Praise | Steven Curtis Chapman | 5/31/19 | TBN

Praise | Steven Curtis Chapman | 5/31/19

Watch Praise | Steven Curtis Chapman | 5/31/19
May 31, 2019
57:34

Jason Crabb Host Steven Curtis Chapman, Herb, Sr.; Herb, Jr;

Closed captions
  • [APPLAUSE]
  • 00:00:00.200 --> 00:00:01.160
  • [MUSIC]
  • 00:00:01.180 --> 00:00:07.040
  • - ANNOUNCER: TONIGHT ON PRAISE FROM NASHVILLE,
  • 00:00:07.060 --> 00:00:09.070
  • TENNESSEE, GRAMMY AWARD WINNING SINGER AND
  • 00:00:09.090 --> 00:00:13.070
  • SONGWRITER, STEVEN CURTIS CHAPMAN.
  • 00:00:13.090 --> 00:00:15.170
  • [MUSIC]
  • 00:00:15.190 --> 00:00:19.290
  • - AND NOW GRAMMY AWARD WINNING GOSPEL ARTIST
  • 00:00:20.010 --> 00:00:22.020
  • JASON CRABB.
  • 00:00:22.040 --> 00:00:23.240
  • [APPLAUSE]
  • 00:00:23.260 --> 00:00:30.160
  • [MUSIC]
  • 00:00:30.180 --> 00:00:34.180
  • - OH YEAH!
  • 00:00:34.200 --> 00:00:37.040
  • WE'RE GOING TO HAVE A GOOD TIME.
  • 00:00:37.060 --> 00:00:38.050
  • HERE WE GO.
  • 00:00:38.070 --> 00:00:39.060
  • COME ON.
  • 00:00:39.080 --> 00:00:40.220
  • NA, NA, NA...
  • 00:00:40.240 --> 00:00:44.230
  • NA, NA, NA...
  • 00:00:44.250 --> 00:00:49.210
  • OH, YEAH...
  • 00:00:49.230 --> 00:00:52.070
  • WELL, THERE AIN'T NO WAY AROUND IT...
  • 00:00:52.090 --> 00:00:57.280
  • NOTHING ELSE I CAN DO...
  • 00:00:58.000 --> 00:01:03.010
  • IF THERE EVER WAS LOST, WELL, I FOUND IT...
  • 00:01:03.030 --> 00:01:07.290
  • HARD TO ADMIT BUT IT'S TRUE...
  • 00:01:08.010 --> 00:01:14.000
  • I'VE RUN OUT OF REASONS WHY...
  • 00:01:14.020 --> 00:01:16.080
  • THERE'S NOBODY ELSE TO BLAME...
  • 00:01:16.100 --> 00:01:19.000
  • I DON'T KNOW WHAT ELSE TO DO...
  • 00:01:19.020 --> 00:01:21.270
  • BUT SOMETHING'S GOT TO CHANGE...
  • 00:01:21.290 --> 00:01:24.150
  • I NEED YOU TO SAVE ME...
  • 00:01:24.170 --> 00:01:27.040
  • NOBODY CAN CHANGE ME...
  • 00:01:27.060 --> 00:01:29.290
  • AIN'T LEAVING UNTIL YOU PULL ME OUT...
  • 00:01:30.010 --> 00:01:33.000
  • I'M STUCK AND I KNOW THERE AIN'T NO OTHER WAY ...
  • 00:01:33.020 --> 00:01:36.010
  • I'M GOING ALL IN...
  • 00:01:36.030 --> 00:01:38.090
  • HEAD FIRST AND I'M JUMPING IN...
  • 00:01:38.110 --> 00:01:41.040
  • AIN'T LEAVING UNTIL YOU PULL ME OUT...
  • 00:01:41.060 --> 00:01:44.050
  • I'M BE WASHED BY THE WATER...
  • 00:01:44.070 --> 00:01:47.160
  • WASHED BY THE WATER OR I'LL DROWN...
  • 00:01:47.180 --> 00:01:50.000
  • NA, NA, NA...
  • 00:01:50.020 --> 00:01:51.280
  • NA, NA, NA...
  • 00:01:52.000 --> 00:01:57.000
  • OH, YEAH...
  • 00:01:57.020 --> 00:01:59.090
  • WELL, I JUST CAN'T SEEM TO SHAKE IT...
  • 00:01:59.110 --> 00:02:03.020
  • OH, NO...
  • 00:02:03.040 --> 00:02:05.000
  • JUST KEEP BREAKING MY OWN HEART...
  • 00:02:05.020 --> 00:02:10.180
  • JUST WHEN I THOUGHT I HAD MADE IT...
  • 00:02:10.200 --> 00:02:15.240
  • I'M RIGHT BACK AT THE START...
  • 00:02:15.260 --> 00:02:21.250
  • BUT ANYTHING ELSE I'M RUNNING TO...
  • 00:02:21.270 --> 00:02:24.000
  • OH, IT'S JUST A WASTE OF TIME...
  • 00:02:24.020 --> 00:02:27.010
  • I NEED YOU TO SAVE ME...
  • 00:02:27.030 --> 00:02:29.080
  • CHANGE ME...
  • 00:02:29.100 --> 00:02:31.240
  • AIN'T LEAVING UNTIL YOU PULL ME OUT...
  • 00:02:31.260 --> 00:02:34.250
  • I'M STUCK AND I KNOW THERE AIN'T OTHER WAY ...
  • 00:02:34.270 --> 00:02:38.030
  • I'M GOING ALL IN...
  • 00:02:38.050 --> 00:02:40.130
  • HEAD FIRST AND I'M JUMPING IN...
  • 00:02:40.150 --> 00:02:43.170
  • AIN'T LEAVING UNTIL YOU PULL ME OUT...
  • 00:02:43.190 --> 00:02:46.160
  • I'LL BE WASHED BY THE WATER, WASHED BY THE WATER...
  • 00:02:46.180 --> 00:02:48.290
  • OR I'LL DROWN...
  • 00:02:49.010 --> 00:02:50.250
  • COME ON, NA, NA, NA...
  • 00:02:50.270 --> 00:02:53.220
  • NA, NA, NA...
  • 00:02:53.240 --> 00:02:58.270
  • ONE MORE TIME...
  • 00:02:58.290 --> 00:03:01.240
  • NA, NA, NA, NA...
  • 00:03:01.260 --> 00:03:06.290
  • NA, NA, NA...
  • 00:03:07.010 --> 00:03:10.170
  • OH, I NEED YOU TO SAVE ME...
  • 00:03:10.190 --> 00:03:14.060
  • NOBODY ELSE CAN CHANGE ME...
  • 00:03:14.080 --> 00:03:17.150
  • AIN'T LEAVING UNTIL YOU PULL ME OUT...
  • 00:03:17.170 --> 00:03:20.100
  • I'M STUCK AND I KNOW THERE AIN'T NO OTHER WAY ...
  • 00:03:20.120 --> 00:03:23.140
  • I'M GOING ALL IN...
  • 00:03:23.160 --> 00:03:25.190
  • HEAD FIRST, AND I'M JUMPING IN...
  • 00:03:25.210 --> 00:03:28.210
  • AIN'T LEAVING UNTIL YOU PULL ME OUT...
  • 00:03:28.230 --> 00:03:31.080
  • I'LL BE WASHED BY THE WATER, WASHED BY THE WATER...
  • 00:03:31.100 --> 00:03:34.090
  • OR I'LL DROWN...
  • 00:03:34.110 --> 00:03:37.110
  • NA, NA, NA...
  • 00:03:37.130 --> 00:03:41.010
  • NA, NA, NA...
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  • ONE MORE TIME...
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  • LET ME HEAR YOU...
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  • NA, NA, NA...
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  • NA, NA, NA...
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  • OH, OH, YEAH...
  • 00:03:54.160 --> 00:04:00.140
  • [APPLAUSE]
  • 00:04:00.160 --> 00:04:04.070
  • - Y'ALL ARE SOUNDING GOOD!
  • 00:04:04.090 --> 00:04:08.060
  • WELCOME TO PRAISE.
  • 00:04:08.080 --> 00:04:10.130
  • [APPLAUSE]
  • 00:04:10.150 --> 00:04:13.270
  • I'M TELLING YOU, I PROMISE THIS WILL BE A
  • 00:04:13.290 --> 00:04:17.080
  • NIGHT THAT YOU WILL NEVER FORGET.
  • 00:04:17.100 --> 00:04:20.000
  • THIS IS WHAT I WANT YOU TO DO RIGHT NOW.
  • 00:04:20.020 --> 00:04:22.050
  • I WANT YOU TO CALL EVERYBODY THAT YOU
  • 00:04:22.070 --> 00:04:23.280
  • POSSIBLY CAN, TEXT THEM, TWEET THEM, FACEBOOK THEM.
  • 00:04:24.000 --> 00:04:29.100
  • TELL THEM TO TURN ON TBN RIGHT NOW BECAUSE THEY
  • 00:04:29.120 --> 00:04:33.210
  • DON'T WANT TO MISS THIS.
  • 00:04:33.230 --> 00:04:35.120
  • MAYBE YOU EVEN WANT TO, I DON'T KNOW, OPEN THE
  • 00:04:35.140 --> 00:04:38.040
  • FRONT DOOR AND JUST TURN THE TV WIDE OPEN.
  • 00:04:38.060 --> 00:04:40.160
  • I DON'T KNOW.
  • 00:04:40.180 --> 00:04:42.160
  • LOOK, THIS WILL BE A NIGHT THAT YOU WILL NEVER
  • 00:04:42.180 --> 00:04:46.070
  • FORGET, PACKED FULL OF MINISTRY AND HISTORY.
  • 00:04:46.090 --> 00:04:51.220
  • IT'S GOING TO BE A GREAT NIGHT.
  • 00:04:51.240 --> 00:04:54.040
  • I'M EXCITED ABOUT BEING HERE.
  • 00:04:54.060 --> 00:04:56.050
  • AND I WANT YOU TO WATCH THIS.
  • 00:04:56.070 --> 00:05:00.150
  • [MUSIC]
  • 00:05:00.170 --> 00:05:08.120
  • - SO EXCITED BECAUSE WE'RE IN THE HOME OF THE
  • 00:05:08.140 --> 00:05:11.070
  • STEVEN CURTIS CHAPMAN AND HIS STUDIO.
  • 00:05:11.090 --> 00:05:14.280
  • SO GLAD TO BE HERE WITH YOU.
  • 00:05:15.000 --> 00:05:17.270
  • THANK YOU FOR LETTING ME COME IN.
  • 00:05:17.290 --> 00:05:20.020
  • - STEVEN CURTIS CHAPMAN: OH, YEAH.
  • 00:05:20.040 --> 00:05:22.020
  • - AND TALK TO YOU A LITTLE BIT.
  • 00:05:22.040 --> 00:05:23.060
  • HUGE FAN.
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  • - OH, MAN.
  • 00:05:24.150 --> 00:05:25.290
  • I WAS SO EXCITED WHEN I GOT THE CALL AND SAID
  • 00:05:26.010 --> 00:05:28.080
  • HEY, WE'RE GOING TO DO THIS PROGRAM AND JASON
  • 00:05:28.100 --> 00:05:30.260
  • CRABB IS GOING TO HOST IT AND I SAID YES!
  • 00:05:30.280 --> 00:05:33.030
  • ONE OF MY FAVORITE PEOPLE ON THE PLANET.
  • 00:05:33.050 --> 00:05:35.040
  • I LOVE -I JUST LOVE YOU.
  • 00:05:35.060 --> 00:05:37.010
  • I LOVE GETTING TO HANG WITH YOU.
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  • I LOVE THE TIMES WE'VE HAD A CHANCE TO BE
  • 00:05:38.240 --> 00:05:40.220
  • TOGETHER EVERY TIME.
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  • SO THIS IS SPECIAL FOR ME AS WELL.
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  • SO SURE GOOD TO BE WITH YOU, BROTHER.
  • 00:05:43.100 --> 00:05:45.110
  • - I LOVE YOUR MUSIC.
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  • - THANK YOU.
  • 00:05:46.290 --> 00:05:48.120
  • - LOVE YOUR MUSIC.
  • 00:05:48.140 --> 00:05:49.150
  • THIS IS COOL.
  • 00:05:49.170 --> 00:05:51.010
  • SPEAKING OF MUSIC, YOU GOT A NEW PROJECT OUT
  • 00:05:51.030 --> 00:05:52.210
  • THAT WE'RE VERY VERY EXCITED ABOUT.
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  • YOU DID ONE BEFORE.
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  • IT'S CALLED DEEP ROOTS.
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  • - RIGHT.
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  • YEAH.
  • 00:06:00.090 --> 00:06:01.120
  • - NOW, WE'VE GOT ANOTHER ONE.
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  • WHAT DO WE CALL IT?
  • 00:06:02.230 --> 00:06:03.240
  • - DEEPER ROOTS.
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  • OF COURSE YOU GOT TO GO A LITTLE DEEPER.
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  • [LAUGHTER]
  • 00:06:06.210 --> 00:06:07.200
  • - THAT'S GOOD KENTUCKY.
  • 00:06:07.220 --> 00:06:09.050
  • - THAT'S RIGHT.
  • 00:06:09.070 --> 00:06:10.020
  • THAT'S RIGHT.
  • 00:06:10.040 --> 00:06:11.090
  • WE GOT DOWN TO THE DEEP ROOTS.
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  • NOW WE GOTTA GO A LITTLE BIT DEEPER.
  • 00:06:12.190 --> 00:06:14.100
  • WELL, YEAH, SO A LITTLE BIT ON THAT.
  • 00:06:14.120 --> 00:06:17.000
  • THE DEEP ROOTS PROJECT WAS A PROJECT I DID WITH
  • 00:06:17.020 --> 00:06:18.180
  • CRACKER BARREL A FEW YEARS AGO.
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  • HERE'S THE THING.
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  • I'VE ALWAYS WANTED TO MAKE A BLUEGRASS RECORD
  • 00:06:21.260 --> 00:06:23.070
  • BECAUSE I GREW UP -THAT'S THE FIRST MUSIC I HEARD,
  • 00:06:23.090 --> 00:06:26.120
  • THE FIRST MEMORIES I HAVE AS A LITTLE BOY.
  • 00:06:26.140 --> 00:06:29.040
  • IN FACT, I FINALLY JUST WROTE IT IN THE LYRIC OF
  • 00:06:29.060 --> 00:06:32.070
  • THE TITLE SONG FOR THIS NEW RECORD, I SAID THE
  • 00:06:32.090 --> 00:06:35.000
  • FIRST SOUND I REMEMBER AS A LITTLE BAREFOOT BOY WAS
  • 00:06:35.020 --> 00:06:38.060
  • THE SOUND OF MY DADDY'S MARTIN GUITAR AND A FIVE
  • 00:06:38.080 --> 00:06:40.160
  • STRING BANJO BECAUSE THOSE WERE THE SOUNDS
  • 00:06:40.180 --> 00:06:42.280
  • THAT DEFINED MY CHILDHOOD.
  • 00:06:43.000 --> 00:06:44.060
  • - THAT EXCITES EVERYBODY IN THE KENTUCKY.
  • 00:06:44.080 --> 00:06:46.140
  • - OH, YEAH.
  • 00:06:46.160 --> 00:06:47.250
  • - EVERYBODY IN KENTUCKY IS STANDING UP
  • 00:06:47.270 --> 00:06:49.100
  • AND APPLAUDING.
  • 00:06:49.120 --> 00:06:50.190
  • - I KNOW. I KNOW.
  • 00:06:50.210 --> 00:06:52.030
  • BUT I KEPT THINKING ONE OF THESE DAYS I'M GOING
  • 00:06:52.050 --> 00:06:54.030
  • TO LET IT GO AND DO THE MUSIC THAT IS DEEPEST IN
  • 00:06:54.050 --> 00:06:55.270
  • MY SOUL.
  • 00:06:55.290 --> 00:06:59.030
  • SO I DID THE DEEP ROOTS RECORD.
  • 00:06:59.050 --> 00:07:01.090
  • LOVED IT.
  • 00:07:01.110 --> 00:07:02.250
  • GOT TO HAVE MY DAD AND MY BROTHER INVOLVED IN THAT
  • 00:07:02.270 --> 00:07:04.060
  • ONE WITH ME.
  • 00:07:04.080 --> 00:07:05.150
  • SO THAT WAS FOUR OR FIVE YEARS AGO.
  • 00:07:05.170 --> 00:07:07.080
  • AND I KEPT THINKING MAN, THAT WAS ONE OF THE MOST
  • 00:07:07.100 --> 00:07:08.290
  • FUN THINGS I'VE EVER DONE.
  • 00:07:09.010 --> 00:07:10.080
  • I WANT TO DO THAT AGAIN.
  • 00:07:10.100 --> 00:07:12.000
  • GO A LITTLE DEEPER.
  • 00:07:12.020 --> 00:07:13.170
  • I KIND OF SKIMMED THE SURFACE A LITTLE BIT.
  • 00:07:13.190 --> 00:07:14.290
  • I WANT TO GET IN DEEPER, SO THUS THE DEEPER ROOTS.
