  • HAVE YOU SEEN THAT ROLL-IN?
  • 00:37:26.040 --> 00:37:28.110
  • DO YOU KNOW WHAT IT IS?
  • 00:37:28.130 --> 00:37:29.080
  • - THE MALL? COOL.
  • 00:37:29.100 --> 00:37:30.290
  • - YOU KNOW WHAT THAT IS?
  • 00:37:31.010 --> 00:37:32.080
  • IF YOU DON'T, WE'LL JUST PLAY IT.
  • 00:37:32.100 --> 00:37:33.100
  • - I HAVE NO IDEA.
  • 00:37:33.120 --> 00:37:34.140
  • WE CAN TALK ABOUT IT AFTERWARDS.
  • 00:37:34.160 --> 00:37:35.220
  • - NO, WE'RE GONNA TALK ABOUT IT IN A SECOND.
  • 00:37:35.240 --> 00:37:37.020
  • THE MALL, WATCH THIS.
  • 00:37:37.040 --> 00:37:38.260
  • [MUSIC]
  • 00:37:38.280 --> 00:37:42.130
  • - I'M AT THE MALL AND THIS DUDE HAS ON A SHIRT
  • 00:37:42.150 --> 00:37:46.050
  • THAT SAID "IF YOU DON'T SPEAK ENGLISH,
  • 00:37:46.070 --> 00:37:47.130
  • LEAVE THE COUNTRY."
  • 00:37:47.150 --> 00:37:50.130
  • BUT IT WAS WRITTEN IN ENGLISH.
  • 00:37:50.150 --> 00:37:52.260
  • [LAUGHTER]
  • 00:37:52.280 --> 00:37:57.150
  • [APPLAUSE]
  • 00:37:57.170 --> 00:38:03.290
  • SO I WALKED UP TO HIM AND I SAID YOU'RE DUMB!
  • 00:38:04.010 --> 00:38:08.060
  • BUT I SAID IT IN SPANISH.
  • 00:38:08.080 --> 00:38:10.190
  • [LAUGHTER/APPLAUSE]
  • 00:38:10.210 --> 00:38:17.230
  • THEN WHEN YOU'RE AT THE MALL, YOU ALWAYS SEE THE GIRLS
  • 00:38:19.290 --> 00:38:21.130
  • WEARING SKINNY JEANS.
  • 00:38:21.150 --> 00:38:22.220
  • YOU SEE GIRLS IN THE SKINNY JEANS.
  • 00:38:22.240 --> 00:38:24.260
  • SKINNY JEANS.
  • 00:38:24.280 --> 00:38:26.150
  • READ THE INSTRUCTIONS, YOU KNOW.
  • 00:38:26.170 --> 00:38:28.060
  • [LAUGHTER]
  • 00:38:28.080 --> 00:38:34.150
  • SUPPOSED TO BE SKINNY TO WEAR THESE JEANS.
  • 00:38:34.170 --> 00:38:36.170
  • [LAUGHTER]
  • 00:38:36.190 --> 00:38:40.200
  • THEY'RE NOT CALLED MUFFIN TOP JEANS.
  • 00:38:40.220 --> 00:38:42.220
  • THAT'S NOT WHAT THEY'RE CALLED.
  • 00:38:42.240 --> 00:38:44.040
  • [LAUGHTER]
  • 00:38:44.060 --> 00:38:47.200
  • [APPLAUSE]
  • 00:38:47.220 --> 00:38:51.170
  • - I LIKE THE SKINNY JEAN ONE.
  • 00:38:51.190 --> 00:38:53.120
  • - SKINNY JEAN.
  • 00:38:53.140 --> 00:38:54.280
  • - READ THE DIRECTIONS.
  • 00:38:55.000 --> 00:38:56.030
  • - SUPPOSED TO BE SKINNY.
  • 00:38:56.050 --> 00:39:00.120
  • YOU EVER NOTICE HOW-- LET ME DO A PUBLIC SERVICE
  • 00:39:00.140 --> 00:39:02.140
  • ANNOUNCEMENT TOO.
  • 00:39:02.160 --> 00:39:03.240
  • IF YOU'RE A GROWN MAN AND YOU HAVE TO POINT YOUR
  • 00:39:03.260 --> 00:39:05.260
  • TOES TO PUT YOUR JEANS ON, YOU'RE MAKING BAD CHOICES.
  • 00:39:05.280 --> 00:39:09.250
  • [LAUGHTER]
  • 00:39:09.270 --> 00:39:13.250
  • I'M JUST DOING WHAT I CAN TO HELP.
  • 00:39:13.270 --> 00:39:18.130
  • - SO WHY YOU BE HATIN' ON ALL THE WORSHIP
  • 00:39:19.000 --> 00:39:21.110
  • LEADERS ACROSS THE COUNTRY?
  • 00:39:21.130 --> 00:39:24.090
  • - FIRST OF ALL, YOUR GRAMMAR IS INCORRECT.
  • 00:39:24.110 --> 00:39:27.290
  • WE JUST CRAWLED BACK TO THE JOKE FROM EARLIER.
  • 00:39:28.010 --> 00:39:29.190
  • I SEE WHAT YOU DID.
  • 00:39:29.210 --> 00:39:31.100
  • - YEAH, YEAH.
  • 00:39:31.120 --> 00:39:32.170
  • - DID YOU WEAR ALL BLACK FOR ME?
  • 00:39:32.190 --> 00:39:33.220
  • - YEAH.
  • 00:39:33.240 --> 00:39:34.180
  • - OKAY. THANKS MAN.
  • 00:39:34.200 --> 00:39:37.180
  • SO I REALLY LIKE AWKWARDNESS.
  • 00:39:40.000 --> 00:39:42.050
  • WE SHOULD JUST SEE HOW LONG WE CAN DO AWKWARDNESS.
  • 00:39:42.070 --> 00:39:45.020
  • AFTER WE TALK FOR A MINUTE, LET JUST SEE HOW
  • 00:39:45.040 --> 00:39:47.120
  • LONG WE CAN DO AWKWARD BEFORE SOMEBODY BREAK.
  • 00:39:47.140 --> 00:39:49.080
  • I ALREADY KNOW WHO GONNA BREAK.
  • 00:39:49.100 --> 00:39:50.190
  • - ME.
  • 00:39:50.210 --> 00:39:52.160
  • - EXACTLY. SOME PEOPLE--
  • 00:39:52.180 --> 00:39:53.270
  • - HALLELUJAH!
  • 00:39:53.290 --> 00:39:55.090
  • [LAUGHTER]
  • 00:39:55.110 --> 00:39:57.260
  • - SO I'LL DO STUFF.
  • 00:39:57.280 --> 00:39:59.090
  • I MENTIONED THIS IN THE COMEDY SPECIAL.
  • 00:39:59.110 --> 00:40:00.150
  • AWKWARDNESS IS SO FUNNY TO ME,
  • 00:40:00.170 --> 00:40:02.220
  • SO I'LL GET ON AN ELEVATOR.
  • 00:40:02.240 --> 00:40:04.020
  • - MATT: OH, DEAR.