  • 00:07:15.010 --> 00:07:17.010
  • SO I GOT TO GET MY DAD BACK.
  • 00:07:17.030 --> 00:07:20.200
  • HE'S, GOSH, HE'S JUST SO AMAZING.
  • 00:07:20.220 --> 00:07:23.050
  • HE'S GOING TO BE 80 YEARS OLD IN JUNE.
  • 00:07:23.070 --> 00:07:25.110
  • SO I DON'T KNOW.
  • 00:07:25.130 --> 00:07:26.210
  • YOU NEVER KNOW HOW MUCH LONGER I'M GOING TO GET
  • 00:07:26.230 --> 00:07:28.180
  • TO HAVE HIM WITH ME AND MAKE MUSIC, SO I CALLED
  • 00:07:28.200 --> 00:07:31.280
  • HIM UP AND I SAID DAD, I REALLY WANT TO DO SOME
  • 00:07:32.000 --> 00:07:34.070
  • MORE MUSIC TOGETHER.
  • 00:07:34.090 --> 00:07:35.290
  • AND SO HE CAME IN THIS SAME STUDIO.
  • 00:07:36.010 --> 00:07:38.080
  • WE GOT TO GATHER IN HERE, HE AND MY BROTHER WHO I
  • 00:07:38.100 --> 00:07:40.140
  • GREW UP SINGING WITH.
  • 00:07:40.160 --> 00:07:43.140
  • MY BROTHER.
  • 00:07:43.160 --> 00:07:45.060
  • IN FACT, MY BROTHER WAS THE SINGER GROWING UP.
  • 00:07:45.080 --> 00:07:46.210
  • HE WAS THE VOICE.
  • 00:07:46.230 --> 00:07:48.000
  • YOU KNOW, I WAS NOT.
  • 00:07:48.020 --> 00:07:49.140
  • I WAS THE GUITAR PLAYER WHICH IS WHY I SPENT THE
  • 00:07:49.160 --> 00:07:52.090
  • TIME LEARNING THE GUITAR, DOING ALL THAT.
  • 00:07:52.110 --> 00:07:53.280
  • - WHAT WAS IT -- - WELL, I HAD ASTHMA AS A
  • 00:07:54.000 --> 00:07:56.070
  • KID AND I DIDN'T KNOW.
  • 00:07:56.090 --> 00:07:59.080
  • I REMEMBER ACTUALLY WHEN WE FIGURED THAT OUT
  • 00:07:59.100 --> 00:08:02.090
  • BECAUSE I WOULD GET OUT AND PLAY AND IF I EVER
  • 00:08:02.110 --> 00:08:05.180
  • GOT AROUND ANY -- I MEAN, I WAS ALLERGIC TO JUST
  • 00:08:05.200 --> 00:08:08.110
  • ABOUT EVERYTHING.
  • 00:08:08.130 --> 00:08:09.280
  • THEY WENT AND DID ALL THE TESTS WHERE THEY PRICK
  • 00:08:10.000 --> 00:08:12.270
  • YOU AND STICK ALL THE NEEDLES, AND I REMEMBER
  • 00:08:12.290 --> 00:08:16.230
  • THE DOCTOR COMING IN AND SAYING WELL, HERE'S
  • 00:08:16.250 --> 00:08:18.200
  • THE PROBLEM.
  • 00:08:18.220 --> 00:08:19.230
  • HE'S ALLERGIC.
  • 00:08:19.250 --> 00:08:21.110
  • THERE'S 40 THINGS YOU CAN BE ALLERGIC TO.
  • 00:08:21.130 --> 00:08:22.280
  • HE'S ALLERGIC TO ABOUT 38 OF THEM.
  • 00:08:23.000 --> 00:08:24.170
  • AND IT AFFECTED IN GENERAL MY ABILITY TO
  • 00:08:24.190 --> 00:08:26.200
  • SING AND ALL OF THAT AS A LITTLE BOY BUT I REALLY
  • 00:08:26.220 --> 00:08:30.270
  • DIDN'T KNOW THAT AT THAT TIME UNTIL FINALLY WE
  • 00:08:30.290 --> 00:08:33.000
  • FIGURED THAT OUT.
  • 00:08:33.020 --> 00:08:34.130
  • AND I STARTED TO GET, I THINK DAD TALKED ABOUT I
  • 00:08:34.150 --> 00:08:36.240
  • HAD TO GO GET SHOTS ONCE A WEEK AND GET
  • 00:08:36.260 --> 00:08:38.140
  • THE INHALER.
  • 00:08:38.160 --> 00:08:40.240
  • - DID THAT EVER MESS WITH YOU?
  • 00:08:40.260 --> 00:08:43.060
  • LIKE URN GOING OKAY, WHY IS MY BROTHER -YOU KNOW
  • 00:08:43.080 --> 00:08:46.020
  • WHAT I'M SAYING MENTALLY?
  • 00:08:46.040 --> 00:08:48.200
  • - YEAH. FOR SURE.
  • 00:08:48.220 --> 00:08:50.110
  • I CAN REMEMBER ACTUALLY SOMETIMES WHEN I WAS WHEN
  • 00:08:50.130 --> 00:08:52.200
  • WE'D SIT AROUND AND SING AND I REMEMBER MY DAD AND
  • 00:08:52.220 --> 00:08:56.150
  • BROTHER SAYING YOU KNOW, COME ON, JUST SING IT OUT.
  • 00:08:56.170 --> 00:08:59.060
  • SING STRONG, YOU KNOW.
  • 00:08:59.080 --> 00:09:00.290
  • AND I'D BE LIKE I'M TRYING BUT THIS IS ALL I GOT.
  • 00:09:01.010 --> 00:09:03.050
  • I JUST KIND OF HAD A WEAKER VOICE.
  • 00:09:03.070 --> 00:09:05.230
  • AND A LOT OF THAT YOU PUT IT INTO CONTEXT, I'D
  • 00:09:05.250 --> 00:09:08.120
  • GROWN UP IN A VACUUM WHERE THERE WERE NO OTHER
  • 00:09:08.140 --> 00:09:10.150
  • GREAT SINGER AROUND I PROBABLY WOULD HAVE NEVER
  • 00:09:10.170 --> 00:09:12.290
  • BEEN PUSHED TO TRY TO SING, TO BE BETTER, BUT
  • 00:09:13.010 --> 00:09:15.210
  • MY BROTHER WAS SUCH A GREAT SINGER, I MEAN, HE
  • 00:09:15.230 --> 00:09:19.240
  • REALLY WAS.
  • 00:09:19.260 --> 00:09:21.110
  • HE'D SING AT CHURCH AND EVERY TIME AND JUST BE
  • 00:09:21.130 --> 00:09:23.170
  • LIKE, YOU KNOW, EVERYBODY WOULD JUST BE LIKE HOLD
  • 00:09:23.190 --> 00:09:25.290
  • THEIR BROTHER.
  • 00:09:26.010 --> 00:09:27.280
  • HERBIE IS GOING TO SING.
  • 00:09:28.000 --> 00:09:29.220
  • AND MY DAD AS WELL JUST HAD THIS GREAT, GREAT VOICE.
  • 00:09:29.240 --> 00:09:32.000
  • HE HAD SOME PEOPLE PURSUING HIM, BUT THEN
  • 00:09:32.020 --> 00:09:34.230
  • WHEN I WAS PROBABLY I WAS AROUND 6, PROBABLY 7
  • 00:09:34.250 --> 00:09:40.060
  • YEARS OLD WHEN THEY REALLY GAVE THEIR LIVES
  • 00:09:40.080 --> 00:09:43.070
  • TO THE LORD, AND THAT STARTED TO CHANGE
  • 00:09:43.090 --> 00:09:47.060
  • EVERYTHING ABOUT OUR HOME, ABOUT THE MUSIC.
  • 00:09:47.080 --> 00:09:50.000
  • WE STARTED SINGING TOGETHER AS A FAMILY AT
  • 00:09:50.020 --> 00:09:52.120
  • THAT POINT.
  • 00:09:52.140 --> 00:09:55.090
  • STARTED TO LEARN SOME BILL GAITHER SONGS AND
  • 00:09:55.110 --> 00:09:57.200
  • JUST SITTING AROUND THE KITCHEN TABLE
  • 00:09:57.220 --> 00:09:58.260
  • SINGING TOGETHER.
  • 00:09:58.280 --> 00:10:00.080
  • - THERE'S SOMETHING ABOUT THAT, SITTING
  • 00:10:00.100 --> 00:10:01.190
  • AROUND, GRABBING A GUITAR WITH YOUR FAMILY.
  • 00:10:01.210 --> 00:10:03.060
  • - NO AUDIENCE.
  • 00:10:03.080 --> 00:10:05.010
  • NO PERFORMANCE.
  • 00:10:05.030 --> 00:10:06.230
  • YOU'RE JUST SINGING FOR THE LOVE OF IT.
  • 00:10:06.250 --> 00:10:08.050
  • YOU KNOW THAT.
  • 00:10:08.070 --> 00:10:09.150
  • GOSH, YOU AND YOUR FAMILY DEFINE THAT FOR A LOT OF
  • 00:10:09.170 --> 00:10:10.190
  • PEOPLE, YOU KNOW.
  • 00:10:10.210 --> 00:10:12.250
  • - BUT THAT'S THE NEAT THING ABOUT THIS RECORD.
  • 00:10:12.270 --> 00:10:14.150
  • - YEAH.
  • 00:10:14.170 --> 00:10:16.230
  • - DEEPER ROOTS, IF YOU WANT TO KNOW WHAT THIS
  • 00:10:16.250 --> 00:10:18.030
  • RECORD IS ABOUT, IT'S THAT, RIGHT?
  • 00:10:18.050 --> 00:10:20.000
  • - YEAH.
  • 00:10:20.020 --> 00:10:21.120
  • - HOW DID YOU CHOOSE THE SONGS?
  • 00:10:21.140 --> 00:10:22.250
  • - WHEN MY DAD REALLY CAME TO THE LORD, THESE
  • 00:10:22.270 --> 00:10:25.120
  • SONGS LIKE SHACKLED BY A HEAVY BURDEN, BENEATH THE
  • 00:10:25.140 --> 00:10:28.160
  • LOAD OF GUILT AND SHAME, THEN THE HAND OF JESUS
  • 00:10:28.180 --> 00:10:31.120
  • TOUCHED ME, NOW I'M NO LONGER THE SAME, THAT WAS
  • 00:10:31.140 --> 00:10:33.100
  • MY DAD'S TESTIMONY.
  • 00:10:33.120 --> 00:10:34.190
  • THAT WAS REAL.
  • 00:10:34.210 --> 00:10:36.050
  • WITHOUT HIM, I COULD NOTHING WITHOUT HIM.
  • 00:10:36.070 --> 00:10:37.240
  • - YEAH.
  • 00:10:37.260 --> 00:10:39.100
  • - AND HE'S LIKE THIS IS TRUE.
  • 00:10:39.120 --> 00:10:41.010
  • THIS ISN'T JUST A SONG BECAUSE MY DAD HAD SUNG
  • 00:10:41.030 --> 00:10:44.280
  • SONGS FOR YEARS, OLD COUNTRY AND FOLK AND
  • 00:10:45.000 --> 00:10:47.110
  • BLUEGRASS SONGS BUT ALL THE SUDDEN THESE WORDS
  • 00:10:47.130 --> 00:10:49.180
  • WERE LIKE HIS LIFE, YOU KNOW.
  • 00:10:49.200 --> 00:10:51.290
  • THEY REALLY MEANT SOMETHING.
  • 00:10:52.010 --> 00:10:53.240
  • GREAT IS THY FAITHFULNESS, ONE THAT WE SANG IN CHURCH.
  • 00:10:53.260 --> 00:10:55.210
  • MY DAD BECAME THE MINISTER OF MUSIC IN OUR
  • 00:10:55.230 --> 00:10:59.160
  • CHURCH TOO, AND THE CHOIR DIRECTOR, SO WE'D SING
  • 00:10:59.180 --> 00:11:02.170
  • THAT ONE IN CHOIR, AND I JUST REMEMBER THAT BEING
  • 00:11:02.190 --> 00:11:04.150
  • A SPECIAL SONG.
  • 00:11:04.170 --> 00:11:06.170
  • AND THEN ONE THAT I ALWAYS LOVED AND WE SANG
  • 00:11:06.190 --> 00:11:08.190
  • IT AT MY DAD'S MOM'S FUNERAL, MY GRANDMOTHER
  • 00:11:08.210 --> 00:11:11.070
  • WHO PASSED AWAY AT 99 YEARS OLD, SHE WAS REALLY
  • 00:11:11.090 --> 00:11:14.130
  • THE ONE THAT PLANTED THE SEEDS OF FAITH IN MY
  • 00:11:14.150 --> 00:11:17.080
  • DAD'S HEART WHEN HE WAS A LITTLE BOY, RAISED HIM
  • 00:11:17.100 --> 00:11:20.080
  • AND HIS BROTHER ALONE BECAUSE HIS FATHER, MY
  • 00:11:20.100 --> 00:11:22.150
  • GRANDFATHER HAD LEFT HOME WHEN MY DAD WAS 3.
  • 00:11:22.170 --> 00:11:26.010
  • SO WHEN SHE PASSED AWAY, WE SANG I'D RATHER
  • 00:11:26.030 --> 00:11:28.150
  • HAVE JESUS.
  • 00:11:28.170 --> 00:11:30.060
  • MY FAVORITE.
  • 00:11:30.080 --> 00:11:31.260
  • - AND OH -- - MY FAVORITE.
  • 00:11:31.280 --> 00:11:33.250
  • - AND WE SAT IN THIS STUDIO, AND IT TOOK US 12
  • 00:11:33.270 --> 00:11:36.080
  • TAKES TO GET IT BECAUSE MY DAD KEPT BREAKING DOWN.
  • 00:11:36.100 --> 00:11:40.030
  • WE'D GET ABOUT 2 LINES IN, AND I'M LIKE DAD, I
  • 00:11:40.050 --> 00:11:42.150
  • WANT YOU TO SING THIS ONE.
  • 00:11:42.170 --> 00:11:44.160
  • HE'S LIKE I DON'T KNOW IF I CAN DO IT.
  • 00:11:44.180 --> 00:11:45.280
  • - PLEASE TELL ME YOU GOT IT.
  • 00:11:46.000 --> 00:11:47.070
  • - OH YEAH.
  • 00:11:47.090 --> 00:11:48.200
  • - YOU STILL HAVE -- - OH YEAH.
  • 00:11:48.220 --> 00:11:50.060
  • AND HE'D START AND HE'D SING I'D RATHER HAVE
  • 00:11:50.080 --> 00:11:51.280
  • JESUS -AND HE'D PUT HIS HEAD DOWN.
  • 00:11:52.000 --> 00:11:54.050
  • [LAUGHTER] AND HE'D JUST SHAKE HIS HEAD.
  • 00:11:54.070 --> 00:11:56.270
  • HE'D SAY I CAN'T -- I DON'T KNOW IF I CAN DO THIS.
  • 00:11:56.290 --> 00:11:59.100
  • - I LOVE IT.
  • 00:11:59.120 --> 00:12:00.190
  • - JUST TEARS.
  • 00:12:00.210 --> 00:12:02.000
  • I SAID DAD, IT'S OKAY.
  • 00:12:02.020 --> 00:12:03.050
  • WE'LL TAKE A LITTLE LONGER.
  • 00:12:03.070 --> 00:12:04.120
  • IT DOESN'T MATTER.
  • 00:12:04.140 --> 00:12:05.220
  • I SAID, THERE'S NO PRESSURE, YOU KNOW.
  • 00:12:05.240 --> 00:12:07.030
  • I SAID, BUT IF WE CAN CAPTURE IT THAT WOULD
  • 00:12:07.050 --> 00:12:08.260
  • JUST BE SO PRECIOUS TO ME TO HAVE THAT.
  • 00:12:08.280 --> 00:12:10.110
  • AND SO HE'D TRY IT AGAIN.
  • 00:12:10.130 --> 00:12:13.020
  • HE'D SING I'D RATHER HAVE JESUS AND THEN HEAD WOULD
  • 00:12:13.040 --> 00:12:16.060
  • GO DOWN.
  • 00:12:16.080 --> 00:12:18.160
  • HE'D JUST STOP, YOU KNOW.
  • 00:12:18.180 --> 00:12:21.010
  • HE'D BE LIKE, I DON'T KNOW.
  • 00:12:21.030 --> 00:12:23.030
  • GOT TWO LINES THAT TIME, SO FINALLY WE GOT IT AND
  • 00:12:23.050 --> 00:12:24.080
  • IT WAS JUST SO SPECIAL.
  • 00:12:24.100 --> 00:12:26.190
  • I'D RATHER HAVE JESUS JESUS THAN SILVER OR GOLD ...
  • 00:12:26.210 --> 00:12:34.090
  • I'D RATHER BE HIS THAN HAVE RICHES UNTOLD...
  • 00:12:34.110 --> 00:12:42.200
  • AND I'D RATHER HAVE JESUS...
  • 00:12:42.220 --> 00:12:47.070
  • THEN HOUSES OR LANDS...
  • 00:12:47.090 --> 00:12:51.060
  • I'D RATHER BE LED BY HIS NAIL PIERCED HANDS...