  • 00:40:04.040 --> 00:40:05.110
  • - WHEN THERE'S ONLY LIKE SIX OR SEVEN PEOPLE ON
  • 00:40:05.130 --> 00:40:07.060
  • THERE, AND I LET THE DOOR CLOSE BEHIND ME,
  • 00:40:07.080 --> 00:40:09.030
  • AND I WON'T TURN AROUND.
  • 00:40:09.050 --> 00:40:10.110
  • [LAUGHTER]
  • 00:40:10.130 --> 00:40:16.250
  • I'LL SAY SOMETHING RANDOM LIKE IT'S TUESDAY,
  • 00:40:16.270 --> 00:40:19.020
  • BUT IT'S REALLY FRIDAY, AND THEN EVERYBODY GETS
  • 00:40:19.040 --> 00:40:21.280
  • OFF ON THE NEXT FLOOR. IT'S AWESOME.
  • 00:40:22.000 --> 00:40:23.230
  • [LAUGHTER]
  • 00:40:23.250 --> 00:40:26.150
  • - SOME PRIVACY.
  • 00:40:26.170 --> 00:40:27.190
  • - HERE'S OUR OPPORTUNITY RIGHT NOW.
  • 00:40:27.210 --> 00:40:29.240
  • [LAUGHTER]
  • 00:40:31.030 --> 00:40:39.130
  • - THAT'S CALLED DEAD AIR.
  • 00:40:39.150 --> 00:40:41.130
  • - YOU DID GOOD THOUGH.
  • 00:40:41.150 --> 00:40:43.230
  • YOU DID GOOD. YOU DID GOOD.
  • 00:40:43.250 --> 00:40:45.270
  • - YOU'RE SUPPOSED TO EDIT THAT STUFF.
  • 00:40:45.290 --> 00:40:48.250
  • THAT'S WHAT'S SUPPOSED TO HAPPEN.
  • 00:40:48.270 --> 00:40:50.160
  • JUST SNAP BOTH YOUR FINGERS.
  • 00:40:50.180 --> 00:40:52.160
  • LOOK INTO THAT CAMERA AND SNAP BOTH YOUR FINGERS.
  • 00:40:52.180 --> 00:40:54.160
  • - NO. YOU GONNA HAVE ME NAKED AS A BABY.
  • 00:40:54.180 --> 00:40:56.160
  • [LAUGHTER]
  • 00:40:56.180 --> 00:40:58.250
  • - JUST DO LIKE THAT.
  • 00:40:58.270 --> 00:41:00.240
  • - WE'RE TALKING AWKWARD HERE.
  • 00:41:00.260 --> 00:41:02.180
  • - DO IT.
  • 00:41:02.200 --> 00:41:03.260
  • - ALL RIGHT, I'M GONNA SNAP BOTH MY FINGERS AND
  • 00:41:03.280 --> 00:41:05.230
  • HE GONNA TURN ME INTO A NAKED BABY STATUTE, BUT
  • 00:41:05.250 --> 00:41:09.040
  • THIS MEANS YOU'RE GONNA GO TO THE MOVIE, RIGHT?
  • 00:41:09.060 --> 00:41:10.090
  • - YEP, I'LL GO.
  • 00:41:10.110 --> 00:41:11.260
  • - COOL. HERE WE GO.
  • 00:41:11.280 --> 00:41:13.080
  • AND I DON'T KNOW HOW TO SNAP ON THE BEAT THOUGH.
  • 00:41:13.100 --> 00:41:15.160
  • - I DON'T BELIEVE THAT.
  • 00:41:15.180 --> 00:41:17.030
  • - BOOM!
  • 00:41:17.050 --> 00:41:18.110
  • - THAT WAS AWKWARD.
  • 00:41:23.230 --> 00:41:25.120
  • - THAT WAS AWKWARD.
  • 00:41:25.140 --> 00:41:27.000
  • - WE'VE GOT ANOTHER ROLL-IN.
  • 00:41:27.020 --> 00:41:28.060
  • IT'S NUMBER FOUR CALLED PUNCHLINE TWO.
  • 00:41:28.080 --> 00:41:30.010
  • MICHAEL JR, WATCH THIS.
  • 00:41:30.030 --> 00:41:32.030
  • - MOST COMEDY, MOST JOKES ARE A SETUP.
  • 00:41:35.200 --> 00:41:38.020
  • MY SON, FOUR YEARS OLD, LOOKS AT ME OUT OF
  • 00:41:38.040 --> 00:41:40.030
  • NOWHERE AND SAYS "DAD, I'M GONNA BE A DOCTOR."
  • 00:41:40.050 --> 00:41:43.000
  • I WAS LIKE YES! YES!
  • 00:41:43.020 --> 00:41:45.050
  • AND THEN A PUNCHLINE.
  • 00:41:45.070 --> 00:41:46.280
  • THEN HE SAID "OR A DINOSAUR."
  • 00:41:47.000 --> 00:41:48.250
  • [LAUGHTER]
  • 00:41:48.270 --> 00:41:52.140
  • I UNDERSTAND THAT ME DOING COMEDY AND DOING
  • 00:41:52.160 --> 00:41:54.240
  • ALL OF THESE TV SHOWS AND MAKING ALL THESE PEOPLE
  • 00:41:54.260 --> 00:41:56.190
  • LAUGH IS REALLY JUST A SETUP.
  • 00:41:56.210 --> 00:41:58.180
  • MY PUNCHLINE IS TO MAKE LAUGHTER COMMONPLACE
  • 00:41:58.200 --> 00:42:02.070
  • IN UNCOMMON PLACES.
  • 00:42:02.090 --> 00:42:04.220
  • WE GO TO MONTROSE COLORADO, A PLACE CALLED
  • 00:42:04.240 --> 00:42:06.140
  • THE DOLPHIN HOUSE.
  • 00:42:06.160 --> 00:42:07.190
  • THEY TAKE CARE OF CHILDREN WHO ARE BEING
  • 00:42:07.210 --> 00:42:08.250
  • ABUSED BY THEIR PARENTS.
  • 00:42:08.270 --> 00:42:10.210
  • AND THIS GRANDMOTHER EXPLAINS TO ME THAT HER
  • 00:42:10.230 --> 00:42:12.240
  • GRANDSON IS BEING ABUSED BY HIS MOM.
  • 00:42:12.260 --> 00:42:15.210
  • HE'S SO AFRAID OF HIS MOM THAT WHEREVER HE GOES,
  • 00:42:15.230 --> 00:42:20.020
  • HE WEARS A SPIDERMAN COSTUME.
  • 00:42:20.040 --> 00:42:21.280
  • SO I GET ON STAGE, SITTING RIGHT IN FRONT,
  • 00:42:22.000 --> 00:42:24.290
  • SPIDERMAN.
  • 00:42:25.010 --> 00:42:26.270
  • I STARTED DOING COMEDY, PEOPLE START LAUGHING,
  • 00:42:26.290 --> 00:42:28.180
  • SLOWLY BUT SURELY.
  • 00:42:28.200 --> 00:42:30.000
  • PROBABLY 25 MINUTES INTO IT, I HEAR A VOICE AND A
  • 00:42:30.020 --> 00:42:33.090
  • VOICE SAYS MY NAME IS RONAN, AND THIS LITTLE
  • 00:42:33.110 --> 00:42:36.050
  • BOY PULLS OFF HIS MASK.
  • 00:42:36.070 --> 00:42:39.290
  • AND IT WAS ONE OF THE MOST POWERFUL MOMENTS IN
  • 00:42:41.080 --> 00:42:43.060
  • MY ENTIRE COMEDY CAREER.
  • 00:42:43.080 --> 00:42:47.100
  • IF WE COULD JUST STOP ASKING THE QUESTION WHAT
  • 00:42:50.080 --> 00:42:51.260
  • COULD I GET FOR MYSELF AND START ASKING THE
  • 00:42:51.280 --> 00:42:54.160
  • QUESTION WHAT CAN I GIVE FROM MYSELF, I THINK
  • 00:42:54.180 --> 00:42:58.000
  • PEOPLE WOULD LEARN THAT YOU DON'T HAVE TO BE A
  • 00:42:58.020 --> 00:43:00.090
  • COMEDIAN TO DELIVER A PUNCHLINE.
  • 00:43:00.110 --> 00:43:04.130
  • [APPLAUSE]
  • 00:43:05.240 --> 00:43:08.170
  • - OKAY, SO LOOK, I THINK OUR AUDIENCE IS FINALLY
  • 00:43:08.190 --> 00:43:12.070
  • UNDERSTANDING WHY WE TOOK THE TIME TO DO AND THE
  • 00:43:12.090 --> 00:43:17.010
  • EFFORT TO DO EXACTLY WHAT WE'RE DOING TODAY.
  • 00:43:17.030 --> 00:43:20.020
  • MICHAEL JR IS KIND OF A REVOLUTIONARY IN REGARD
  • 00:43:20.040 --> 00:43:25.140
  • TO WHAT HE DOES. HE DOESN'T JUST GO
  • 00:43:25.160 --> 00:43:28.110
  • AND TRY TO GET PEOPLE TO LAUGH.
  • 00:43:28.130 --> 00:43:31.020
  • HE DELIVERS SOMETHING.
  • 00:43:31.040 --> 00:43:32.280
  • AND WHAT WE'RE TALKING ABOUT HERE IS REALLY A
  • 00:43:33.000 --> 00:43:35.050
  • REVOLUTIONARY THING.
  • 00:43:35.070 --> 00:43:36.190
  • THE FATHOM EVENT IS OCTOBER 18, AND WE ARE
  • 00:43:36.210 --> 00:43:41.020
  • ENCOURAGING YOU TO HAVE A PUNCHLINE AND THAT WHOLE
  • 00:43:41.040 --> 00:43:47.090
  • THING, YOU UNDERSTAND WHAT'S GOING ON HERE.
  • 00:43:47.110 --> 00:43:49.120
  • THIS IS A THING AND IT'S OCTOBER 18.
  • 00:43:49.140 --> 00:43:51.250
  • IT'S ABOUT THREE WEEKS FROM NOW IF YOU'RE
  • 00:43:51.270 --> 00:43:53.140
  • WATCHING ON 9/27 WHICH IS THE FIRST TIME THIS AIRS.
  • 00:43:53.160 --> 00:43:57.180
  • SO WE WANT YOU TO BE THERE, AND ALL THE
  • 00:43:57.200 --> 00:44:00.140
  • INFORMATION, IT'S ONE NIGHT ONLY IN THEATERS.
  • 00:44:00.160 --> 00:44:03.090
  • SO IT'S ONE OF THE FATHOM EVENT.
  • 00:44:03.110 --> 00:44:05.030
  • IT'S NOT GONNA PLAY, SO YOU CAN'T PUT THIS OFF.
  • 00:44:05.050 --> 00:44:07.250
  • YOU HAVE TO PUT THAT DATE ON THE CALENDAR.
  • 00:44:07.270 --> 00:44:10.140
  • 10/18. FILL THE THEATERS AND GO AND MAKE THIS HAPPEN.
  • 00:44:10.160 --> 00:44:14.100
  • - MICHAEL JR: THANK YOU.
  • 00:44:14.120 --> 00:44:16.290
  • - THIS IS KIND OF, I THINK THIS IS THE LAST
  • 00:44:17.010 --> 00:44:19.260
  • CLIP WE'LL GO TO AND THEN WE WANT TO KIND OF WRAP
  • 00:44:19.280 --> 00:44:22.140
  • UP WITH A LITTLE BIT MORE OF WHO YOU ARE.
  • 00:44:22.160 --> 00:44:24.060
  • WATCH THIS, MORE THAN FUNNY.
  • 00:44:24.080 --> 00:44:26.090
  • - THAT'S COMPLETELY PAID FOR A HUNDRED PERCENT.
  • 00:44:26.110 --> 00:44:28.000
  • THIS ISN'T A MICHAEL JR THING.
  • 00:44:28.020 --> 00:44:31.190
  • THIS IS ABOUT A FAMILY.
  • 00:44:31.210 --> 00:44:33.170
  • THE PEOPLE YA'LL NEVER MET BEFORE HEARD YOUR
  • 00:44:33.190 --> 00:44:35.040
  • STORY, WE DECIDED TO DO A COMEDY SHOW FUNDRAISER.
  • 00:44:35.060 --> 00:44:39.040
  • BUT THERE ACTUALLY WASN'T A SHOW SO PEOPLE ALL OVER
  • 00:44:39.060 --> 00:44:43.010
  • THE COUNTRY, MY FANS, DIFFERENT PLACES GOT
  • 00:44:43.030 --> 00:44:44.190
  • TOGETHER AND BOUGHT TICKETS TO A SHOW THAT
  • 00:44:44.210 --> 00:44:48.080
  • DON'T EVEN EXIST. SEE HOW GOD IS.
  • 00:44:48.100 --> 00:44:51.040
  • [MUSIC]
  • 00:44:51.060 --> 00:44:56.080
  • - I DON'T KNOW HOW TO REPAY ANYBODY
  • 00:44:56.100 --> 00:44:58.170
  • FOR DOING SOMETHING FOR ME LIKE THAT.
  • 00:44:58.190 --> 00:45:01.060
  • - NOW YOU'RE IN A POSITION WHERE YOU JUST
  • 00:45:01.080 --> 00:45:02.160
  • NEED TO RECEIVE IT.
  • 00:45:02.180 --> 00:45:03.260
  • - I RECEIVE IT. I RECEIVE IT.
  • 00:45:03.280 --> 00:45:07.000
  • [APPLAUSE]
  • 00:45:07.020 --> 00:45:11.130
  • - MORE THAN FUNNY, EVERYBODY HAS A PUNCHLINE.
  • 00:45:11.150 --> 00:45:15.100
  • SO WHERE DO YOU GET YOUR STUFF?