  • 00:12:51.080 --> 00:12:59.070
  • - THAT'S MY DAD'S STORY.
  • 00:12:59.090 --> 00:13:00.180
  • I MEAN, THAT'S HIS STORY.
  • 00:13:00.200 --> 00:13:02.110
  • HE DID LAY DOWN THE DREAM OF WEALTH OR FAME.
  • 00:13:02.130 --> 00:13:06.030
  • HE GIVES HIS LIFE TO THE LORD, LAYS THAT DREAM
  • 00:13:06.050 --> 00:13:08.130
  • DOWN BECAUSE HE KNOWS HE WANTS TO BE WITH
  • 00:13:08.150 --> 00:13:10.160
  • HIS BOYS.
  • 00:13:10.180 --> 00:13:11.290
  • HE WANTS TO RAISE HIS BOYS AND BE IN CHURCH AND
  • 00:13:12.010 --> 00:13:15.130
  • SING WITH HIS FAMILY AND THAT BECOMES HIS DESIRE.
  • 00:13:15.150 --> 00:13:18.110
  • SO THAT'S WHY I'M SITTING HERE TALKING ABOUT THIS
  • 00:13:18.130 --> 00:13:21.010
  • NOW BECAUSE IF HE'D GONE DONE THAT, WHO KNOWS HOW
  • 00:13:21.030 --> 00:13:23.100
  • OUR LIVES WOULD HAVE TURNED OUT.
  • 00:13:23.120 --> 00:13:25.040
  • - OKAY, SO YOUR PERSON THE FAVORITE HYMN, WHAT
  • 00:13:25.060 --> 00:13:26.230
  • WOULD THAT BE?
  • 00:13:26.250 --> 00:13:29.000
  • - YOU KNOW, WHAT I'VE ALWAYS SAID WHEN PEOPLE
  • 00:13:29.020 --> 00:13:31.250
  • ASK IS IF I COULD ONLY PICK ONE SONG, YOU KNOW,
  • 00:13:31.270 --> 00:13:35.030
  • I CAN'T SAY IT'S A FAVORITE BUT LET'S SAY I
  • 00:13:35.050 --> 00:13:37.210
  • GOT FIVE MINUTES, JUST ENOUGH AIR LEFT IN THESE
  • 00:13:37.230 --> 00:13:41.230
  • LUNGS TO GO ALL RIGHT, YOU CAN SING ONE LAST
  • 00:13:41.250 --> 00:13:44.290
  • SONG, THEN YOU'RE GOING TO GO HOME, WHAT'S THAT
  • 00:13:45.010 --> 00:13:47.000
  • GOING TO BE?
  • 00:13:47.020 --> 00:13:48.060
  • AND I'VE ALWAYS SAID OKAY, THAT SONG WOULD BE
  • 00:13:48.080 --> 00:13:50.170
  • MY REDEEMER IS FAITHFUL AND TRUE.
  • 00:13:50.190 --> 00:13:52.140
  • AND THAT SONG BECAUSE I FEEL LIKE AS FAR AS SONG
  • 00:13:52.160 --> 00:13:55.230
  • I'VE WRITTEN THAT SUMS UP EVERYTHING ELSE THAT MY
  • 00:13:55.250 --> 00:13:58.010
  • SONGS HAVE SAID.
  • 00:13:58.030 --> 00:13:59.230
  • GOD IS FAITHFUL.
  • 00:13:59.250 --> 00:14:01.120
  • HE'S TRUE.
  • 00:14:01.140 --> 00:14:02.270
  • WHEN THE STORY IS ALL TOLD, THAT'S WHAT IT ALL
  • 00:14:02.290 --> 00:14:04.270
  • COMES DOWN TO.
  • 00:14:04.290 --> 00:14:06.280
  • - SO YOU HAVE SOME SPECIAL GUESTS ON THE RECORD.
  • 00:14:07.000 --> 00:14:08.110
  • - YEAH.
  • 00:14:08.130 --> 00:14:09.260
  • - TELL US A LITTLE ABOUT THAT.
  • 00:14:09.280 --> 00:14:11.130
  • - YES, PLAYED A FEW TIMES WITH RICKY SKAGGS.
  • 00:14:11.150 --> 00:14:14.010
  • I MEAN RICKY, SOMEBODY HAD TOLD MY 19 YEAR OLD
  • 00:14:14.030 --> 00:14:16.230
  • SELF THAT SOMEDAY I'D BE DOING A DUET WITH RICKY
  • 00:14:16.250 --> 00:14:18.270
  • SKAGGS I'D SAID YOU'RE CRAZY.
  • 00:14:18.290 --> 00:14:21.020
  • I MEAN, HE CAME ON THE SCENE --
  • 00:14:21.040 --> 00:14:22.160
  • - COUNTRY BOY.
  • 00:14:22.180 --> 00:14:24.040
  • - WHEN HE BROUGHT BLUEGRASS INTO THE
  • 00:14:24.060 --> 00:14:26.030
  • MAINSTREAM LIKE HE DID WHICH I MEAN, HE GOT THE
  • 00:14:26.050 --> 00:14:28.130
  • VERY DESERVED PUT IN THE HALVE FAME, COUNTRY MUSIC
  • 00:14:28.150 --> 00:14:30.170
  • HALL OF FAME THIS LAST YEAR BECAUSE HE IS ONE OF THE
  • 00:14:30.190 --> 00:14:34.050
  • MOST INNOVATIVE ARTISTS THAT'S EVER COME
  • 00:14:34.070 --> 00:14:37.090
  • ALONG IN OUR LIFETIME TO BRING BLUEGRASS IN THE
  • 00:14:37.110 --> 00:14:39.080
  • WAY HE DID AND MAKE IT -- BRING IT INTO MAKE
  • 00:14:39.100 --> 00:14:43.050
  • PEOPLE AWARE.
  • 00:14:43.070 --> 00:14:44.270
  • - RIGHT.
  • 00:14:44.290 --> 00:14:47.170
  • - WHAT A GREAT ART FORM THIS IS, SO I'VE ALWAYS
  • 00:14:47.190 --> 00:14:49.030
  • BEEN A HUGE FAN OF RICKY, SO I THOUGHT WELL, IF I'M
  • 00:14:49.050 --> 00:14:51.260
  • GOING TO DO A BLUEGRASS RECORD, I GOTTA SEE IF I
  • 00:14:51.280 --> 00:14:54.030
  • CAN GET RICKY SKAGGS TO COME DO IT WITH ME.
  • 00:14:54.050 --> 00:14:55.240
  • - OH, MAN.
  • 00:14:55.260 --> 00:14:57.150
  • - AND HE WAS ABLE TO, AND I WAS SO THANKFUL
  • 00:14:57.170 --> 00:15:00.090
  • FOR THAT.
  • 00:15:00.110 --> 00:15:02.050
  • AND I'D WRITTEN A SONG, I'D STARTED WRITING THE
  • 00:15:02.070 --> 00:15:04.270
  • CHORUS OF A SONG CALLED TIL THE BLUE.
  • 00:15:04.290 --> 00:15:07.060
  • - UNTIL THE BLUE?
  • 00:15:07.080 --> 00:15:09.210
  • - TIL THE BLUE.
  • 00:15:09.230 --> 00:15:11.150
  • AND I WAS WATCHING THE NEWS COVERAGE OF A
  • 00:15:11.170 --> 00:15:14.010
  • HURRICANE IN TEXAS A FEW YEARS AGO AND JUST
  • 00:15:14.030 --> 00:15:19.030
  • WATCHING THOSE FACES OF THOSE PEOPLE DEVASTATED
  • 00:15:19.050 --> 00:15:21.280
  • AND JUST LOSS OF EVERYTHING THEY OWN AND A
  • 00:15:22.000 --> 00:15:25.270
  • LOT OF PEOPLE HAD LOST FAMILY MEMBERS, AND I WAS
  • 00:15:25.290 --> 00:15:29.100
  • WATCHING THOSE INTERVIEWS, AND MAN, IT
  • 00:15:29.120 --> 00:15:34.070
  • JUST WENT DEEP INTO MY SOUL BECAUSE I WAS SEEING
  • 00:15:34.090 --> 00:15:37.220
  • IN THEIR FACES A LOOK THAT I HAD SEEN IN THE
  • 00:15:37.240 --> 00:15:40.210
  • MIRROR AND A LOOK I'D SEEN IN MY FAMILY WHEN WE
  • 00:15:40.230 --> 00:15:46.060
  • LOST OUR LITTLE GIRL ALMOST 11 YEARS AGO.
  • 00:15:46.080 --> 00:15:48.120
  • AND IT WAS THAT FEELING OF I DON'T THINK I'M EVER
  • 00:15:48.140 --> 00:15:50.060
  • GONNA SMILE AGAIN.
  • 00:15:50.080 --> 00:15:51.240
  • I DON'T THINK I'M EVER GOING TO FEEL JOY AGAIN.
  • 00:15:51.260 --> 00:15:53.250
  • I DON'T THINK THE SKY IS EVER GOING TO BE BRIGHT
  • 00:15:53.270 --> 00:15:56.190
  • AGAIN BECAUSE I JUST FEEL SO SAD AND MY HEART IS
  • 00:15:56.210 --> 00:16:01.100
  • SO BROKEN.
  • 00:16:01.120 --> 00:16:03.100
  • I CAN'T EVER IMAGINE A TIME.
  • 00:16:03.120 --> 00:16:05.030
  • AND I THINK MAYBE WE'VE ALL EXPERIENCED THAT.
  • 00:16:05.050 --> 00:16:09.080
  • I'D NOT EVER EXPERIENCED THAT DEPTH OF SADNESS
  • 00:16:09.100 --> 00:16:11.250
  • OBVIOUSLY UNTIL WE LOST OUR LITTLE GIRL, AND I
  • 00:16:11.270 --> 00:16:15.050
  • LITERALLY REMEMBER THINKING I'D HEAR PEOPLE
  • 00:16:15.070 --> 00:16:18.080
  • LAUGH AND I'D THINK I'LL NEVER DO THAT AGAIN,
  • 00:16:18.100 --> 00:16:20.060
  • YOU KNOW.
  • 00:16:20.080 --> 00:16:21.260
  • THAT'S JUST GOING TO BE THE REALITY OF MY LIFE.
  • 00:16:21.280 --> 00:16:23.250
  • AND BY GOD'S GRACE WE HELD ONTO PSALM 34: 8,
  • 00:16:23.270 --> 00:16:27.240
  • TASTE AND SEE THE LORD IS GOOD.
  • 00:16:27.260 --> 00:16:30.180
  • AND I MEAN, THAT WAS LITERALLY OUR JUST, WE'RE
  • 00:16:30.200 --> 00:16:33.170
  • JUST GOING TO HOLD ON.
  • 00:16:33.190 --> 00:16:35.160
  • IT'S PROBABLY GOING TO BE HEAVEN BEFORE WE CAN
  • 00:16:35.180 --> 00:16:37.220
  • TASTE AND SEE ANY GOODNESS, BUT WE'RE GOING
  • 00:16:37.240 --> 00:16:39.160
  • TO HOLD ONTO THAT PROMISE, BUT GOD IN HIS
  • 00:16:39.180 --> 00:16:41.110
  • GOODNESS HAS ALLOWED US TO SMILE AGAIN AND HAVE
  • 00:16:41.130 --> 00:16:44.070
  • JOY AGAIN.
  • 00:16:44.090 --> 00:16:45.250
  • OUR HEARTS ARE STILL GOING TO BE BROKEN UNTIL
  • 00:16:45.270 --> 00:16:47.130
  • HEAVEN, YOU KNOW, BUT WE HAVE EXPERIENCED JOY, AND
  • 00:16:47.150 --> 00:16:49.280
  • WE GOT GRAND BABIES AND WE GOT -THERE'S NEW THINGS
  • 00:16:50.000 --> 00:16:52.080
  • TO CELEBRATE.
  • 00:16:52.100 --> 00:16:54.030
  • BUT FEELING THAT FEELING, I THOUGHT I WANT TO WRITE
  • 00:16:54.050 --> 00:16:57.050
  • A SONG FOR THOSE PEOPLE AND FOR EVERYBODY WHO HAS
  • 00:16:57.070 --> 00:16:59.220
  • HURT IN THE WAY MY FAMILY AND I HAVE HURT,
  • 00:16:59.240 --> 00:17:03.180
  • WONDERING THAT AND JUST WRITE THIS SONG THAT SAYS
  • 00:17:03.200 --> 00:17:06.090
  • UNTIL THE BLUE RETURNS TO YOUR SKY, UNTIL THE
  • 00:17:06.110 --> 00:17:08.250
  • LAUGHTER RETURNS TO YOUR EYES, I'LL BE HERE TO CRY
  • 00:17:08.270 --> 00:17:12.150
  • WITH YOU AND HERE TO REMIND YOU OF HOW THE SUN
  • 00:17:12.170 --> 00:17:14.250
  • WILL BREAKTHROUGH THE CLOUDS.
  • 00:17:14.270 --> 00:17:16.170
  • I KNOW IT'S SO HARD TO BELIEVE IT RIGHT NOW.
  • 00:17:16.190 --> 00:17:19.000
  • SO LET ME BELIEVE FOR YOU UNTIL THE BLUE RETURNS TO
  • 00:17:19.020 --> 00:17:21.050
  • YOUR SKY.
  • 00:17:21.070 --> 00:17:23.000
  • SO I WROTE THAT CHORUS AND I THOUGHT I WANT TO
  • 00:17:23.020 --> 00:17:24.230
  • SING THIS.
  • 00:17:24.250 --> 00:17:26.150
  • BUT WHERE DO I GO?
  • 00:17:26.170 --> 00:17:28.180
  • - WHAT DID MARY THE FIRST TIME YOU PLAYED IT
  • 00:17:28.200 --> 00:17:30.270
  • FOR HER?
  • 00:17:30.290 --> 00:17:32.120
  • - OH, SHE JUST WEPT AND SAID YEAH, I REMEMBER.
  • 00:17:32.140 --> 00:17:35.080
  • I KNOW THAT FEELING, YOU KNOW.
  • 00:17:35.100 --> 00:17:37.120
  • - I WANT TO SAY THIS, TOO.
  • 00:17:37.140 --> 00:17:40.020
  • THANK YOU.
  • 00:17:40.040 --> 00:17:42.060
  • I KNOW THAT EVERYBODY'S EYES WAS ON YOU DURING
  • 00:17:42.080 --> 00:17:44.150
  • THAT TIME, AND I EVERYBODY WAS PRAYING FOR
  • 00:17:44.170 --> 00:17:46.290
  • YOU, BUT YOU KNOW, THE STRENGTH AND THE LOVE
  • 00:17:47.010 --> 00:17:50.230
  • THAT Y'ALL PULLED TOGETHER SHOWED SO MUCH
  • 00:17:50.250 --> 00:17:54.210
  • TO THE WORLD HOW POWERFUL JESUS.
  • 00:17:54.230 --> 00:18:00.050
  • - THANK YOU, BROTHER.
  • 00:18:00.070 --> 00:18:01.220
  • - I JUST APPLAUD YOU FOR THAT.
  • 00:18:01.240 --> 00:18:03.150
  • WE ALL ARE GOING TO BE TOGETHER AGAIN, BUT BOY,
  • 00:18:03.170 --> 00:18:06.030
  • YOU TALK ABOUT SOME PAINFUL.
  • 00:18:06.050 --> 00:18:08.170
  • - YES.
  • 00:18:08.190 --> 00:18:10.110
  • - I JUST CAN'T IMAGINE.
  • 00:18:10.130 --> 00:18:11.260
  • - YEAH. THANK YOU.
  • 00:18:11.280 --> 00:18:15.040
  • AND WE ARE -LOOK, YOU SAYING THAT IS A GREAT
  • 00:18:15.060 --> 00:18:19.090
  • OPPORTUNITY FOR ME TO SAY AGAIN HOW GRATEFUL I AM
  • 00:18:19.110 --> 00:18:22.220
  • AND MY FAMILY BECAUSE WE KNOW, THERE WAS A LITTLE
  • 00:18:22.240 --> 00:18:25.280
  • WINDOW OF TIME WHERE WE FELT LIKE THE MOST PRAYED
  • 00:18:26.000 --> 00:18:30.150
  • FOR FAMILY MAYBE IN THE WORLD.
  • 00:18:30.170 --> 00:18:31.220
  • I MEAN, LITERALLY WE HAD PEOPLE FROM CHINA, PEOPLE
  • 00:18:31.240 --> 00:18:32.280
  • FROM AUSTRALIA, YOU KNOW, HUGE CONFERENCE AT
  • 00:18:33.000 --> 00:18:36.270
  • HILLSONG WHERE THEY HEARD THE NEWS AND THEY STOPPED
  • 00:18:36.290 --> 00:18:39.050
  • THE CONFERENCE AND PRAYED FOR OUR FAMILY.
  • 00:18:39.070 --> 00:18:40.280
  • WE HAD FRIENDS ALL OVER THE WORLD, AFRICA SAYING
  • 00:18:41.000 --> 00:18:43.120
  • WE'RE PRAYING FOR YOU.