  • 00:45:15.120 --> 00:45:20.220
  • I MEAN EVERY DAY GROCERY STORE, DRIVING AROUND,
  • 00:45:20.240 --> 00:45:23.190
  • IT JUST--
  • 00:45:23.210 --> 00:45:25.040
  • - SOUNDS LIKE SOME SORT OF DRUG DEAL YOU DOIN'.
  • 00:45:25.060 --> 00:45:27.080
  • WHERE YOU GETTING YOUR STUFF AT.
  • 00:45:27.100 --> 00:45:29.130
  • - SORRY. OKAY, I HAVE TO REPHRASE THAT.
  • 00:45:29.150 --> 00:45:31.190
  • - PLUS YOUR HANDS ARE MOVING.
  • 00:45:31.210 --> 00:45:33.030
  • - IN THE FIELD THAT YOU'RE IN, YOU HAVE TO
  • 00:45:33.050 --> 00:45:36.100
  • CREATE JOKES AND SO WHERE IS THE RESOURCE
  • 00:45:36.120 --> 00:45:38.160
  • THAT YOU PULL FROM?
  • 00:45:38.180 --> 00:45:41.020
  • - YOU CHANGED IT TO RESOURCE NOW. OKAY.
  • 00:45:41.040 --> 00:45:44.040
  • I JUST PULL FROM-- SO IF THERE'S A DOG THAT HAS
  • 00:45:44.060 --> 00:45:48.230
  • THREE LEGS, RIGHT, AND THERE'S TEN COMEDIANS
  • 00:45:48.250 --> 00:45:51.240
  • LOOKING AT THE DOG WITH THREE LEGS, THEY'RE GONNA
  • 00:45:51.260 --> 00:45:54.040
  • WRITE SOME REALLY FUNNY JOKES ABOUT THE DOG.
  • 00:45:54.060 --> 00:45:57.040
  • I'M PROBABLY GONNA WRITE A JOKE ABOUT THE
  • 00:45:57.060 --> 00:45:58.290
  • LEG THAT'S MISSING.
  • 00:45:59.010 --> 00:46:00.210
  • - OKAY.
  • 00:46:00.230 --> 00:46:02.000
  • - BECAUSE I WANT TO, I WANT TO STAND OUT.
  • 00:46:02.020 --> 00:46:05.110
  • I WANT TO BE A LITTLE DIFFERENT, AND THERE'S
  • 00:46:05.130 --> 00:46:07.240
  • SOME FUNNY ON THAT ONE LEG.
  • 00:46:07.260 --> 00:46:10.160
  • LIKE THERE'S A FLEA LIKE "MAN, WE HAVEN'T MOVED IN
  • 00:46:10.180 --> 00:46:12.070
  • DAYS, WHAT'S GOING ON?"
  • 00:46:12.090 --> 00:46:14.000
  • LIKE I WANT TO FIND THAT FUNNY AS OPPOSED TO JUST
  • 00:46:14.020 --> 00:46:17.230
  • BEING CAUGHT UP INTO WHAT EVERYONE ELSE IS DOING.
  • 00:46:17.250 --> 00:46:23.100
  • INSTEAD OF JUST DOING WHAT EVERYBODY ELSE IS
  • 00:46:23.120 --> 00:46:25.060
  • DOING, I WANT TO FIND AND IT'S KIND OF THE SAME
  • 00:46:25.080 --> 00:46:27.270
  • WITH, I THINK THAT'S HOW MORE TIMES THAN NOT GOD
  • 00:46:27.290 --> 00:46:30.260
  • WANTS US TO BE BECAUSE THE WAY THE WORLD IS
  • 00:46:30.280 --> 00:46:32.230
  • MOVING IS ONE WAY, BUT IF WE WOULD JUST PULL BACK
  • 00:46:32.250 --> 00:46:35.120
  • AND SAY OKAY, WHAT DO YOU REALLY WANT ME TO DO
  • 00:46:35.140 --> 00:46:37.110
  • HERE, YOU MIGHT FIND, YOU WILL FIND SOME NUGGETS
  • 00:46:37.130 --> 00:46:39.250
  • THAT NO ONE ELSE SAW.
  • 00:46:39.270 --> 00:46:42.090
  • LIKE I NEVER HEARD OF A COMEDY SPECIAL EVEN WITH
  • 00:46:42.110 --> 00:46:45.030
  • THIS THAT HAS STORIES LIKE THIS IN THE MIDDLE.
  • 00:46:45.050 --> 00:46:48.120
  • LIKE I WAS AFRAID TO DO THIS THING.
  • 00:46:48.140 --> 00:46:51.140
  • IT DIDN'T MAKE SENSE.
  • 00:46:51.160 --> 00:46:53.070
  • WHEN I FELT LIKE GOD SAYS THIS, I WAS LIKE HOW?
  • 00:46:53.090 --> 00:46:55.140
  • HOMELESS IN THE MIDDLE-- IT DOESN'T.
  • 00:46:55.160 --> 00:46:58.100
  • WHEN HE FIRST TOLD ME TO GO TO A HOMELESS SHELTER
  • 00:46:58.120 --> 00:47:00.050
  • AND DO COMEDY, I THOUGHT HOW IS THAT POSSIBLE?
  • 00:47:00.070 --> 00:47:02.170
  • WHAT IF THEY DON'T LAUGH?
  • 00:47:02.190 --> 00:47:05.090
  • GOD WAS LIKE WHAT DOES THAT HAVE TO DO WITH
  • 00:47:05.110 --> 00:47:06.230
  • ANYTHING? I GAVE YOU THIS GIFT.
  • 00:47:06.250 --> 00:47:08.190
  • YOUR JOB IS TO PRESENT THE GIFT TO OTHER PEOPLE.
  • 00:47:08.210 --> 00:47:10.240
  • ARE YOU GONNA BE OBEDIENT OR YOU JUST GONNA HOLD IT
  • 00:47:10.260 --> 00:47:12.190
  • FOR YOURSELF AND TRY TO MAKE MONEY OFF OF IT.
  • 00:47:12.210 --> 00:47:14.290
  • - IS THERE ANYBODY IN OUR STUDIO AUDIENCE THAT
  • 00:47:15.010 --> 00:47:17.160
  • YOU CAN LOOK AT AND CREATE A JOKE?
  • 00:47:17.180 --> 00:47:19.270
  • IS THERE ANY INSPIRATION OUT THERE?
  • 00:47:19.290 --> 00:47:22.260
  • - I WOULD SAY PROBABLY NOT IN THE STUDIO, MATT.
  • 00:47:22.280 --> 00:47:25.180
  • PROBABLY RIGHT HERE.
  • 00:47:25.200 --> 00:47:28.030
  • [LAUGHTER]
  • 00:47:28.050 --> 00:47:31.230
  • [APPLAUSE]
  • 00:47:31.250 --> 00:47:34.260
  • - EASY.
  • 00:47:34.280 --> 00:47:36.120
  • - BUT I DON'T WANT TO BECAUSE YOU AIN'T
  • 00:47:36.140 --> 00:47:37.170
  • GIVE ME A CHECK YET.
  • 00:47:37.190 --> 00:47:39.280
  • THERE'S NO CHECK.