  • 00:18:43.140 --> 00:18:45.050
  • SO WE LITERALLY DID, WE THOUGHT WE MAY BE THE
  • 00:18:45.070 --> 00:18:47.030
  • MOST PRAYED FOR PEOPLE RIGHT NOW AT THIS MOMENT,
  • 00:18:47.050 --> 00:18:49.190
  • AND WE NEEDED EVERY ONE OF THEM.
  • 00:18:49.210 --> 00:18:51.110
  • THAT'S WHAT GOD USED TO SUSTAIN US.
  • 00:18:51.130 --> 00:18:53.050
  • - I'D RATHER HAVE JESUS.
  • 00:18:53.070 --> 00:18:55.020
  • - OH, MAN.
  • 00:18:55.040 --> 00:18:56.240
  • MAN, OH MAN.
  • 00:18:56.260 --> 00:18:58.140
  • YEAH, AND JUST TELLING THAT - BUT TELLING THE
  • 00:18:58.160 --> 00:19:00.280
  • STORY HAS BEEN PART OF WHAT WE FEEL LIKE GOD HAS
  • 00:19:01.000 --> 00:19:03.280
  • ENTRUSTED TO US.
  • 00:19:04.000 --> 00:19:05.290
  • IT FEELS LIKE ALMOST LIKE SOMETHING ENTRUSTED, THIS
  • 00:19:06.010 --> 00:19:09.260
  • STORY, YOU KNOW.
  • 00:19:09.280 --> 00:19:12.190
  • AND HOW DO WE STEWARD THAT IN A WAY THAT REALLY
  • 00:19:12.210 --> 00:19:14.210
  • DOES HONOR THE HOPE THAT WE HAVE?
  • 00:19:14.230 --> 00:19:16.210
  • WE DON'T PUT ON A HAPPY FACE.
  • 00:19:16.230 --> 00:19:18.250
  • THAT'S A THING WE'VE BEEN TRYING TO BE COMMITTED
  • 00:19:18.270 --> 00:19:20.260
  • TO, TO NOT JUST SAY HEY BUT GOD IS GOOD ALL THE
  • 00:19:20.280 --> 00:19:23.150
  • TIME, ALL THE TIME GOD IS GOOD.
  • 00:19:23.170 --> 00:19:25.170
  • IT'S TRUE BUT LIFE IS JUST HARD.
  • 00:19:25.190 --> 00:19:28.060
  • - LIFE WILL KICK YOU.
  • 00:19:28.080 --> 00:19:29.240
  • - RIGHT.
  • 00:19:29.260 --> 00:19:31.180
  • AND IT JUST CAN BE SO SAD AND SO PAINFUL.
  • 00:19:31.200 --> 00:19:33.080
  • - BUT THAT'S WHAT MAKES YOUR MINISTRY
  • 00:19:33.100 --> 00:19:34.290
  • SO POWERFUL.
  • 00:19:35.010 --> 00:19:36.210
  • I THANK YOU FOR THAT.
  • 00:19:36.230 --> 00:19:38.000
  • - YEAH.
  • 00:19:38.020 --> 00:19:39.200
  • THANK YOU, BROTHER.
  • 00:19:39.220 --> 00:19:41.020
  • - THANK YOU.
  • 00:19:41.040 --> 00:19:42.030
  • - BLESS YOU.
  • 00:19:42.050 --> 00:19:43.190
  • - THANKS FOR SHARING ALL OF THAT WITH US,
  • 00:19:43.210 --> 00:19:45.020
  • YOU KNOW.
  • 00:19:45.040 --> 00:19:46.120
  • AND YOUR LIFE, YOUR SONGS.
  • 00:19:46.140 --> 00:19:48.010
  • AND IT'S EXCITING BECAUSE THERE'S A WHOLE BUNCH
  • 00:19:48.030 --> 00:19:49.090
  • MORE TO COME.
  • 00:19:49.110 --> 00:19:50.260
  • WE'RE GOING DEEPER, RIGHT.
  • 00:19:50.280 --> 00:19:52.040
  • - YES, SIR.
  • 00:19:52.060 --> 00:19:53.070
  • WE'RE GOING DEEPER.
  • 00:19:53.090 --> 00:19:54.130
  • - ALL THE WAY DOWN.
  • 00:19:54.150 --> 00:19:55.240
  • THERE'S EVEN DEEPER ROOTS.
  • 00:19:55.260 --> 00:19:56.210
  • WE JUST KEEP DIGGING.
  • 00:19:56.230 --> 00:19:58.040
  • - BUT THIS WILL BE THE DEEPEST.
  • 00:19:58.060 --> 00:19:59.130
  • - THE DEEPEST ROOTS.
  • 00:19:59.150 --> 00:20:00.190
  • - WAIT.
  • 00:20:00.210 --> 00:20:01.240
  • THAT SOUNDS FINAL.
  • 00:20:01.260 --> 00:20:03.030
  • - EVEN DEEPER STILL.
  • 00:20:03.050 --> 00:20:04.120
  • [LAUGHTER]
  • 00:20:04.140 --> 00:20:05.260
  • - CAN WE --
  • 00:20:05.280 --> 00:20:08.110
  • - LET'S PLAY SOME OF THIS MUSIC
  • 00:20:08.130 --> 00:20:09.240
  • WE'VE BEEN TALKING ABOUT.
  • 00:20:09.260 --> 00:20:11.240
  • WHY DON'T WE DO A LITTLE SINGING?
  • 00:20:11.260 --> 00:20:13.030
  • - LET'S DO THAT.
  • 00:20:13.050 --> 00:20:14.190
  • SO LADIES AND GENTLEMEN, THE BEST, WON MORE AWARDS
  • 00:20:14.210 --> 00:20:18.280
  • IN MUSIC PROBABLY THAN ANYBODY, AND WE LOVE HIM,
  • 00:20:19.000 --> 00:20:22.080
  • AND LOVE HIM SO MUCH, MAKE WELCOME
  • 00:20:22.100 --> 00:20:24.110
  • STEVEN CURTIS CHAPMAN.
  • 00:20:24.130 --> 00:20:26.170
  • [APPLAUSE]
  • 00:20:26.190 --> 00:20:35.170
  • [MUSIC]
  • 00:20:35.190 --> 00:20:41.140
  • THERE NO WORDS...
  • 00:20:41.160 --> 00:20:46.280
  • NO ANSWERS FOR QUESTIONS LIKE THESE...
  • 00:20:47.000 --> 00:20:52.030
  • EVEN THE RIGHT ONES WOULDN'T CHANGE ANYTHING ...
  • 00:20:52.050 --> 00:20:57.160
  • OR FIX ANYTHING...
  • 00:20:57.180 --> 00:21:00.200
  • EVEN IF WE KNEW THE REASONS IT'S STILL GONNA HURT...
  • 00:21:00.220 --> 00:21:09.000
  • THEY SAY IT'S JUST GOING TO TAKE TIME...
  • 00:21:09.020 --> 00:21:14.130
  • OH, BUT RIGHT NOW THERE'S JUST SO MUCH TIME...
  • 00:21:14.150 --> 00:21:19.210
  • AND NO WAY TO FIND THE SECRET...
  • 00:21:19.230 --> 00:21:23.170
  • TO SPEED UP THE CHANGING OF SEASONS...
  • 00:21:23.190 --> 00:21:28.260
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:21:28.280 --> 00:21:34.280
  • TIL THE LAUGHTER RETURNS TO YOUR EYES...
  • 00:21:35.000 --> 00:21:40.270
  • I'LL BE HERE TO CRY WITH YOU...
  • 00:21:40.290 --> 00:21:44.160
  • AND RIGHT HERE TO GIVE YOU A SONG...
  • 00:21:44.180 --> 00:21:48.140
  • TO HELP YOU GO ON...
  • 00:21:48.160 --> 00:21:52.090
  • TIL YOU ARE STRONG...
  • 00:21:52.110 --> 00:21:57.190
  • TIL THE BLUE RETURNS...
  • 00:21:57.210 --> 00:22:01.210
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:22:01.230 --> 00:22:14.210
  • SO HERE ARE MY HANS...
  • 00:22:14.230 --> 00:22:19.150
  • THEY'RE NOT ABLE TO PUT BACK THE PIECES YOU'VE LOST...
  • 00:22:19.170 --> 00:22:25.110
  • OR PUSH BACK THE RIVERS OF SADNESS YOU'VE CROSSED ...
  • 00:22:25.130 --> 00:22:30.230
  • AND I'M SORRY THEY'RE NOT...
  • 00:22:30.250 --> 00:22:33.190
  • BUT HERE THEY ARE REACHING OUT TO HELP
  • 00:22:33.210 --> 00:22:36.200
  • CARRY YOU THROUGH...
  • 00:22:36.220 --> 00:22:39.050
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:22:39.070 --> 00:22:44.020
  • TIL THE LAUGHTER RETURNS TO YOUR EYES...
  • 00:22:44.040 --> 00:22:49.260
  • I'LL BE HERE TO CRY WITH YOU...
  • 00:22:49.280 --> 00:22:53.160
  • AND RIGHT HERE TO GIVE YOU THIS SONG...
  • 00:22:53.180 --> 00:22:58.070
  • TO HELP YOU GO ON...
  • 00:22:58.090 --> 00:23:01.200
  • UNTIL YOU ARE STRONG...
  • 00:23:01.220 --> 00:23:05.150
  • AND IT WON'T BE LONG...
  • 00:23:05.170 --> 00:23:07.210
  • TIL THE BLUE RETURNS...
  • 00:23:07.230 --> 00:23:10.210
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:23:10.230 --> 00:23:17.200
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:23:17.200 --> 00:23:24.170
  • YEAH, TIL THE BLUE RETURNS TO YOUR SKY ...
  • 00:23:24.190 --> 00:23:31.250
  • TIL THE LAUGHTER RETURNS TO YOUR EYES...
  • 00:23:31.270 --> 00:23:37.100
  • I'LL BE RIGHT HERE BESIDE YOU...
  • 00:23:37.120 --> 00:23:40.220
  • AND I WILL REMIND YOU OF HOW...
  • 00:23:40.240 --> 00:23:45.120
  • THE SUN WILL BREAK THROUGH THE CLOUDS...
  • 00:23:45.140 --> 00:23:48.160
  • I KNOW IT'S SO HARD TO BELIEVE IT RIGHT NOW ...
  • 00:23:48.180 --> 00:23:54.270
  • SO LET ME BELIEVE FOR YOU...
  • 00:23:54.290 --> 00:23:58.080
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:23:58.100 --> 00:24:03.200
  • [MUSIC]
  • 00:24:03.220 --> 00:24:11.170
  • THERE ARE NO WORDS...
  • 00:24:11.190 --> 00:24:17.270
  • AND IT'S STILL GONNA HURT...
  • 00:24:17.290 --> 00:24:23.090
  • SO HERE ARE MY HANDS...
  • 00:24:23.110 --> 00:24:27.170
  • TIL THE BLUE RETURNS TO YOUR SKY...
  • 00:24:27.190 --> 00:24:32.250
  • [APPLAUSE]
  • 00:24:32.270 --> 00:24:40.070
  • [APPLAUSE]
  • 00:24:40.070 --> 00:24:47.230
  • - OH, MY GOODNESS. WOW.
  • 00:24:47.250 --> 00:24:49.210
  • - I'M SORRY.
  • 00:24:49.230 --> 00:24:52.250
  • I STOLE THIS SEAT JUST BECAUSE I WANTED THAT.
  • 00:24:52.270 --> 00:24:57.040
  • - YOU WANTED THE VIEW.
  • 00:24:57.060 --> 00:25:00.190
  • - I WANTED TO HAVE THE VIEW.
  • 00:25:00.210 --> 00:25:02.240
  • - YES.
  • 00:25:02.260 --> 00:25:04.150
  • - THAT SONG IS AMAZING.
  • 00:25:04.170 --> 00:25:06.120
  • - THANK YOU, BROTHER.
  • 00:25:06.140 --> 00:25:08.000
  • THANK YOU, BUD.
  • 00:25:08.020 --> 00:25:09.000
  • - AMAZING.
  • 00:25:09.020 --> 00:25:11.180
  • - IT FEELS -AND I CAN SAY THAT IN SORT OF A
  • 00:25:11.200 --> 00:25:16.190
  • UNIQUE WAY BECAUSE MANY OF THE SONGS I WRITE AND
  • 00:25:16.210 --> 00:25:20.030
  • RECORD ARE SONGS I'VE WRITTEN EXCLUSIVELY, I
  • 00:25:20.050 --> 00:25:23.160
  • MEAN BY MYSELF.
  • 00:25:23.180 --> 00:25:25.130
  • THIS SONG, I HAD THE CHORUS, AND I STARTED
  • 00:25:25.150 --> 00:25:27.260
  • TELLING THE STORY A LITTLE BIT IN OUR VIDEO
  • 00:25:27.280 --> 00:25:30.050
  • THERE, AND I WAS TELLING YOU IN MY STUDIO I HAD
  • 00:25:30.070 --> 00:25:31.220
  • THE CHORUS IN MY SONG, AND JUST SOMETHING DEEPLY
  • 00:25:31.240 --> 00:25:35.040
  • PERSONAL FOR ME AND MY FAMILY AND JUST THAT
  • 00:25:35.060 --> 00:25:37.220
  • FEELING AND JUST IS THE SKY EVER GOING TO BE
  • 00:25:37.240 --> 00:25:40.270
  • BLUE AGAIN?
  • 00:25:40.290 --> 00:25:43.040
  • I CAN'T IMAGINE THAT IT WILL.
  • 00:25:43.060 --> 00:25:44.270
  • I'M GOING TO TRUST GOD ANYWAY, BUT THIS IS OUR LIFE.
  • 00:25:44.290 --> 00:25:47.150
  • AND I HAD WRITTEN THIS CHORUS AND JUST FELT SO
  • 00:25:47.170 --> 00:25:51.100
  • -IT FELT SO IMPORTANT, AND I HAD A WRITING
  • 00:25:51.120 --> 00:25:53.250
  • APPOINTMENT WITH A COUPLE OF AMAZING SONG WRITERS,
  • 00:25:53.270 --> 00:25:56.280
  • LAURIE MCKENNA AND BARRY DEAN, WHO ARE JUST TWO OF
  • 00:25:57.000 --> 00:25:59.240
  • MY FAVORITE WRITERS IN THIS TOWN.
  • 00:25:59.260 --> 00:26:01.270
  • AND NASHVILLE IS FULL OF BRILLIANT SONG WRITERS,
  • 00:26:01.290 --> 00:26:05.020
  • AND I PLAYED THEM THAT CHORUS, AND I LOOKED UP.
  • 00:26:05.040 --> 00:26:07.170
  • I WAS KIND OF LOOKING AT MY WORDS, AND I LOOKED UP
  • 00:26:07.190 --> 00:26:09.270
  • AND THEY BOTH HAD TEARS IN THEIR EYES, AND THEY
  • 00:26:09.290 --> 00:26:11.240
  • BOTH SAID WE'D BE HONORED TO WRITE VERSES OF THAT
  • 00:26:11.260 --> 00:26:14.000
  • WITH YOU AND JUST TRY TO HELP YOU STEWARD
  • 00:26:14.020 --> 00:26:16.000
  • THAT MESSAGE.
  • 00:26:16.020 --> 00:26:17.250
  • SO WE WROTE THAT TOGETHER, SO I'M SO
  • 00:26:17.270 --> 00:26:19.200
  • THANKFUL THAT I GOT TO HAVE THEM INVOLVED
  • 00:26:19.220 --> 00:26:22.030
  • BECAUSE I FEEL LIKE THEY JUST MADE IT EVEN MORE
  • 00:26:22.050 --> 00:26:24.080
  • PROFOUND AND POWERFUL.
  • 00:26:24.100 --> 00:26:27.020
  • - MAN, THANK YOU FOR BEING HERE.
  • 00:26:27.040 --> 00:26:29.040
  • ARE YOU KIDDING ME?
  • 00:26:29.060 --> 00:26:30.220
  • - ARE YOU FROM BEAVER DAM?
  • 00:26:30.240 --> 00:26:32.140
  • - BEAVER DAM.
  • 00:26:32.160 --> 00:26:34.020
  • - YOU ARE KIDDING ME.
  • 00:26:34.040 --> 00:26:35.100
  • - NO.
  • 00:26:35.120 --> 00:26:36.220
  • - PADUCAH.
  • 00:26:36.240 --> 00:26:38.040
  • WESTERN KENTUCKY SO WE'RE RIGHT DOWN THE ROAD.
  • 00:26:38.060 --> 00:26:39.200
  • I PROBABLY KNEW THAT BUT I PROBABLY FORGOT IT.
  • 00:26:39.220 --> 00:26:40.280
  • - YEAH. BEAVER DAM.
  • 00:26:41.000 --> 00:26:43.020
  • - SO THIS WHOLE WHERE THE BLUEGRASS
  • 00:26:43.040 --> 00:26:44.160
  • GROWS BUSINESS.
  • 00:26:44.180 --> 00:26:45.210
  • - CHECK THAT OUT.
  • 00:26:45.230 --> 00:26:47.010
  • ARE YOU KIDDING ME?