  • 00:47:40.000 --> 00:47:42.210
  • - THIS ISN'T GONNA AIR AFTER ALL.
  • 00:47:42.230 --> 00:47:44.150
  • - DO YOU SEE ANY INSPIRATION FOR ANYTHING
  • 00:47:44.170 --> 00:47:47.140
  • HERE IN THIS STUDIO?
  • 00:47:47.160 --> 00:47:50.070
  • - INSPIRATION, ARE YOU ASKING ME TO IMPROMPTU?
  • 00:47:50.090 --> 00:47:52.040
  • WOW! THAT'S A LOT.
  • 00:47:52.060 --> 00:47:54.210
  • HOW ABOUT THIS, YOU SEE ANYBODY IN THE STUDIO
  • 00:47:54.230 --> 00:47:56.040
  • AUDIENCE WHO YOU WANT TO BRING TO JESUS RIGHT NOW?
  • 00:47:56.060 --> 00:47:58.280
  • YOU SEE ANYBODY-- IT'S A LITTLE MORE PRESSURE.
  • 00:47:59.000 --> 00:48:00.270
  • SEE HOW THAT WORKS?
  • 00:48:00.290 --> 00:48:02.180
  • YOU CAN'T JUST SAVE SOMEBODY ALL OF A SUDDEN.
  • 00:48:02.200 --> 00:48:04.070
  • BLING, I DID IT. YOU'RE SAVED.
  • 00:48:04.090 --> 00:48:07.050
  • SO WHAT I DO NORMALLY IN MY COMEDY, WHEN I'M ON
  • 00:48:07.070 --> 00:48:10.060
  • STAGE I'LL GET HECKLED, I RARELY GET HECKLED MAINLY
  • 00:48:10.080 --> 00:48:15.060
  • BECAUSE WHEN I WAS DOING A SHOW WITH GEORGE
  • 00:48:15.080 --> 00:48:16.290
  • WALLACE, THERE WAS A CLUB WE WERE AT, AND IT WAS
  • 00:48:17.010 --> 00:48:21.130
  • PACKED OUT. IT WAS FULL OF PEOPLE.
  • 00:48:21.150 --> 00:48:23.240
  • HOLD ON ONE SECOND. HEY, WHAT'S UP?
  • 00:48:23.260 --> 00:48:27.240
  • YEAH, HE JUST ASKED ME TO JUST DO A JOKE
  • 00:48:27.260 --> 00:48:29.190
  • OUT OF NOWHERE SO.
  • 00:48:29.210 --> 00:48:31.070
  • ALL RIGHT, WE'LL TALK.
  • 00:48:31.090 --> 00:48:33.140
  • ANYWAY, SO WE'RE AT THIS CLUB, RIGHT, AND THIS IS
  • 00:48:33.160 --> 00:48:37.280
  • LIKE A CLUB, PEOPLE DRINKING 'CAUSE I STILL
  • 00:48:38.000 --> 00:48:39.280
  • PERFORM IN CLUBS BECAUSE I'VE GOT TO MAKE SURE THE
  • 00:48:40.000 --> 00:48:41.270
  • CONTENT IS STRONG ENOUGH.
  • 00:48:41.290 --> 00:48:43.280
  • SO MY COMEDY HAS TO BE FUNNY ENOUGH FOR A CLUB
  • 00:48:44.000 --> 00:48:50.160
  • AND CLEAN ENOUGH FOR A CHURCH.
  • 00:48:50.180 --> 00:48:52.100
  • BUT AT THE SAME TIME IT HAS TO BE CLEAN ENOUGH
  • 00:48:52.120 --> 00:48:54.100
  • FOR A CHURCH AND THEN FUNNY-- LIKE, THAT'S VERY
  • 00:48:54.120 --> 00:48:56.220
  • VERY VERY IMPORTANT JUST TO MAKE SURE
  • 00:48:56.240 --> 00:48:58.250
  • THE QUALITY IS THERE.
  • 00:48:58.270 --> 00:49:00.040
  • SO I'M AT THIS CLUB, IT'S PACKED OUT.
  • 00:49:00.060 --> 00:49:02.290
  • BUT IT'S A CLUB THAT HAS THREE BARS IN IT, SO IT'S
  • 00:49:03.010 --> 00:49:05.150
  • REALLY REALLY NOISY.
  • 00:49:05.170 --> 00:49:07.120
  • THE PEOPLE ARE CLANG, CLANG, CLANG.
  • 00:49:07.140 --> 00:49:08.270
  • SO WHEN COMEDIANS WOULD GO UP BEFORE ME, THEY
  • 00:49:08.290 --> 00:49:10.140
  • WOULD TALK LOUDER BECAUSE THE AUDIENCE WAS SO LOUD.
  • 00:49:10.160 --> 00:49:14.020
  • THEY WOULD GET REALLY LOUD TRYING TO GET
  • 00:49:14.040 --> 00:49:15.110
  • EVERYONE'S ATTENTION AND IN THE BACK OF THE ROOM,
  • 00:49:15.130 --> 00:49:17.090
  • NOBODY COULD HEAR.
  • 00:49:17.110 --> 00:49:18.130
  • THEY'RE HAVING THEIR OWN CONVERSATION.
  • 00:49:18.150 --> 00:49:19.180
  • THIS IS IN LOS ANGELES ON SUNSET STRIP.
  • 00:49:19.200 --> 00:49:22.000
  • SO I INSTINCTIVELY, THIS IS GOD SHOWING ME,
  • 00:49:22.020 --> 00:49:25.030
  • GIVING ME THIS GIFT.
  • 00:49:25.050 --> 00:49:26.120
  • ALL THE COMEDIANS ARE GOING UP THERE YELLING,
  • 00:49:26.140 --> 00:49:28.150
  • PEOPLE ARE KIND OF PAYING ATTENTION.
  • 00:49:28.170 --> 00:49:30.010
  • I INSTINCTIVELY GO UP ON STAGE AND I TALK QUIETER.
  • 00:49:30.030 --> 00:49:34.200
  • I LITERALLY DID MY COMEDY PROBABLY FOUR NOTCHES
  • 00:49:34.220 --> 00:49:38.060
  • DOWN THAN I NORMALLY WOULD, AND PROBABLY MAYBE
  • 00:49:38.080 --> 00:49:41.280
  • TWO MINUTES IN THE ENTIRE ROOM WAS SILENT.
  • 00:49:42.000 --> 00:49:45.000
  • IN FACT, I REMEMBER HEARING SOMEBODY IN THE
  • 00:49:45.020 --> 00:49:46.150
  • VERY BACK OF THE ROOM, THEY WERE LIKE THIS
  • 00:49:46.170 --> 00:49:48.160
  • SHHHHH...
  • 00:49:48.180 --> 00:49:50.110
  • WHICH WAS AMAZING TO ME.
  • 00:49:50.130 --> 00:49:53.040
  • AND AT THE TIME, I DIDN'T EVEN KNOW WHY IT TOOK,
  • 00:49:53.060 --> 00:49:55.060
  • WHY THAT HAPPENED.
  • 00:49:55.080 --> 00:49:56.180
  • WHAT REALLY HAPPENED IS I WAS, I JUST DECIDED TO GO
  • 00:49:56.200 --> 00:49:59.170
  • IN A DIFFERENT DIRECTION.
  • 00:49:59.190 --> 00:50:00.260
  • IT WAS THAT LEG THAT WAS MISSING.
  • 00:50:00.280 --> 00:50:02.240
  • WHERE EVERYONE ELSE IS YELLING AND TRYING TO GET
  • 00:50:02.260 --> 00:50:04.170
  • THE ATTENTION, I WAS LIKE I'M GONNA DO THE OPPOSITE.
  • 00:50:04.190 --> 00:50:07.140
  • EVEN THOUGH I COULDN'T ARTICULATE IT IN A MOMENT,
  • 00:50:07.160 --> 00:50:09.210
  • BUT I KNOW NOW GOD LITERALLY, IF I LISTEN,
  • 00:50:09.230 --> 00:50:12.280
  • HE'LL LITERALLY SHOW ME WHAT TO DO IN
  • 00:50:13.000 --> 00:50:14.090
  • THOSE SITUATIONS AND IT ALWAYS WORKS OUT.
  • 00:50:14.110 --> 00:50:16.060
  • - BEAUTIFUL.
  • 00:50:16.080 --> 00:50:17.180
  • [APPLAUSE]
  • 00:50:17.200 --> 00:50:19.120
  • SO IN A NUTSHELL, AS WE'RE KIND OF WRAPPING UP
  • 00:50:19.140 --> 00:50:24.210
  • THIS SHOW, MORE THAN FUNNY IS A FATHOM EVENT.
  • 00:50:24.230 --> 00:50:28.030
  • IT'S COMING UP 10/18.
  • 00:50:28.050 --> 00:50:30.070
  • WHAT DO YOU WANT THE 700 OR SO THEATERS FULL OF
  • 00:50:30.090 --> 00:50:36.200
  • PEOPLE TO ACCOMPLISH AFTER THEY'VE EXPERIENCED
  • 00:50:36.220 --> 00:50:41.100
  • THAT NIGHT WITH YOU ON 10/18?
  • 00:50:41.120 --> 00:50:43.250
  • - SO THERE'S TWO THINGS THAT GOD HAS SHOWN ME
  • 00:50:43.270 --> 00:50:45.170
  • WITH REGARDS TO A GIFT TO OPEN UP PEOPLE'S HEART.
  • 00:50:45.190 --> 00:50:47.140
  • ONE GIFT IS LAUGHTER.
  • 00:50:47.160 --> 00:50:49.140
  • WHEN PEOPLE LAUGH, THEIR HEART IS OPEN IN A
  • 00:50:49.160 --> 00:50:50.270
  • WAY I CAN'T EXPLAIN.
  • 00:50:50.290 --> 00:50:52.210
  • YOU'VE PROBABLY SEEN OR YOU CAN GO ONLINE AND
  • 00:50:52.230 --> 00:50:55.010
  • LOOK AT SOME OF THE ALTAR CALLS THAT TAKE PLACE
  • 00:50:55.030 --> 00:50:56.200
  • AFTER I'M A CHURCH.
  • 00:50:56.220 --> 00:50:58.130
  • IT'S PRETTY ASTOUNDING. IT BLOWS ME BACK.
  • 00:50:58.150 --> 00:51:01.130
  • WHEN I'M DOING AN ALTAR CALL, I SOMETIMES HAVE TO
  • 00:51:01.150 --> 00:51:04.110
  • LOOK BEHIND ME LIKE JESUS MUST BE-- THEY CAN'T BE
  • 00:51:04.130 --> 00:51:07.020
  • LOOKING AT ME. IT OVERWHELMS ME.
  • 00:51:07.040 --> 00:51:09.160
  • SO LAUGHTER OPENS UP HEARTS, BUT GOD HAS SHOWN
  • 00:51:09.180 --> 00:51:11.290
  • ME ANOTHER THING THAT OPENS UP HEARTS JUST AS
  • 00:51:12.010 --> 00:51:13.210
  • WELL IS PEOPLE GIVING BUT NOT MONEY.
  • 00:51:13.230 --> 00:51:16.270
  • SO IN THIS SPECIAL YOU'LL LAUGH, BUT
  • 00:51:16.290 --> 00:51:19.090
  • IT'S ALSO GONNA OPEN UP YOUR HEART TO SAY HEY,
  • 00:51:19.110 --> 00:51:21.140
  • WHAT CAN I DO FOR SOMEONE ELSE?
  • 00:51:21.160 --> 00:51:23.140
  • AND OPEN UP YOUR HEART IN A WAY TO UNDERSTAND THAT
  • 00:51:23.160 --> 00:51:25.250
  • YOU ALSO NEED TO RECEIVE FROM OTHER PEOPLE.
  • 00:51:25.270 --> 00:51:27.240
  • A LOT OF PEOPLE LOVE TO GIVE BUT THEY HAVE
  • 00:51:27.260 --> 00:51:29.290
  • A HARD TIME RECEIVING.
  • 00:51:30.010 --> 00:51:31.200
  • WELL, IN MY OPINION TO GIVE AND NOT RECEIVE IS
  • 00:51:31.220 --> 00:51:34.040
  • ACTUALLY A POSITION OF ARROGANCE.
  • 00:51:34.060 --> 00:51:35.280
  • LIKE THE BIBLE SAYS IT'S BETTER TO GIVE THAN TO
  • 00:51:36.000 --> 00:51:37.250
  • RECEIVE, WHICH IS TRUE. IT'S SO AWESOME.
  • 00:51:37.270 --> 00:51:40.160
  • SO GIVE SOMEONE ELSE AN OPPORTUNITY AS WELL.
  • 00:51:40.180 --> 00:51:43.230
  • LIKE IF YOU REALLY HAVE TO HAVE IT OUT.
  • 00:51:43.250 --> 00:51:45.040
  • SO I WAS DOING AN EVENT IN ORLANDO.
  • 00:51:45.060 --> 00:51:48.080
  • I WAS KEYNOTE SPEAKING AT A CORPORATION, AND THEY
  • 00:51:48.100 --> 00:51:50.260
  • HAD A HEART SURGEON WHO WENT ON BEFORE ME.
  • 00:51:50.280 --> 00:51:52.290
  • BRILLIANT HEART SURGEON.
  • 00:51:53.020 --> 00:51:54.110
  • I DON'T KNOW HOW THEY CAME UP WITH THIS LINEUP.
  • 00:51:54.130 --> 00:51:56.040
  • THIS GUY WAS TALKING ABOUT HOW HE DID A HEART
  • 00:51:56.060 --> 00:51:58.140
  • SURGERY ON AN INFANT TWO MINUTES AFTER IT WAS
  • 00:51:58.160 --> 00:52:00.270
  • BORN, AND IT WAS SUCCESSFUL BECAUSE HE
  • 00:52:00.290 --> 00:52:04.040
  • BUILT A 3D MODEL BEFOREHAND AND PRACTICED.