  • 00:26:47.030 --> 00:26:48.140
  • LOOK HOW COOL THIS RECORD IS.
  • 00:26:48.160 --> 00:26:50.050
  • - THAT'S A RECORD, PEOPLE.
  • 00:26:50.070 --> 00:26:51.250
  • YOUNG PEOPLE.
  • 00:26:51.270 --> 00:26:53.070
  • [LAUGHTER]
  • 00:26:53.090 --> 00:26:54.140
  • SHOW THEM HOW THAT WORKS.
  • 00:26:54.160 --> 00:26:57.060
  • THIS IS A THING THAT SOME OF US KNOW ABOUT.
  • 00:26:57.080 --> 00:27:01.070
  • I'M LOOKING AROUND THE AUDIENCE.
  • 00:27:01.090 --> 00:27:03.040
  • SOME OF Y'ALL KNOW.
  • 00:27:03.060 --> 00:27:05.210
  • SOME OF YOU GO WHAT DO YOU DO WITH THAT?
  • 00:27:05.230 --> 00:27:07.280
  • MY KIDS GO, THAT'S A FRISBEE RIGHT, DAD?
  • 00:27:08.000 --> 00:27:11.130
  • BECAUSE INSIDE THERE IS THIS ROUND DISC THAT YOU
  • 00:27:11.150 --> 00:27:14.170
  • PUT ON AND YOU PUT A LITTLE NEEDLE ON IT AND
  • 00:27:14.190 --> 00:27:16.040
  • IT'S JUST A COOLEST SOUNDING THING EVER.
  • 00:27:16.060 --> 00:27:17.130
  • - SPEAKING OF THE RECORD, LISTEN TO THIS.
  • 00:27:17.150 --> 00:27:18.200
  • - YES, SIR.
  • 00:27:18.220 --> 00:27:20.080
  • - SO SOME OF THE GUESTS THAT GOT TO BE ON
  • 00:27:20.100 --> 00:27:21.110
  • THIS RECORD.
  • 00:27:21.130 --> 00:27:22.190
  • - YEAH.
  • 00:27:22.210 --> 00:27:23.230
  • - SPECIAL.
  • 00:27:23.250 --> 00:27:25.000
  • - YEAH.
  • 00:27:25.020 --> 00:27:26.120
  • - YOUR FAMILY.
  • 00:27:26.140 --> 00:27:27.140
  • - YES.
  • 00:27:27.160 --> 00:27:28.290
  • WELL, MY SON CALEB SINGS A REALLY SPECIAL SONG
  • 00:27:29.010 --> 00:27:30.250
  • THAT I GOT TO RERECORD ON THIS RECORD CALLED BE
  • 00:27:30.270 --> 00:27:31.270
  • STILL AND KNOW.
  • 00:27:31.290 --> 00:27:33.220
  • - OH, MAN.
  • 00:27:33.240 --> 00:27:35.240
  • - OFF OF MY SPEECHLESS ALBUM FROM YEARS AGO,
  • 00:27:35.260 --> 00:27:37.220
  • PEOPLE THAT KNOW MY MUSIC.
  • 00:27:37.240 --> 00:27:39.240
  • I WROTE THAT SONG WHEN CALEB WAS ABOUT 9 YEARS
  • 00:27:39.260 --> 00:27:41.240
  • OLD ON AN AIRPLANE FLIGHT TO AFRICA WHERE HE WAS
  • 00:27:41.260 --> 00:27:44.030
  • DRIVING ME CRAZY AND I WAS ABOUT TO DUCT TAPE
  • 00:27:44.050 --> 00:27:46.040
  • HIM IN THE BATHROOM.
  • 00:27:46.060 --> 00:27:48.260
  • [LAUGHTER] FOR THE FLIGHT AND I OPENED THE
  • 00:27:48.280 --> 00:27:50.190
  • BIBLE AND IT FELL OPEN TO BE STILL AND KNOW
  • 00:27:50.210 --> 00:27:51.290
  • I AM GOD.
  • 00:27:52.010 --> 00:27:53.120
  • AND I WAS LIKE, IT WAS GOD SAID YOU NEED THAT
  • 00:27:53.140 --> 00:27:55.040
  • BAD RIGHT NOW.
  • 00:27:55.060 --> 00:27:57.140
  • SO WROTE THAT SONG AND WHAT WAS REALLY SWEET IS
  • 00:27:57.160 --> 00:28:00.260
  • YEARS LATER, CALEB CAME IN THE STUDIO
  • 00:28:00.280 --> 00:28:02.220
  • AND SANG IT WITH ME.
  • 00:28:02.240 --> 00:28:04.000
  • OF COURSE HE'S THE LEAD SINGER OF ONE OF THE
  • 00:28:04.020 --> 00:28:05.090
  • COOLEST BANDS ON THE PLANET, COLONY HOUSE,
  • 00:28:05.110 --> 00:28:07.130
  • MY SON'S BAND. SO CHECK OUT COLONY HOUSE.
  • 00:28:07.150 --> 00:28:10.050
  • THERE'S A LITTLE SHAMELESS PITCH, SHAMELESS PLUG.
  • 00:28:10.070 --> 00:28:13.120
  • BUT CALEB, MY DAUGHTER-IN-LAW
  • 00:28:13.140 --> 00:28:15.070
  • JILLIAN EDWARDS WHO'S THE VOICE OF AN ANGEL.
  • 00:28:15.090 --> 00:28:17.290
  • WE DO A VERSION OF HOW GREAT THOU ART.
  • 00:28:18.010 --> 00:28:21.090
  • RICKY SKAGGS, WE MENTIONED HIM ON THE VIDEO.
  • 00:28:21.110 --> 00:28:24.030
  • GARY LE VOX, ONE OF THE GREATEST SINGERS IN THE WORLD.
  • 00:28:24.050 --> 00:28:26.230
  • - CAN THAT BOY SING OR WHAT.
  • 00:28:26.250 --> 00:28:28.240
  • - OH, YEAH, AND SUCH A GREAT HEART, AND HE SINGS
  • 00:28:28.260 --> 00:28:31.260
  • ON THAT SONG, "TIL THE BLUE RETURNS TO YOUR SKY"
  • 00:28:31.280 --> 00:28:35.130
  • THAT I JUST SANG. HE SINGS SECOND VERSE ON THAT.
  • 00:28:35.150 --> 00:28:38.050
  • THEN OF COURSE MY FAVORITE GUESTS ON THIS
  • 00:28:38.070 --> 00:28:40.090
  • WERE MY DAD AND MY BROTHER. GOT TO HAVE--
  • 00:28:40.110 --> 00:28:42.170
  • AND YOU SAW THEM IN THE VIDEO.
  • 00:28:42.190 --> 00:28:44.100
  • IT'S SO SWEET. SO SPECIAL.
  • 00:28:44.120 --> 00:28:46.150
  • - GUESS WHAT?
  • 00:28:46.170 --> 00:28:47.240
  • - YEAH.
  • 00:28:47.260 --> 00:28:48.190
  • - GUESS WHAT? GUESS WHAT?
  • 00:28:48.210 --> 00:28:50.040
  • - IT'S THE BEST.
  • 00:28:50.060 --> 00:28:51.180
  • - GUESS WHAT LADIES AND GENTLEMEN, YOU READY?
  • 00:28:51.200 --> 00:28:54.120
  • THEY'RE HERE!
  • 00:28:54.140 --> 00:28:56.120
  • [APPLAUSE]
  • 00:28:56.140 --> 00:28:58.010
  • - YOU WANNA BRING 'EM OUT?
  • 00:28:58.030 --> 00:28:59.190
  • - YEA. LET'S GET MY DAD, HERB CHAPMAN SENIOR,
  • 00:28:59.210 --> 00:29:02.000
  • HERB CHAPMAN JR., COME ON OUT FELLAHS.
  • 00:29:02.020 --> 00:29:04.180
  • [APPLAUSE]
  • 00:29:04.200 --> 00:29:10.130
  • - ALL THE WAY FROM KENTUCKY!
  • 00:29:10.150 --> 00:29:12.150
  • - PADUCAH'S BEST RIGHT HERE.
  • 00:29:12.170 --> 00:29:14.190
  • PADUCAH'S FINEST.
  • 00:29:14.210 --> 00:29:16.060
  • - DOLPHIN BLUE!
  • 00:29:16.080 --> 00:29:17.200
  • WHAT A JOY.
  • 00:29:17.220 --> 00:29:19.250
  • THANK YOU FOR BEING HERE.
  • 00:29:19.270 --> 00:29:21.150
  • - THANK YOU FOR INVITING US.
  • 00:29:21.170 --> 00:29:23.080
  • - THIS IS SO FUN FOR US BROTHER. SO COOL.
  • 00:29:23.100 --> 00:29:27.210
  • - I'VE BEEN LOOKING FORWARD TO THIS.
  • 00:29:27.230 --> 00:29:29.220
  • I TOLD STEVEN WHEN I WAS AT THE HOUSE, I SAID
  • 00:29:29.240 --> 00:29:32.010
  • I CANNOT WAIT TO GET TO MEET YOUR DAD.
  • 00:29:32.030 --> 00:29:36.010
  • I CAN'T BECAUSE YOU STILL GIVE LESSONS?
  • 00:29:36.030 --> 00:29:39.250
  • - YEAH, FOR 60 YEARS. STARTED IN 1958.
  • 00:29:39.270 --> 00:29:43.130
  • - GUITAR LESSONS.
  • 00:29:43.150 --> 00:29:44.220
  • [APPLAUSE]
  • 00:29:44.240 --> 00:29:46.070
  • - YEAH, I GO BACK, LISTEN, I GO BACK I PLAYED
  • 00:29:46.090 --> 00:29:48.210
  • ON RECORDED SESSION WITH WALT MILLS.
  • 00:29:48.230 --> 00:29:50.230
  • YOU REMEMBER WALT?
  • 00:29:50.250 --> 00:29:51.270
  • - YEAH.
  • 00:29:51.290 --> 00:29:52.280
  • - WHAT A GREAT GUY.
  • 00:29:53.000 --> 00:29:54.040
  • - YOU PLAYED ON HIS SESSIONS?
  • 00:29:54.060 --> 00:29:55.170
  • - YEAH. IT WAS CARDINAL STUDIOS I THINK BELONGED
  • 00:29:55.190 --> 00:29:58.170
  • TO THE GOODMANS, I THINK.
  • 00:29:58.190 --> 00:30:00.090
  • - YEAH, YEAH. THAT'S RIGHT.
  • 00:30:00.110 --> 00:30:01.230
  • - BACK IN THE 60S, 70S.
  • 00:30:01.250 --> 00:30:03.210
  • - WASN'T THAT MADISONVILLE?
  • 00:30:03.230 --> 00:30:05.000
  • - YES.
  • 00:30:05.020 --> 00:30:06.060
  • - DO YOU KNOW WHERE BEAVER DAM, KENTUCKY IS?
  • 00:30:06.080 --> 00:30:08.270
  • - OH, YEAH, I WORKED FOR THE RAILROAD YEARS AGO.
  • 00:30:08.290 --> 00:30:11.220
  • - THAT'S WHERE I GREW UP.
  • 00:30:11.240 --> 00:30:13.090
  • - REALLY?
  • 00:30:13.110 --> 00:30:14.080
  • - BEAVER DAM, KENTUCKY.
  • 00:30:14.100 --> 00:30:15.200
  • - THERE YOU GO. I WAS UP IN THAT AREA.
  • 00:30:15.220 --> 00:30:17.220
  • I WAS TELEGRAPH OPERATOR FOR THE RAILROAD, AND I
  • 00:30:17.240 --> 00:30:21.000
  • WORKED BETWEEN PADUCAH AND LOUISVILLE.
  • 00:30:21.020 --> 00:30:23.000
  • ALL THE LITTLE PLACES I WORKED BEAVER DAM,
  • 00:30:23.020 --> 00:30:25.100
  • I WORKED THEM ALL.
  • 00:30:25.120 --> 00:30:26.240
  • - THAT IS AMAZING.
  • 00:30:26.260 --> 00:30:28.150
  • WOULD YOU HAVE DREAMED, GUYS, I MEAN THINK ABOUT
  • 00:30:28.170 --> 00:30:33.000
  • THIS. FIFTY, HOW MANY, 56?
  • 00:30:33.020 --> 00:30:35.190
  • YOU HAVE TO HAVE A PICK-UP LOAD TO GET YOUR
  • 00:30:35.210 --> 00:30:38.260
  • DOVE AWARDS IN AND FIVE GRAMMIES.
  • 00:30:38.280 --> 00:30:42.270
  • - HE'S GOT THEM ON ONE LONG SHELF IN THE STUDIO.
  • 00:30:42.290 --> 00:30:44.290
  • IT'S GONNA COLLAPSE. IF THAT THING COLLAPSES,
  • 00:30:45.010 --> 00:30:47.190
  • HIS PIANO AND EVERYTHING IS GONE.
  • 00:30:47.210 --> 00:30:50.110
  • - HE BUILT THE SHELF. HERBIE BUILT THE SHELF.
  • 00:30:50.130 --> 00:30:52.140
  • - THAT'S GOOD.
  • 00:30:52.160 --> 00:30:54.230
  • - WHEN I WENT IN THE STUDIO, I LOOKED UP AT
  • 00:30:54.250 --> 00:30:57.170
  • THE CEILING, I SAID HERBIE, WHAT KIND OF
  • 00:30:57.190 --> 00:31:00.170
  • CROWN MOLDING IS THAT UP THERE?
  • 00:31:00.190 --> 00:31:04.000
  • AND HERBIE SAID DAD, THAT'S STEVE'S DOVE AWARDS.
  • 00:31:04.020 --> 00:31:07.110
  • THEY WENT ALL AROUND THE DANG PLACE.
  • 00:31:07.130 --> 00:31:08.280
  • [LAUGHTER]
  • 00:31:09.000 --> 00:31:11.060
  • [APPLAUSE]
  • 00:31:11.080 --> 00:31:18.290
  • - IT WASN'T THAT LONG AGO I COULDN'T EVEN
  • 00:31:19.010 --> 00:31:20.100
  • PUSH HIM TO STAND UP IN FRONT OF ME BECAUSE
  • 00:31:20.120 --> 00:31:22.020
  • I WAS THE OLDER BROTHER.
  • 00:31:22.050 --> 00:31:23.240
  • - HE WAS THE SINGER. I WAS THE BACKUP GUY.
  • 00:31:23.260 --> 00:31:25.160
  • - YOU, IN THE FAMILY GROWING UP, I HEARD
  • 00:31:25.180 --> 00:31:28.120
  • YOU SAY THIS, YOU WERE THE VOICE.
  • 00:31:28.140 --> 00:31:31.250
  • YOU WERE THE ONE THAT GOT PUSHED OUT FOR ALL THE
  • 00:31:31.270 --> 00:31:33.270
  • SOLOS IN ALL OF THAT.
  • 00:31:33.290 --> 00:31:36.090
  • - AND DAD GAVE ME THE OPPORTUNITY TO LEARN TO
  • 00:31:36.110 --> 00:31:38.250
  • PLAY THE GUITAR, AND OF COURSE HE DIDN'T PUSH IT
  • 00:31:38.270 --> 00:31:41.100
  • ON ME, BUT I LOVED TO JUST-- I'M THE CLOWN.
  • 00:31:41.120 --> 00:31:44.250
  • I JUST WANTED TO SING.
  • 00:31:44.270 --> 00:31:46.180
  • - HE'S ALL ABOUT GUITAR.
  • 00:31:46.200 --> 00:31:48.020
  • HE JUST PLAYED IT ALL THE TIME.
  • 00:31:48.040 --> 00:31:50.000
  • I'D GO TO WORK AND I'D COME HOME, AND I TOLD
  • 00:31:50.020 --> 00:31:52.240
  • THIS ON YOU.
  • 00:31:52.260 --> 00:31:54.150
  • HE'D GET TWO LITTLE CASSETTE RECORDERS, AND
  • 00:31:54.170 --> 00:31:58.160
  • HE'D SING AND HE'D RECORD ON THIS ONE.
  • 00:31:58.180 --> 00:32:01.240
  • AND THEN HE WOULD TURN THIS ONE ON PLAY AND
  • 00:32:01.260 --> 00:32:04.220
  • PUT THIS ON RECORD.
  • 00:32:04.240 --> 00:32:06.050
  • THEN HE'D PUT ANOTHER PART DOWN.
  • 00:32:06.070 --> 00:32:07.250
  • THEN HE'D PUT THIS ONE ON PLAY AND THIS ONE ON.
  • 00:32:07.270 --> 00:32:09.290
  • - MULTI TRACK.
  • 00:32:10.010 --> 00:32:11.250
  • - YEAH, HE WOULD DO THAT, AND HE'D SAY LISTEN
  • 00:32:11.270 --> 00:32:14.120
  • DAD. HE WAS A LITTLE BITTY GUY, LISTEN TO WHAT I
  • 00:32:14.140 --> 00:32:16.150
  • DID. AND HE'D HAVE THE HARMONY, TWO OR THREE
  • 00:32:16.170 --> 00:32:18.160
  • GUITAR PARTS. AND IT WAS SORT OF GARBLED BUT--
  • 00:32:18.180 --> 00:32:21.110
  • - YOU COULD HEAR A LITTLE MUSIC IN BETWEEN
  • 00:32:21.130 --> 00:32:23.290
  • ALL THE HISS BECAUSE IT WAS ABOUT SEVEN LAYERS OF
  • 00:32:24.010 --> 00:32:26.250
  • HISS. BUT I THINK THAT'S A LOT-- AND AGAIN, I CREDIT
  • 00:32:26.270 --> 00:32:31.190
  • THESE GUYS AND MY MOM BECAUSE WE GREW UP
  • 00:32:31.210 --> 00:32:34.290
  • SINGING TOGETHER, AND BECAUSE I WASN'T THE LEAD
  • 00:32:35.010 --> 00:32:38.170
  • VOICE, I LOVED, STILL LOVE IT, MAYBE IF WE GET
  • 00:32:38.190 --> 00:32:42.170
  • A MINUTE HERE WE'LL GET TO DO ONE OF MY FAVORITE
  • 00:32:42.190 --> 00:32:46.010
  • THINGS IS ACTUALLY TO SING HARMONY WITH MY
  • 00:32:46.030 --> 00:32:49.100
  • FAMILY BECAUSE THAT'S WHAT I GREW UP DOING
  • 00:32:49.120 --> 00:32:51.160
  • BECAUSE I WAS THE GUY THAT SANG ALONG WITH--
  • 00:32:51.180 --> 00:32:53.270
  • [APPLAUSE]
  • 00:32:53.290 --> 00:32:56.250
  • SO I HAD THESE GUYS WHO DID THE SINGING.
  • 00:32:56.270 --> 00:32:59.170
  • NOW DAD'S AN AMAZING GUITAR PLAYER AS WELL AND
  • 00:32:59.190 --> 00:33:02.090
  • WAS, STILL IS, AND HERB WAS AN AMAZING PERFORMER,
  • 00:33:02.110 --> 00:33:07.050
  • THE WHOLE DEAL, THE WHOLE PACKAGE BECAUSE HE WENT
  • 00:33:07.070 --> 00:33:09.020
  • ON TOUR WITH A GROUP CALLED THE YOUNG AMERICANS.
  • 00:33:09.040 --> 00:33:11.230
  • IN FACT, HERBIE, LITTLE KNOWN FACT, HIS PICTURE
  • 00:33:11.250 --> 00:33:15.260
  • IS IN THE NEWEST EDITION OF ROLLING STONE MAGAZINE
  • 00:33:15.280 --> 00:33:19.080
  • BECAUSE THEY DID AN ARTICLE ON THE REAL AMERICANS.
  • 00:33:19.100 --> 00:33:22.110
  • - COME ON!
  • 00:33:22.130 --> 00:33:24.040
  • [APPLAUSE]
  • 00:33:24.060 --> 00:33:27.010
  • - IT'S 35 OF US ON THE STAGE.
  • 00:33:27.030 --> 00:33:29.080
  • - HEY, HE'S IN THERE.
  • 00:33:29.100 --> 00:33:31.180
  • - DOVE AWARDS. YOU KNOW...
  • 00:33:31.200 --> 00:33:35.010
  • - CURTIS: WHAT'S THAT? HE'S ON THE ROLLING STONE.
  • 00:33:35.030 --> 00:33:37.050
  • THAT'S RIGHT. THAT'S RIGHT.
  • 00:33:37.070 --> 00:33:38.250
  • SO THAT WAS AMAZING.
  • 00:33:38.270 --> 00:33:40.130
  • AND THEN WE WENT TO WORK AT OPRYLAND U.S.A.
  • 00:33:40.150 --> 00:33:42.200
  • BACK IN THE DAY. YOU REMEMBER THAT?
  • 00:33:42.220 --> 00:33:44.160
  • [APPLAUSE]
  • 00:33:44.180 --> 00:33:46.240
  • AMUSEMENT PARK HERE BUILT AROUND THE GRAND OLE OPRY,
  • 00:33:46.260 --> 00:33:49.080
  • WE BOTH WORKED THERE.
  • 00:33:49.100 --> 00:33:50.160
  • HERBIE, I RODE HIS COAT TAIL INTO THAT JOB
  • 00:33:50.180 --> 00:33:53.160
  • BECAUSE HE WAS THE SINGER.
  • 00:33:53.180 --> 00:33:55.000
  • HE WAS THE ONE THAT THEY WANTED.
  • 00:33:55.020 --> 00:33:56.170
  • AND HE WAS THE ONE THEY WANTED, BUT HE KIND OF
  • 00:33:56.190 --> 00:33:58.150
  • DRAGGED ME IN. "WELL, I GOT THIS BROTHER HERE
  • 00:33:58.170 --> 00:34:01.000
  • THAT'S PRETTY GOOD TOO."
  • 00:34:01.020 --> 00:34:03.010
  • AND I WAS STILL KIND OF FIGURING OUT MY VOICE AT
  • 00:34:03.030 --> 00:34:07.000
  • THAT POINT, BUT I STARTED WRITING SONGS, AND THAT'S
  • 00:34:07.020 --> 00:34:08.230
  • REALLY WHAT LED TO ME GETTING THE OPPORTUNITY
  • 00:34:08.250 --> 00:34:10.210
  • THAT I'VE BEEN SO BLESSED WITH.
  • 00:34:10.230 --> 00:34:12.210
  • BUT IT'S STILL NOTHING I LOVE MORE THAN SINGING
  • 00:34:12.230 --> 00:34:14.260
  • HARMONY WITH THESE TWO GUYS LETTING THEM
  • 00:34:14.280 --> 00:34:17.200
  • TAKE THE LEAD.
  • 00:34:17.220 --> 00:34:19.100
  • - NOW, YOU SAID YOU GAVE-- I READ SOMEWHERE
  • 00:34:19.120 --> 00:34:23.010
  • THAT SAID THAT YOU GAVE UP YOUR DREAM OF DOING
  • 00:34:23.030 --> 00:34:28.040
  • PROFESSIONAL SINGING.
  • 00:34:28.060 --> 00:34:30.020
  • - THE BANJO PLAYER IN OUR GROUP-- WE HAD A
  • 00:34:30.040 --> 00:34:33.240
  • GROUP CALLED THE, WELL TWO OR THREE GROUPS, THE
  • 00:34:33.260 --> 00:34:36.220
  • VILLAGE SINGERS, AND WE TRAVELED, USED TO DO THE
  • 00:34:36.240 --> 00:34:39.080
  • RALPH EMERY SHOW HERE IN NASHVILLE, AND WE PLAYED
  • 00:34:39.100 --> 00:34:42.140
  • GATLINBURG THE MONTH OF OCTOBER.
  • 00:34:42.160 --> 00:34:45.030
  • AND SCOTTY AND I WROTE, AND WE WROTE FOR TOMPALL AND
  • 00:34:45.050 --> 00:34:49.100
  • THE GLASER BROTHERS. GLASER PUBLICATION BACK THEN.
  • 00:34:49.120 --> 00:34:52.270
  • AND WE WERE WRITING PRETTY GOOD SONGS.
  • 00:34:52.290 --> 00:34:55.180
  • IT'S ALL COUNTRY.
  • 00:34:55.200 --> 00:34:57.140
  • AND I HAD MY STUDIO, MY TEACHING STUDIO IN
  • 00:34:57.160 --> 00:35:00.250
  • MAYFIELD, AND A GOOD FRIEND OF MINE CAME BY
  • 00:35:00.270 --> 00:35:04.240
  • AND HE HAD A GOSPEL GROUP, DON HENLEY, AND HE
  • 00:35:04.260 --> 00:35:08.030
  • STUCK HIS HEAD IN THE DOOR AND SAID HERBIE, IF
  • 00:35:08.050 --> 00:35:10.230
  • YOU GET THROUGH TONIGHT, THERE'S A GUY OVER WE'RE
  • 00:35:10.250 --> 00:35:13.180
  • HAVING A REVIVAL AT THE GYM, THE HIGH SCHOOL GYM.
  • 00:35:13.200 --> 00:35:17.210
  • HE SAID THERE'S A GUY PLAYING GUITAR AND
  • 00:35:17.230 --> 00:35:19.270
  • SINGING, HIS NAME IS DALLAS HOLM, AND SAID YOU
  • 00:35:19.290 --> 00:35:22.270
  • PROBABLY NEVER HEARD OF HIM AND I HADN'T EITHER,
  • 00:35:22.290 --> 00:35:25.000
  • BUT BOY HE'S GOOD.
  • 00:35:25.020 --> 00:35:26.080
  • HE SINGS A SONG CALLED "RISE AGAIN" AND DAVID
  • 00:35:26.100 --> 00:35:29.270
  • WILKERSON WAS PREACHING.
  • 00:35:29.290 --> 00:35:32.080
  • AND I SAID WELL, I SAID I'M REALLY NOT INTERESTED
  • 00:35:32.100 --> 00:35:35.070
  • IN ANY OF THAT.
  • 00:35:35.090 --> 00:35:37.020
  • AND MY STUDENTS ALL CANCELED THAT EVENING, SO
  • 00:35:37.040 --> 00:35:39.190
  • I THOUGHT I'M GONNA GO OVER THERE AND STICK MY
  • 00:35:39.210 --> 00:35:41.120
  • HEAD IN THE DOOR, AND DALLAS WAS SINGING "RISE
  • 00:35:41.140 --> 00:35:43.200
  • AGAIN" AND IT JUST, THE HOLY SPIRIT FELL DOWN AND
  • 00:35:43.220 --> 00:35:47.080
  • MOVED ME. I TURNED AROUND AND I JUST TOTALLY, WE WERE,
  • 00:35:47.100 --> 00:35:53.270
  • ME AND MY PUBLISHERS AND WRITERS JUST SOLD OUT TO
  • 00:35:53.290 --> 00:35:58.010
  • THE LORD. I TOLD SCOTTY I'M NOT DOING COUNTRY.
  • 00:35:58.030 --> 00:36:01.080
  • I QUIT THE BAND. THEY SAID--
  • 00:36:01.100 --> 00:36:01.120
  • AND I WAS SORT OF, HELPED ARRANGE
  • 00:36:03.290 --> 00:36:05.160
  • ONE OF THE ORIGINAL MEMBERS OF THE VILLAGE
  • 00:36:05.180 --> 00:36:07.190
  • SINGERS, AND WE WERE DOING OUR THIRD AND
  • 00:36:07.210 --> 00:36:10.060
  • FOURTH ALBUM, AND THEY SAID HERBIE, I DON'T KNOW.
  • 00:36:10.080 --> 00:36:14.010
  • THEY THOUGHT I'D GONE OFF THE DEEP END.
  • 00:36:14.030 --> 00:36:16.180
  • I THOUGHT MAYBE I HAVE TOO, BUT I'M JUST, YOU KNOW?
  • 00:36:16.200 --> 00:36:19.220
  • YOU'RE JUST A JESUS FREAK.
  • 00:36:19.240 --> 00:36:22.200
  • I GO THAT'S ALL RIGHT. AND I STILL AM.
  • 00:36:22.220 --> 00:36:27.120
  • [APPLAUSE] - I LOVE IT!
  • 00:36:27.140 --> 00:36:31.110
  • I LOVE IT.
  • 00:36:31.130 --> 00:36:33.230
  • YOU KNOW, DON'T YOU FEEL LIKE A LITTLE BIT--
  • 00:36:33.250 --> 00:36:36.250
  • THERE'S NOTHING WRONG WITH THE MUSIC THAT YOU
  • 00:36:36.270 --> 00:36:40.110
  • WERE PLAYING, IT JUST WAS THE THING.
  • 00:36:40.130 --> 00:36:42.230
  • - JUST GOD CALLED ME OUT OF IT.
  • 00:36:42.250 --> 00:36:44.070
  • THE OTHER GUYS ARE GREAT.
  • 00:36:44.090 --> 00:36:46.030
  • ONE OF THEM IS A DEACON IN THE BAPTIST CHURCH
  • 00:36:46.050 --> 00:36:47.280
  • THERE, GREAT GUY, GREAT FAMILY.
  • 00:36:48.000 --> 00:36:50.290
  • ALL OF THEM WERE JUST GREAT.
  • 00:36:51.010 --> 00:36:52.220
  • - BUT IT WAS JUST CHANGE OF PATH.
  • 00:36:52.240 --> 00:36:54.060
  • - IT WAS CHANGE. THE LORD, WE WERE,
  • 00:36:54.080 --> 00:36:56.120
  • WE HAD SIGNED A CONTRACT WITH THE MILITARY.
  • 00:36:56.140 --> 00:37:00.030
  • WE'D SING AT FORT CAMPBELL, THE OFFICER'S
  • 00:37:00.050 --> 00:37:03.140
  • LOUNGE ON SATURDAY NIGHT, AND PLACES I JUST FELT
  • 00:37:03.160 --> 00:37:08.210
  • LIKE I NEED TO HAVE HERB SING IN CHURCH AND NOT
  • 00:37:08.230 --> 00:37:11.180
  • BEING OUT SOMEWHERE.
  • 00:37:11.200 --> 00:37:13.160
  • SO THAT'S WHAT I DECIDED TO DO, BUT I HAD NO IDEA
  • 00:37:13.180 --> 00:37:15.160
  • WHAT GOD HAD IN MIND.
  • 00:37:15.180 --> 00:37:18.130
  • WHEN ALL OF THAT STARTED, I JUST DIDN'T HAVE,
  • 00:37:18.150 --> 00:37:24.120
  • I DIDN'T KNOW WHERE IT WAS GOING. GOD DID.
  • 00:37:24.140 --> 00:37:27.240
  • MY SON WOULD BE WHAT HE'S DOING AND HERBIE, YOU KNOW.
  • 00:37:27.260 --> 00:37:32.240
  • - I THINK WE, TOO, WHAT WAS SO SPECIAL ABOUT THAT
  • 00:37:32.260 --> 00:37:37.130
  • IS BECAUSE MY DAD WAS AND IS A GREAT MUSICIAN,
  • 00:37:37.150 --> 00:37:40.220
  • AND HE PLAYED ALL THIS DIFFERENT MUSIC, AND THE
  • 00:37:40.240 --> 00:37:43.040
  • FIRST SONG HE TAUGHT ME ON GUITAR WAS
  • 00:37:43.060 --> 00:37:44.170
  • FOLSOM PRISON BLUES.
  • 00:37:44.190 --> 00:37:46.040
  • SO I WAS NOT HEADED IN A GOOD DIRECTION RIGHT OUT
  • 00:37:46.060 --> 00:37:48.250
  • OF THE GATE. HE WAS SINGING ME SONGS
  • 00:37:48.270 --> 00:37:51.020
  • ABOUT HOW TO GET TO PRISON.
  • 00:37:51.040 --> 00:37:52.200
  • [LAUGHTER]
  • 00:37:52.220 --> 00:37:54.060
  • AND MOM WAS TAKING US TO CHURCH.
  • 00:37:54.080 --> 00:37:55.150
  • - YOU'RE GONNA MAKE HIM MAD, BRO.
  • 00:37:55.170 --> 00:37:56.290
  • - BUT I THINK WHEN HE REALLY GAVE HIS LIFE TO
  • 00:37:57.010 --> 00:38:00.270
  • THE LORD AND ALL OF OUR FAMILY BEGAN TO WALK WITH
  • 00:38:00.290 --> 00:38:02.230
  • THE LORD, THE MUSIC, I REMEMBER I WAS SITTING
  • 00:38:02.250 --> 00:38:06.090
  • DOWN SINGING THE SONGS THAT SOME THAT WE
  • 00:38:06.110 --> 00:38:09.180
  • RECORDED HERE, BUT THOSE BILL GAITHER SONGS, AND
  • 00:38:09.200 --> 00:38:11.220
  • WITHOUT HIM I COULD DO NOTHING, AND YOU KNOW
  • 00:38:11.240 --> 00:38:14.070
  • SHACKLE BY HEAVY BURDEN 'NEATH THE LOAD OF GUILT
  • 00:38:14.090 --> 00:38:17.060
  • AND SHAME, BECAUSE DAD HAD GROWN UP WITH A LOT
  • 00:38:17.080 --> 00:38:19.160
  • OF THAT IN HIS LIFE NOT HAVING A FATHER THERE,
  • 00:38:19.180 --> 00:38:21.280
  • AND THESE WORDS SUDDENLY HE WAS SINGING WORDS,
  • 00:38:22.000 --> 00:38:24.260
  • NOTHING WRONG WITH GREEN GREEN GRASS OF HOME.
  • 00:38:24.280 --> 00:38:27.040
  • YOU SING THAT LIKE NOBODY EVER SANG IT.
  • 00:38:27.060 --> 00:38:28.290
  • HE CAN STILL TEAR IT UP.
  • 00:38:29.010 --> 00:38:30.130
  • HE CAN SING IT RIGHT NOW AND YOU'D ALL BE IN TEARS
  • 00:38:30.150 --> 00:38:33.060
  • BECAUSE HE JUST SINGS IT GREAT. BUT ALL OF A
  • 00:38:33.080 --> 00:38:35.160
  • SUDDEN THESE WORDS MEANT SOMETHING TO HIS SOUL.