  • 00:52:04.060 --> 00:52:07.050
  • THE BABY WAS BORN WITH JUST TWO HEART VALVES.
  • 00:52:07.070 --> 00:52:09.030
  • IT WAS AMAZING. THE AUDIENCE IS IN AWE.
  • 00:52:09.050 --> 00:52:11.120
  • NOW THEY'RE ABOUT TO INTRODUCE ME.
  • 00:52:11.140 --> 00:52:13.090
  • [LAUGHTER]
  • 00:52:13.110 --> 00:52:17.150
  • SO RIGHT BEFORE THEY INTRODUCE ME, THE HEART
  • 00:52:17.170 --> 00:52:19.080
  • SURGEON COMES OFF, WE'RE BACKSTAGE AND I SAY THAT
  • 00:52:19.100 --> 00:52:21.250
  • WAS AMAZING, WOW, TWO HEART VALVES.
  • 00:52:21.270 --> 00:52:24.130
  • LET ME ASK YOU A QUESTION, HOW MANY HEART
  • 00:52:24.150 --> 00:52:26.070
  • VALVES YOU SUPPOSED TO HAVE?
  • 00:52:26.090 --> 00:52:28.080
  • AND HE EXPLAINED TO ME YOU'RE SUPPOSED TO HAVE
  • 00:52:28.100 --> 00:52:30.000
  • FOUR. I WAS LIKE YEAH, I KNEW THAT.
  • 00:52:30.020 --> 00:52:31.230
  • I JUST HADN'T LOOKED AT MY HEART IN A WHILE.
  • 00:52:31.250 --> 00:52:33.050
  • [LAUGHTER]
  • 00:52:33.070 --> 00:52:35.050
  • AND I SAID SO WHAT DO THEY DO?
  • 00:52:35.070 --> 00:52:36.180
  • HE EXPLAINED TO ME TWO OF THEM ARE TO RECEIVE THE
  • 00:52:36.200 --> 00:52:39.150
  • BLOOD AND THE OTHER TWO ARE TO PUMP THE BLOOD OUT.
  • 00:52:39.170 --> 00:52:43.190
  • AND IF THE HEART ISN'T GIVING AND RECEIVING
  • 00:52:43.210 --> 00:52:46.110
  • PROPERLY, THE HEART ISN'T FUNCTIONING PROPERLY.
  • 00:52:46.130 --> 00:52:51.000
  • WE HAVE TO UNDERSTAND GIVING AND RECEIVING.
  • 00:52:51.020 --> 00:52:54.100
  • IF WE'RE TRULY GONNA DELIVER THE PUNCHLINE
  • 00:52:54.120 --> 00:52:55.230
  • WE'RE CALLED TO DELIVER.
  • 00:52:55.250 --> 00:52:57.160
  • - THERE'S PEOPLE WATCHING THIS PROGRAM
  • 00:52:57.180 --> 00:52:59.270
  • THAT ARE RIGHT THERE, MICHAEL, GIVE THEM AN
  • 00:52:59.290 --> 00:53:02.210
  • OPPORTUNITY TO ACCEPT JESUS.
  • 00:53:02.230 --> 00:53:04.230
  • THEY'RE RIGHT THERE. CAMERA 3.
  • 00:53:04.250 --> 00:53:07.040
  • - COOL, SO YOUR OPPORTUNITY IS THE
  • 00:53:07.060 --> 00:53:08.230
  • SAME FOR ANYBODY.
  • 00:53:08.250 --> 00:53:10.020
  • LIKE YOU JUST FLAT OUT JUST MAKE THE DECISION.
  • 00:53:10.040 --> 00:53:13.100
  • I CAN'T DO THIS ALONE.
  • 00:53:13.120 --> 00:53:15.090
  • I KNOW I HAVE A SETUP.
  • 00:53:15.110 --> 00:53:18.180
  • I WANT TO DELIVER A PUNCHLINE AND I CAN'T DO
  • 00:53:18.200 --> 00:53:20.250
  • ANY OF THIS STUFF WITHOUT JESUS.
  • 00:53:20.270 --> 00:53:22.210
  • JUST SIMPLY ASK HIM INTO YOUR HEART.
  • 00:53:22.230 --> 00:53:25.240
  • LIKE IT'S REALLY NOT AS COMPLEX AS YOU MAY THINK
  • 00:53:25.260 --> 00:53:30.220
  • BUT YOU DO HAVE TO BELIEVE IN YOUR HEART AND
  • 00:53:30.240 --> 00:53:33.020
  • CONFESS WITH YOUR MOUTH, BUT IT'S NOT LIKE AFTER
  • 00:53:33.040 --> 00:53:37.070
  • YOU DO A PRAYER LIKE THIS, IT'S NOT LIKE SOME
  • 00:53:37.090 --> 00:53:39.000
  • WINGS ARE GONNA JUMP OUT THE BACK OF YOU
  • 00:53:39.020 --> 00:53:41.000
  • AND YOU'RE GONNA SUDDENLY BE AN ANGEL.
  • 00:53:41.020 --> 00:53:42.220
  • - MATT: BABY.
  • 00:53:42.240 --> 00:53:44.040
  • - YOU'RE NOT GONNA BE A NAKED BABY STATUE.
  • 00:53:44.060 --> 00:53:47.190
  • [LAUGHTER]
  • 00:53:47.210 --> 00:53:49.170
  • BUT YOU WILL PROBABLY BE NAKED IN THE NEW WAY.
  • 00:53:49.190 --> 00:53:52.150
  • - COME ON NOW.
  • 00:53:52.170 --> 00:53:53.250
  • - MEANING YOU'RE GONNA STRIP AWAY ALL OF THOSE
  • 00:53:53.270 --> 00:53:55.200
  • THINGS THAT YOU DON'T NEED AND JUST BE
  • 00:53:55.220 --> 00:53:58.140
  • COMPLETELY NEW IN HIM.
  • 00:53:58.160 --> 00:54:00.190
  • MUCH LIKE A BABY WHO FULLY TRUSTS WHOEVER'S
  • 00:54:00.210 --> 00:54:02.170
  • ARMS THEY'RE IN.
  • 00:54:02.190 --> 00:54:04.200
  • THAT'S THE POSITION YOU'LL BE IN.
  • 00:54:04.220 --> 00:54:06.180
  • AND THEN YOU'LL GROW WHEN YOU READ THE WORD OF GOD,
  • 00:54:06.200 --> 00:54:08.160
  • AND THEN YOU'LL GROW AND YOU'LL BECOME MATURE AND
  • 00:54:08.180 --> 00:54:11.060
  • ABLE TO HANDLE THE MEAT THAT GOD HAS FOR YOU.
  • 00:54:11.080 --> 00:54:13.290
  • AND EVEN WHEN YOU HAVE A COUPLE OF STRAINS AND
  • 00:54:14.010 --> 00:54:15.220
  • THINGS SEEMS HEAVY AND HARD, ALL THAT'S DOING IS
  • 00:54:15.240 --> 00:54:17.250
  • BUILDING UP YOUR MUSCLE SO YOU CAN HOLD THE
  • 00:54:17.270 --> 00:54:20.080
  • TROPHY THAT HE HAS FOR YOU.