  • 00:38:35.180 --> 00:38:39.010
  • IT WASN'T JUST A SONG.
  • 00:38:39.030 --> 00:38:40.220
  • AND THAT'S WHAT HE, AND EVEN AS A BOY AND ME AND
  • 00:38:40.240 --> 00:38:43.210
  • HERBIE AND MOM, DAD, WOULD STOP AND SAY
  • 00:38:43.230 --> 00:38:45.200
  • LET'S THINK ABOUT WHAT WE'RE SINGING,
  • 00:38:45.220 --> 00:38:47.100
  • LET'S LOOK AT THESE WORDS.
  • 00:38:47.120 --> 00:38:48.190
  • HE'D REALLY MAKE US THINK ABOUT THE WORDS WE WERE
  • 00:38:48.210 --> 00:38:50.270
  • SINGING, WHICH I'M SURE WAS THE BEGINNING OF ME.
  • 00:38:50.290 --> 00:38:53.140
  • - OLD HYMNS THE SAME WAY, THEY WERE SO ANOINTED.
  • 00:38:53.160 --> 00:38:56.060
  • THOSE OLDER HYMNS.
  • 00:38:56.080 --> 00:38:58.140
  • - AND THAT'S I'M SURE WHEN I WAS, EVEN AS A
  • 00:38:58.160 --> 00:39:01.180
  • LITTLE BOY, STARTING TO UNDERSTAND THE POWER OF
  • 00:39:01.200 --> 00:39:06.000
  • SINGING THE TRUTH, WHICH YOU KNOW I THINK YOU WERE
  • 00:39:06.020 --> 00:39:08.170
  • SAYING A MINUTE AGO, THAT'S JUST SUCH A
  • 00:39:08.190 --> 00:39:10.090
  • DIFFERENT THING WHEN YOU SING ETERNAL TRUTH.
  • 00:39:10.110 --> 00:39:13.150
  • GOD'S WORD THAT DOESN'T COME BACK VOID AND IS
  • 00:39:13.170 --> 00:39:16.080
  • ETERNALLY TRUE. THAT'S JUST SOMETHING SO,
  • 00:39:16.100 --> 00:39:19.150
  • WHAT A BLESSING, WHAT A GIFT.
  • 00:39:19.170 --> 00:39:21.120
  • - WHEN YOU GAVE YOUR HEART TO THE LORD,
  • 00:39:21.140 --> 00:39:22.290
  • WHAT WAS THAT LIKE?
  • 00:39:23.010 --> 00:39:26.140
  • LIKE SOME PEOPLE SAY IT WAS A SERIES OF TIME, OR
  • 00:39:26.160 --> 00:39:32.230
  • IT WAS A NIGHT THAT I KNEW THAT THE HOLY SPIRIT
  • 00:39:32.250 --> 00:39:37.090
  • SPOKE TO ME. YOUR DAY ONE WAS AT THAT PLACE.
  • 00:39:37.110 --> 00:39:42.030
  • - I GUESS AND WHEN I REMEMBER SINGING
  • 00:39:42.050 --> 00:39:47.190
  • WHEREVER HE LEADS I'LL GO, TEARS RUN DOWN MY FACE,
  • 00:39:47.210 --> 00:39:52.060
  • I WAS UP ON THE PODIUM AND BOY, I MEANT IT.
  • 00:39:52.080 --> 00:39:57.040
  • AND RIGHT THEN I SAID OKAY, YOU AND ME JESUS.
  • 00:39:57.060 --> 00:40:00.020
  • - DO YOU REMEMBER THAT DAY FOR YOU?
  • 00:40:00.040 --> 00:40:01.270
  • - I DO.
  • 00:40:01.290 --> 00:40:03.160
  • I WAS, WE'D HAD THE OCCASION TO INVITE A
  • 00:40:03.180 --> 00:40:07.020
  • DENTIST WHO WAS ON A PART OF THE LAY TEAM REVIVAL.
  • 00:40:07.040 --> 00:40:10.070
  • BACK IN THE DAY, WHAT THEY CALLED LAYMAN
  • 00:40:10.090 --> 00:40:13.030
  • REVIVALS, AND FOLKS WOULD COME IN FROM NEIGHBORING
  • 00:40:13.050 --> 00:40:16.030
  • CHURCH OR MAYBE OUT OF TOWN.
  • 00:40:16.050 --> 00:40:18.060
  • IN THIS CASE, IT WAS LOUISVILLE KENTUCKY.
  • 00:40:18.080 --> 00:40:20.080
  • AND DR. FINLEY BEARD STAYED IN OUR HOUSE.
  • 00:40:20.100 --> 00:40:23.000
  • AND I JUST REMEMBER HE WOULD TALK ABOUT JESUS,
  • 00:40:23.020 --> 00:40:26.270
  • JUST LIKE DAD WHEN HE WOULD SING, AND SHARE
  • 00:40:26.290 --> 00:40:31.270
  • STORIES WITH US AROUND THE KITCHEN TABLE, AND
  • 00:40:31.290 --> 00:40:33.190
  • YOU COULD SEE CHRIST REMOLDING AND RESHAPING.
  • 00:40:33.210 --> 00:40:37.260
  • THIS GENTLEMAN WAS THE SAME WAY.
  • 00:40:37.280 --> 00:40:39.220
  • WHEN HE TALKED ABOUT JESUS, IT WAS PERSONAL,
  • 00:40:39.240 --> 00:40:42.210
  • AND HE WOULD WEEP, AND HE WOULD DESCRIBE HOW HE HAD
  • 00:40:42.230 --> 00:40:46.250
  • A GARAGE FULL OF CARS AND ALL THIS SUCCESS AS A
  • 00:40:46.270 --> 00:40:49.090
  • DENTIST, BUT HE SAID UNTIL JESUS CAME IN AND
  • 00:40:49.110 --> 00:40:52.020
  • GAVE HIM THE REAL GIFT, HE DIDN'T, NONE OF IT
  • 00:40:52.040 --> 00:40:54.230
  • EVEN HELD A LIGHT TO THE CHANGE.
  • 00:40:54.250 --> 00:40:57.030
  • AND TEN YEAR OLD, I JUST KNEW.
  • 00:40:57.050 --> 00:40:59.030
  • I KNEW THAT WHAT HE WAS TALKING ABOUT I WANTED
  • 00:40:59.050 --> 00:41:01.130
  • TO EXPERIENCE IT.
  • 00:41:01.150 --> 00:41:02.260
  • SO SEVERAL WEEKS AFTER HE HAD LEFT, HE CAME BACK
  • 00:41:02.280 --> 00:41:08.150
  • FOR ANOTHER VISIT, IF I'M REMEMBERING CORRECTLY
  • 00:41:08.170 --> 00:41:10.220
  • AROUND 1970, AND PREACHED ONE MORNING.
  • 00:41:10.240 --> 00:41:13.290
  • AND I REMEMBER THAT'S WHEN I SAID YES, I WANT
  • 00:41:14.010 --> 00:41:16.050
  • JESUS, I WANT TO BE A FOLLOWER OF JESUS.
  • 00:41:16.070 --> 00:41:20.010
  • - THESE GUYS WERE A BLESSING FROM THE
  • 00:41:20.030 --> 00:41:21.140
  • DAY THEY WERE BORN. I MEAN
  • 00:41:21.160 --> 00:41:23.050
  • THEY NEVER, Y'ALL NEVER CAUSED TROUBLE, NOTHING.
  • 00:41:23.070 --> 00:41:25.270
  • - THAT HE KNOWS ABOUT.
  • 00:41:25.290 --> 00:41:27.000
  • - THAT HE KNOWS ABOUT!
  • 00:41:27.020 --> 00:41:28.110
  • [LAUGHTER]
  • 00:41:28.130 --> 00:41:30.130
  • - WE HUNTED AND WE FISHED AND SANG
  • 00:41:30.150 --> 00:41:32.120
  • SONGS IN THE PRISON.
  • 00:41:32.140 --> 00:41:34.170
  • - WE USED TO GO TO THE STATE PRISON.
  • 00:41:34.190 --> 00:41:37.130
  • - BUT THANKS TO YOU,
  • 00:41:37.150 --> 00:41:40.010
  • BUT WE WOULD CHANGE AND RECONSTRUCT LYRICS TO ALL
  • 00:41:40.030 --> 00:41:42.190
  • THESE MIDDLE OF THE ROAD POP SONGS, ALL THE TUNES
  • 00:41:42.210 --> 00:41:47.290
  • THAT WERE POPULAR AT THE TIME, AND WE'D CHANGE
  • 00:41:48.010 --> 00:41:50.030
  • I BELIEVE IN MUSIC, I BELIEVE IN JESUS,
  • 00:41:50.050 --> 00:41:52.070
  • AND WE WOULD KIND OF DO IT COVERTLY.
  • 00:41:52.090 --> 00:41:53.280
  • WE'D BE AT THE END OF A LIONS CLUB AND HAVE
  • 00:41:54.000 --> 00:41:57.260
  • SOMEBODY COME UP AND SAY I LIKED WHAT YOU DID
  • 00:41:57.280 --> 00:42:01.110
  • THERE, TELL ME MORE.
  • 00:42:01.130 --> 00:42:02.190
  • AND I COULD JUST SEE EVEN WITH THAT, AND WE WEREN'T
  • 00:42:02.210 --> 00:42:05.190
  • IN YOUR FACE WITH IT, BUT JUST LITTLE CHANGES,
  • 00:42:05.210 --> 00:42:07.210
  • LITTLE TWEAKS HERE AND THERE, AND IT WAS REALLY
  • 00:42:07.230 --> 00:42:10.180
  • NEAT BECAUSE I COULD EVEN TELL THEN WE HAD A LADY
  • 00:42:10.200 --> 00:42:13.050
  • COME UP AFTER A CONCERT ONE NIGHT, AND I REMEMBER
  • 00:42:13.070 --> 00:42:15.280
  • AS CLEAR AS YESTERDAY, AND SHE SAID IF YOU BOYS
  • 00:42:16.000 --> 00:42:19.080
  • WILL CONTINUE TO SHARE THE WAY YOU SHARE CHRIST,
  • 00:42:19.100 --> 00:42:23.160
  • SOMEDAY YOUR PLATFORM WILL BE SO BIG.
  • 00:42:23.180 --> 00:42:27.260
  • IT'S JUST A PROPHECY OF WHAT TRUE TO WHAT YOUR
  • 00:42:27.280 --> 00:42:30.280
  • HEART AND THE SPIRIT HAD LED STEVEN AND MYSELF TO
  • 00:42:31.000 --> 00:42:35.140
  • BEGIN THAT, AND THANKS TO DAD MOVING IN THAT
  • 00:42:35.160 --> 00:42:39.170
  • DIRECTION TOWARD CHRIST WHOLEHEARTEDLY,
  • 00:42:39.190 --> 00:42:42.190
  • I THINK IT HAS BORNE FRUIT.
  • 00:42:42.210 --> 00:42:44.260
  • - HOW SPECIAL IS THIS? THIS IS AMAZING.
  • 00:42:44.280 --> 00:42:47.230
  • - IT'S GREAT.
  • 00:42:47.250 --> 00:42:48.290
  • - I MEAN I'M BLESSED.
  • 00:42:49.010 --> 00:42:50.100
  • I WAS WATCHING, HE WAS OVER PLAYING THOSE BIG
  • 00:42:50.120 --> 00:42:53.150
  • AMAZING CHORDS AND MADE ME WANT TO TAKE MY GUITAR
  • 00:42:53.170 --> 00:42:57.090
  • AND STOMP OUT THE FIRE. I WISH I COULD DO THAT.
  • 00:42:57.110 --> 00:43:03.260
  • AND I'M THINKING WHERE DID ALL THAT COME FROM?
  • 00:43:03.280 --> 00:43:07.010
  • PASS IT DOWN. IT'S AMAZING.
  • 00:43:07.030 --> 00:43:10.180
  • AND I'M GETTING TO SHARE THIS MOMENT WITH YOU GUYS.
  • 00:43:10.200 --> 00:43:13.280
  • THANK YOU SO VERY MUCH.
  • 00:43:14.000 --> 00:43:16.000
  • - THANK YOU FOR HAVING US.
  • 00:43:16.020 --> 00:43:18.060
  • I'VE BEEN WATCHING YOU FOR A LONG TIME BUDDY.
  • 00:43:18.080 --> 00:43:21.100
  • NOT REAL LONG 'CUZ YOU'RE NOT THAT OLD.
  • 00:43:21.120 --> 00:43:23.080
  • - WELL, I'M FEELING A LOT OF HAIR DYE, A LOT OF
  • 00:43:23.100 --> 00:43:27.270
  • HAIR DYE. BUT IT'S STILL PEEKING THROUGH,
  • 00:43:27.290 --> 00:43:30.250
  • YOU KNOW WHAT I'M SAYING? HELP ME JESUS.
  • 00:43:30.270 --> 00:43:33.080
  • I REMEMBER GOING IN TO THE STUDIO THERE, AND I
  • 00:43:33.100 --> 00:43:38.050
  • LOOKED UP ON THE WALL AND SAW ALL THE DOVES, AND I
  • 00:43:38.070 --> 00:43:41.140
  • THOUGHT MAN THIS IS WHERE THEY RECORDED THIS.
  • 00:43:41.160 --> 00:43:44.220
  • WOULDN'T I LOVE TO HAVE BEEN A FLY ON THE WALL
  • 00:43:44.240 --> 00:43:49.140
  • AND GOT JUST A LITTLE GLIMPSE OF WHAT WAS GOING
  • 00:43:49.160 --> 00:43:53.270
  • ON. I WOULD HAVE LOVED TO JUST HELD Y'ALL'S
  • 00:43:53.290 --> 00:43:55.160
  • WATERS OR SOMETHING.
  • 00:43:55.180 --> 00:43:58.080
  • NEXT TIME YOU'LL HAVE TO CALL ME, OKAY?
  • 00:43:58.100 --> 00:44:00.030
  • - WE WILL.
  • 00:44:00.050 --> 00:44:01.230
  • - BUT WE DO HAVE JUST A LITTLE BIT OF THE VIDEO
  • 00:44:01.250 --> 00:44:06.040
  • HERE. I WANT YOU TO CHECK THIS OUT.
  • 00:44:06.060 --> 00:44:08.280
  • [MUSIC]
  • 00:44:09.000 --> 00:44:15.030
  • - CURTIS: WE HAVE BEEN HERE IN MY STUDIO RECORDING
  • 00:44:15.050 --> 00:44:19.150
  • AND TRYING TO RECAPTURE A LOT OF WHAT HAPPENED
  • 00:44:19.170 --> 00:44:24.150
  • IN MY GROWING UP YEARS, LEARNING MUSIC,
  • 00:44:24.170 --> 00:44:28.110
  • LEARNING TO LOVE MUSIC.
  • 00:44:28.130 --> 00:44:30.070
  • IF YOU WANT TO CHANGE THE OVERALL VOLUME,
  • 00:44:30.090 --> 00:44:32.290
  • IT'S RIGHT THERE.
  • 00:44:33.010 --> 00:44:34.210
  • - TRY IT AGAIN.
  • 00:44:34.230 --> 00:44:36.000
  • - YOU NEED MORE GUITAR?
  • 00:44:36.020 --> 00:44:37.110
  • - YA, I PUSH IT AND I TURN UP THE OUTPUT, CORRECT?
  • 00:44:37.130 --> 00:44:40.070
  • I SEE...
  • 00:44:40.090 --> 00:44:41.200
  • - STILL DON'T HAVE ENOUGH OF DAD.
  • 00:44:41.220 --> 00:44:43.080
  • HE'S STILL QUITE A BIT SMALLER.
  • 00:44:43.100 --> 00:44:44.180
  • MORNING BY MORNING...
  • 00:44:44.200 --> 00:44:46.190
  • - DAD, YOU ALL RIGHT?
  • 00:44:46.210 --> 00:44:49.010
  • FEELS LIKE WE GOT A LITTLE AHEAD TOWARDS
  • 00:44:49.030 --> 00:44:50.140
  • THE END AGAIN.
  • 00:44:50.160 --> 00:44:52.050
  • ONE MORE TIME.
  • 00:44:52.070 --> 00:44:53.070
  • VICTORY IN JESUS...
  • 00:44:53.090 --> 00:44:54.190
  • MY SAVIOR FOREVER...
  • 00:44:54.210 --> 00:44:58.030
  • AND I GO FOREVER AND I GO FOREVER.
  • 00:44:58.050 --> 00:45:01.150
  • SAVIOR FOREVER...
  • 00:45:01.170 --> 00:45:06.200
  • THERE YOU GO.
  • 00:45:06.220 --> 00:45:07.220
  • NEVER MIND. I WAS WRONG.
  • 00:45:07.240 --> 00:45:08.270
  • - WE WERE RIGHT, WEREN'T WE? TELL US.
  • 00:45:08.290 --> 00:45:10.120
  • - YOU WERE RIGHT. I TOLD YA.
  • 00:45:10.140 --> 00:45:11.140
  • - SAY IT AGAIN.
  • 00:45:11.160 --> 00:45:12.220
  • - WERE WE ALL RIGHT?