  • 00:54:20.100 --> 00:54:22.100
  • YOU'VE GOT TO MAKE THE DECISION.
  • 00:54:22.120 --> 00:54:23.190
  • JUST MAKE THE CHOICE. IT'S NOT SUPER COMPLEX.
  • 00:54:23.210 --> 00:54:25.260
  • YOU KNOW YOU CAN'T DO IT ALONE.
  • 00:54:25.280 --> 00:54:28.060
  • YOU JUST CAN'T. YOU'VE BEEN TRYING THIS LONG.
  • 00:54:28.080 --> 00:54:30.090
  • SO MAKE THE CHOICE.
  • 00:54:30.110 --> 00:54:32.070
  • - BEAUTIFUL.
  • 00:54:32.090 --> 00:54:33.200
  • IT'S WHAT TBN IS ALL ABOUT.
  • 00:54:33.220 --> 00:54:35.030
  • IT'S WHAT MORE THAN FUNNY IS ALL ABOUT.
  • 00:54:35.050 --> 00:54:37.020
  • MICHAEL JR IS MORE THAN FUNNY. IT'LL BE 10/18.
  • 00:54:37.040 --> 00:54:40.150
  • WATCH THIS.
  • 00:54:40.170 --> 00:54:42.120
  • - IN SCHOOL, I STRUGGLED WITH MY READING.
  • 00:54:44.160 --> 00:54:45.290
  • MY TEACHERS TRIED TO TELL ME I HAD ADHD.
  • 00:54:46.010 --> 00:54:48.050
  • I AIN'T PAY THEM NO ATTENTION. WHATEVER.
  • 00:54:48.070 --> 00:54:50.020
  • [CHEERING]
  • 00:54:50.040 --> 00:54:54.070
  • SO HERE WE ARE.
  • 00:54:54.090 --> 00:54:55.160
  • I'M FILMING A COMEDY SPECIAL.
  • 00:54:55.180 --> 00:54:57.290
  • MY DAUGHTER HAD A HAMSTER.
  • 00:54:58.010 --> 00:54:59.080
  • I SAY HAD A HAMSTER CAUSE WE WERE IN THE BACKYARD
  • 00:54:59.100 --> 00:55:01.140
  • PLAYING AND THE HAWK WERE SOMETHING!
  • 00:55:01.160 --> 00:55:04.050
  • WOOSH!
  • 00:55:04.070 --> 00:55:06.080
  • SHE'S LIKE "DADDY, WHERE IS MR. JACOBS GOING?"
  • 00:55:06.100 --> 00:55:08.260
  • HE GOING HANG GLIDING.
  • 00:55:08.280 --> 00:55:10.160
  • YEAH.
  • 00:55:10.180 --> 00:55:13.020
  • WE GONNA PICK HIM UP LATER AT THE PET STORE.
  • 00:55:13.040 --> 00:55:14.280
  • [LAUGHTER]
  • 00:55:15.000 --> 00:55:16.280
  • I STRUGGLED WITH MY READING, AND MY UNCLE
  • 00:55:17.000 --> 00:55:18.080
  • WOULD TRY TO MAKE ME FEEL BETTER ABOUT IT.
  • 00:55:18.100 --> 00:55:20.000
  • HE SAID LISTEN, DON'T WORRY ABOUT THAT,
  • 00:55:20.020 --> 00:55:21.220
  • WE MATH PEOPLE.
  • 00:55:21.240 --> 00:55:23.000
  • HE SAID YOU PROBABLY GONNA BE A MATH GENIUS
  • 00:55:23.020 --> 00:55:24.030
  • LIKE I WAS.
  • 00:55:24.050 --> 00:55:25.090
  • YOU GOT AT LEAST A 40/40 CHANCE.
  • 00:55:25.110 --> 00:55:27.080
  • [LAUGHTER]
  • 00:55:27.100 --> 00:55:30.090
  • BUT I DON'T JUST WANT THEM TO LAUGH.
  • 00:55:30.110 --> 00:55:32.070
  • I WANT THEM TO BE INSPIRED.
  • 00:55:32.090 --> 00:55:33.250
  • YOU GO TO THE PEOPLE WHO CAN'T BE IN AN ACTUAL
  • 00:55:33.270 --> 00:55:36.100
  • SHELTER SO THEY LIVE IN THE WOODS.
  • 00:55:36.120 --> 00:55:38.070
  • HE'S SPECIAL NEEDS AND RECENTLY PASSED AWAY.
  • 00:55:38.090 --> 00:55:40.270
  • - TO BE ABLE TO GIVE SOMEONE THAT HOPE, I CAN'T
  • 00:55:40.290 --> 00:55:42.130
  • PUT IT INTO WORDS.
  • 00:55:42.150 --> 00:55:44.150
  • - I WANTED TO BE FUNNY, BUT I WANT IT
  • 00:55:44.170 --> 00:55:46.280
  • TO BE MORE THAN FUNNY.
  • 00:55:47.000 --> 00:55:49.290
  • I'M WATCHING TV AND THIS COMMERCIAL CAME ON.
  • 00:55:50.010 --> 00:55:52.240
  • YOU'VE SEEN IT BEFORE, A COMMERCIAL WHERE THE OLD
  • 00:55:52.260 --> 00:55:54.270
  • LADY IS LIKE "HELP, I'VE FALLEN AND I CAN'T GET UP."
  • 00:55:54.290 --> 00:55:57.290
  • FIRST THING I'M THINKING IS WHY DON'T THE
  • 00:55:58.010 --> 00:55:59.070
  • CAMERA MAN HELP HER.
  • 00:55:59.090 --> 00:56:00.110
  • HE'S RIGHT THERE.
  • 00:56:00.130 --> 00:56:01.230
  • [LAUGHTER]
  • 00:56:01.250 --> 00:56:07.040
  • - I'M GONNA LOVE THAT JOKE FOR THE REST OF MY LIFE.
  • 00:56:07.060 --> 00:56:09.220
  • GET YOUR TICKETS NOW. IT MAY SELL OUT.
  • 00:56:09.240 --> 00:56:12.070
  • WE'RE GETTING PRETTY CLOSE.
  • 00:56:12.090 --> 00:56:13.270
  • IT'S ONLY A COUPLE THREE WEEKS AWAY.
  • 00:56:13.290 --> 00:56:15.210
  • GO ONLINE, GET YOUR TICKETS NOW, MORE THAN FUNNY.
  • 00:56:15.230 --> 00:56:18.110
  • WE'LL SEE YOU NEXT TIME.
  • 00:56:18.130 --> 00:56:19.180
  • THANK YOU MICHAEL JR. WE'LL SEE YOU NEXT TIME.
  • 00:56:19.200 --> 00:56:21.000
  • BYE BYE.
  • 00:56:21.020 --> 00:56:22.100
  • [APPLAUSE]
  • 00:56:22.120 --> 00:56:27.110
Show timecode
Hide timecode