  • 00:45:12.240 --> 00:45:14.060
  • [LAUGHING]
  • 00:45:14.080 --> 00:45:15.220
  • EITHER WAY I LIKE THAT MELODY AT THE END OF IT.
  • 00:45:15.240 --> 00:45:18.220
  • RUNS ME TO VICTORY,
  • 00:45:18.240 --> 00:45:20.240
  • BENEATH THE CLEANSING BLOOD...
  • 00:45:20.260 --> 00:45:23.190
  • IT'S JUST A LITTLE DIFFERENT MELODY
  • 00:45:23.210 --> 00:45:25.180
  • BENEATH THE CLEANSING BLOOD...
  • 00:45:25.200 --> 00:45:27.280
  • GREAT IS THY FAITHFULNESS...
  • 00:45:28.000 --> 00:45:32.230
  • LORD UNTO THEE...
  • 00:45:32.250 --> 00:45:40.190
  • [APPLAUSE]
  • 00:45:41.260 --> 00:45:45.270
  • - WHAT AN AMAZING NIGHT!
  • 00:45:45.290 --> 00:45:47.290
  • LADIES AND GENTLEMEN, I WANT YOU TO MAKE WELCOME
  • 00:45:48.010 --> 00:45:49.280
  • TO THE STAGE STEVEN CURTIS CHAPMAN,
  • 00:45:50.000 --> 00:45:53.000
  • HERB SENIOR, AND HERB JUNIOR CHAPMAN.
  • 00:45:53.020 --> 00:45:56.150
  • COME ON!
  • 00:45:56.170 --> 00:45:57.240
  • [APPLAUSE]
  • 00:45:57.260 --> 00:46:04.290
  • [GUITAR]
  • 00:46:05.010 --> 00:46:13.110
  • AS I LOOK BACK ON THIS ROAD OF TRAVEL...
  • 00:46:13.130 --> 00:46:20.080
  • I SEE SO MANY TIMES HE'S CARRIED ME THROUGH...
  • 00:46:20.100 --> 00:46:26.110
  • AND IF THERE'S ONE THING THAT I'VE
  • 00:46:26.130 --> 00:46:28.240
  • LEARNED IN MY LIFE...
  • 00:46:28.260 --> 00:46:31.260
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:46:31.280 --> 00:46:37.290
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:46:38.010 --> 00:46:44.080
  • AND EVERYTHING HE HAS SAID HE WILL DO...
  • 00:46:44.100 --> 00:46:50.180
  • AND EVERY MORNING HIS MERCIES ARE NEW...
  • 00:46:50.200 --> 00:46:57.210
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:46:57.230 --> 00:47:05.030
  • MY HEART REJOICES WHEN I READ THE PROMISE...
  • 00:47:08.210 --> 00:47:14.110
  • THERE'S A PLACE THAT I'M PREPARING FOR YOU...
  • 00:47:14.130 --> 00:47:20.140
  • I KNOW SOMEDAY I'LL SEE MY LORD FACE-TO-FACE...
  • 00:47:20.160 --> 00:47:25.220
  • 'CAUSE MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:47:25.240 --> 00:47:31.230
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:47:31.250 --> 00:47:38.070
  • EVERYTHING HE HAS SAID, HE WILL DO...
  • 00:47:38.090 --> 00:47:44.110
  • AND EVERY MORNING...
  • 00:47:44.130 --> 00:47:46.130
  • HIS MERCIES ARE NEW...
  • 00:47:46.150 --> 00:47:51.140
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:47:51.160 --> 00:47:57.210
  • AND IN EVERY SITUATION...
  • 00:47:57.230 --> 00:48:01.090
  • HE HAS PROVED HIS LOVE FOR ME...
  • 00:48:01.110 --> 00:48:04.030
  • WHEN I LACK THE UNDERSTANDING...
  • 00:48:04.050 --> 00:48:07.110
  • HE GIVES MORE GRACE TO ME...
  • 00:48:07.130 --> 00:48:14.290
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:48:15.010 --> 00:48:21.290
  • EVERYTHING HE HAS SAID HE WILL DO...
  • 00:48:22.010 --> 00:48:28.090
  • AND EVERY MORNING HIS MERCIES ARE NEW...
  • 00:48:28.110 --> 00:48:35.080
  • MY REDEEMER IS FAITHFUL AND TRUE...
  • 00:48:35.100 --> 00:48:42.110
  • JESUS IS FAITHFUL AND TRUE
  • 00:48:42.130 --> 00:48:53.130
  • 00:48:53.150 --> 00:48:59.070
  • [APPLAUSE]
  • 00:48:59.090 --> 00:49:05.180
  • [APPLAUSE]
  • 00:49:05.180 --> 00:49:13.060
  • - WE'RE GOING TO DO ONE OF MY FAVORITE SONGS,
  • 00:49:13.080 --> 00:49:17.190
  • ONE OF OURS THAT WE SING A LOT TOGETHER
  • 00:49:17.210 --> 00:49:20.010
  • WAS A GREAT SONG MYLON LE FEVRE WROTE WHEN I THINK
  • 00:49:20.030 --> 00:49:23.160
  • WHEN HE WAS ABOUT 16 YEARS OLD, AND ELVIS HAD
  • 00:49:23.180 --> 00:49:26.250
  • A BIG HIT ALONG WITH A LOT OF FOLKS, BUT THIS IS
  • 00:49:26.270 --> 00:49:30.260
  • ONE THAT WE JUST LOVE TO SING TOGETHER AS A FAMILY
  • 00:49:30.280 --> 00:49:33.150
  • BECAUSE AGAIN, IT WAS AND IS OUR TESTIMONY TOGETHER
  • 00:49:33.170 --> 00:49:38.110
  • WITHOUT HIM, WE CAN DO NOTHING.
  • 00:49:38.130 --> 00:49:40.250
  • - AMEN BROTHER.
  • 00:49:40.270 --> 00:49:42.020
  • - SO DAD, REMEMBER OUR KEY, RIGHT?
  • 00:49:42.040 --> 00:49:46.000
  • WE'VE GOT OUR CHEAT SHEETS 'CAUSE IT'S BEEN
  • 00:49:46.020 --> 00:49:47.210
  • A WHILE SINCE WE DONE.
  • 00:49:47.230 --> 00:49:49.100
  • YOU GOT YOUR CAPO ON?
  • 00:49:49.120 --> 00:49:51.040
  • YOU'RE IN D? YOU READY?
  • 00:49:51.060 --> 00:49:53.210
  • - I THINK WE'RE READY TO GO.
  • 00:49:53.230 --> 00:49:55.090
  • - YES SIR.
  • 00:49:55.110 --> 00:49:56.240
  • [MUSIC]
  • 00:49:56.260 --> 00:50:04.280
  • WITHOUT HIM, I COULD DO NOTHING...
  • 00:50:05.000 --> 00:50:13.140
  • WITHOUT HIM, I'D SURELY FAIL...
  • 00:50:13.160 --> 00:50:22.060
  • WITHOUT HIM, I WOULD BE DRIFTING...
  • 00:50:22.080 --> 00:50:30.210
  • LIKE A SHIP WITHOUT A SAIL...
  • 00:50:30.230 --> 00:50:39.280
  • WITHOUT HIM, I WOULD BE DYING...
  • 00:50:40.000 --> 00:50:48.210
  • WITHOUT HIM I'D BE ENSLAVED...
  • 00:50:48.230 --> 00:50:57.080
  • WITHOUT HIM, LIFE WOULD BE HOPELESS...
  • 00:50:57.100 --> 00:51:05.210
  • BUT WITH JESUS, THANK GOD I'M SAVED...
  • 00:51:05.230 --> 00:51:14.090
  • [GUITAR SOLO]
  • 00:51:14.110 --> 00:51:22.050
  • [GUITAR SOLO]
  • 00:51:22.050 --> 00:51:29.180
  • [APPLAUSE]
  • 00:51:29.200 --> 00:51:35.010
  • [GUITAR]
  • 00:51:35.030 --> 00:51:41.060
  • [GUITAR]
  • 00:51:41.060 --> 00:51:48.260
  • JESUS...
  • 00:51:48.280 --> 00:51:52.100
  • OH, JESUS...
  • 00:51:52.120 --> 00:51:56.180
  • DO YOU KNOW HIM TODAY...
  • 00:51:56.200 --> 00:52:01.000
  • PLEASE DON'T TURN HIM AWAY...
  • 00:52:01.020 --> 00:52:05.070
  • OH, JESUS...
  • 00:52:05.090 --> 00:52:09.170
  • MY JESUS...
  • 00:52:09.190 --> 00:52:14.180
  • WITHOUT HIM, HOW LOST I WOULD BE
  • 00:52:14.200 --> 00:52:27.020
  • [APPLAUSE]
  • 00:52:27.040 --> 00:52:36.230
  • [APPLAUSE]
  • 00:52:36.230 --> 00:52:44.080
  • - DID YOU HEAR THAT?
  • 00:52:44.100 --> 00:52:46.000
  • - I KNOW, I KNOW. I'M TELLING YOU.
  • 00:52:46.020 --> 00:52:49.120
  • HE TAUGHT ME EVERYTHING I KNOW.
  • 00:52:49.140 --> 00:52:52.090
  • - THAT'S SCARY GOOD.
  • 00:52:52.110 --> 00:52:55.130
  • LADIES AND GENTLEMEN, ONE MORE TIME,
  • 00:52:55.150 --> 00:52:58.090
  • YOU'VE GOT TO GET THIS RECORD.
  • 00:52:58.110 --> 00:53:01.290
  • NOW, THEY DO HAVE IT ON CD TOO.
  • 00:53:02.010 --> 00:53:03.280
  • - YES, THEY DO.
  • 00:53:04.000 --> 00:53:05.090
  • - AND YOU CAN JUST-- AND CASSETTE.
  • 00:53:05.110 --> 00:53:07.130
  • I DON'T THINK THEY GOT IT ON CASSETTE.
  • 00:53:07.150 --> 00:53:09.150
  • - EIGHT TRACK.
  • 00:53:09.170 --> 00:53:10.170
  • - EIGHT TRACK IS ON ITS WAY BACK!
  • 00:53:10.190 --> 00:53:11.260
  • EIGHT TRACK IS ON ITS WAY BACK BABY!
  • 00:53:11.280 --> 00:53:14.000
  • - SAY IT ISN'T SO.
  • 00:53:14.020 --> 00:53:15.120
  • [APPLAUSE]
  • 00:53:15.140 --> 00:53:18.220
  • - WE CAN ONLY HOPE NOT, BUT HERE'S WHAT I WILL
  • 00:53:18.240 --> 00:53:22.220
  • SAY, PLEASE DO YOURSELF A FAVOR AND GO OUT AND GET
  • 00:53:22.240 --> 00:53:25.060
  • THIS. GUYS, YOU SOUND AMAZING.
  • 00:53:25.080 --> 00:53:27.100
  • THE HARMONY, HERB, IS FANTASTIC.
  • 00:53:27.120 --> 00:53:30.130
  • THANK Y'ALL SO VERY MUCH FOR LETTING ME BE
  • 00:53:30.150 --> 00:53:32.140
  • A PART OF THIS DAY.
  • 00:53:32.160 --> 00:53:34.220
  • THANK YOU SO VERY MUCH FOR SHARING YOUR HEART
  • 00:53:34.240 --> 00:53:38.050
  • AND YOUR LOVE AND TO THESE GUYS.
  • 00:53:38.070 --> 00:53:41.040
  • I JUST FEEL OVERWHELMED TONIGHT.
  • 00:53:41.060 --> 00:53:43.240
  • - THANK YOU SO MUCH. I APPRECIATE YOU SO MUCH.
  • 00:53:43.260 --> 00:53:46.260
  • - IF THERE'S ONE THING TONIGHT THAT YOU WOULD
  • 00:53:46.280 --> 00:53:49.240
  • LIKE TO TELL EVERYONE THAT IS WATCHING THAT IS
  • 00:53:49.260 --> 00:53:53.140
  • LISTENING, WHAT WOULD YOU SAY TO THEM?
  • 00:53:53.160 --> 00:53:55.240
  • - WELL, I WOULD SAY SEEK YE FIRST OF THE KINGDOM OF
  • 00:53:55.260 --> 00:53:58.210
  • GOD AND HIS RIGHTEOUSNESS AND ALL THESE THINGS SHALL BE
  • 00:53:58.230 --> 00:54:01.080
  • ADDED UNTO YOU, AND THAT'S WHAT I RAISED
  • 00:54:01.100 --> 00:54:03.170
  • THESE GUYS ON.
  • 00:54:03.190 --> 00:54:05.040
  • [APPLAUSE]
  • 00:54:05.060 --> 00:54:11.030
  • - THAT IS IT.
  • 00:54:11.050 --> 00:54:13.040
  • AND IF YOU SEEK HIM FIRST, YOU'LL FIND HIM.
  • 00:54:13.060 --> 00:54:15.210
  • - YEAH, YOU WILL.
  • 00:54:15.230 --> 00:54:17.070
  • - NOW, OKAY, THERE'S ONE THING THAT'S GOT TO
  • 00:54:17.090 --> 00:54:19.290
  • HAPPEN TONIGHT, GUYS.
  • 00:54:20.010 --> 00:54:21.130
  • - YES.
  • 00:54:21.150 --> 00:54:22.230
  • - YOU'VE GOT TO DO THIS. WILL YOU DO THIS FOR ME?
  • 00:54:22.250 --> 00:54:24.270
  • - WE'VE GOT TO DO THIS.
  • 00:54:24.290 --> 00:54:26.040
  • - THIS IS MY VERY FAVORITE SONG.
  • 00:54:26.060 --> 00:54:27.270
  • THIS IS IT.
  • 00:54:27.290 --> 00:54:30.070
  • I'D RATHER HAVE JESUS.
  • 00:54:30.090 --> 00:54:31.170
  • - LET'S DO IT.
  • 00:54:31.190 --> 00:54:32.250
  • - AND THERE'S NOBODY THAT SINGS IT LIKE YOU.
  • 00:54:32.270 --> 00:54:34.090
  • NOBODY SINGS IT LIKE YOU. Y'ALL GET READY.
  • 00:54:34.110 --> 00:54:37.280
  • - NOT AT ALL.
  • 00:54:38.000 --> 00:54:40.020
  • - IT'S THE TRUTH.
  • 00:54:40.040 --> 00:54:41.070
  • - I DIDN'T EVEN WANT TO SING IT BECAUSE
  • 00:54:41.090 --> 00:54:42.080
  • I HEAR YOU SING IT.
  • 00:54:42.100 --> 00:54:43.200
  • [LAUGHTER]
  • 00:54:43.220 --> 00:54:45.070
  • - SING THIS SONG!
  • 00:54:45.090 --> 00:54:46.270
  • [MUSIC]
  • 00:54:46.290 --> 00:54:53.270
  • I'D RATHER HAVE JESUS THAN SILVER OR GOLD...
  • 00:54:53.290 --> 00:55:02.180
  • AND I'D RATHER BE HIS THAN HAVE RICHES UNTOLD...
  • 00:55:02.200 --> 00:55:11.020
  • AND I'D RATHER HAVE JESUS THAN HOUSES OR LAND...
  • 00:55:11.040 --> 00:55:19.210
  • I'D RATHER BE LED BY HIS NAIL PIERCED HAND...
  • 00:55:19.230 --> 00:55:28.000
  • THAN TO BE THE KING OF A VAST DOMAIN...
  • 00:55:28.020 --> 00:55:36.280
  • AND BE HELD IN SIN'S DREAD SWAY...
  • 00:55:37.000 --> 00:55:46.040
  • AND I'D RATHER HAVE MY JESUS THAN ANYTHING...
  • 00:55:46.060 --> 00:55:54.210
  • THIS WORLD AFFORDS TODAY...
  • 00:55:54.230 --> 00:56:03.250
  • I'D RATHER HAVE JESUS THAN MAN'S APPLAUSE...
  • 00:56:03.270 --> 00:56:12.290
  • I'D RATHER BE FAITHFUL TO HIS DEAR CAUSE...
  • 00:56:13.010 --> 00:56:20.190
  • I'D RATHER HAVE JESUS THAN WORLDWIDE FAME...
  • 00:56:20.210 --> 00:56:29.170
  • OH, I'D RATHER BE TRUE TO HIS HOLY NAME...
  • 00:56:29.190 --> 00:56:37.240
  • THAN TO BE THE KING OF A VAST DOMAIN...
  • 00:56:37.260 --> 00:56:46.160
  • AND BE HELD IN SIN'S DREAD SWAY...
  • 00:56:46.180 --> 00:56:55.220
  • AND I'D RATHER HAVE MY JESUS THAN ANYTHING...
  • 00:56:55.240 --> 00:57:04.170
  • THIS WORLD AFFORDS TODAY
  • 00:57:04.190 --> 00:57:17.030
  • [APPLAUSE]
  • 00:57:17.050 --> 00:57:21.110
  • - THANK YOU.
  • 00:57:21.130 --> 00:57:23.070
  • THANK YOU ALL.
  • 00:57:23.090 --> 00:57:24.270
  • [APPLAUSE]
  • 00:57:24.290 --> 00:57:29.020
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